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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA1AD0 it is the complementary color #45E52F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA1AD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA1AD0 shade: #BF1ACB, #D02CDE, #E13EF1, #F250FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA1AD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA1AD0 shade: #BA1AD0, #A908BD, #9800AA, #870097 and #760084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA1AD0 shade: #BA19D0, #D019B5, #D01984, #D01952 and #D01921

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA1AD0 shade: #BA19D0, #8919D0, #5719D0, #2619D0 and #1919D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA1AD0 shade matches the following richer shades: #BA19D0 and #C906E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA1AD0 shade: #BA19D0, #AC2CBD, #9D3FAA, #8F5297 and #816584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA1AD0 shade: #5619D0, #8719D0, #B819D0, #D019B8 and #D01987

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA1AD0 shade: #791087, #9915AC, #BA19D0, #CF2EE5 and #D753E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA1AD0 shade: #BA1AD0, #D02619 and #19D06F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA1AD0 shade: #BA1AD0, #D0B819 and #19D0B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA1AD0 shade: #BA1AD0, #D02619, #32D019 and #19C4D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA1AD0 shade: #BA1AD0, #D05C19, #32D019 and #198DD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 88 / 0 / 18

HEX #BA1AD0

RGB 186 26 208

HSL 292.75, 0.78%, 0.46%

LAB 46.62, 77.93, -56.93

 

Complementary color

CMYK 70 / 0 / 79 / 10

HEX #45E52F

RGB 69 229 47

HSL 112.75, 0.78%, 0.54%

LAB 80.47, -71.67, 70.01

 

CMYK 6 / 87 / 0 / 20

HEX #BF1ACB

RGB 191 26 203

HSL 295.93, 0.77%, 0.45%

LAB 47.14, 77.96, -53.16

 

CMYK 6 / 80 / 0 / 13

HEX #D02CDE

RGB 208 44 222

HSL 295.28, 0.73%, 0.52%

LAB 52.38, 80.25, -55.49

 

CMYK 7 / 74 / 0 / 5

HEX #E13EF1

RGB 225 62 241

HSL 294.64, 0.86%, 0.59%

LAB 57.85, 81.64, -57.28

 

CMYK 5 / 69 / 0 / 0

HEX #F250FF

RGB 242 80 255

HSL 295.54, 1%, 0.66%

LAB 63.21, 81.56, -56.36

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 11 / 88 / 0 / 18

HEX #BA1AD0

RGB 186 26 208

HSL 292.75, 0.78%, 0.46%

LAB 46.62, 77.93, -56.93

 

CMYK 11 / 96 / 0 / 26

HEX #A908BD

RGB 169 8 189

HSL 293.37, 0.92%, 0.39%

LAB 41.66, 74.5, -54.02

 

CMYK 11 / 100 / 0 / 33

HEX #9800AA

RGB 152 0 170

HSL 293.65, 1%, 0.33%

LAB 37.07, 69.64, -50.3

 

CMYK 11 / 100 / 0 / 41

HEX #870097

RGB 135 0 151

HSL 293.64, 1%, 0.3%

LAB 32.67, 63.85, -46.06

 

CMYK 11 / 100 / 0 / 48

HEX #760084

RGB 118 0 132

HSL 293.64, 1%, 0.26%

LAB 28.16, 57.92, -41.72

 

CMYK 11 / 88 / 0 / 18

HEX #BA19D0

RGB 186 25 208

HSL 292.79, 0.79%, 0.46%

LAB 46.56, 78.1, -57.02

 

CMYK 0 / 88 / 13 / 18

HEX #D019B5

RGB 208 25 181

HSL 308.85, 0.79%, 0.46%

LAB 48.81, 78, -37.51

 

CMYK 0 / 88 / 37 / 18

HEX #D01984

RGB 208 25 132

HSL 324.92, 0.79%, 0.46%

LAB 46.67, 72.27, -11.51

 

CMYK 0 / 88 / 61 / 18

HEX #D01952

RGB 208 25 82

HSL 341.31, 0.79%, 0.46%

LAB 45.24, 68.26, 17.34

 

CMYK 0 / 88 / 84 / 18

HEX #D01921

RGB 208 25 33

HSL 357.38, 0.79%, 0.46%

LAB 44.54, 66.25, 45.49

 

CMYK 11 / 88 / 0 / 18

HEX #BA19D0

RGB 186 25 208

HSL 292.79, 0.79%, 0.46%

LAB 46.56, 78.1, -57.02

 

CMYK 34 / 88 / 0 / 18

HEX #8919D0

RGB 137 25 208

HSL 276.72, 0.79%, 0.46%

LAB 38.84, 70.83, -69.91

 

CMYK 58 / 88 / 0 / 18

HEX #5719D0

RGB 87 25 208

HSL 260.33, 0.79%, 0.46%

LAB 32.43, 65.39, -80.71

 

CMYK 82 / 88 / 0 / 18

HEX #2619D0

RGB 38 25 208

HSL 244.26, 0.79%, 0.46%

LAB 28.54, 62.5, -87.27

 

CMYK 88 / 88 / 0 / 18

HEX #1919D0

RGB 25 25 208

HSL 240, 0.79%, 0.46%

LAB 28, 62.12, -88.19

 

CMYK 11 / 88 / 0 / 18

HEX #BA19D0

RGB 186 25 208

HSL 292.79, 0.79%, 0.46%

LAB 46.56, 78.1, -57.02

 

CMYK 11 / 97 / 0 / 11

HEX #C906E3

RGB 201 6 227

HSL 292.94, 0.95%, 0.46%

LAB 49.61, 85.6, -62.85

 

CMYK 11 / 88 / 0 / 18

HEX #BA19D0

RGB 186 25 208

HSL 292.79, 0.79%, 0.46%

LAB 46.56, 78.1, -57.02

 

CMYK 9 / 77 / 0 / 26

HEX #AC2CBD

RGB 172 44 189

HSL 292.97, 0.62%, 0.46%

LAB 44.58, 67.95, -49.29

 

CMYK 8 / 63 / 0 / 33

HEX #9D3FAA

RGB 157 63 170

HSL 292.71, 0.46%, 0.46%

LAB 43.69, 54.01, -39.67

 

CMYK 5 / 46 / 0 / 41

HEX #8F5297

RGB 143 82 151

HSL 293.04, 0.3%, 0.46%

LAB 44.39, 36.76, -27.38

 

CMYK 2 / 23 / 0 / 48

HEX #816584

RGB 129 101 132

HSL 294.19, 0.13%, 0.46%

LAB 46.5, 17.06, -12.9

 

CMYK 59 / 88 / 0 / 18

HEX #5619D0

RGB 86 25 208

HSL 260, 0.79%, 0.46%

LAB 32.32, 65.31, -80.88

 

CMYK 35 / 88 / 0 / 18

HEX #8719D0

RGB 135 25 208

HSL 276.07, 0.79%, 0.46%

LAB 38.55, 70.57, -70.4

 

CMYK 12 / 88 / 0 / 18

HEX #B819D0

RGB 184 25 208

HSL 292.13, 0.79%, 0.46%

LAB 46.23, 77.78, -57.58

 

CMYK 0 / 88 / 12 / 18

HEX #D019B8

RGB 208 25 184

HSL 307.87, 0.79%, 0.46%

LAB 48.97, 78.4, -39.03

 

CMYK 0 / 88 / 35 / 18

HEX #D01987

RGB 208 25 135

HSL 323.93, 0.79%, 0.46%

LAB 46.78, 72.57, -13.17

 

CMYK 10 / 88 / 0 / 47

HEX #791087

RGB 121 16 135

HSL 292.94, 0.79%, 0.3%

LAB 29.87, 56.15, -40.81

 

CMYK 11 / 88 / 0 / 33

HEX #9915AC

RGB 153 21 172

HSL 292.45, 0.78%, 0.38%

LAB 38.35, 67.28, -49.43

 

CMYK 11 / 88 / 0 / 18

HEX #BA19D0

RGB 186 25 208

HSL 292.79, 0.79%, 0.46%

LAB 46.56, 78.1, -57.02

 

CMYK 10 / 80 / 0 / 10

HEX #CF2EE5

RGB 207 46 229

HSL 292.79, 0.78%, 0.54%

LAB 52.81, 80.72, -58.77

 

CMYK 8 / 64 / 0 / 9

HEX #D753E9

RGB 215 83 233

HSL 292.8, 0.77%, 0.62%

LAB 58.52, 70.84, -51.83

 

CMYK 11 / 88 / 0 / 18

HEX #BA1AD0

RGB 186 26 208

HSL 292.75, 0.78%, 0.46%

LAB 46.62, 77.93, -56.93

 

CMYK 0 / 82 / 88 / 18

HEX #D02619

RGB 208 38 25

HSL 4.26, 0.79%, 0.46%

LAB 45.45, 63.33, 50.09

 

CMYK 88 / 0 / 47 / 18

HEX #19D06F

RGB 25 208 111

HSL 148.2, 0.79%, 0.46%

LAB 73.85, -63.42, 36.41

 

CMYK 11 / 88 / 0 / 18

HEX #BA1AD0

RGB 186 26 208

HSL 292.75, 0.78%, 0.46%

LAB 46.62, 77.93, -56.93

 

CMYK 0 / 12 / 88 / 18

HEX #D0B819

RGB 208 184 25

HSL 52.13, 0.79%, 0.46%

LAB 74.67, -6.02, 73.08

 

CMYK 88 / 0 / 12 / 18

HEX #19D0B8

RGB 25 208 184

HSL 172.13, 0.79%, 0.46%

LAB 75.31, -47.18, 0.02

 

CMYK 11 / 88 / 0 / 18

HEX #BA1AD0

RGB 186 26 208

HSL 292.75, 0.78%, 0.46%

LAB 46.62, 77.93, -56.93

 

CMYK 0 / 82 / 88 / 18

HEX #D02619

RGB 208 38 25

HSL 4.26, 0.79%, 0.46%

LAB 45.45, 63.33, 50.09

 

CMYK 76 / 0 / 88 / 18

HEX #32D019

RGB 50 208 25

HSL 111.8, 0.79%, 0.46%

LAB 73.45, -69.35, 68.74

 

CMYK 88 / 6 / 0 / 18

HEX #19C4D0

RGB 25 196 208

HSL 183.93, 0.79%, 0.46%

LAB 72.39, -34.88, -17.34

 

CMYK 11 / 88 / 0 / 18

HEX #BA1AD0

RGB 186 26 208

HSL 292.75, 0.78%, 0.46%

LAB 46.62, 77.93, -56.93

 

CMYK 0 / 56 / 88 / 18

HEX #D05C19

RGB 208 92 25

HSL 21.97, 0.79%, 0.46%

LAB 53.1, 42.66, 56.05

 

CMYK 76 / 0 / 88 / 18

HEX #32D019

RGB 50 208 25

HSL 111.8, 0.79%, 0.46%

LAB 73.45, -69.35, 68.74

 

CMYK 88 / 32 / 0 / 18

HEX #198DD0

RGB 25 141 208

HSL 201.97, 0.79%, 0.46%

LAB 55.9, -6.15, -42.83

 

Description

Color code: HEX #BA1AD0 | qconv.com Color code: HEX #BA1AD0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 26 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 26 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 88 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 88% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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