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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCFC44 it is the complementary color #4303BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCFC44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCFC44 shade: #C1FC3F, #D2FF52, #E3FF65, #F4FF78 and #FFFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCFC44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCFC44 shade: #BCFC44, #ABEA31, #9AD81E, #89C60B and #78B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCFC44 shade: #BCFC45, #EDFC45, #FCD945, #FCA745 and #FC7645

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCFC44 shade: #BCFC45, #8BFC45, #59FC45, #45FC61 and #45FC93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCFC44 shade matches the following richer shades: #BCFC45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCFC44 shade: #BCFC45, #B7EC54, #B3DD63, #AECE72 and #A9BF82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCFC44 shade: #FCD745, #EFFC45, #BFFC45, #8EFC45 and #5DFC45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCFC44 shade: #9AEB03, #ADFB1C, #BCFC45, #CBFC6D and #D9FD96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCFC44 shade: #BCFC44, #45FCA6 and #EF45FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCFC44 shade: #BCFC44, #45BFFC and #FC45BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCFC44 shade: #BCFC44, #45FCA6, #8245FC and #FC459A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCFC44 shade: #BCFC44, #45FCDD, #8245FC and #FC4563

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 73 / 1

HEX #BCFC44

RGB 188 252 68

HSL 80.87, 0.97%, 0.63%

LAB 92.01, -44.93, 76.32

 

Complementary color

CMYK 64 / 98 / 0 / 27

HEX #4303BB

RGB 67 3 187

HSL 260.87, 0.97%, 0.37%

LAB 26.29, 63.69, -78.61

 

CMYK 23 / 0 / 75 / 1

HEX #C1FC3F

RGB 193 252 63

HSL 78.73, 0.97%, 0.62%

LAB 92.27, -43.33, 78.23

 

CMYK 18 / 0 / 68 / 0

HEX #D2FF52

RGB 210 255 82

HSL 75.61, 1%, 0.66%

LAB 94.24, -37.24, 74.18

 

CMYK 11 / 0 / 60 / 0

HEX #E3FF65

RGB 227 255 101

HSL 70.91, 1%, 0.7%

LAB 95.49, -29.5, 68.51

 

CMYK 4 / 0 / 53 / 0

HEX #F4FF78

RGB 244 255 120

HSL 64.89, 1%, 0.74%

LAB 96.86, -21.47, 62.29

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC44

RGB 188 252 68

HSL 80.87, 0.97%, 0.63%

LAB 92.01, -44.93, 76.32

 

CMYK 27 / 0 / 79 / 8

HEX #ABEA31

RGB 171 234 49

HSL 80.43, 0.81%, 0.55%

LAB 85.87, -44.34, 75.88

 

CMYK 29 / 0 / 86 / 15

HEX #9AD81E

RGB 154 216 30

HSL 80, 0.76%, 0.48%

LAB 79.66, -43.59, 74.56

 

CMYK 31 / 0 / 94 / 22

HEX #89C60B

RGB 137 198 11

HSL 79.57, 0.89%, 0.41%

LAB 73.37, -42.64, 71.99

 

CMYK 33 / 0 / 100 / 29

HEX #78B400

RGB 120 180 0

HSL 80, 1%, 0.35%

LAB 67, -41.45, 67.84

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC45

RGB 188 252 69

HSL 80.98, 0.97%, 0.63%

LAB 92.02, -44.87, 76

 

CMYK 6 / 0 / 73 / 1

HEX #EDFC45

RGB 237 252 69

HSL 64.92, 0.97%, 0.63%

LAB 95.18, -25.97, 80.14

 

CMYK 0 / 14 / 73 / 1

HEX #FCD945

RGB 252 217 69

HSL 48.52, 0.97%, 0.63%

LAB 87.36, -2.7, 73.1

 

CMYK 0 / 34 / 73 / 1

HEX #FCA745

RGB 252 167 69

HSL 32.13, 0.97%, 0.63%

LAB 75.3, 23.2, 61.15

 

CMYK 0 / 53 / 73 / 1

HEX #FC7645

RGB 252 118 69

HSL 16.07, 0.97%, 0.63%

LAB 65.03, 48.08, 50.4

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC45

RGB 188 252 69

HSL 80.98, 0.97%, 0.63%

LAB 92.02, -44.87, 76

 

CMYK 45 / 0 / 73 / 1

HEX #8BFC45

RGB 139 252 69

HSL 97.05, 0.97%, 0.63%

LAB 89.65, -61.3, 72.87

 

CMYK 65 / 0 / 73 / 1

HEX #59FC45

RGB 89 252 69

HSL 113.44, 0.97%, 0.63%

LAB 88.05, -73.79, 70.76

 

CMYK 73 / 0 / 62 / 1

HEX #45FC61

RGB 69 252 97

HSL 129.18, 0.97%, 0.63%

LAB 87.85, -74.74, 59.8

 

CMYK 73 / 0 / 42 / 1

HEX #45FC93

RGB 69 252 147

HSL 145.57, 0.97%, 0.63%

LAB 88.44, -67.75, 37.49

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC45

RGB 188 252 69

HSL 80.98, 0.97%, 0.63%

LAB 92.02, -44.87, 76

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC45

RGB 188 252 69

HSL 80.98, 0.97%, 0.63%

LAB 92.02, -44.87, 76

 

CMYK 22 / 0 / 64 / 7

HEX #B7EC54

RGB 183 236 84

HSL 80.92, 0.8%, 0.63%

LAB 87.34, -38.79, 65.75

 

CMYK 19 / 0 / 55 / 13

HEX #B3DD63

RGB 179 221 99

HSL 80.66, 0.64%, 0.63%

LAB 83.02, -32.26, 54.53

 

CMYK 16 / 0 / 45 / 19

HEX #AECE72

RGB 174 206 114

HSL 80.87, 0.48%, 0.63%

LAB 78.67, -25.52, 42.13

 

CMYK 12 / 0 / 32 / 25

HEX #A9BF82

RGB 169 191 130

HSL 81.64, 0.32%, 0.63%

LAB 74.39, -17.98, 28.36

 

CMYK 0 / 15 / 73 / 1

HEX #FCD745

RGB 252 215 69

HSL 47.87, 0.97%, 0.63%

LAB 86.86, -1.69, 72.62

 

CMYK 5 / 0 / 73 / 1

HEX #EFFC45

RGB 239 252 69

HSL 64.26, 0.97%, 0.63%

LAB 95.33, -25.17, 80.33

 

CMYK 24 / 0 / 73 / 1

HEX #BFFC45

RGB 191 252 69

HSL 80, 0.97%, 0.63%

LAB 92.19, -43.77, 76.23

 

CMYK 44 / 0 / 73 / 1

HEX #8EFC45

RGB 142 252 69

HSL 96.07, 0.97%, 0.63%

LAB 89.77, -60.39, 73.04

 

CMYK 63 / 0 / 73 / 1

HEX #5DFC45

RGB 93 252 69

HSL 112.13, 0.97%, 0.63%

LAB 88.15, -72.99, 70.89

 

CMYK 34 / 0 / 99 / 8

HEX #9AEB03

RGB 154 235 3

HSL 80.95, 0.97%, 0.47%

LAB 85.15, -51.98, 82.35

 

CMYK 31 / 0 / 89 / 2

HEX #ADFB1C

RGB 173 251 28

HSL 80.99, 0.97%, 0.55%

LAB 90.76, -51.4, 84.57

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC45

RGB 188 252 69

HSL 80.98, 0.97%, 0.63%

LAB 92.02, -44.87, 76

 

CMYK 19 / 0 / 57 / 1

HEX #CBFC6D

RGB 203 252 109

HSL 80.56, 0.96%, 0.71%

LAB 93.2, -36.59, 62.17

 

CMYK 14 / 0 / 41 / 1

HEX #D9FD96

RGB 217 253 150

HSL 80.97, 0.96%, 0.79%

LAB 94.82, -27.79, 45.45

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC44

RGB 188 252 68

HSL 80.87, 0.97%, 0.63%

LAB 92.01, -44.93, 76.32

 

CMYK 73 / 0 / 34 / 1

HEX #45FCA6

RGB 69 252 166

HSL 151.8, 0.97%, 0.63%

LAB 88.75, -64.29, 28.43

 

CMYK 5 / 73 / 0 / 1

HEX #EF45FC

RGB 239 69 252

HSL 295.74, 0.97%, 0.63%

LAB 61.34, 84.05, -57.7

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC44

RGB 188 252 68

HSL 80.87, 0.97%, 0.63%

LAB 92.01, -44.93, 76.32

 

CMYK 73 / 24 / 0 / 1

HEX #45BFFC

RGB 69 191 252

HSL 200, 0.97%, 0.63%

LAB 73.26, -14.27, -39.77

 

CMYK 0 / 73 / 24 / 1

HEX #FC45BF

RGB 252 69 191

HSL 320, 0.97%, 0.63%

LAB 60.53, 78.23, -24.5

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC44

RGB 188 252 68

HSL 80.87, 0.97%, 0.63%

LAB 92.01, -44.93, 76.32

 

CMYK 73 / 0 / 34 / 1

HEX #45FCA6

RGB 69 252 166

HSL 151.8, 0.97%, 0.63%

LAB 88.75, -64.29, 28.43

 

CMYK 48 / 73 / 0 / 1

HEX #8245FC

RGB 130 69 252

HSL 260, 0.97%, 0.63%

LAB 47.01, 64.62, -81.57

 

CMYK 0 / 73 / 39 / 1

HEX #FC459A

RGB 252 69 154

HSL 332.13, 0.97%, 0.63%

LAB 59.24, 74.17, -5.03

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC44

RGB 188 252 68

HSL 80.87, 0.97%, 0.63%

LAB 92.01, -44.93, 76.32

 

CMYK 73 / 0 / 12 / 1

HEX #45FCDD

RGB 69 252 221

HSL 169.84, 0.97%, 0.63%

LAB 89.91, -52.03, 1.8

 

CMYK 48 / 73 / 0 / 1

HEX #8245FC

RGB 130 69 252

HSL 260, 0.97%, 0.63%

LAB 47.01, 64.62, -81.57

 

CMYK 0 / 73 / 61 / 1

HEX #FC4563

RGB 252 69 99

HSL 350.16, 0.97%, 0.63%

LAB 57.9, 69.8, 25.4

 

Description

Color code: HEX #BCFC44 | qconv.com Color code: HEX #BCFC44 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 252 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 252 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 73 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 73% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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