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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCF4EE it is the complementary color #430B11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCF4EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCF4EE shade: #C1F4E9, #D2FFFC, #E3FFFF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCF4EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCF4EE shade: #BCF4EE, #ABE2DB, #9AD0C8, #89BEB5 and #78ACA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCF4EE shade: #BDF4EE, #BDF4DF, #BDF4D0, #BDF4C1 and #C7F4BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCF4EE shade: #BDF4EE, #BDEBF4, #BDDCF4, #BDCDF4 and #BDBEF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCF4EE shade matches the following richer shades: #BDF4EE and #B7FAF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCF4EE shade: #BDF4EE, #C3EEE9, #C9E7E4, #CFE1DF and #D5DBDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCF4EE shade: #BDF4D0, #BDF4DF, #BDF4ED, #BDECF4 and #BDDDF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCF4EE shade: #76E8DC, #99EEE5, #BDF4EE and #E0FAF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCF4EE shade: #BCF4EE, #C1BDF4 and #F4D7BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCF4EE shade: #BCF4EE, #EDBDF4 and #F4EDBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCF4EE shade: #BCF4EE, #C1BDF4, #F4BDC3 and #EFF4BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCF4EE shade: #BCF4EE, #D2BDF4, #F4BDC3 and #DFF4BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 2 / 4

HEX #BCF4EE

RGB 188 244 238

HSL 173.57, 0.72%, 0.85%

LAB 92.38, -18.83, -2.91

 

Complementary color

CMYK 0 / 84 / 75 / 74

HEX #430B11

RGB 67 11 17

HSL 353.57, 0.72%, 0.15%

LAB 12.44, 26.83, 11.7

 

CMYK 21 / 0 / 5 / 4

HEX #C1F4E9

RGB 193 244 233

HSL 167.06, 0.7%, 0.86%

LAB 92.54, -18.36, -0.05

 

CMYK 18 / 0 / 1 / 0

HEX #D2FFFC

RGB 210 255 252

HSL 176, 1%, 0.91%

LAB 96.92, -14.83, -3.33

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 23 / 0 / 2 / 4

HEX #BCF4EE

RGB 188 244 238

HSL 173.57, 0.72%, 0.85%

LAB 92.38, -18.83, -2.91

 

CMYK 24 / 0 / 3 / 11

HEX #ABE2DB

RGB 171 226 219

HSL 172.36, 0.49%, 0.78%

LAB 86.09, -18.94, -2.31

 

CMYK 26 / 0 / 4 / 18

HEX #9AD0C8

RGB 154 208 200

HSL 171.11, 0.36%, 0.71%

LAB 79.7, -19.06, -1.69

 

CMYK 28 / 0 / 5 / 25

HEX #89BEB5

RGB 137 190 181

HSL 169.81, 0.29%, 0.64%

LAB 73.21, -19.2, -1.05

 

CMYK 30 / 0 / 6 / 33

HEX #78ACA2

RGB 120 172 162

HSL 168.46, 0.24%, 0.57%

LAB 66.6, -19.36, -0.37

 

CMYK 23 / 0 / 2 / 4

HEX #BDF4EE

RGB 189 244 238

HSL 173.45, 0.71%, 0.85%

LAB 92.44, -18.54, -2.82

 

CMYK 23 / 0 / 9 / 4

HEX #BDF4DF

RGB 189 244 223

HSL 157.09, 0.71%, 0.85%

LAB 92.06, -21.57, 4.43

 

CMYK 23 / 0 / 15 / 4

HEX #BDF4D0

RGB 189 244 208

HSL 140.73, 0.71%, 0.85%

LAB 91.72, -24.42, 11.71

 

CMYK 23 / 0 / 21 / 4

HEX #BDF4C1

RGB 189 244 193

HSL 124.36, 0.71%, 0.85%

LAB 91.4, -27.07, 19

 

CMYK 18 / 0 / 23 / 4

HEX #C7F4BD

RGB 199 244 189

HSL 109.09, 0.71%, 0.85%

LAB 91.92, -24.44, 21.86

 

CMYK 23 / 0 / 2 / 4

HEX #BDF4EE

RGB 189 244 238

HSL 173.45, 0.71%, 0.85%

LAB 92.44, -18.54, -2.82

 

CMYK 23 / 4 / 0 / 4

HEX #BDEBF4

RGB 189 235 244

HSL 189.82, 0.71%, 0.85%

LAB 90.21, -12.78, -9.23

 

CMYK 23 / 10 / 0 / 4

HEX #BDDCF4

RGB 189 220 244

HSL 206.18, 0.71%, 0.85%

LAB 86.27, -5.1, -15.11

 

CMYK 23 / 16 / 0 / 4

HEX #BDCDF4

RGB 189 205 244

HSL 222.55, 0.71%, 0.85%

LAB 82.39, 2.8, -20.97

 

CMYK 23 / 22 / 0 / 4

HEX #BDBEF4

RGB 189 190 244

HSL 238.91, 0.71%, 0.85%

LAB 78.57, 10.88, -26.79

 

CMYK 23 / 0 / 2 / 4

HEX #BDF4EE

RGB 189 244 238

HSL 173.45, 0.71%, 0.85%

LAB 92.44, -18.54, -2.82

 

CMYK 27 / 0 / 3 / 2

HEX #B7FAF3

RGB 183 250 243

HSL 173.73, 0.87%, 0.85%

LAB 93.84, -22.17, -3.39

 

CMYK 23 / 0 / 2 / 4

HEX #BDF4EE

RGB 189 244 238

HSL 173.45, 0.71%, 0.85%

LAB 92.44, -18.54, -2.82

 

CMYK 18 / 0 / 2 / 7

HEX #C3EEE9

RGB 195 238 233

HSL 173.02, 0.56%, 0.85%

LAB 91.07, -14.78, -2.19

 

CMYK 13 / 0 / 1 / 9

HEX #C9E7E4

RGB 201 231 228

HSL 174, 0.38%, 0.85%

LAB 89.47, -10.37, -1.87

 

CMYK 8 / 0 / 1 / 12

HEX #CFE1DF

RGB 207 225 223

HSL 173.33, 0.23%, 0.85%

LAB 88.18, -6.35, -1.09

 

CMYK 3 / 0 / 0 / 14

HEX #D5DBDA

RGB 213 219 218

HSL 170, 0.08%, 0.85%

LAB 86.93, -2.2, -0.23

 

CMYK 23 / 0 / 15 / 4

HEX #BDF4D0

RGB 189 244 208

HSL 140.73, 0.71%, 0.85%

LAB 91.72, -24.42, 11.71

 

CMYK 23 / 0 / 9 / 4

HEX #BDF4DF

RGB 189 244 223

HSL 157.09, 0.71%, 0.85%

LAB 92.06, -21.57, 4.43

 

CMYK 23 / 0 / 3 / 4

HEX #BDF4ED

RGB 189 244 237

HSL 172.36, 0.71%, 0.85%

LAB 92.41, -18.75, -2.34

 

CMYK 23 / 3 / 0 / 4

HEX #BDECF4

RGB 189 236 244

HSL 188.73, 0.71%, 0.85%

LAB 90.48, -13.28, -8.84

 

CMYK 23 / 9 / 0 / 4

HEX #BDDDF4

RGB 189 221 244

HSL 205.09, 0.71%, 0.85%

LAB 86.54, -5.62, -14.72

 

CMYK 49 / 0 / 5 / 9

HEX #76E8DC

RGB 118 232 220

HSL 173.68, 0.71%, 0.69%

LAB 85.37, -35.34, -4.18

 

CMYK 36 / 0 / 4 / 7

HEX #99EEE5

RGB 153 238 229

HSL 173.65, 0.71%, 0.77%

LAB 88.72, -27.65, -3.8

 

CMYK 23 / 0 / 2 / 4

HEX #BDF4EE

RGB 189 244 238

HSL 173.45, 0.71%, 0.85%

LAB 92.44, -18.54, -2.82

 

CMYK 10 / 0 / 1 / 2

HEX #E0FAF7

RGB 224 250 247

HSL 173.08, 0.72%, 0.93%

LAB 96.38, -8.97, -1.44

 

CMYK 23 / 0 / 2 / 4

HEX #BCF4EE

RGB 188 244 238

HSL 173.57, 0.72%, 0.85%

LAB 92.38, -18.83, -2.91

 

CMYK 21 / 23 / 0 / 4

HEX #C1BDF4

RGB 193 189 244

HSL 244.36, 0.71%, 0.85%

LAB 78.62, 12.63, -26.69

 

CMYK 0 / 12 / 23 / 4

HEX #F4D7BD

RGB 244 215 189

HSL 28.36, 0.71%, 0.85%

LAB 87.73, 6.12, 16.52

 

CMYK 23 / 0 / 2 / 4

HEX #BCF4EE

RGB 188 244 238

HSL 173.57, 0.72%, 0.85%

LAB 92.38, -18.83, -2.91

 

CMYK 3 / 23 / 0 / 4

HEX #EDBDF4

RGB 237 189 244

HSL 292.36, 0.71%, 0.85%

LAB 82.34, 26.46, -20.67

 

CMYK 0 / 3 / 23 / 4

HEX #F4EDBD

RGB 244 237 189

HSL 52.36, 0.71%, 0.85%

LAB 93.22, -5.13, 24.15

 

CMYK 23 / 0 / 2 / 4

HEX #BCF4EE

RGB 188 244 238

HSL 173.57, 0.72%, 0.85%

LAB 92.38, -18.83, -2.91

 

CMYK 21 / 23 / 0 / 4

HEX #C1BDF4

RGB 193 189 244

HSL 244.36, 0.71%, 0.85%

LAB 78.62, 12.63, -26.69

 

CMYK 0 / 23 / 20 / 4

HEX #F4BDC3

RGB 244 189 195

HSL 353.45, 0.71%, 0.85%

LAB 81.6, 20.62, 4.6

 

CMYK 2 / 0 / 23 / 4

HEX #EFF4BD

RGB 239 244 189

HSL 65.45, 0.71%, 0.85%

LAB 94.62, -10.44, 26.02

 

CMYK 23 / 0 / 2 / 4

HEX #BCF4EE

RGB 188 244 238

HSL 173.57, 0.72%, 0.85%

LAB 92.38, -18.83, -2.91

 

CMYK 14 / 23 / 0 / 4

HEX #D2BDF4

RGB 210 189 244

HSL 262.91, 0.71%, 0.85%

LAB 79.97, 17.87, -24.5

 

CMYK 0 / 23 / 20 / 4

HEX #F4BDC3

RGB 244 189 195

HSL 353.45, 0.71%, 0.85%

LAB 81.6, 20.62, 4.6

 

CMYK 9 / 0 / 23 / 4

HEX #DFF4BD

RGB 223 244 189

HSL 82.91, 0.71%, 0.85%

LAB 93.48, -16.16, 24.26

 

Description

Color code: HEX #BCF4EE | qconv.com Color code: HEX #BCF4EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 244 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 244 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 2 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 2% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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