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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCD51E it is the complementary color #432AE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCD51E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCD51E shade: #C1D519, #D2E72C, #E3F93F, #F4FF52 and #FFFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCD51E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCD51E shade: #BCD51E, #ABC30B, #9AB100, #899F00 and #788D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCD51E shade: #BDD61E, #D6BD1E, #D68C1E, #D65A1E and #D6291E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCD51E shade: #BDD61E, #8BD61E, #5AD61E, #28D61E and #1ED646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCD51E shade matches the following richer shades: #BDD61E and #CBEA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCD51E shade: #BDD61E, #AEC232, #A0AE46, #919A5A and #83866D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCD51E shade: #D68C1E, #D6BD1E, #BDD61E, #8CD61E and #5BD61E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCD51E shade: #7D8D14, #9DB219, #BDD61E, #CCE33B and #D5E85F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCD51E shade: #BCD51E, #1ED65B and #A51ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCD51E shade: #BCD51E, #1EBDD6 and #D61EBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCD51E shade: #BCD51E, #1ED65B, #371ED6 and #D61E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCD51E shade: #BCD51E, #1ED692, #371ED6 and #D61E61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 86 / 16

HEX #BCD51E

RGB 188 213 30

HSL 68.2, 0.75%, 0.48%

LAB 80.95, -28.84, 76.51

 

Complementary color

CMYK 70 / 81 / 0 / 12

HEX #432AE1

RGB 67 42 225

HSL 248.2, 0.75%, 0.52%

LAB 34.57, 62.26, -87.01

 

CMYK 9 / 0 / 88 / 16

HEX #C1D519

RGB 193 213 25

HSL 66.38, 0.79%, 0.47%

LAB 81.29, -26.9, 77.85

 

CMYK 9 / 0 / 81 / 9

HEX #D2E72C

RGB 210 231 44

HSL 66.74, 0.8%, 0.54%

LAB 87.5, -27.94, 79.56

 

CMYK 9 / 0 / 75 / 2

HEX #E3F93F

RGB 227 249 63

HSL 67.1, 0.94%, 0.61%

LAB 93.64, -28.82, 80.3

 

CMYK 4 / 0 / 68 / 0

HEX #F4FF52

RGB 244 255 82

HSL 63.82, 1%, 0.66%

LAB 96.56, -23.97, 77.27

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 12 / 0 / 86 / 16

HEX #BCD51E

RGB 188 213 30

HSL 68.2, 0.75%, 0.48%

LAB 80.95, -28.84, 76.51

 

CMYK 12 / 0 / 94 / 24

HEX #ABC30B

RGB 171 195 11

HSL 67.83, 0.89%, 0.4%

LAB 74.64, -27.7, 73.9

 

CMYK 13 / 0 / 100 / 31

HEX #9AB100

RGB 154 177 0

HSL 67.8, 1%, 0.35%

LAB 68.25, -26.36, 69.73

 

CMYK 14 / 0 / 100 / 38

HEX #899F00

RGB 137 159 0

HSL 68.3, 1%, 0.31%

LAB 61.75, -24.86, 64.32

 

CMYK 15 / 0 / 100 / 45

HEX #788D00

RGB 120 141 0

HSL 68.94, 1%, 0.28%

LAB 55.12, -23.34, 58.8

 

CMYK 12 / 0 / 86 / 16

HEX #BDD61E

RGB 189 214 30

HSL 68.15, 0.75%, 0.48%

LAB 81.29, -28.91, 76.82

 

CMYK 0 / 12 / 86 / 16

HEX #D6BD1E

RGB 214 189 30

HSL 51.85, 0.75%, 0.48%

LAB 76.55, -5.89, 73.76

 

CMYK 0 / 35 / 86 / 16

HEX #D68C1E

RGB 214 140 30

HSL 35.87, 0.75%, 0.48%

LAB 64.28, 20.18, 63.78

 

CMYK 0 / 58 / 86 / 16

HEX #D65A1E

RGB 214 90 30

HSL 19.57, 0.75%, 0.48%

LAB 53.71, 45.99, 55.11

 

CMYK 0 / 81 / 86 / 16

HEX #D6291E

RGB 214 41 30

HSL 3.59, 0.75%, 0.48%

LAB 46.94, 64.37, 49.52

 

CMYK 12 / 0 / 86 / 16

HEX #BDD61E

RGB 189 214 30

HSL 68.15, 0.75%, 0.48%

LAB 81.29, -28.91, 76.82

 

CMYK 35 / 0 / 86 / 16

HEX #8BD61E

RGB 139 214 30

HSL 84.46, 0.75%, 0.48%

LAB 78.27, -48.21, 73.07

 

CMYK 58 / 0 / 86 / 16

HEX #5AD61E

RGB 90 214 30

HSL 100.43, 0.75%, 0.48%

LAB 76.29, -63.15, 70.58

 

CMYK 81 / 0 / 86 / 16

HEX #28D61E

RGB 40 214 30

HSL 116.74, 0.75%, 0.48%

LAB 75.23, -72.19, 69.24

 

CMYK 86 / 0 / 67 / 16

HEX #1ED646

RGB 30 214 70

HSL 133.04, 0.75%, 0.48%

LAB 75.33, -70.41, 56.86

 

CMYK 12 / 0 / 86 / 16

HEX #BDD61E

RGB 189 214 30

HSL 68.15, 0.75%, 0.48%

LAB 81.29, -28.91, 76.82

 

CMYK 13 / 0 / 96 / 8

HEX #CBEA0A

RGB 203 234 10

HSL 68.3, 0.92%, 0.48%

LAB 87.76, -32.85, 85.05

 

CMYK 12 / 0 / 86 / 16

HEX #BDD61E

RGB 189 214 30

HSL 68.15, 0.75%, 0.48%

LAB 81.29, -28.91, 76.82

 

CMYK 10 / 0 / 74 / 24

HEX #AEC232

RGB 174 194 50

HSL 68.33, 0.59%, 0.48%

LAB 74.71, -24.83, 65.32

 

CMYK 8 / 0 / 60 / 32

HEX #A0AE46

RGB 160 174 70

HSL 68.08, 0.43%, 0.48%

LAB 68.16, -19.55, 50.44

 

CMYK 6 / 0 / 42 / 40

HEX #919A5A

RGB 145 154 90

HSL 68.44, 0.26%, 0.48%

LAB 61.54, -13.54, 32.47

 

CMYK 2 / 0 / 19 / 47

HEX #83866D

RGB 131 134 109

HSL 67.2, 0.1%, 0.48%

LAB 55.05, -5.7, 13.11

 

CMYK 0 / 35 / 86 / 16

HEX #D68C1E

RGB 214 140 30

HSL 35.87, 0.75%, 0.48%

LAB 64.28, 20.18, 63.78

 

CMYK 0 / 12 / 86 / 16

HEX #D6BD1E

RGB 214 189 30

HSL 51.85, 0.75%, 0.48%

LAB 76.55, -5.89, 73.76

 

CMYK 12 / 0 / 86 / 16

HEX #BDD61E

RGB 189 214 30

HSL 68.15, 0.75%, 0.48%

LAB 81.29, -28.91, 76.82

 

CMYK 35 / 0 / 86 / 16

HEX #8CD61E

RGB 140 214 30

HSL 84.13, 0.75%, 0.48%

LAB 78.32, -47.85, 73.13

 

CMYK 57 / 0 / 86 / 16

HEX #5BD61E

RGB 91 214 30

HSL 100.11, 0.75%, 0.48%

LAB 76.32, -62.9, 70.62

 

CMYK 11 / 0 / 86 / 45

HEX #7D8D14

RGB 125 141 20

HSL 67.93, 0.75%, 0.32%

LAB 55.54, -20.67, 55.58

 

CMYK 12 / 0 / 86 / 30

HEX #9DB219

RGB 157 178 25

HSL 68.24, 0.75%, 0.4%

LAB 68.81, -25.12, 66.56

 

CMYK 12 / 0 / 86 / 16

HEX #BDD61E

RGB 189 214 30

HSL 68.15, 0.75%, 0.48%

LAB 81.29, -28.91, 76.82

 

CMYK 10 / 0 / 74 / 11

HEX #CCE33B

RGB 204 227 59

HSL 68.21, 0.75%, 0.56%

LAB 86.05, -27.92, 73.87

 

CMYK 8 / 0 / 59 / 9

HEX #D5E85F

RGB 213 232 95

HSL 68.32, 0.75%, 0.64%

LAB 88.3, -24.58, 62.86

 

CMYK 12 / 0 / 86 / 16

HEX #BCD51E

RGB 188 213 30

HSL 68.2, 0.75%, 0.48%

LAB 80.95, -28.84, 76.51

 

CMYK 86 / 0 / 57 / 16

HEX #1ED65B

RGB 30 214 91

HSL 139.89, 0.75%, 0.48%

LAB 75.53, -68, 48.07

 

CMYK 23 / 86 / 0 / 16

HEX #A51ED6

RGB 165 30 214

HSL 284.02, 0.75%, 0.48%

LAB 43.92, 74.89, -64.92

 

CMYK 12 / 0 / 86 / 16

HEX #BCD51E

RGB 188 213 30

HSL 68.2, 0.75%, 0.48%

LAB 80.95, -28.84, 76.51

 

CMYK 86 / 12 / 0 / 16

HEX #1EBDD6

RGB 30 189 214

HSL 188.15, 0.75%, 0.48%

LAB 70.54, -29.34, -23.41

 

CMYK 0 / 86 / 12 / 16

HEX #D61EBD

RGB 214 30 189

HSL 308.15, 0.75%, 0.48%

LAB 50.57, 79.4, -39.34

 

CMYK 12 / 0 / 86 / 16

HEX #BCD51E

RGB 188 213 30

HSL 68.2, 0.75%, 0.48%

LAB 80.95, -28.84, 76.51

 

CMYK 86 / 0 / 57 / 16

HEX #1ED65B

RGB 30 214 91

HSL 139.89, 0.75%, 0.48%

LAB 75.53, -68, 48.07

 

CMYK 74 / 86 / 0 / 16

HEX #371ED6

RGB 55 30 214

HSL 248.15, 0.75%, 0.48%

LAB 30.87, 63.15, -86.85

 

CMYK 0 / 86 / 29 / 16

HEX #D61E99

RGB 214 30 153

HSL 319.89, 0.75%, 0.48%

LAB 48.91, 74.94, -20.68

 

CMYK 12 / 0 / 86 / 16

HEX #BCD51E

RGB 188 213 30

HSL 68.2, 0.75%, 0.48%

LAB 80.95, -28.84, 76.51

 

CMYK 86 / 0 / 32 / 16

HEX #1ED692

RGB 30 214 146

HSL 157.83, 0.75%, 0.48%

LAB 76.34, -58.46, 21.73

 

CMYK 74 / 86 / 0 / 16

HEX #371ED6

RGB 55 30 214

HSL 248.15, 0.75%, 0.48%

LAB 30.87, 63.15, -86.85

 

CMYK 0 / 86 / 55 / 16

HEX #D61E61

RGB 214 30 97

HSL 338.15, 0.75%, 0.48%

LAB 47.09, 69.83, 10.76

 

Description

Color code: HEX #BCD51E | qconv.com Color code: HEX #BCD51E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 213 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 213 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 86 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 86% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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