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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC31D it is the complementary color #433CE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC31D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC31D shade: #C1C318, #D2D52B, #E3E73E, #F4F951 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC31D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC31D shade: #BCC31D, #ABB10A, #9A9F00, #898D00 and #787B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC31D shade: #BCC31D, #C39D1D, #C3701D, #C3431D and #C31D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC31D shade: #BCC31D, #8FC31D, #62C31D, #35C31D and #1DC331

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC31D shade matches the following richer shades: #BCC31D and #CCD50B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC31D shade: #BCC31D, #ABB12F, #9A9E41, #8A8C53 and #797A65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC31D shade: #C3701D, #C39C1D, #BDC31D, #91C31D and #65C31D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC31D shade: #777B12, #999F17, #BCC31D, #D7DF2A and #DEE44E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC31D shade: #BCC31D, #1DC343 and #861DC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC31D shade: #BCC31D, #1DBDC3 and #C31DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC31D shade: #BCC31D, #1DC343, #221DC3 and #C31D9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC31D shade: #BCC31D, #1DC375, #221DC3 and #C31D6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 85 / 24

HEX #BCC31D

RGB 188 195 29

HSL 62.53, 0.74%, 0.44%

LAB 75.95, -20.17, 72.58

 

Complementary color

CMYK 70 / 73 / 0 / 11

HEX #433CE2

RGB 67 60 226

HSL 242.53, 0.74%, 0.56%

LAB 37.69, 53.87, -82.42

 

CMYK 1 / 0 / 88 / 24

HEX #C1C318

RGB 193 195 24

HSL 60.7, 0.78%, 0.43%

LAB 76.33, -18.15, 74.05

 

CMYK 1 / 0 / 80 / 16

HEX #D2D52B

RGB 210 213 43

HSL 61.06, 0.67%, 0.5%

LAB 82.63, -19.33, 75.59

 

CMYK 2 / 0 / 73 / 9

HEX #E3E73E

RGB 227 231 62

HSL 61.42, 0.78%, 0.57%

LAB 88.84, -20.33, 76.14

 

CMYK 2 / 0 / 67 / 2

HEX #F4F951

RGB 244 249 81

HSL 61.79, 0.93%, 0.65%

LAB 94.98, -21.17, 76.06

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 4 / 0 / 85 / 24

HEX #BCC31D

RGB 188 195 29

HSL 62.53, 0.74%, 0.44%

LAB 75.95, -20.17, 72.58

 

CMYK 3 / 0 / 94 / 31

HEX #ABB10A

RGB 171 177 10

HSL 62.16, 0.89%, 0.37%

LAB 69.56, -18.89, 70.1

 

CMYK 3 / 0 / 100 / 38

HEX #9A9F00

RGB 154 159 0

HSL 61.89, 1%, 0.31%

LAB 63.07, -17.38, 65.88

 

CMYK 3 / 0 / 100 / 45

HEX #898D00

RGB 137 141 0

HSL 61.7, 1%, 0.28%

LAB 56.45, -15.7, 60.39

 

CMYK 2 / 0 / 100 / 52

HEX #787B00

RGB 120 123 0

HSL 61.46, 1%, 0.24%

LAB 49.69, -13.97, 54.77

 

CMYK 4 / 0 / 85 / 24

HEX #BCC31D

RGB 188 195 29

HSL 62.53, 0.74%, 0.44%

LAB 75.95, -20.17, 72.58

 

CMYK 0 / 19 / 85 / 24

HEX #C39D1D

RGB 195 157 29

HSL 46.27, 0.74%, 0.44%

LAB 66.37, 2.6, 64.91

 

CMYK 0 / 43 / 85 / 24

HEX #C3701D

RGB 195 112 29

HSL 30, 0.74%, 0.44%

LAB 55.36, 27.17, 55.71

 

CMYK 0 / 66 / 85 / 24

HEX #C3431D

RGB 195 67 29

HSL 13.73, 0.74%, 0.44%

LAB 46.59, 49.46, 48.25

 

CMYK 0 / 85 / 85 / 24

HEX #C31D1D

RGB 195 29 29

HSL 0, 0.74%, 0.44%

LAB 42.11, 61.87, 44.36

 

CMYK 4 / 0 / 85 / 24

HEX #BCC31D

RGB 188 195 29

HSL 62.53, 0.74%, 0.44%

LAB 75.95, -20.17, 72.58

 

CMYK 27 / 0 / 85 / 24

HEX #8FC31D

RGB 143 195 29

HSL 78.8, 0.74%, 0.44%

LAB 72.86, -38.62, 68.75

 

CMYK 50 / 0 / 85 / 24

HEX #62C31D

RGB 98 195 29

HSL 95.06, 0.74%, 0.44%

LAB 70.67, -54.21, 65.99

 

CMYK 73 / 0 / 85 / 24

HEX #35C31D

RGB 53 195 29

HSL 111.33, 0.74%, 0.44%

LAB 69.38, -64.77, 64.35

 

CMYK 85 / 0 / 75 / 24

HEX #1DC331

RGB 29 195 49

HSL 127.23, 0.74%, 0.44%

LAB 69.12, -66.68, 58.22

 

CMYK 4 / 0 / 85 / 24

HEX #BCC31D

RGB 188 195 29

HSL 62.53, 0.74%, 0.44%

LAB 75.95, -20.17, 72.58

 

CMYK 4 / 0 / 95 / 16

HEX #CCD50B

RGB 204 213 11

HSL 62.67, 0.9%, 0.44%

LAB 82.08, -22.51, 80.67

 

CMYK 4 / 0 / 85 / 24

HEX #BCC31D

RGB 188 195 29

HSL 62.53, 0.74%, 0.44%

LAB 75.95, -20.17, 72.58

 

CMYK 3 / 0 / 73 / 31

HEX #ABB12F

RGB 171 177 47

HSL 62.77, 0.58%, 0.44%

LAB 69.69, -17.82, 61.5

 

CMYK 3 / 0 / 59 / 38

HEX #9A9E41

RGB 154 158 65

HSL 62.58, 0.42%, 0.44%

LAB 63.1, -14.27, 46.98

 

CMYK 1 / 0 / 41 / 45

HEX #8A8C53

RGB 138 140 83

HSL 62.11, 0.26%, 0.44%

LAB 56.86, -9.79, 30.17

 

CMYK 1 / 0 / 17 / 52

HEX #797A65

RGB 121 122 101

HSL 62.86, 0.09%, 0.44%

LAB 50.6, -4.28, 11.4

 

CMYK 0 / 43 / 85 / 24

HEX #C3701D

RGB 195 112 29

HSL 30, 0.74%, 0.44%

LAB 55.36, 27.17, 55.71

 

CMYK 0 / 20 / 85 / 24

HEX #C39C1D

RGB 195 156 29

HSL 45.9, 0.74%, 0.44%

LAB 66.11, 3.14, 64.69

 

CMYK 3 / 0 / 85 / 24

HEX #BDC31D

RGB 189 195 29

HSL 62.17, 0.74%, 0.44%

LAB 76.03, -19.75, 72.68

 

CMYK 26 / 0 / 85 / 24

HEX #91C31D

RGB 145 195 29

HSL 78.07, 0.74%, 0.44%

LAB 72.98, -37.85, 68.89

 

CMYK 48 / 0 / 85 / 24

HEX #65C31D

RGB 101 195 29

HSL 93.98, 0.74%, 0.44%

LAB 70.79, -53.3, 66.14

 

CMYK 3 / 0 / 85 / 52

HEX #777B12

RGB 119 123 18

HSL 62.29, 0.74%, 0.28%

LAB 49.66, -14, 50.89

 

CMYK 4 / 0 / 86 / 38

HEX #999F17

RGB 153 159 23

HSL 62.65, 0.75%, 0.36%

LAB 63.04, -17.4, 62.06

 

CMYK 4 / 0 / 85 / 24

HEX #BCC31D

RGB 188 195 29

HSL 62.53, 0.74%, 0.44%

LAB 75.95, -20.17, 72.58

 

CMYK 4 / 0 / 81 / 13

HEX #D7DF2A

RGB 215 223 42

HSL 62.65, 0.74%, 0.52%

LAB 85.7, -22.14, 78.64

 

CMYK 3 / 0 / 66 / 11

HEX #DEE44E

RGB 222 228 78

HSL 62.4, 0.74%, 0.6%

LAB 87.76, -20.13, 69.34

 

CMYK 4 / 0 / 85 / 24

HEX #BCC31D

RGB 188 195 29

HSL 62.53, 0.74%, 0.44%

LAB 75.95, -20.17, 72.58

 

CMYK 85 / 0 / 66 / 24

HEX #1DC343

RGB 29 195 67

HSL 133.73, 0.74%, 0.44%

LAB 69.25, -65.03, 51.46

 

CMYK 31 / 85 / 0 / 24

HEX #861DC3

RGB 134 29 195

HSL 277.95, 0.74%, 0.44%

LAB 37.64, 66.79, -64.33

 

CMYK 4 / 0 / 85 / 24

HEX #BCC31D

RGB 188 195 29

HSL 62.53, 0.74%, 0.44%

LAB 75.95, -20.17, 72.58

 

CMYK 85 / 3 / 0 / 24

HEX #1DBDC3

RGB 29 189 195

HSL 182.17, 0.74%, 0.44%

LAB 69.89, -35.35, -14

 

CMYK 0 / 85 / 3 / 24

HEX #C31DBD

RGB 195 29 189

HSL 302.17, 0.74%, 0.44%

LAB 47.18, 75.99, -44.93

 

CMYK 4 / 0 / 85 / 24

HEX #BCC31D

RGB 188 195 29

HSL 62.53, 0.74%, 0.44%

LAB 75.95, -20.17, 72.58

 

CMYK 85 / 0 / 66 / 24

HEX #1DC343

RGB 29 195 67

HSL 133.73, 0.74%, 0.44%

LAB 69.25, -65.03, 51.46

 

CMYK 83 / 85 / 0 / 24

HEX #221DC3

RGB 34 29 195

HSL 241.81, 0.74%, 0.44%

LAB 27.18, 57.15, -81.93

 

CMYK 0 / 85 / 20 / 24

HEX #C31D9C

RGB 195 29 156

HSL 314.1, 0.74%, 0.44%

LAB 45.47, 71.44, -28.09

 

CMYK 4 / 0 / 85 / 24

HEX #BCC31D

RGB 188 195 29

HSL 62.53, 0.74%, 0.44%

LAB 75.95, -20.17, 72.58

 

CMYK 85 / 0 / 40 / 24

HEX #1DC375

RGB 29 195 117

HSL 151.81, 0.74%, 0.44%

LAB 69.88, -57.54, 28.2

 

CMYK 83 / 85 / 0 / 24

HEX #221DC3

RGB 34 29 195

HSL 241.81, 0.74%, 0.44%

LAB 27.18, 57.15, -81.93

 

CMYK 0 / 85 / 46 / 24

HEX #C31D6A

RGB 195 29 106

HSL 332.17, 0.74%, 0.44%

LAB 43.54, 66.04, -0.41

 

Description

Color code: HEX #BCC31D | qconv.com Color code: HEX #BCC31D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 195 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 195 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 85 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 85% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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