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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCBD1A it is the complementary color #4342E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCBD1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCBD1A shade: #C1BD15, #D2CF28, #E3E13B, #F4F34E and #FFFF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCBD1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCBD1A shade: #BCBD1A, #ABAB07, #9A9900, #898700 and #787500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCBD1A shade: #BBBC19, #BC9119, #BC6519, #BC3919 and #BC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCBD1A shade: #BBBC19, #8FBC19, #63BC19, #37BC19 and #19BC27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCBD1A shade matches the following richer shades: #BBBC19 and #CCCD08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCBD1A shade: #BBBC19, #AAAB2B, #99993C, #88884D and #77775F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCBD1A shade: #BC6519, #BC9119, #BCBC19, #91BC19 and #65BC19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCBD1A shade: #73730F, #979814, #BBBC19, #DFE01F and #E4E543

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCBD1A shade: #BCBD1A, #19BC3A and #7B19BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCBD1A shade: #BCBD1A, #19BCBC and #BC19BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCBD1A shade: #BCBD1A, #19BC3A, #1919BC and #BC199B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCBD1A shade: #BCBD1A, #19BC6B, #1919BC and #BC196B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 86 / 26

HEX #BCBD1A

RGB 188 189 26

HSL 60.37, 0.76%, 0.42%

LAB 74.29, -17.26, 71.85

 

Complementary color

CMYK 71 / 71 / 0 / 10

HEX #4342E5

RGB 67 66 229

HSL 240.37, 0.76%, 0.58%

LAB 39.15, 51.55, -81.72

 

CMYK 0 / 2 / 89 / 24

HEX #C1BD15

RGB 193 189 21

HSL 58.6, 0.8%, 0.42%

LAB 74.69, -15.2, 73.27

 

CMYK 0 / 1 / 81 / 18

HEX #D2CF28

RGB 210 207 40

HSL 58.94, 0.68%, 0.49%

LAB 81.01, -16.46, 74.96

 

CMYK 0 / 1 / 74 / 11

HEX #E3E13B

RGB 227 225 59

HSL 59.29, 0.75%, 0.56%

LAB 87.24, -17.53, 75.6

 

CMYK 0 / 0 / 68 / 4

HEX #F4F34E

RGB 244 243 78

HSL 59.64, 0.88%, 0.63%

LAB 93.4, -18.45, 75.56

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 1 / 0 / 86 / 26

HEX #BCBD1A

RGB 188 189 26

HSL 60.37, 0.76%, 0.42%

LAB 74.29, -17.26, 71.85

 

CMYK 0 / 0 / 96 / 33

HEX #ABAB07

RGB 171 171 7

HSL 60, 0.92%, 0.35%

LAB 67.87, -15.89, 69.17

 

CMYK 0 / 1 / 100 / 40

HEX #9A9900

RGB 154 153 0

HSL 59.61, 1%, 0.3%

LAB 61.35, -14.27, 64.63

 

CMYK 0 / 1 / 100 / 46

HEX #898700

RGB 137 135 0

HSL 59.12, 1%, 0.27%

LAB 54.71, -12.51, 59.11

 

CMYK 0 / 3 / 100 / 53

HEX #787500

RGB 120 117 0

HSL 58.5, 1%, 0.24%

LAB 47.9, -10.7, 53.46

 

CMYK 1 / 0 / 87 / 26

HEX #BBBC19

RGB 187 188 25

HSL 60.37, 0.77%, 0.42%

LAB 73.93, -17.21, 71.72

 

CMYK 0 / 23 / 87 / 26

HEX #BC9119

RGB 188 145 25

HSL 44.17, 0.77%, 0.42%

LAB 62.52, 5.88, 62.49

 

CMYK 0 / 46 / 87 / 26

HEX #BC6519

RGB 188 101 25

HSL 27.98, 0.77%, 0.42%

LAB 51.92, 30.03, 53.83

 

CMYK 0 / 70 / 87 / 26

HEX #BC3919

RGB 188 57 25

HSL 11.78, 0.77%, 0.42%

LAB 43.78, 51.06, 47.13

 

CMYK 0 / 87 / 87 / 26

HEX #BC1919

RGB 188 25 25

HSL 0, 0.77%, 0.42%

LAB 40.34, 60.68, 44.28

 

CMYK 1 / 0 / 87 / 26

HEX #BBBC19

RGB 187 188 25

HSL 60.37, 0.77%, 0.42%

LAB 73.93, -17.21, 71.72

 

CMYK 24 / 0 / 87 / 26

HEX #8FBC19

RGB 143 188 25

HSL 76.56, 0.77%, 0.42%

LAB 70.79, -35.6, 67.83

 

CMYK 47 / 0 / 87 / 26

HEX #63BC19

RGB 99 188 25

HSL 92.76, 0.77%, 0.42%

LAB 68.53, -51.39, 65.01

 

CMYK 71 / 0 / 87 / 26

HEX #37BC19

RGB 55 188 25

HSL 108.96, 0.77%, 0.42%

LAB 67.16, -62.39, 63.29

 

CMYK 87 / 0 / 79 / 26

HEX #19BC27

RGB 25 188 39

HSL 125.15, 0.77%, 0.42%

LAB 66.76, -65.67, 59.13

 

CMYK 1 / 0 / 87 / 26

HEX #BBBC19

RGB 187 188 25

HSL 60.37, 0.77%, 0.42%

LAB 73.93, -17.21, 71.72

 

CMYK 0 / 0 / 96 / 20

HEX #CCCD08

RGB 204 205 8

HSL 60.3, 0.92%, 0.42%

LAB 79.91, -18.63, 79.3

 

CMYK 1 / 0 / 87 / 26

HEX #BBBC19

RGB 187 188 25

HSL 60.37, 0.77%, 0.42%

LAB 73.93, -17.21, 71.72

 

CMYK 1 / 0 / 75 / 33

HEX #AAAB2B

RGB 170 171 43

HSL 60.47, 0.6%, 0.42%

LAB 67.91, -15.37, 61.16

 

CMYK 0 / 0 / 61 / 40

HEX #99993C

RGB 153 153 60

HSL 60, 0.44%, 0.42%

LAB 61.55, -12.45, 47.54

 

CMYK 0 / 0 / 43 / 47

HEX #88884D

RGB 136 136 77

HSL 60, 0.28%, 0.42%

LAB 55.46, -9.16, 31.6

 

CMYK 0 / 0 / 20 / 53

HEX #77775F

RGB 119 119 95

HSL 60, 0.11%, 0.42%

LAB 49.43, -4.38, 13.24

 

CMYK 0 / 46 / 87 / 26

HEX #BC6519

RGB 188 101 25

HSL 27.98, 0.77%, 0.42%

LAB 51.92, 30.03, 53.83

 

CMYK 0 / 23 / 87 / 26

HEX #BC9119

RGB 188 145 25

HSL 44.17, 0.77%, 0.42%

LAB 62.52, 5.88, 62.49

 

CMYK 0 / 0 / 87 / 26

HEX #BCBC19

RGB 188 188 25

HSL 60, 0.77%, 0.42%

LAB 74.02, -16.78, 71.82

 

CMYK 23 / 0 / 87 / 26

HEX #91BC19

RGB 145 188 25

HSL 75.83, 0.77%, 0.42%

LAB 70.91, -34.8, 67.99

 

CMYK 46 / 0 / 87 / 26

HEX #65BC19

RGB 101 188 25

HSL 92.02, 0.77%, 0.42%

LAB 68.61, -50.76, 65.11

 

CMYK 0 / 0 / 87 / 55

HEX #73730F

RGB 115 115 15

HSL 60, 0.77%, 0.25%

LAB 46.9, -11.61, 49.21

 

CMYK 1 / 0 / 87 / 40

HEX #979814

RGB 151 152 20

HSL 60.45, 0.77%, 0.34%

LAB 60.86, -14.74, 60.87

 

CMYK 1 / 0 / 87 / 26

HEX #BBBC19

RGB 187 188 25

HSL 60.37, 0.77%, 0.42%

LAB 73.93, -17.21, 71.72

 

CMYK 0 / 0 / 86 / 12

HEX #DFE01F

RGB 223 224 31

HSL 60.31, 0.76%, 0.5%

LAB 86.55, -19.57, 81.97

 

CMYK 0 / 0 / 71 / 10

HEX #E4E543

RGB 228 229 67

HSL 60.37, 0.76%, 0.58%

LAB 88.42, -18.73, 74.11

 

CMYK 1 / 0 / 86 / 26

HEX #BCBD1A

RGB 188 189 26

HSL 60.37, 0.76%, 0.42%

LAB 74.29, -17.26, 71.85

 

CMYK 87 / 0 / 69 / 26

HEX #19BC3A

RGB 25 188 58

HSL 132.15, 0.77%, 0.42%

LAB 66.88, -64.15, 52.56

 

CMYK 35 / 87 / 0 / 26

HEX #7B19BC

RGB 123 25 188

HSL 276.07, 0.77%, 0.42%

LAB 35.08, 64.79, -64.46

 

CMYK 1 / 0 / 86 / 26

HEX #BCBD1A

RGB 188 189 26

HSL 60.37, 0.76%, 0.42%

LAB 74.29, -17.26, 71.85

 

CMYK 87 / 0 / 0 / 26

HEX #19BCBC

RGB 25 188 188

HSL 180, 0.77%, 0.42%

LAB 69.33, -37.26, -11.01

 

CMYK 0 / 87 / 0 / 26

HEX #BC19BC

RGB 188 25 188

HSL 300, 0.77%, 0.42%

LAB 45.66, 75.28, -46.84

 

CMYK 1 / 0 / 86 / 26

HEX #BCBD1A

RGB 188 189 26

HSL 60.37, 0.76%, 0.42%

LAB 74.29, -17.26, 71.85

 

CMYK 87 / 0 / 69 / 26

HEX #19BC3A

RGB 25 188 58

HSL 132.15, 0.77%, 0.42%

LAB 66.88, -64.15, 52.56

 

CMYK 87 / 87 / 0 / 26

HEX #1919BC

RGB 25 25 188

HSL 240, 0.77%, 0.42%

LAB 25.36, 56.39, -80.83

 

CMYK 0 / 87 / 18 / 26

HEX #BC199B

RGB 188 25 155

HSL 312.15, 0.77%, 0.42%

LAB 43.88, 70.61, -30.07

 

CMYK 1 / 0 / 86 / 26

HEX #BCBD1A

RGB 188 189 26

HSL 60.37, 0.76%, 0.42%

LAB 74.29, -17.26, 71.85

 

CMYK 87 / 0 / 43 / 26

HEX #19BC6B

RGB 25 188 107

HSL 150.18, 0.77%, 0.42%

LAB 67.45, -57.26, 30.22

 

CMYK 87 / 87 / 0 / 26

HEX #1919BC

RGB 25 25 188

HSL 240, 0.77%, 0.42%

LAB 25.36, 56.39, -80.83

 

CMYK 0 / 87 / 43 / 26

HEX #BC196B

RGB 188 25 107

HSL 329.82, 0.77%, 0.42%

LAB 41.92, 65.23, -3.57

 

Description

Color code: HEX #BCBD1A | qconv.com Color code: HEX #BCBD1A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 189 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 189 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 86 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 86% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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