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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA381 it is the complementary color #435C7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA381. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA381 shade: #C1A37C, #D2B58F, #E3C7A2, #F4D9B5 and #FFEBC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA381. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA381 shade: #BCA381, #AB916E, #9A7F5B, #896D48 and #785B35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA381 shade: #BCA280, #BC9280, #BC8280 and #BC8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA381 shade: #BCA280, #BCB280, #B5BC80, #A4BC80 and #94BC80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA381 shade matches the following richer shades: #BCA280, #CBA570, #DBA760, #EBA951 and #FAAC41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA381 shade: #BCA280, #ACA08F, #9C9D9F, #8D9BAF and #7D99BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA381 shade: #BC8280, #BC9280, #BCA280, #BCB280 and #B6BC80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA381 shade: #997A50, #AD8F65, #BCA280, #CAB69B and #D8C9B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA381 shade: #BCA381, #8EBC80 and #8A80BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA381 shade: #BCA381, #80BCA2 and #A280BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA381 shade: #BCA381, #8EBC80, #809ABC and #AE80BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA381 shade: #BCA381, #80BC84, #809ABC and #BC80B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 31 / 26

HEX #BCA381

RGB 188 163 129

HSL 34.58, 0.31%, 0.62%

LAB 68.37, 4.04, 21.06

 

Complementary color

CMYK 47 / 27 / 0 / 51

HEX #435C7E

RGB 67 92 126

HSL 214.58, 0.31%, 0.38%

LAB 38.47, 0.53, -22.03

 

CMYK 0 / 16 / 36 / 24

HEX #C1A37C

RGB 193 163 124

HSL 33.91, 0.36%, 0.62%

LAB 68.74, 5.41, 24.37

 

CMYK 0 / 14 / 32 / 18

HEX #D2B58F

RGB 210 181 143

HSL 34.03, 0.43%, 0.69%

LAB 75.28, 4.87, 23.23

 

CMYK 0 / 12 / 29 / 11

HEX #E3C7A2

RGB 227 199 162

HSL 34.15, 0.54%, 0.76%

LAB 81.72, 4.4, 22.17

 

CMYK 0 / 11 / 26 / 4

HEX #F4D9B5

RGB 244 217 181

HSL 34.29, 0.74%, 0.83%

LAB 88.06, 3.98, 21.17

 

CMYK 0 / 8 / 22 / 0

HEX #FFEBC8

RGB 255 235 200

HSL 38.18, 1%, 0.89%

LAB 93.82, 1.42, 19.46

 

CMYK 0 / 13 / 31 / 26

HEX #BCA381

RGB 188 163 129

HSL 34.58, 0.31%, 0.62%

LAB 68.37, 4.04, 21.06

 

CMYK 0 / 15 / 36 / 33

HEX #AB916E

RGB 171 145 110

HSL 34.43, 0.27%, 0.55%

LAB 61.68, 4.58, 22.21

 

CMYK 0 / 18 / 41 / 40

HEX #9A7F5B

RGB 154 127 91

HSL 34.29, 0.26%, 0.48%

LAB 54.87, 5.22, 23.46

 

CMYK 0 / 20 / 47 / 46

HEX #896D48

RGB 137 109 72

HSL 34.15, 0.31%, 0.41%

LAB 47.91, 5.99, 24.83

 

CMYK 0 / 24 / 56 / 53

HEX #785B35

RGB 120 91 53

HSL 34.03, 0.39%, 0.34%

LAB 40.79, 6.96, 26.32

 

CMYK 0 / 14 / 32 / 26

HEX #BCA280

RGB 188 162 128

HSL 34, 0.31%, 0.62%

LAB 68.09, 4.46, 21.23

 

CMYK 0 / 22 / 32 / 26

HEX #BC9280

RGB 188 146 128

HSL 18, 0.31%, 0.62%

LAB 64, 13.24, 15.61

 

CMYK 0 / 31 / 32 / 26

HEX #BC8280

RGB 188 130 128

HSL 2, 0.31%, 0.62%

LAB 60.08, 22.12, 10.11

 

CMYK 0 / 32 / 32 / 26

HEX #BC8080

RGB 188 128 128

HSL 0, 0.31%, 0.62%

LAB 59.61, 23.23, 9.44

 

CMYK 0 / 14 / 32 / 26

HEX #BCA280

RGB 188 162 128

HSL 34, 0.31%, 0.62%

LAB 68.09, 4.46, 21.23

 

CMYK 0 / 5 / 32 / 26

HEX #BCB280

RGB 188 178 128

HSL 50, 0.31%, 0.62%

LAB 72.29, -4.13, 26.89

 

CMYK 4 / 0 / 32 / 26

HEX #B5BC80

RGB 181 188 128

HSL 67, 0.31%, 0.62%

LAB 74.41, -12.11, 29.61

 

CMYK 13 / 0 / 32 / 26

HEX #A4BC80

RGB 164 188 128

HSL 84, 0.31%, 0.62%

LAB 73.17, -18.63, 27.73

 

CMYK 21 / 0 / 32 / 26

HEX #94BC80

RGB 148 188 128

HSL 100, 0.31%, 0.62%

LAB 72.11, -24.52, 26.13

 

CMYK 0 / 14 / 32 / 26

HEX #BCA280

RGB 188 162 128

HSL 34, 0.31%, 0.62%

LAB 68.09, 4.46, 21.23

 

CMYK 0 / 19 / 45 / 20

HEX #CBA570

RGB 203 165 112

HSL 34.95, 0.47%, 0.62%

LAB 70.02, 7.04, 32.68

 

CMYK 0 / 24 / 56 / 14

HEX #DBA760

RGB 219 167 96

HSL 34.63, 0.63%, 0.62%

LAB 71.92, 11.14, 43.7

 

CMYK 0 / 28 / 66 / 8

HEX #EBA951

RGB 235 169 81

HSL 34.29, 0.79%, 0.62%

LAB 73.95, 15.72, 53.78

 

CMYK 0 / 31 / 74 / 2

HEX #FAAC41

RGB 250 172 65

HSL 34.7, 0.95%, 0.62%

LAB 76.2, 19.58, 63.64

 

CMYK 0 / 14 / 32 / 26

HEX #BCA280

RGB 188 162 128

HSL 34, 0.31%, 0.62%

LAB 68.09, 4.46, 21.23

 

CMYK 0 / 7 / 17 / 33

HEX #ACA08F

RGB 172 160 143

HSL 35.17, 0.15%, 0.62%

LAB 66.44, 1.47, 10.43

 

CMYK 2 / 1 / 0 / 38

HEX #9C9D9F

RGB 156 157 159

HSL 220, 0.02%, 0.62%

LAB 64.71, 0.03, -1.18

 

CMYK 19 / 11 / 0 / 31

HEX #8D9BAF

RGB 141 155 175

HSL 215.29, 0.18%, 0.62%

LAB 63.51, -0.61, -12.08

 

CMYK 34 / 19 / 0 / 25

HEX #7D99BE

RGB 125 153 190

HSL 214.15, 0.33%, 0.62%

LAB 62.39, -0.73, -22.31

 

CMYK 0 / 31 / 32 / 26

HEX #BC8280

RGB 188 130 128

HSL 2, 0.31%, 0.62%

LAB 60.08, 22.12, 10.11

 

CMYK 0 / 22 / 32 / 26

HEX #BC9280

RGB 188 146 128

HSL 18, 0.31%, 0.62%

LAB 64, 13.24, 15.61

 

CMYK 0 / 14 / 32 / 26

HEX #BCA280

RGB 188 162 128

HSL 34, 0.31%, 0.62%

LAB 68.09, 4.46, 21.23

 

CMYK 0 / 5 / 32 / 26

HEX #BCB280

RGB 188 178 128

HSL 50, 0.31%, 0.62%

LAB 72.29, -4.13, 26.89

 

CMYK 3 / 0 / 32 / 26

HEX #B6BC80

RGB 182 188 128

HSL 66, 0.31%, 0.62%

LAB 74.49, -11.73, 29.73

 

CMYK 0 / 20 / 48 / 40

HEX #997A50

RGB 153 122 80

HSL 34.52, 0.31%, 0.46%

LAB 53.24, 6.39, 27.5

 

CMYK 0 / 17 / 42 / 32

HEX #AD8F65

RGB 173 143 101

HSL 35, 0.31%, 0.54%

LAB 61.19, 5.44, 26.57

 

CMYK 0 / 14 / 32 / 26

HEX #BCA280

RGB 188 162 128

HSL 34, 0.31%, 0.62%

LAB 68.09, 4.46, 21.23

 

CMYK 0 / 10 / 23 / 21

HEX #CAB69B

RGB 202 182 155

HSL 34.47, 0.31%, 0.7%

LAB 75.06, 2.88, 16.35

 

CMYK 0 / 7 / 16 / 15

HEX #D8C9B6

RGB 216 201 182

HSL 33.53, 0.3%, 0.78%

LAB 81.7, 2.11, 11.37

 

CMYK 0 / 13 / 31 / 26

HEX #BCA381

RGB 188 163 129

HSL 34.58, 0.31%, 0.62%

LAB 68.37, 4.04, 21.06

 

CMYK 24 / 0 / 32 / 26

HEX #8EBC80

RGB 142 188 128

HSL 106, 0.31%, 0.62%

LAB 71.74, -26.65, 25.58

 

CMYK 27 / 32 / 0 / 26

HEX #8A80BC

RGB 138 128 188

HSL 250, 0.31%, 0.62%

LAB 56.56, 17.06, -30.08

 

CMYK 0 / 13 / 31 / 26

HEX #BCA381

RGB 188 163 129

HSL 34.58, 0.31%, 0.62%

LAB 68.37, 4.04, 21.06

 

CMYK 32 / 0 / 14 / 26

HEX #80BCA2

RGB 128 188 162

HSL 154, 0.31%, 0.62%

LAB 71.67, -25.01, 7.02

 

CMYK 14 / 32 / 0 / 26

HEX #A280BC

RGB 162 128 188

HSL 274, 0.31%, 0.62%

LAB 58.74, 24.57, -26.53

 

CMYK 0 / 13 / 31 / 26

HEX #BCA381

RGB 188 163 129

HSL 34.58, 0.31%, 0.62%

LAB 68.37, 4.04, 21.06

 

CMYK 24 / 0 / 32 / 26

HEX #8EBC80

RGB 142 188 128

HSL 106, 0.31%, 0.62%

LAB 71.74, -26.65, 25.58

 

CMYK 32 / 18 / 0 / 26

HEX #809ABC

RGB 128 154 188

HSL 214, 0.31%, 0.62%

LAB 62.79, -0.93, -20.56

 

CMYK 7 / 32 / 0 / 26

HEX #AE80BC

RGB 174 128 188

HSL 286, 0.31%, 0.62%

LAB 59.95, 28.44, -24.57

 

CMYK 0 / 13 / 31 / 26

HEX #BCA381

RGB 188 163 129

HSL 34.58, 0.31%, 0.62%

LAB 68.37, 4.04, 21.06

 

CMYK 32 / 0 / 30 / 26

HEX #80BC84

RGB 128 188 132

HSL 124, 0.31%, 0.62%

LAB 71.02, -30.74, 22.34

 

CMYK 32 / 18 / 0 / 26

HEX #809ABC

RGB 128 154 188

HSL 214, 0.31%, 0.62%

LAB 62.79, -0.93, -20.56

 

CMYK 0 / 32 / 2 / 26

HEX #BC80B8

RGB 188 128 184

HSL 304, 0.31%, 0.62%

LAB 61.3, 32.26, -20.1

 

Description

Color code: HEX #BCA381 | qconv.com Color code: HEX #BCA381 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 163 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 163 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 31 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 31% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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