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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA323 it is the complementary color #435CDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA323. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA323 shade: #C1A31E, #D2B531, #E3C744, #F4D957 and #FFEB6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA323. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA323 shade: #BCA323, #AB9110, #9A7F00, #896D00 and #785B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA323 shade: #BDA422, #BD7A22, #BD5022, #BD2722 and #BD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA323 shade: #BDA422, #ADBD22, #83BD22, #59BD22 and #2FBD22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA323 shade matches the following richer shades: #BDA422 and #CFB010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA323 shade: #BDA422, #AB9834, #998B47, #877F59 and #75736B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA323 shade: #BD5122, #BD7A22, #BDA322, #AEBD22 and #84BD22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA323 shade: #776715, #9A861C, #BDA422, #D9BD30 and #DFC853

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA323 shade: #BCA323, #22BD27 and #6522BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA323 shade: #BCA323, #22BDA3 and #A322BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA323 shade: #BCA323, #22BD27, #223CBD and #BD22B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA323 shade: #BCA323, #22BD56, #223CBD and #BD228A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 81 / 26

HEX #BCA323

RGB 188 163 35

HSL 50.2, 0.69%, 0.44%

LAB 67.28, -3.55, 63.72

 

Complementary color

CMYK 70 / 58 / 0 / 14

HEX #435CDC

RGB 67 92 220

HSL 230.2, 0.69%, 0.56%

LAB 44.25, 32.95, -68.24

 

CMYK 0 / 16 / 84 / 24

HEX #C1A31E

RGB 193 163 30

HSL 48.96, 0.73%, 0.44%

LAB 67.74, -1.48, 65.71

 

CMYK 0 / 14 / 77 / 18

HEX #D2B531

RGB 210 181 49

HSL 49.19, 0.64%, 0.51%

LAB 74.17, -2.89, 66.23

 

CMYK 0 / 12 / 70 / 11

HEX #E3C744

RGB 227 199 68

HSL 49.43, 0.74%, 0.58%

LAB 80.51, -4.09, 65.98

 

CMYK 0 / 11 / 64 / 4

HEX #F4D957

RGB 244 217 87

HSL 49.68, 0.88%, 0.65%

LAB 86.77, -5.11, 65.29

 

CMYK 0 / 8 / 58 / 0

HEX #FFEB6A

RGB 255 235 106

HSL 51.95, 1%, 0.71%

LAB 92.45, -8.42, 63.65

 

CMYK 0 / 13 / 81 / 26

HEX #BCA323

RGB 188 163 35

HSL 50.2, 0.69%, 0.44%

LAB 67.28, -3.55, 63.72

 

CMYK 0 / 15 / 91 / 33

HEX #AB9110

RGB 171 145 16

HSL 49.94, 0.83%, 0.37%

LAB 60.73, -2.01, 62.37

 

CMYK 0 / 18 / 100 / 40

HEX #9A7F00

RGB 154 127 0

HSL 49.48, 1%, 0.3%

LAB 54.08, -0.2, 59.41

 

CMYK 0 / 20 / 100 / 46

HEX #896D00

RGB 137 109 0

HSL 47.74, 1%, 0.27%

LAB 47.31, 1.96, 53.82

 

CMYK 0 / 24 / 100 / 53

HEX #785B00

RGB 120 91 0

HSL 45.5, 1%, 0.24%

LAB 40.37, 4.23, 48.1

 

CMYK 0 / 13 / 82 / 26

HEX #BDA422

RGB 189 164 34

HSL 50.32, 0.7%, 0.44%

LAB 67.64, -3.67, 64.36

 

CMYK 0 / 35 / 82 / 26

HEX #BD7A22

RGB 189 122 34

HSL 34.06, 0.7%, 0.44%

LAB 56.93, 19.26, 54.98

 

CMYK 0 / 58 / 82 / 26

HEX #BD5022

RGB 189 80 34

HSL 17.81, 0.7%, 0.44%

LAB 47.84, 41.47, 46.73

 

CMYK 0 / 79 / 82 / 26

HEX #BD2722

RGB 189 39 34

HSL 1.94, 0.7%, 0.44%

LAB 41.82, 57.76, 41.05

 

CMYK 0 / 82 / 82 / 26

HEX #BD2222

RGB 189 34 34

HSL 0, 0.7%, 0.44%

LAB 41.34, 59.12, 40.59

 

CMYK 0 / 13 / 82 / 26

HEX #BDA422

RGB 189 164 34

HSL 50.32, 0.7%, 0.44%

LAB 67.64, -3.67, 64.36

 

CMYK 8 / 0 / 82 / 26

HEX #ADBD22

RGB 173 189 34

HSL 66.19, 0.7%, 0.44%

LAB 73.15, -23.45, 68.59

 

CMYK 31 / 0 / 82 / 26

HEX #83BD22

RGB 131 189 34

HSL 82.45, 0.7%, 0.44%

LAB 70.41, -40.38, 65.13

 

CMYK 53 / 0 / 82 / 26

HEX #59BD22

RGB 89 189 34

HSL 98.71, 0.7%, 0.44%

LAB 68.49, -54.37, 62.68

 

CMYK 75 / 0 / 82 / 26

HEX #2FBD22

RGB 47 189 34

HSL 114.97, 0.7%, 0.44%

LAB 67.36, -63.63, 61.23

 

CMYK 0 / 13 / 82 / 26

HEX #BDA422

RGB 189 164 34

HSL 50.32, 0.7%, 0.44%

LAB 67.64, -3.67, 64.36

 

CMYK 0 / 15 / 92 / 19

HEX #CFB010

RGB 207 176 16

HSL 50.26, 0.86%, 0.44%

LAB 72.46, -2.44, 72.9

 

CMYK 0 / 13 / 82 / 26

HEX #BDA422

RGB 189 164 34

HSL 50.32, 0.7%, 0.44%

LAB 67.64, -3.67, 64.36

 

CMYK 0 / 11 / 70 / 33

HEX #AB9834

RGB 171 152 52

HSL 50.42, 0.53%, 0.44%

LAB 62.81, -4.49, 52.85

 

CMYK 0 / 9 / 54 / 40

HEX #998B47

RGB 153 139 71

HSL 49.76, 0.37%, 0.44%

LAB 57.74, -4.01, 37.88

 

CMYK 0 / 6 / 34 / 47

HEX #877F59

RGB 135 127 89

HSL 49.57, 0.21%, 0.44%

LAB 53.01, -3.12, 21.79

 

CMYK 0 / 2 / 9 / 54

HEX #75736B

RGB 117 115 107

HSL 48, 0.04%, 0.44%

LAB 48.39, -0.78, 4.69

 

CMYK 0 / 57 / 82 / 26

HEX #BD5122

RGB 189 81 34

HSL 18.19, 0.7%, 0.44%

LAB 48.03, 40.98, 46.91

 

CMYK 0 / 35 / 82 / 26

HEX #BD7A22

RGB 189 122 34

HSL 34.06, 0.7%, 0.44%

LAB 56.93, 19.26, 54.98

 

CMYK 0 / 14 / 82 / 26

HEX #BDA322

RGB 189 163 34

HSL 49.94, 0.7%, 0.44%

LAB 67.37, -3.14, 64.13

 

CMYK 8 / 0 / 82 / 26

HEX #AEBD22

RGB 174 189 34

HSL 65.81, 0.7%, 0.44%

LAB 73.23, -23.03, 68.69

 

CMYK 30 / 0 / 82 / 26

HEX #84BD22

RGB 132 189 34

HSL 82.06, 0.7%, 0.44%

LAB 70.47, -40, 65.2

 

CMYK 0 / 13 / 82 / 53

HEX #776715

RGB 119 103 21

HSL 50.2, 0.7%, 0.27%

LAB 43.77, -2.71, 44.83

 

CMYK 0 / 13 / 82 / 40

HEX #9A861C

RGB 154 134 28

HSL 50.48, 0.69%, 0.36%

LAB 56.09, -3.46, 54.8

 

CMYK 0 / 13 / 82 / 26

HEX #BDA422

RGB 189 164 34

HSL 50.32, 0.7%, 0.44%

LAB 67.64, -3.67, 64.36

 

CMYK 0 / 13 / 78 / 15

HEX #D9BD30

RGB 217 189 48

HSL 50.06, 0.69%, 0.52%

LAB 76.9, -4.06, 69.29

 

CMYK 0 / 10 / 63 / 13

HEX #DFC853

RGB 223 200 83

HSL 50.14, 0.69%, 0.6%

LAB 80.53, -5.44, 59.73

 

CMYK 0 / 13 / 81 / 26

HEX #BCA323

RGB 188 163 35

HSL 50.2, 0.69%, 0.44%

LAB 67.28, -3.55, 63.72

 

CMYK 82 / 0 / 79 / 26

HEX #22BD27

RGB 34 189 39

HSL 121.94, 0.7%, 0.44%

LAB 67.19, -65.07, 59.57

 

CMYK 47 / 82 / 0 / 26

HEX #6522BD

RGB 101 34 189

HSL 265.94, 0.7%, 0.44%

LAB 33.1, 59.29, -68.41

 

CMYK 0 / 13 / 81 / 26

HEX #BCA323

RGB 188 163 35

HSL 50.2, 0.69%, 0.44%

LAB 67.28, -3.55, 63.72

 

CMYK 82 / 0 / 14 / 26

HEX #22BDA3

RGB 34 189 163

HSL 169.94, 0.7%, 0.44%

LAB 69.03, -44.14, 2.28

 

CMYK 14 / 82 / 0 / 26

HEX #A322BD

RGB 163 34 189

HSL 289.94, 0.7%, 0.44%

LAB 42.16, 69.07, -53.26

 

CMYK 0 / 13 / 81 / 26

HEX #BCA323

RGB 188 163 35

HSL 50.2, 0.69%, 0.44%

LAB 67.28, -3.55, 63.72

 

CMYK 82 / 0 / 79 / 26

HEX #22BD27

RGB 34 189 39

HSL 121.94, 0.7%, 0.44%

LAB 67.19, -65.07, 59.57

 

CMYK 82 / 68 / 0 / 26

HEX #223CBD

RGB 34 60 189

HSL 229.94, 0.7%, 0.44%

LAB 32.36, 38.57, -69.82

 

CMYK 0 / 82 / 3 / 26

HEX #BD22B8

RGB 189 34 184

HSL 301.94, 0.7%, 0.44%

LAB 46.21, 73.08, -43.61

 

CMYK 0 / 13 / 81 / 26

HEX #BCA323

RGB 188 163 35

HSL 50.2, 0.69%, 0.44%

LAB 67.28, -3.55, 63.72

 

CMYK 82 / 0 / 54 / 26

HEX #22BD56

RGB 34 189 86

HSL 140.13, 0.7%, 0.44%

LAB 67.58, -60.23, 40.95

 

CMYK 82 / 68 / 0 / 26

HEX #223CBD

RGB 34 60 189

HSL 229.94, 0.7%, 0.44%

LAB 32.36, 38.57, -69.82

 

CMYK 0 / 82 / 27 / 26

HEX #BD228A

RGB 189 34 138

HSL 319.74, 0.7%, 0.44%

LAB 43.94, 66.81, -19.66

 

Description

Color code: HEX #BCA323 | qconv.com Color code: HEX #BCA323 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 163 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 163 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 81 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 81% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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