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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA272 it is the complementary color #435D8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA272 shade: #C1A26D, #D2B480, #E3C693, #F4D8A6 and #FFEAB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA272 shade: #BCA272, #AB905F, #9A7E4C, #896C39 and #785A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA272 shade: #BCA170, #BC8D70, #BC7970 and #BC7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA272 shade: #BCA170, #BCB570, #ADBC70, #99BC70 and #85BC70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA272 shade matches the following richer shades: #BCA170, #CDA65F, #DDAB4E and #EEB03E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA272 shade: #BCA170, #AB9C81, #9A9792, #8992A3 and #788DB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA272 shade: #BC7870, #BC8C70, #BCA070, #BCB470 and #AFBC70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA272 shade: #947845, #AE8F54, #BCA170, #C9B48C and #D6C6A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA272 shade: #BCA272, #7DBC70 and #8270BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA272 shade: #BCA272, #70BCA0 and #A070BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA272 shade: #BCA272, #7DBC70, #708CBC and #AF70BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA272 shade: #BCA272, #70BC7A, #708CBC and #BC70B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 39 / 26

HEX #BCA272

RGB 188 162 114

HSL 38.92, 0.36%, 0.59%

LAB 67.83, 2.73, 28.49

 

Complementary color

CMYK 52 / 34 / 0 / 45

HEX #435D8D

RGB 67 93 141

HSL 218.92, 0.36%, 0.41%

LAB 39.49, 4.76, -29.56

 

CMYK 0 / 16 / 44 / 24

HEX #C1A26D

RGB 193 162 109

HSL 37.86, 0.4%, 0.59%

LAB 68.23, 4.23, 31.78

 

CMYK 0 / 14 / 39 / 18

HEX #D2B480

RGB 210 180 128

HSL 38.05, 0.48%, 0.66%

LAB 74.76, 3.59, 30.53

 

CMYK 0 / 13 / 35 / 11

HEX #E3C693

RGB 227 198 147

HSL 38.25, 0.59%, 0.73%

LAB 81.2, 3.04, 29.35

 

CMYK 0 / 11 / 32 / 4

HEX #F4D8A6

RGB 244 216 166

HSL 38.46, 0.78%, 0.8%

LAB 87.53, 2.56, 28.24

 

CMYK 0 / 8 / 27 / 0

HEX #FFEAB9

RGB 255 234 185

HSL 42, 1%, 0.86%

LAB 93.28, -0.09, 26.43

 

CMYK 0 / 14 / 39 / 26

HEX #BCA272

RGB 188 162 114

HSL 38.92, 0.36%, 0.59%

LAB 67.83, 2.73, 28.49

 

CMYK 0 / 16 / 44 / 33

HEX #AB905F

RGB 171 144 95

HSL 38.68, 0.31%, 0.52%

LAB 61.16, 3.38, 29.77

 

CMYK 0 / 18 / 51 / 40

HEX #9A7E4C

RGB 154 126 76

HSL 38.46, 0.34%, 0.45%

LAB 54.36, 4.15, 31.13

 

CMYK 0 / 21 / 58 / 46

HEX #896C39

RGB 137 108 57

HSL 38.25, 0.41%, 0.38%

LAB 47.42, 5.11, 32.56

 

CMYK 0 / 25 / 68 / 53

HEX #785A26

RGB 120 90 38

HSL 38.05, 0.52%, 0.31%

LAB 40.32, 6.33, 33.98

 

CMYK 0 / 14 / 40 / 26

HEX #BCA170

RGB 188 161 112

HSL 38.68, 0.36%, 0.59%

LAB 67.54, 3.04, 29.18

 

CMYK 0 / 25 / 40 / 26

HEX #BC8D70

RGB 188 141 112

HSL 22.89, 0.36%, 0.59%

LAB 62.43, 14.02, 22.4

 

CMYK 0 / 36 / 40 / 26

HEX #BC7970

RGB 188 121 112

HSL 7.11, 0.36%, 0.59%

LAB 57.59, 25.1, 15.81

 

CMYK 0 / 40 / 40 / 26

HEX #BC7070

RGB 188 112 112

HSL 0, 0.36%, 0.59%

LAB 55.53, 30.04, 12.95

 

CMYK 0 / 14 / 40 / 26

HEX #BCA170

RGB 188 161 112

HSL 38.68, 0.36%, 0.59%

LAB 67.54, 3.04, 29.18

 

CMYK 0 / 4 / 40 / 26

HEX #BCB570

RGB 188 181 112

HSL 54.47, 0.36%, 0.59%

LAB 72.83, -7.62, 36.01

 

CMYK 8 / 0 / 40 / 26

HEX #ADBC70

RGB 173 188 112

HSL 71.84, 0.36%, 0.59%

LAB 73.56, -17.23, 36.69

 

CMYK 19 / 0 / 40 / 26

HEX #99BC70

RGB 153 188 112

HSL 87.63, 0.36%, 0.59%

LAB 72.17, -24.94, 34.64

 

CMYK 29 / 0 / 40 / 26

HEX #85BC70

RGB 133 188 112

HSL 103.42, 0.36%, 0.59%

LAB 70.96, -32.19, 32.83

 

CMYK 0 / 14 / 40 / 26

HEX #BCA170

RGB 188 161 112

HSL 38.68, 0.36%, 0.59%

LAB 67.54, 3.04, 29.18

 

CMYK 0 / 19 / 54 / 20

HEX #CDA65F

RGB 205 166 95

HSL 38.73, 0.52%, 0.59%

LAB 70.23, 5.74, 41.83

 

CMYK 0 / 23 / 65 / 13

HEX #DDAB4E

RGB 221 171 78

HSL 39.02, 0.68%, 0.59%

LAB 72.92, 8.58, 53.61

 

CMYK 0 / 26 / 74 / 7

HEX #EEB03E

RGB 238 176 62

HSL 38.86, 0.84%, 0.59%

LAB 75.81, 12.31, 64.01

 

CMYK 0 / 14 / 40 / 26

HEX #BCA170

RGB 188 161 112

HSL 38.68, 0.36%, 0.59%

LAB 67.54, 3.04, 29.18

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 0 / 2 / 5 / 40

HEX #9A9792

RGB 154 151 146

HSL 37.5, 0.04%, 0.59%

LAB 62.57, 0.16, 3.01

 

CMYK 16 / 10 / 0 / 36

HEX #8992A3

RGB 137 146 163

HSL 219.23, 0.12%, 0.59%

LAB 60.36, 0.4, -10.05

 

CMYK 33 / 22 / 0 / 29

HEX #788DB4

RGB 120 141 180

HSL 219, 0.29%, 0.59%

LAB 58.36, 2.02, -22.86

 

CMYK 0 / 36 / 40 / 26

HEX #BC7870

RGB 188 120 112

HSL 6.32, 0.36%, 0.59%

LAB 57.36, 25.65, 15.49

 

CMYK 0 / 26 / 40 / 26

HEX #BC8C70

RGB 188 140 112

HSL 22.11, 0.36%, 0.59%

LAB 62.18, 14.57, 22.07

 

CMYK 0 / 15 / 40 / 26

HEX #BCA070

RGB 188 160 112

HSL 37.89, 0.36%, 0.59%

LAB 67.28, 3.59, 28.84

 

CMYK 0 / 4 / 40 / 26

HEX #BCB470

RGB 188 180 112

HSL 53.68, 0.36%, 0.59%

LAB 72.56, -7.09, 35.67

 

CMYK 7 / 0 / 40 / 26

HEX #AFBC70

RGB 175 188 112

HSL 70.26, 0.36%, 0.59%

LAB 73.71, -16.44, 36.91

 

CMYK 0 / 19 / 53 / 42

HEX #947845

RGB 148 120 69

HSL 38.73, 0.36%, 0.43%

LAB 52.02, 4.24, 31.9

 

CMYK 0 / 18 / 52 / 32

HEX #AE8F54

RGB 174 143 84

HSL 39.33, 0.36%, 0.51%

LAB 61.03, 4.1, 35.56

 

CMYK 0 / 14 / 40 / 26

HEX #BCA170

RGB 188 161 112

HSL 38.68, 0.36%, 0.59%

LAB 67.54, 3.04, 29.18

 

CMYK 0 / 10 / 30 / 21

HEX #C9B48C

RGB 201 180 140

HSL 39.34, 0.36%, 0.67%

LAB 74.16, 1.49, 23.18

 

CMYK 0 / 7 / 21 / 16

HEX #D6C6A8

RGB 214 198 168

HSL 39.13, 0.36%, 0.75%

LAB 80.47, 0.84, 17.07

 

CMYK 0 / 14 / 39 / 26

HEX #BCA272

RGB 188 162 114

HSL 38.92, 0.36%, 0.59%

LAB 67.83, 2.73, 28.49

 

CMYK 34 / 0 / 40 / 26

HEX #7DBC70

RGB 125 188 112

HSL 109.74, 0.36%, 0.59%

LAB 70.52, -34.93, 32.19

 

CMYK 31 / 40 / 0 / 26

HEX #8270BC

RGB 130 112 188

HSL 254.21, 0.36%, 0.59%

LAB 51.8, 24.14, -37.57

 

CMYK 0 / 14 / 39 / 26

HEX #BCA272

RGB 188 162 114

HSL 38.92, 0.36%, 0.59%

LAB 67.83, 2.73, 28.49

 

CMYK 40 / 0 / 15 / 26

HEX #70BCA0

RGB 112 188 160

HSL 157.89, 0.36%, 0.59%

LAB 70.84, -30.08, 6.81

 

CMYK 15 / 40 / 0 / 26

HEX #A070BC

RGB 160 112 188

HSL 277.89, 0.36%, 0.59%

LAB 54.75, 33.05, -32.73

 

CMYK 0 / 14 / 39 / 26

HEX #BCA272

RGB 188 162 114

HSL 38.92, 0.36%, 0.59%

LAB 67.83, 2.73, 28.49

 

CMYK 34 / 0 / 40 / 26

HEX #7DBC70

RGB 125 188 112

HSL 109.74, 0.36%, 0.59%

LAB 70.52, -34.93, 32.19

 

CMYK 40 / 26 / 0 / 26

HEX #708CBC

RGB 112 140 188

HSL 217.89, 0.36%, 0.59%

LAB 57.88, 2.51, -28.19

 

CMYK 7 / 40 / 0 / 26

HEX #AF70BC

RGB 175 112 188

HSL 289.74, 0.36%, 0.59%

LAB 56.42, 37.66, -30.01

 

CMYK 0 / 14 / 39 / 26

HEX #BCA272

RGB 188 162 114

HSL 38.92, 0.36%, 0.59%

LAB 67.83, 2.73, 28.49

 

CMYK 40 / 0 / 35 / 26

HEX #70BC7A

RGB 112 188 122

HSL 127.89, 0.36%, 0.59%

LAB 70.05, -37.5, 26.21

 

CMYK 40 / 26 / 0 / 26

HEX #708CBC

RGB 112 140 188

HSL 217.89, 0.36%, 0.59%

LAB 57.88, 2.51, -28.19

 

CMYK 0 / 40 / 5 / 26

HEX #BC70B2

RGB 188 112 178

HSL 307.89, 0.36%, 0.59%

LAB 57.55, 39.86, -22.4

 

Description

Color code: HEX #BCA272 | qconv.com Color code: HEX #BCA272 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 162 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 162 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 39 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 39% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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