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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA810 it is the complementary color #4357EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA810. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA810 shade: #C1A80B, #D2BA1E, #E3CC31, #F4DE44 and #FFF057

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA810. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA810 shade: #BCA810, #AB9600, #9A8400, #897200 and #786000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA810 shade: #BBA710, #BB7910, #BB4B10, #BB1D10 and #BB1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA810 shade: #BBA710, #A1BB10, #73BB10, #44BB10 and #16BB10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA810 shade matches the following richer shades: #BBA710

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA810 shade: #BBA710, #AB9B20, #9A8E31, #8A8141 and #797552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA810 shade: #BB4C10, #BB7910, #BBA710, #A1BB10 and #74BB10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA810 shade: #6F6309, #95850D, #BBA710, #E1C913 and #EDD731

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA810 shade: #BCA810, #10BB1E and #6310BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA810 shade: #BCA810, #10BBA7 and #A710BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA810 shade: #BCA810, #10BB1E, #1024BB and #BB10AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA810 shade: #BCA810, #10BB52, #1024BB and #BB1079

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 91 / 26

HEX #BCA810

RGB 188 168 16

HSL 53.02, 0.84%, 0.4%

LAB 68.56, -6.66, 69.13

 

Complementary color

CMYK 72 / 64 / 0 / 6

HEX #4357EF

RGB 67 87 239

HSL 233.02, 0.84%, 0.6%

LAB 44.58, 42.61, -78.47

 

CMYK 0 / 13 / 94 / 24

HEX #C1A80B

RGB 193 168 11

HSL 51.76, 0.89%, 0.4%

LAB 69.02, -4.5, 70.41

 

CMYK 0 / 11 / 86 / 18

HEX #D2BA1E

RGB 210 186 30

HSL 52, 0.75%, 0.47%

LAB 75.4, -6.08, 72.68

 

CMYK 0 / 10 / 78 / 11

HEX #E3CC31

RGB 227 204 49

HSL 52.25, 0.76%, 0.54%

LAB 81.7, -7.43, 73.63

 

CMYK 0 / 9 / 72 / 4

HEX #F4DE44

RGB 244 222 68

HSL 52.5, 0.89%, 0.61%

LAB 87.92, -8.6, 73.74

 

CMYK 0 / 6 / 66 / 0

HEX #FFF057

RGB 255 240 87

HSL 54.64, 1%, 0.67%

LAB 93.57, -12.05, 72.67

 

CMYK 0 / 11 / 91 / 26

HEX #BCA810

RGB 188 168 16

HSL 53.02, 0.84%, 0.4%

LAB 68.56, -6.66, 69.13

 

CMYK 0 / 12 / 100 / 33

HEX #AB9600

RGB 171 150 0

HSL 52.63, 1%, 0.34%

LAB 62.06, -4.95, 65.84

 

CMYK 0 / 14 / 100 / 40

HEX #9A8400

RGB 154 132 0

HSL 51.43, 1%, 0.3%

LAB 55.45, -2.97, 60.38

 

CMYK 0 / 17 / 100 / 46

HEX #897200

RGB 137 114 0

HSL 49.93, 1%, 0.27%

LAB 48.7, -0.9, 54.8

 

CMYK 0 / 20 / 100 / 53

HEX #786000

RGB 120 96 0

HSL 48, 1%, 0.24%

LAB 41.78, 1.28, 49.08

 

CMYK 0 / 11 / 91 / 27

HEX #BBA710

RGB 187 167 16

HSL 52.98, 0.84%, 0.4%

LAB 68.2, -6.58, 68.82

 

CMYK 0 / 35 / 91 / 27

HEX #BB7910

RGB 187 121 16

HSL 36.84, 0.84%, 0.4%

LAB 56.36, 18.48, 59.81

 

CMYK 0 / 60 / 91 / 27

HEX #BB4B10

RGB 187 75 16

HSL 20.7, 0.84%, 0.4%

LAB 46.49, 42.68, 52.53

 

CMYK 0 / 84 / 91 / 27

HEX #BB1D10

RGB 187 29 16

HSL 4.56, 0.84%, 0.4%

LAB 40.38, 59.39, 48.24

 

CMYK 0 / 91 / 91 / 27

HEX #BB1010

RGB 187 16 16

HSL 0, 0.84%, 0.4%

LAB 39.53, 61.8, 47.66

 

CMYK 0 / 11 / 91 / 27

HEX #BBA710

RGB 187 167 16

HSL 52.98, 0.84%, 0.4%

LAB 68.2, -6.58, 68.82

 

CMYK 14 / 0 / 91 / 27

HEX #A1BB10

RGB 161 187 16

HSL 69.12, 0.84%, 0.4%

LAB 71.66, -27.99, 70.62

 

CMYK 39 / 0 / 91 / 27

HEX #73BB10

RGB 115 187 16

HSL 85.26, 0.84%, 0.4%

LAB 68.91, -45.92, 67.26

 

CMYK 64 / 0 / 91 / 27

HEX #44BB10

RGB 68 187 16

HSL 101.75, 0.84%, 0.4%

LAB 67.13, -59.71, 65.06

 

CMYK 88 / 0 / 91 / 27

HEX #16BB10

RGB 22 187 16

HSL 117.89, 0.84%, 0.4%

LAB 66.33, -66.7, 64.05

 

CMYK 0 / 11 / 91 / 27

HEX #BBA710

RGB 187 167 16

HSL 52.98, 0.84%, 0.4%

LAB 68.2, -6.58, 68.82

 

CMYK 0 / 11 / 91 / 27

HEX #BBA710

RGB 187 167 16

HSL 52.98, 0.84%, 0.4%

LAB 68.2, -6.58, 68.82

 

CMYK 0 / 9 / 81 / 33

HEX #AB9B20

RGB 171 155 32

HSL 53.09, 0.68%, 0.4%

LAB 63.51, -6.98, 60.7

 

CMYK 0 / 8 / 68 / 40

HEX #9A8E31

RGB 154 142 49

HSL 53.14, 0.52%, 0.4%

LAB 58.45, -6.85, 49.14

 

CMYK 0 / 7 / 53 / 46

HEX #8A8141

RGB 138 129 65

HSL 52.6, 0.36%, 0.4%

LAB 53.48, -5.66, 35.56

 

CMYK 0 / 3 / 32 / 53

HEX #797552

RGB 121 117 82

HSL 53.85, 0.19%, 0.4%

LAB 48.76, -4.38, 19.91

 

CMYK 0 / 59 / 91 / 27

HEX #BB4C10

RGB 187 76 16

HSL 21.05, 0.84%, 0.4%

LAB 46.67, 42.21, 52.67

 

CMYK 0 / 35 / 91 / 27

HEX #BB7910

RGB 187 121 16

HSL 36.84, 0.84%, 0.4%

LAB 56.36, 18.48, 59.81

 

CMYK 0 / 11 / 91 / 27

HEX #BBA710

RGB 187 167 16

HSL 52.98, 0.84%, 0.4%

LAB 68.2, -6.58, 68.82

 

CMYK 14 / 0 / 91 / 27

HEX #A1BB10

RGB 161 187 16

HSL 69.12, 0.84%, 0.4%

LAB 71.66, -27.99, 70.62

 

CMYK 38 / 0 / 91 / 27

HEX #74BB10

RGB 116 187 16

HSL 84.91, 0.84%, 0.4%

LAB 68.96, -45.57, 67.32

 

CMYK 0 / 11 / 92 / 56

HEX #6F6309

RGB 111 99 9

HSL 52.94, 0.85%, 0.24%

LAB 41.72, -4.66, 46.29

 

CMYK 0 / 11 / 91 / 42

HEX #95850D

RGB 149 133 13

HSL 52.94, 0.84%, 0.32%

LAB 55.27, -5.63, 57.76

 

CMYK 0 / 11 / 91 / 27

HEX #BBA710

RGB 187 167 16

HSL 52.98, 0.84%, 0.4%

LAB 68.2, -6.58, 68.82

 

CMYK 0 / 11 / 92 / 12

HEX #E1C913

RGB 225 201 19

HSL 53.01, 0.84%, 0.48%

LAB 80.64, -7.48, 79.39

 

CMYK 0 / 9 / 79 / 7

HEX #EDD731

RGB 237 215 49

HSL 52.98, 0.84%, 0.56%

LAB 85.42, -8.75, 77.26

 

CMYK 0 / 11 / 91 / 26

HEX #BCA810

RGB 188 168 16

HSL 53.02, 0.84%, 0.4%

LAB 68.56, -6.66, 69.13

 

CMYK 91 / 0 / 84 / 27

HEX #10BB1E

RGB 16 187 30

HSL 124.91, 0.84%, 0.4%

LAB 66.32, -66.56, 61.18

 

CMYK 47 / 91 / 0 / 27

HEX #6310BB

RGB 99 16 187

HSL 269.12, 0.84%, 0.4%

LAB 30.9, 63.76, -70.85

 

CMYK 0 / 11 / 91 / 26

HEX #BCA810

RGB 188 168 16

HSL 53.02, 0.84%, 0.4%

LAB 68.56, -6.66, 69.13

 

CMYK 91 / 0 / 11 / 27

HEX #10BBA7

RGB 16 187 167

HSL 172.98, 0.84%, 0.4%

LAB 68.34, -43.37, -0.93

 

CMYK 11 / 91 / 0 / 27

HEX #A710BB

RGB 167 16 187

HSL 292.98, 0.84%, 0.4%

LAB 41.49, 72.94, -53.14

 

CMYK 0 / 11 / 91 / 26

HEX #BCA810

RGB 188 168 16

HSL 53.02, 0.84%, 0.4%

LAB 68.56, -6.66, 69.13

 

CMYK 91 / 0 / 84 / 27

HEX #10BB1E

RGB 16 187 30

HSL 124.91, 0.84%, 0.4%

LAB 66.32, -66.56, 61.18

 

CMYK 91 / 81 / 0 / 27

HEX #1024BB

RGB 16 36 187

HSL 232.98, 0.84%, 0.4%

LAB 26.62, 50.87, -78.15

 

CMYK 0 / 91 / 7 / 27

HEX #BB10AD

RGB 187 16 173

HSL 304.91, 0.84%, 0.4%

LAB 44.16, 74.24, -40.39

 

CMYK 0 / 11 / 91 / 26

HEX #BCA810

RGB 188 168 16

HSL 53.02, 0.84%, 0.4%

LAB 68.56, -6.66, 69.13

 

CMYK 91 / 0 / 56 / 27

HEX #10BB52

RGB 16 187 82

HSL 143.16, 0.84%, 0.4%

LAB 66.72, -61.61, 41.78

 

CMYK 91 / 81 / 0 / 27

HEX #1024BB

RGB 16 36 187

HSL 232.98, 0.84%, 0.4%

LAB 26.62, 50.87, -78.15

 

CMYK 0 / 91 / 35 / 27

HEX #BB1079

RGB 187 16 121

HSL 323.16, 0.84%, 0.4%

LAB 41.71, 67.83, -12.64

 

Description

Color code: HEX #BCA810 | qconv.com Color code: HEX #BCA810 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 168 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 168 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 91 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 91% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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