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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA4E4 it is the complementary color #435B1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA4E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA4E4 shade: #C1A4DF, #D2B6F2, #E3C8FF, #F4DAFF and #FFECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA4E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA4E4 shade: #BCA4E4, #AB92D1, #9A80BE, #896EAB and #785C98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA4E4 shade: #BCA4E4, #CDA4E4, #DEA4E4, #E4A4D8 and #E4A4C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA4E4 shade: #BCA4E4, #ABA4E4 and #A4A4E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA4E4 shade matches the following richer shades: #BCA4E4, #BA9BED and #B791F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA4E4 shade: #BCA4E4, #BEAEDA, #C1B7D1, #C3C1C7 and #C5CABE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA4E4 shade: #A4AFE4, #ABA4E4, #BBA4E4, #CCA4E4 and #DDA4E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA4E4 shade: #8D65D1, #A584DA, #BCA4E4, #D3C4ED and #EBE4F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA4E4 shade: #BCA4E4, #E4A4C0 and #A6E4A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA4E4 shade: #BCA4E4, #E4BBA4 and #A4E4BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA4E4 shade: #BCA4E4, #E4A4C0, #CCE4A4 and #A4E4C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA4E4 shade: #BCA4E4, #E4A4AD, #CCE4A4 and #A4E4DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 28 / 0 / 11

HEX #BCA4E4

RGB 188 164 228

HSL 262.5, 0.54%, 0.77%

LAB 71.45, 21.29, -29.05

 

Complementary color

CMYK 26 / 0 / 70 / 64

HEX #435B1B

RGB 67 91 27

HSL 82.5, 0.54%, 0.23%

LAB 35.51, -20.16, 32.75

 

CMYK 13 / 26 / 0 / 13

HEX #C1A4DF

RGB 193 164 223

HSL 269.49, 0.48%, 0.76%

LAB 71.7, 21.77, -25.88

 

CMYK 13 / 25 / 0 / 5

HEX #D2B6F2

RGB 210 182 242

HSL 268, 0.7%, 0.83%

LAB 78.21, 21.25, -26.11

 

CMYK 11 / 22 / 0 / 0

HEX #E3C8FF

RGB 227 200 255

HSL 269.45, 1%, 0.89%

LAB 84.41, 19.55, -23.47

 

CMYK 4 / 15 / 0 / 0

HEX #F4DAFF

RGB 244 218 255

HSL 282.16, 1%, 0.93%

LAB 90.14, 15.45, -14.7

 

CMYK 0 / 7 / 0 / 0

HEX #FFECFF

RGB 255 236 255

HSL 300, 1%, 0.96%

LAB 95.36, 9.69, -6.83

 

CMYK 18 / 28 / 0 / 11

HEX #BCA4E4

RGB 188 164 228

HSL 262.5, 0.54%, 0.77%

LAB 71.45, 21.29, -29.05

 

CMYK 18 / 30 / 0 / 18

HEX #AB92D1

RGB 171 146 209

HSL 263.81, 0.41%, 0.7%

LAB 64.82, 21.86, -28.9

 

CMYK 19 / 33 / 0 / 25

HEX #9A80BE

RGB 154 128 190

HSL 265.16, 0.32%, 0.62%

LAB 58.06, 22.48, -28.78

 

CMYK 20 / 36 / 0 / 33

HEX #896EAB

RGB 137 110 171

HSL 266.56, 0.27%, 0.55%

LAB 51.16, 23.17, -28.68

 

CMYK 21 / 39 / 0 / 40

HEX #785C98

RGB 120 92 152

HSL 268, 0.25%, 0.48%

LAB 44.11, 23.94, -28.61

 

CMYK 18 / 28 / 0 / 11

HEX #BCA4E4

RGB 188 164 228

HSL 262.5, 0.54%, 0.77%

LAB 71.45, 21.29, -29.05

 

CMYK 10 / 28 / 0 / 11

HEX #CDA4E4

RGB 205 164 228

HSL 278.44, 0.54%, 0.77%

LAB 72.98, 26.6, -26.57

 

CMYK 3 / 28 / 0 / 11

HEX #DEA4E4

RGB 222 164 228

HSL 294.38, 0.54%, 0.77%

LAB 74.62, 32.02, -23.9

 

CMYK 0 / 28 / 5 / 11

HEX #E4A4D8

RGB 228 164 216

HSL 311.25, 0.54%, 0.77%

LAB 74.83, 31.79, -16.99

 

CMYK 0 / 28 / 13 / 11

HEX #E4A4C7

RGB 228 164 199

HSL 327.19, 0.54%, 0.77%

LAB 74.3, 28.9, -8.47

 

CMYK 18 / 28 / 0 / 11

HEX #BCA4E4

RGB 188 164 228

HSL 262.5, 0.54%, 0.77%

LAB 71.45, 21.29, -29.05

 

CMYK 25 / 28 / 0 / 11

HEX #ABA4E4

RGB 171 164 228

HSL 246.56, 0.54%, 0.77%

LAB 70.04, 16.13, -31.33

 

CMYK 28 / 28 / 0 / 11

HEX #A4A4E4

RGB 164 164 228

HSL 240, 0.54%, 0.77%

LAB 69.5, 14.07, -32.21

 

CMYK 18 / 28 / 0 / 11

HEX #BCA4E4

RGB 188 164 228

HSL 262.5, 0.54%, 0.77%

LAB 71.45, 21.29, -29.05

 

CMYK 22 / 35 / 0 / 7

HEX #BA9BED

RGB 186 155 237

HSL 262.68, 0.69%, 0.77%

LAB 69.47, 27.72, -37.05

 

CMYK 26 / 41 / 0 / 3

HEX #B791F7

RGB 183 145 247

HSL 262.35, 0.86%, 0.77%

LAB 67.3, 34.76, -45.93

 

CMYK 18 / 28 / 0 / 11

HEX #BCA4E4

RGB 188 164 228

HSL 262.5, 0.54%, 0.77%

LAB 71.45, 21.29, -29.05

 

CMYK 13 / 20 / 0 / 15

HEX #BEAEDA

RGB 190 174 218

HSL 261.82, 0.37%, 0.77%

LAB 73.73, 14.23, -20.09

 

CMYK 8 / 12 / 0 / 18

HEX #C1B7D1

RGB 193 183 209

HSL 263.08, 0.22%, 0.77%

LAB 75.95, 8.45, -11.81

 

CMYK 2 / 3 / 0 / 22

HEX #C3C1C7

RGB 195 193 199

HSL 260, 0.05%, 0.77%

LAB 78.38, 1.81, -2.77

 

CMYK 2 / 0 / 6 / 21

HEX #C5CABE

RGB 197 202 190

HSL 85, 0.1%, 0.77%

LAB 80.64, -3.89, 5.38

 

CMYK 28 / 23 / 0 / 11

HEX #A4AFE4

RGB 164 175 228

HSL 229.69, 0.54%, 0.77%

LAB 72.33, 7.93, -27.85

 

CMYK 25 / 28 / 0 / 11

HEX #ABA4E4

RGB 171 164 228

HSL 246.56, 0.54%, 0.77%

LAB 70.04, 16.13, -31.33

 

CMYK 18 / 28 / 0 / 11

HEX #BBA4E4

RGB 187 164 228

HSL 261.56, 0.54%, 0.77%

LAB 71.36, 20.98, -29.19

 

CMYK 11 / 28 / 0 / 11

HEX #CCA4E4

RGB 204 164 228

HSL 277.5, 0.54%, 0.77%

LAB 72.89, 26.29, -26.72

 

CMYK 3 / 28 / 0 / 11

HEX #DDA4E4

RGB 221 164 228

HSL 293.44, 0.54%, 0.77%

LAB 74.52, 31.7, -24.07

 

CMYK 33 / 52 / 0 / 18

HEX #8D65D1

RGB 141 101 209

HSL 262.22, 0.54%, 0.61%

LAB 51.35, 38.97, -50.24

 

CMYK 24 / 39 / 0 / 15

HEX #A584DA

RGB 165 132 218

HSL 263.02, 0.54%, 0.69%

LAB 61.28, 30.09, -39.48

 

CMYK 18 / 28 / 0 / 11

HEX #BCA4E4

RGB 188 164 228

HSL 262.5, 0.54%, 0.77%

LAB 71.45, 21.29, -29.05

 

CMYK 11 / 17 / 0 / 7

HEX #D3C4ED

RGB 211 196 237

HSL 261.95, 0.53%, 0.85%

LAB 81.53, 12.97, -18.37

 

CMYK 5 / 8 / 0 / 3

HEX #EBE4F7

RGB 235 228 247

HSL 262.11, 0.54%, 0.93%

LAB 91.62, 5.8, -8.37

 

CMYK 18 / 28 / 0 / 11

HEX #BCA4E4

RGB 188 164 228

HSL 262.5, 0.54%, 0.77%

LAB 71.45, 21.29, -29.05

 

CMYK 0 / 28 / 16 / 11

HEX #E4A4C0

RGB 228 164 192

HSL 333.75, 0.54%, 0.77%

LAB 74.09, 27.78, -4.93

 

CMYK 27 / 0 / 28 / 11

HEX #A6E4A4

RGB 166 228 164

HSL 118.13, 0.54%, 0.77%

LAB 85.14, -31.85, 25.1

 

CMYK 18 / 28 / 0 / 11

HEX #BCA4E4

RGB 188 164 228

HSL 262.5, 0.54%, 0.77%

LAB 71.45, 21.29, -29.05

 

CMYK 0 / 18 / 28 / 11

HEX #E4BBA4

RGB 228 187 164

HSL 21.56, 0.54%, 0.77%

LAB 78.88, 11.37, 17.18

 

CMYK 28 / 0 / 18 / 11

HEX #A4E4BB

RGB 164 228 187

HSL 141.56, 0.54%, 0.77%

LAB 85.49, -28.45, 13.6

 

CMYK 18 / 28 / 0 / 11

HEX #BCA4E4

RGB 188 164 228

HSL 262.5, 0.54%, 0.77%

LAB 71.45, 21.29, -29.05

 

CMYK 0 / 28 / 16 / 11

HEX #E4A4C0

RGB 228 164 192

HSL 333.75, 0.54%, 0.77%

LAB 74.09, 27.78, -4.93

 

CMYK 11 / 0 / 28 / 11

HEX #CCE4A4

RGB 204 228 164

HSL 82.5, 0.54%, 0.77%

LAB 87.49, -18.71, 28.68

 

CMYK 28 / 0 / 12 / 11

HEX #A4E4C8

RGB 164 228 200

HSL 153.75, 0.54%, 0.77%

LAB 85.78, -25.93, 7.2

 

CMYK 18 / 28 / 0 / 11

HEX #BCA4E4

RGB 188 164 228

HSL 262.5, 0.54%, 0.77%

LAB 71.45, 21.29, -29.05

 

CMYK 0 / 28 / 24 / 11

HEX #E4A4AD

RGB 228 164 173

HSL 351.56, 0.54%, 0.77%

LAB 73.59, 24.91, 4.78

 

CMYK 11 / 0 / 28 / 11

HEX #CCE4A4

RGB 204 228 164

HSL 82.5, 0.54%, 0.77%

LAB 87.49, -18.71, 28.68

 

CMYK 28 / 0 / 4 / 11

HEX #A4E4DB

RGB 164 228 219

HSL 171.56, 0.54%, 0.77%

LAB 86.25, -21.98, -2.12

 

Description

Color code: HEX #BCA4E4 | qconv.com Color code: HEX #BCA4E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 164 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 164 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 28 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 28% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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