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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9EDD1 it is the complementary color #46122E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9EDD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9EDD1 shade: #BEEDCC, #CFFFDF, #E0FFF2 and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9EDD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9EDD1 shade: #B9EDD1, #A8DBBE, #97C9AB, #86B798 and #75A585

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9EDD1 shade: #BAEDD1, #BAEDC3, #BEEDBA, #CBEDBA and #D9EDBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9EDD1 shade: #BAEDD1, #BAEDDF, #BAEDED, #BADFED and #BAD1ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9EDD1 shade matches the following richer shades: #BAEDD1, #B3F4D1 and #ACFBD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9EDD1 shade: #BAEDD1, #C1E6D2, #C8DFD2, #CFD8D3 and #D6D1D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9EDD1 shade: #BEEDBA, #BAEDC3, #BAEDD1, #BAEDDE and #BAEDEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9EDD1 shade: #78DCA6, #99E4BC, #BAEDD1, #DAF5E7 and #FBFEFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9EDD1 shade: #B9EDD1, #BACBED and #EDBCBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9EDD1 shade: #B9EDD1, #D1BAED and #EDD1BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9EDD1 shade: #B9EDD1, #BACBED, #EDBAD6 and #EDDBBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9EDD1 shade: #B9EDD1, #BABCED, #EDBAD6 and #EDEABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 12 / 7

HEX #B9EDD1

RGB 185 237 209

HSL 147.69, 0.59%, 0.83%

LAB 89.62, -22.09, 8.16

 

Complementary color

CMYK 0 / 74 / 34 / 73

HEX #46122E

RGB 70 18 46

HSL 327.69, 0.59%, 0.17%

LAB 15.13, 27.88, -5.28

 

CMYK 20 / 0 / 14 / 7

HEX #BEEDCC

RGB 190 237 204

HSL 137.87, 0.57%, 0.84%

LAB 89.8, -21.44, 11.06

 

CMYK 19 / 0 / 13 / 0

HEX #CFFFDF

RGB 207 255 223

HSL 140, 1%, 0.91%

LAB 96.04, -21.3, 10.29

 

CMYK 12 / 0 / 5 / 0

HEX #E0FFF2

RGB 224 255 242

HSL 154.84, 1%, 0.94%

LAB 97.54, -12.4, 2.82

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 22 / 0 / 12 / 7

HEX #B9EDD1

RGB 185 237 209

HSL 147.69, 0.59%, 0.83%

LAB 89.62, -22.09, 8.16

 

CMYK 23 / 0 / 13 / 14

HEX #A8DBBE

RGB 168 219 190

HSL 145.88, 0.41%, 0.76%

LAB 83.29, -22.26, 8.93

 

CMYK 25 / 0 / 15 / 21

HEX #97C9AB

RGB 151 201 171

HSL 144, 0.32%, 0.69%

LAB 76.86, -22.45, 9.74

 

CMYK 27 / 0 / 17 / 28

HEX #86B798

RGB 134 183 152

HSL 142.04, 0.25%, 0.62%

LAB 70.32, -22.66, 10.59

 

CMYK 29 / 0 / 19 / 35

HEX #75A585

RGB 117 165 133

HSL 140, 0.21%, 0.55%

LAB 63.66, -22.9, 11.51

 

CMYK 22 / 0 / 12 / 7

HEX #BAEDD1

RGB 186 237 209

HSL 147.06, 0.59%, 0.83%

LAB 89.68, -21.78, 8.25

 

CMYK 22 / 0 / 18 / 7

HEX #BAEDC3

RGB 186 237 195

HSL 130.59, 0.59%, 0.83%

LAB 89.37, -24.34, 15.09

 

CMYK 20 / 0 / 22 / 7

HEX #BEEDBA

RGB 190 237 186

HSL 115.29, 0.59%, 0.83%

LAB 89.42, -24.58, 19.86

 

CMYK 14 / 0 / 22 / 7

HEX #CBEDBA

RGB 203 237 186

HSL 100, 0.59%, 0.83%

LAB 90.23, -20.17, 21.11

 

CMYK 8 / 0 / 22 / 7

HEX #D9EDBA

RGB 217 237 186

HSL 83.53, 0.59%, 0.83%

LAB 91.17, -15.28, 22.56

 

CMYK 22 / 0 / 12 / 7

HEX #BAEDD1

RGB 186 237 209

HSL 147.06, 0.59%, 0.83%

LAB 89.68, -21.78, 8.25

 

CMYK 22 / 0 / 6 / 7

HEX #BAEDDF

RGB 186 237 223

HSL 163.53, 0.59%, 0.83%

LAB 90.01, -19.05, 1.43

 

CMYK 22 / 0 / 0 / 7

HEX #BAEDED

RGB 186 237 237

HSL 180, 0.59%, 0.83%

LAB 90.38, -16.16, -5.35

 

CMYK 22 / 6 / 0 / 7

HEX #BADFED

RGB 186 223 237

HSL 196.47, 0.59%, 0.83%

LAB 86.67, -9.08, -10.85

 

CMYK 22 / 12 / 0 / 7

HEX #BAD1ED

RGB 186 209 237

HSL 212.94, 0.59%, 0.83%

LAB 83, -1.79, -16.35

 

CMYK 22 / 0 / 12 / 7

HEX #BAEDD1

RGB 186 237 209

HSL 147.06, 0.59%, 0.83%

LAB 89.68, -21.78, 8.25

 

CMYK 27 / 0 / 14 / 4

HEX #B3F4D1

RGB 179 244 209

HSL 147.69, 0.75%, 0.83%

LAB 91.18, -27.32, 10.35

 

CMYK 31 / 0 / 17 / 2

HEX #ACFBD0

RGB 172 251 208

HSL 147.34, 0.91%, 0.83%

LAB 92.72, -32.89, 13

 

CMYK 22 / 0 / 12 / 7

HEX #BAEDD1

RGB 186 237 209

HSL 147.06, 0.59%, 0.83%

LAB 89.68, -21.78, 8.25

 

CMYK 16 / 0 / 9 / 10

HEX #C1E6D2

RGB 193 230 210

HSL 147.57, 0.43%, 0.83%

LAB 88.25, -15.9, 5.72

 

CMYK 10 / 0 / 6 / 13

HEX #C8DFD2

RGB 200 223 210

HSL 146.09, 0.26%, 0.83%

LAB 86.85, -10.08, 3.76

 

CMYK 4 / 0 / 2 / 15

HEX #CFD8D3

RGB 207 216 211

HSL 146.67, 0.1%, 0.83%

LAB 85.54, -3.95, 1.4

 

CMYK 0 / 2 / 1 / 16

HEX #D6D1D3

RGB 214 209 211

HSL 336, 0.06%, 0.83%

LAB 84.28, 2.08, -0.39

 

CMYK 20 / 0 / 22 / 7

HEX #BEEDBA

RGB 190 237 186

HSL 115.29, 0.59%, 0.83%

LAB 89.42, -24.58, 19.86

 

CMYK 22 / 0 / 18 / 7

HEX #BAEDC3

RGB 186 237 195

HSL 130.59, 0.59%, 0.83%

LAB 89.37, -24.34, 15.09

 

CMYK 22 / 0 / 12 / 7

HEX #BAEDD1

RGB 186 237 209

HSL 147.06, 0.59%, 0.83%

LAB 89.68, -21.78, 8.25

 

CMYK 22 / 0 / 6 / 7

HEX #BAEDDE

RGB 186 237 222

HSL 162.35, 0.59%, 0.83%

LAB 89.99, -19.25, 1.92

 

CMYK 22 / 0 / 0 / 7

HEX #BAEDEC

RGB 186 237 236

HSL 178.82, 0.59%, 0.83%

LAB 90.35, -16.38, -4.87

 

CMYK 45 / 0 / 25 / 14

HEX #78DCA6

RGB 120 220 166

HSL 147.6, 0.59%, 0.67%

LAB 80.7, -41.43, 17.6

 

CMYK 33 / 0 / 18 / 11

HEX #99E4BC

RGB 153 228 188

HSL 148, 0.58%, 0.75%

LAB 84.94, -31.57, 12.22

 

CMYK 22 / 0 / 12 / 7

HEX #BAEDD1

RGB 186 237 209

HSL 147.06, 0.59%, 0.83%

LAB 89.68, -21.78, 8.25

 

CMYK 11 / 0 / 6 / 4

HEX #DAF5E7

RGB 218 245 231

HSL 148.89, 0.57%, 0.91%

LAB 94.3, -11.39, 3.75

 

CMYK 1 / 0 / 1 / 0

HEX #FBFEFC

RGB 251 254 252

HSL 140, 0.6%, 0.99%

LAB 99.39, -1.33, 0.6

 

CMYK 22 / 0 / 12 / 7

HEX #B9EDD1

RGB 185 237 209

HSL 147.69, 0.59%, 0.83%

LAB 89.62, -22.09, 8.16

 

CMYK 22 / 14 / 0 / 7

HEX #BACBED

RGB 186 203 237

HSL 220, 0.59%, 0.83%

LAB 81.44, 1.39, -18.7

 

CMYK 0 / 21 / 22 / 7

HEX #EDBCBA

RGB 237 188 186

HSL 2.35, 0.59%, 0.83%

LAB 80.47, 17.28, 7.72

 

CMYK 22 / 0 / 12 / 7

HEX #B9EDD1

RGB 185 237 209

HSL 147.69, 0.59%, 0.83%

LAB 89.62, -22.09, 8.16

 

CMYK 12 / 22 / 0 / 7

HEX #D1BAED

RGB 209 186 237

HSL 267.06, 0.59%, 0.83%

LAB 78.92, 17.73, -22.35

 

CMYK 0 / 12 / 22 / 7

HEX #EDD1BA

RGB 237 209 186

HSL 27.06, 0.59%, 0.83%

LAB 85.58, 6.23, 14.99

 

CMYK 22 / 0 / 12 / 7

HEX #B9EDD1

RGB 185 237 209

HSL 147.69, 0.59%, 0.83%

LAB 89.62, -22.09, 8.16

 

CMYK 22 / 14 / 0 / 7

HEX #BACBED

RGB 186 203 237

HSL 220, 0.59%, 0.83%

LAB 81.44, 1.39, -18.7

 

CMYK 0 / 22 / 10 / 7

HEX #EDBAD6

RGB 237 186 214

HSL 327.06, 0.59%, 0.83%

LAB 80.73, 22.74, -6.99

 

CMYK 0 / 8 / 22 / 7

HEX #EDDBBA

RGB 237 219 186

HSL 38.82, 0.59%, 0.83%

LAB 88.07, 1.05, 18.48

 

CMYK 22 / 0 / 12 / 7

HEX #B9EDD1

RGB 185 237 209

HSL 147.69, 0.59%, 0.83%

LAB 89.62, -22.09, 8.16

 

CMYK 22 / 21 / 0 / 7

HEX #BABCED

RGB 186 188 237

HSL 237.65, 0.59%, 0.83%

LAB 77.59, 9.47, -24.54

 

CMYK 0 / 22 / 10 / 7

HEX #EDBAD6

RGB 237 186 214

HSL 327.06, 0.59%, 0.83%

LAB 80.73, 22.74, -6.99

 

CMYK 0 / 1 / 22 / 7

HEX #EDEABA

RGB 237 234 186

HSL 56.47, 0.59%, 0.83%

LAB 91.86, -6.59, 23.74

 

Description

Color code: HEX #B9EDD1 | qconv.com Color code: HEX #B9EDD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 237 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 237 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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