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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9ECDD it is the complementary color #461322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9ECDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9ECDD shade: #BEECD8, #CFFEEB, #E0FFFE and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9ECDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9ECDD shade: #B9ECDD, #A8DACA, #97C8B7, #86B6A4 and #75A491

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9ECDD shade: #BAECDD, #BAECD0, #BAECC3, #C0ECBA and #CDECBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9ECDD shade: #BAECDD, #BAECEB, #BAE0EC, #BAD2EC and #BAC5EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9ECDD shade matches the following richer shades: #BAECDD, #B3F3E0 and #ACFAE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9ECDD shade: #BAECDD, #C1E5DA, #C8DED8, #CFD7D5 and #D6D0D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9ECDD shade: #BAECC3, #BAECD0, #BAECDD, #BAECEA and #BAE0EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9ECDD shade: #7ADABE, #9AE3CE, #BAECDD, #DBF5ED and #FBFEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9ECDD shade: #B9ECDD, #BABFEC and #ECC9BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9ECDD shade: #B9ECDD, #DDBAEC and #ECDDBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9ECDD shade: #B9ECDD, #BABFEC, #ECBAC9 and #ECE7BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9ECDD shade: #B9ECDD, #C4BAEC, #ECBAC9 and #E2ECBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 6 / 7

HEX #B9ECDD

RGB 185 236 221

HSL 162.35, 0.57%, 0.83%

LAB 89.64, -19.26, 1.92

 

Complementary color

CMYK 0 / 73 / 51 / 73

HEX #461322

RGB 70 19 34

HSL 342.35, 0.57%, 0.17%

LAB 14.86, 25.81, 3.07

 

CMYK 19 / 0 / 8 / 7

HEX #BEECD8

RGB 190 236 216

HSL 153.91, 0.55%, 0.84%

LAB 89.81, -18.69, 4.82

 

CMYK 19 / 0 / 7 / 0

HEX #CFFEEB

RGB 207 254 235

HSL 155.74, 0.96%, 0.9%

LAB 96.06, -18.58, 4.14

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFE

RGB 224 255 254

HSL 178.06, 1%, 0.94%

LAB 97.84, -10.13, -2.91

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 22 / 0 / 6 / 7

HEX #B9ECDD

RGB 185 236 221

HSL 162.35, 0.57%, 0.83%

LAB 89.64, -19.26, 1.92

 

CMYK 23 / 0 / 7 / 15

HEX #A8DACA

RGB 168 218 202

HSL 160.8, 0.4%, 0.76%

LAB 83.3, -19.4, 2.59

 

CMYK 25 / 0 / 9 / 22

HEX #97C8B7

RGB 151 200 183

HSL 159.18, 0.31%, 0.69%

LAB 76.86, -19.55, 3.29

 

CMYK 26 / 0 / 10 / 29

HEX #86B6A4

RGB 134 182 164

HSL 157.5, 0.25%, 0.62%

LAB 70.32, -19.72, 4.02

 

CMYK 29 / 0 / 12 / 36

HEX #75A491

RGB 117 164 145

HSL 155.74, 0.21%, 0.55%

LAB 63.65, -19.92, 4.8

 

CMYK 21 / 0 / 6 / 7

HEX #BAECDD

RGB 186 236 221

HSL 162, 0.57%, 0.83%

LAB 89.7, -18.96, 2.01

 

CMYK 21 / 0 / 12 / 7

HEX #BAECD0

RGB 186 236 208

HSL 146.4, 0.57%, 0.83%

LAB 89.39, -21.48, 8.35

 

CMYK 21 / 0 / 17 / 7

HEX #BAECC3

RGB 186 236 195

HSL 130.8, 0.57%, 0.83%

LAB 89.1, -23.86, 14.71

 

CMYK 19 / 0 / 21 / 7

HEX #C0ECBA

RGB 192 236 186

HSL 112.8, 0.57%, 0.83%

LAB 89.27, -23.42, 19.67

 

CMYK 13 / 0 / 21 / 7

HEX #CDECBA

RGB 205 236 186

HSL 97.2, 0.57%, 0.83%

LAB 90.1, -18.99, 20.94

 

CMYK 21 / 0 / 6 / 7

HEX #BAECDD

RGB 186 236 221

HSL 162, 0.57%, 0.83%

LAB 89.7, -18.96, 2.01

 

CMYK 21 / 0 / 0 / 7

HEX #BAECEB

RGB 186 236 235

HSL 178.8, 0.57%, 0.83%

LAB 90.06, -16.09, -4.78

 

CMYK 21 / 5 / 0 / 7

HEX #BAE0EC

RGB 186 224 236

HSL 194.4, 0.57%, 0.83%

LAB 86.9, -9.8, -9.97

 

CMYK 21 / 11 / 0 / 7

HEX #BAD2EC

RGB 186 210 236

HSL 211.2, 0.57%, 0.83%

LAB 83.23, -2.54, -15.47

 

CMYK 21 / 17 / 0 / 7

HEX #BAC5EC

RGB 186 197 236

HSL 226.8, 0.57%, 0.83%

LAB 79.86, 4.38, -20.55

 

CMYK 21 / 0 / 6 / 7

HEX #BAECDD

RGB 186 236 221

HSL 162, 0.57%, 0.83%

LAB 89.7, -18.96, 2.01

 

CMYK 26 / 0 / 8 / 5

HEX #B3F3E0

RGB 179 243 224

HSL 162.19, 0.73%, 0.83%

LAB 91.26, -23.88, 2.68

 

CMYK 31 / 0 / 9 / 2

HEX #ACFAE3

RGB 172 250 227

HSL 162.31, 0.89%, 0.83%

LAB 92.88, -28.64, 3.42

 

CMYK 21 / 0 / 6 / 7

HEX #BAECDD

RGB 186 236 221

HSL 162, 0.57%, 0.83%

LAB 89.7, -18.96, 2.01

 

CMYK 16 / 0 / 5 / 10

HEX #C1E5DA

RGB 193 229 218

HSL 161.67, 0.41%, 0.83%

LAB 88.18, -13.87, 1.43

 

CMYK 10 / 0 / 3 / 13

HEX #C8DED8

RGB 200 222 216

HSL 163.64, 0.25%, 0.83%

LAB 86.74, -8.44, 0.44

 

CMYK 4 / 0 / 1 / 16

HEX #CFD7D5

RGB 207 215 213

HSL 165, 0.09%, 0.83%

LAB 85.34, -3.07, 0.03

 

CMYK 0 / 3 / 2 / 16

HEX #D6D0D2

RGB 214 208 210

HSL 340, 0.07%, 0.83%

LAB 84, 2.42, -0.27

 

CMYK 21 / 0 / 17 / 7

HEX #BAECC3

RGB 186 236 195

HSL 130.8, 0.57%, 0.83%

LAB 89.1, -23.86, 14.71

 

CMYK 21 / 0 / 12 / 7

HEX #BAECD0

RGB 186 236 208

HSL 146.4, 0.57%, 0.83%

LAB 89.39, -21.48, 8.35

 

CMYK 21 / 0 / 6 / 7

HEX #BAECDD

RGB 186 236 221

HSL 162, 0.57%, 0.83%

LAB 89.7, -18.96, 2.01

 

CMYK 21 / 0 / 1 / 7

HEX #BAECEA

RGB 186 236 234

HSL 177.6, 0.57%, 0.83%

LAB 90.03, -16.3, -4.29

 

CMYK 21 / 5 / 0 / 7

HEX #BAE0EC

RGB 186 224 236

HSL 194.4, 0.57%, 0.83%

LAB 86.9, -9.8, -9.97

 

CMYK 44 / 0 / 13 / 15

HEX #7ADABE

RGB 122 218 190

HSL 162.5, 0.56%, 0.67%

LAB 80.74, -34.95, 4.97

 

CMYK 32 / 0 / 9 / 11

HEX #9AE3CE

RGB 154 227 206

HSL 162.74, 0.57%, 0.75%

LAB 85.13, -27.14, 3.04

 

CMYK 21 / 0 / 6 / 7

HEX #BAECDD

RGB 186 236 221

HSL 162, 0.57%, 0.83%

LAB 89.7, -18.96, 2.01

 

CMYK 11 / 0 / 3 / 4

HEX #DBF5ED

RGB 219 245 237

HSL 161.54, 0.57%, 0.91%

LAB 94.52, -9.95, 0.96

 

CMYK 1 / 0 / 0 / 0

HEX #FBFEFD

RGB 251 254 253

HSL 160, 0.6%, 0.99%

LAB 99.41, -1.16, 0.12

 

CMYK 22 / 0 / 6 / 7

HEX #B9ECDD

RGB 185 236 221

HSL 162.35, 0.57%, 0.83%

LAB 89.64, -19.26, 1.92

 

CMYK 21 / 19 / 0 / 7

HEX #BABFEC

RGB 186 191 236

HSL 234, 0.57%, 0.83%

LAB 78.32, 7.62, -22.89

 

CMYK 0 / 15 / 21 / 7

HEX #ECC9BA

RGB 236 201 186

HSL 18, 0.57%, 0.83%

LAB 83.52, 10.05, 12.06

 

CMYK 22 / 0 / 6 / 7

HEX #B9ECDD

RGB 185 236 221

HSL 162.35, 0.57%, 0.83%

LAB 89.64, -19.26, 1.92

 

CMYK 6 / 21 / 0 / 7

HEX #DDBAEC

RGB 221 186 236

HSL 282, 0.57%, 0.83%

LAB 79.92, 21.37, -20.19

 

CMYK 0 / 6 / 21 / 7

HEX #ECDDBA

RGB 236 221 186

HSL 42, 0.57%, 0.83%

LAB 88.49, -0.34, 19.05

 

CMYK 22 / 0 / 6 / 7

HEX #B9ECDD

RGB 185 236 221

HSL 162.35, 0.57%, 0.83%

LAB 89.64, -19.26, 1.92

 

CMYK 21 / 19 / 0 / 7

HEX #BABFEC

RGB 186 191 236

HSL 234, 0.57%, 0.83%

LAB 78.32, 7.62, -22.89

 

CMYK 0 / 21 / 15 / 7

HEX #ECBAC9

RGB 236 186 201

HSL 342, 0.57%, 0.83%

LAB 80.27, 20.27, -0.66

 

CMYK 0 / 2 / 21 / 7

HEX #ECE7BA

RGB 236 231 186

HSL 54, 0.57%, 0.83%

LAB 91.02, -5.44, 22.57

 

CMYK 22 / 0 / 6 / 7

HEX #B9ECDD

RGB 185 236 221

HSL 162.35, 0.57%, 0.83%

LAB 89.64, -19.26, 1.92

 

CMYK 17 / 21 / 0 / 7

HEX #C4BAEC

RGB 196 186 236

HSL 252, 0.57%, 0.83%

LAB 77.82, 13.42, -23.57

 

CMYK 0 / 21 / 15 / 7

HEX #ECBAC9

RGB 236 186 201

HSL 342, 0.57%, 0.83%

LAB 80.27, 20.27, -0.66

 

CMYK 4 / 0 / 21 / 7

HEX #E2ECBA

RGB 226 236 186

HSL 72, 0.57%, 0.83%

LAB 91.55, -11.58, 23.18

 

Description

Color code: HEX #B9ECDD | qconv.com Color code: HEX #B9ECDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 236 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 236 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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