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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9E21C it is the complementary color #461DE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9E21C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9E21C shade: #BEE217, #CFF42A, #E0FF3D, #F1FF50 and #FFFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9E21C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9E21C shade: #B9E21C, #A8D009, #97BE00, #86AC00 and #759A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9E21C shade: #B9E21C, #E2D61C, #E2A01C, #E26B1C and #E2351C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9E21C shade: #B9E21C, #84E21C, #4EE21C, #1CE21F and #1CE254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9E21C shade matches the following richer shades: #B9E21C and #C5F707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9E21C shade: #B9E21C, #ADCE30, #A1B945, #95A559 and #89906E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9E21C shade: #E2A01C, #E2D51C, #BBE21C, #86E21C and #51E21C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9E21C shade: #7D9912, #9BBE17, #B9E21C, #C4E740 and #D0EC65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9E21C shade: #B9E21C, #1CE26B and #BB1CE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9E21C shade: #B9E21C, #1CBBE2 and #E21CBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9E21C shade: #B9E21C, #1CE26B, #431CE2 and #E21C93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9E21C shade: #B9E21C, #1CE2A7, #431CE2 and #E21C57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 88 / 11

HEX #B9E21C

RGB 185 226 28

HSL 72.42, 0.78%, 0.5%

LAB 84.38, -36.11, 79.62

 

Complementary color

CMYK 69 / 87 / 0 / 11

HEX #461DE3

RGB 70 29 227

HSL 252.42, 0.78%, 0.5%

LAB 33.41, 67.81, -90.08

 

CMYK 16 / 0 / 90 / 11

HEX #BEE217

RGB 190 226 23

HSL 70.64, 0.82%, 0.49%

LAB 84.69, -34.22, 80.81

 

CMYK 15 / 0 / 83 / 4

HEX #CFF42A

RGB 207 244 42

HSL 70.99, 0.9%, 0.56%

LAB 90.84, -35.21, 82.81

 

CMYK 12 / 0 / 76 / 0

HEX #E0FF3D

RGB 224 255 61

HSL 69.59, 1%, 0.62%

LAB 95.04, -32.86, 82.1

 

CMYK 5 / 0 / 69 / 0

HEX #F1FF50

RGB 241 255 80

HSL 64.8, 1%, 0.66%

LAB 96.33, -25.27, 77.67

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 18 / 0 / 88 / 11

HEX #B9E21C

RGB 185 226 28

HSL 72.42, 0.78%, 0.5%

LAB 84.38, -36.11, 79.62

 

CMYK 19 / 0 / 96 / 18

HEX #A8D009

RGB 168 208 9

HSL 72.06, 0.92%, 0.43%

LAB 78.14, -35.03, 76.73

 

CMYK 21 / 0 / 100 / 25

HEX #97BE00

RGB 151 190 0

HSL 72.32, 1%, 0.37%

LAB 71.83, -33.75, 72.33

 

CMYK 22 / 0 / 100 / 33

HEX #86AC00

RGB 134 172 0

HSL 73.26, 1%, 0.34%

LAB 65.42, -32.35, 66.99

 

CMYK 24 / 0 / 100 / 40

HEX #759A00

RGB 117 154 0

HSL 74.42, 1%, 0.3%

LAB 58.88, -30.94, 61.54

 

CMYK 18 / 0 / 88 / 11

HEX #B9E21C

RGB 185 226 28

HSL 72.42, 0.78%, 0.5%

LAB 84.38, -36.11, 79.62

 

CMYK 0 / 5 / 88 / 11

HEX #E2D61C

RGB 226 214 28

HSL 56.36, 0.78%, 0.5%

LAB 84.15, -13.44, 80.7

 

CMYK 0 / 29 / 88 / 11

HEX #E2A01C

RGB 226 160 28

HSL 40, 0.78%, 0.5%

LAB 70.45, 14.58, 69.85

 

CMYK 0 / 53 / 88 / 11

HEX #E26B1C

RGB 226 107 28

HSL 23.94, 0.78%, 0.5%

LAB 58.76, 42.29, 60.66

 

CMYK 0 / 77 / 88 / 11

HEX #E2351C

RGB 226 53 28

HSL 7.58, 0.78%, 0.5%

LAB 50.45, 64.45, 54.19

 

CMYK 18 / 0 / 88 / 11

HEX #B9E21C

RGB 185 226 28

HSL 72.42, 0.78%, 0.5%

LAB 84.38, -36.11, 79.62

 

CMYK 42 / 0 / 88 / 11

HEX #84E21C

RGB 132 226 28

HSL 88.48, 0.78%, 0.5%

LAB 81.5, -55.44, 76.06

 

CMYK 65 / 0 / 88 / 11

HEX #4EE21C

RGB 78 226 28

HSL 104.85, 0.78%, 0.5%

LAB 79.67, -69.87, 73.77

 

CMYK 88 / 0 / 86 / 11

HEX #1CE21F

RGB 28 226 31

HSL 120.91, 0.78%, 0.5%

LAB 78.89, -76.62, 72.21

 

CMYK 88 / 0 / 63 / 11

HEX #1CE254

RGB 28 226 84

HSL 136.97, 0.78%, 0.5%

LAB 79.2, -72.68, 55.37

 

CMYK 18 / 0 / 88 / 11

HEX #B9E21C

RGB 185 226 28

HSL 72.42, 0.78%, 0.5%

LAB 84.38, -36.11, 79.62

 

CMYK 20 / 0 / 97 / 3

HEX #C5F707

RGB 197 247 7

HSL 72.5, 0.94%, 0.5%

LAB 90.97, -41.08, 87.57

 

CMYK 18 / 0 / 88 / 11

HEX #B9E21C

RGB 185 226 28

HSL 72.42, 0.78%, 0.5%

LAB 84.38, -36.11, 79.62

 

CMYK 16 / 0 / 77 / 19

HEX #ADCE30

RGB 173 206 48

HSL 72.53, 0.62%, 0.5%

LAB 78.02, -31.06, 69.03

 

CMYK 13 / 0 / 63 / 27

HEX #A1B945

RGB 161 185 69

HSL 72.41, 0.46%, 0.5%

LAB 71.35, -24.68, 54.38

 

CMYK 10 / 0 / 46 / 35

HEX #95A559

RGB 149 165 89

HSL 72.63, 0.3%, 0.5%

LAB 64.98, -17.74, 37.34

 

CMYK 5 / 0 / 24 / 44

HEX #89906E

RGB 137 144 110

HSL 72.35, 0.13%, 0.5%

LAB 58.41, -8.67, 17.26

 

CMYK 0 / 29 / 88 / 11

HEX #E2A01C

RGB 226 160 28

HSL 40, 0.78%, 0.5%

LAB 70.45, 14.58, 69.85

 

CMYK 0 / 6 / 88 / 11

HEX #E2D51C

RGB 226 213 28

HSL 56.06, 0.78%, 0.5%

LAB 83.88, -12.95, 80.49

 

CMYK 17 / 0 / 88 / 11

HEX #BBE21C

RGB 187 226 28

HSL 71.82, 0.78%, 0.5%

LAB 84.51, -35.32, 79.78

 

CMYK 41 / 0 / 88 / 11

HEX #86E21C

RGB 134 226 28

HSL 87.88, 0.78%, 0.5%

LAB 81.59, -54.79, 76.17

 

CMYK 64 / 0 / 88 / 11

HEX #51E21C

RGB 81 226 28

HSL 103.94, 0.78%, 0.5%

LAB 79.74, -69.25, 73.86

 

CMYK 18 / 0 / 88 / 40

HEX #7D9912

RGB 125 153 18

HSL 72.44, 0.79%, 0.34%

LAB 59.15, -26.72, 59.07

 

CMYK 18 / 0 / 88 / 25

HEX #9BBE17

RGB 155 190 23

HSL 72.57, 0.78%, 0.42%

LAB 72.13, -31.74, 69.66

 

CMYK 18 / 0 / 88 / 11

HEX #B9E21C

RGB 185 226 28

HSL 72.42, 0.78%, 0.5%

LAB 84.38, -36.11, 79.62

 

CMYK 15 / 0 / 72 / 9

HEX #C4E740

RGB 196 231 64

HSL 72.57, 0.78%, 0.58%

LAB 86.63, -32.74, 72.6

 

CMYK 12 / 0 / 57 / 7

HEX #D0EC65

RGB 208 236 101

HSL 72.44, 0.78%, 0.66%

LAB 89.08, -27.98, 61.06

 

CMYK 18 / 0 / 88 / 11

HEX #B9E21C

RGB 185 226 28

HSL 72.42, 0.78%, 0.5%

LAB 84.38, -36.11, 79.62

 

CMYK 88 / 0 / 53 / 11

HEX #1CE26B

RGB 28 226 107

HSL 143.94, 0.78%, 0.5%

LAB 79.44, -69.72, 45.34

 

CMYK 17 / 88 / 0 / 11

HEX #BB1CE2

RGB 187 28 226

HSL 288.18, 0.78%, 0.5%

LAB 48.12, 80.77, -64.81

 

CMYK 18 / 0 / 88 / 11

HEX #B9E21C

RGB 185 226 28

HSL 72.42, 0.78%, 0.5%

LAB 84.38, -36.11, 79.62

 

CMYK 88 / 17 / 0 / 11

HEX #1CBBE2

RGB 28 187 226

HSL 191.82, 0.78%, 0.5%

LAB 70.37, -24.54, -30.22

 

CMYK 0 / 88 / 17 / 11

HEX #E21CBB

RGB 226 28 187

HSL 311.82, 0.78%, 0.5%

LAB 52.49, 81.78, -35

 

CMYK 18 / 0 / 88 / 11

HEX #B9E21C

RGB 185 226 28

HSL 72.42, 0.78%, 0.5%

LAB 84.38, -36.11, 79.62

 

CMYK 88 / 0 / 53 / 11

HEX #1CE26B

RGB 28 226 107

HSL 143.94, 0.78%, 0.5%

LAB 79.44, -69.72, 45.34

 

CMYK 70 / 88 / 0 / 11

HEX #431CE2

RGB 67 28 226

HSL 251.82, 0.78%, 0.5%

LAB 32.95, 67.69, -90.27

 

CMYK 0 / 88 / 35 / 11

HEX #E21C93

RGB 226 28 147

HSL 323.94, 0.78%, 0.5%

LAB 50.81, 77.26, -13.99

 

CMYK 18 / 0 / 88 / 11

HEX #B9E21C

RGB 185 226 28

HSL 72.42, 0.78%, 0.5%

LAB 84.38, -36.11, 79.62

 

CMYK 88 / 0 / 26 / 11

HEX #1CE2A7

RGB 28 226 167

HSL 162.12, 0.78%, 0.5%

LAB 80.42, -58.42, 16.37

 

CMYK 70 / 88 / 0 / 11

HEX #431CE2

RGB 67 28 226

HSL 251.82, 0.78%, 0.5%

LAB 32.95, 67.69, -90.27

 

CMYK 0 / 88 / 62 / 11

HEX #E21C57

RGB 226 28 87

HSL 342.12, 0.78%, 0.5%

LAB 49.11, 72.52, 20.07

 

Description

Color code: HEX #B9E21C | qconv.com Color code: HEX #B9E21C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 226 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 226 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 88 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 88% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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