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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9C07A it is the complementary color #463F85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9C07A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9C07A shade: #BEC075, #CFD288, #E0E49B, #F1F6AE and #FFFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9C07A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9C07A shade: #B9C07A, #A8AE67, #979C54, #868A41 and #75782E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9C07A shade: #BAC07B, #C0B57B, #C0A27B, #C08F7B and #C07C7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9C07A shade: #BAC07B, #A7C07B, #94C07B, #81C07B and #7BC087

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9C07A shade matches the following richer shades: #BAC07B, #C6D06B, #D3E05B and #DFF04C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9C07A shade: #BAC07B, #ADB18A, #A0A19A, #9491AA and #8782B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9C07A shade: #C0A27B, #C0B57B, #BAC07B, #A7C07B and #94C07B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9C07A shade: #969E4A, #ABB35F, #BAC07B, #C8CE97 and #D7DBB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9C07A shade: #B9C07A, #7BC090 and #AC7BC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9C07A shade: #B9C07A, #7BBAC0 and #C07BBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9C07A shade: #B9C07A, #7BC090, #827BC0 and #C07BAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9C07A shade: #B9C07A, #7BC0A5, #827BC0 and #C07B97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 36 / 25

HEX #B9C07A

RGB 185 192 122

HSL 66, 0.36%, 0.62%

LAB 75.71, -13.35, 34.49

 

Complementary color

CMYK 47 / 53 / 0 / 48

HEX #463F85

RGB 70 63 133

HSL 246, 0.36%, 0.38%

LAB 30.76, 22.36, -38.5

 

CMYK 1 / 0 / 39 / 25

HEX #BEC075

RGB 190 192 117

HSL 61.6, 0.37%, 0.61%

LAB 76.03, -11.95, 37.54

 

CMYK 1 / 0 / 35 / 18

HEX #CFD288

RGB 207 210 136

HSL 62.43, 0.45%, 0.68%

LAB 82.45, -12.24, 36.38

 

CMYK 2 / 0 / 32 / 11

HEX #E0E49B

RGB 224 228 155

HSL 63.29, 0.57%, 0.75%

LAB 88.78, -12.48, 35.25

 

CMYK 2 / 0 / 29 / 4

HEX #F1F6AE

RGB 241 246 174

HSL 64.17, 0.8%, 0.82%

LAB 95.02, -12.69, 34.17

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 4 / 0 / 36 / 25

HEX #B9C07A

RGB 185 192 122

HSL 66, 0.36%, 0.62%

LAB 75.71, -13.35, 34.49

 

CMYK 3 / 0 / 41 / 32

HEX #A8AE67

RGB 168 174 103

HSL 65.07, 0.3%, 0.54%

LAB 69.17, -13.09, 35.68

 

CMYK 3 / 0 / 46 / 39

HEX #979C54

RGB 151 156 84

HSL 64.17, 0.3%, 0.47%

LAB 62.5, -12.76, 36.9

 

CMYK 3 / 0 / 53 / 46

HEX #868A41

RGB 134 138 65

HSL 63.29, 0.36%, 0.4%

LAB 55.71, -12.33, 38.12

 

CMYK 3 / 0 / 62 / 53

HEX #75782E

RGB 117 120 46

HSL 62.43, 0.45%, 0.33%

LAB 48.78, -11.76, 39.22

 

CMYK 3 / 0 / 36 / 25

HEX #BAC07B

RGB 186 192 123

HSL 65.22, 0.35%, 0.62%

LAB 75.8, -12.84, 34.11

 

CMYK 0 / 6 / 36 / 25

HEX #C0B57B

RGB 192 181 123

HSL 50.43, 0.35%, 0.62%

LAB 73.34, -4.74, 30.99

 

CMYK 0 / 16 / 36 / 25

HEX #C0A27B

RGB 192 162 123

HSL 33.91, 0.35%, 0.62%

LAB 68.37, 5.43, 24.4

 

CMYK 0 / 26 / 36 / 25

HEX #C08F7B

RGB 192 143 123

HSL 17.39, 0.35%, 0.62%

LAB 63.57, 15.85, 17.88

 

CMYK 0 / 35 / 36 / 25

HEX #C07C7B

RGB 192 124 123

HSL 0.87, 0.35%, 0.62%

LAB 59.02, 26.34, 11.55

 

CMYK 3 / 0 / 36 / 25

HEX #BAC07B

RGB 186 192 123

HSL 65.22, 0.35%, 0.62%

LAB 75.8, -12.84, 34.11

 

CMYK 13 / 0 / 36 / 25

HEX #A7C07B

RGB 167 192 123

HSL 81.74, 0.35%, 0.62%

LAB 74.41, -20.19, 32.03

 

CMYK 23 / 0 / 36 / 25

HEX #94C07B

RGB 148 192 123

HSL 98.26, 0.35%, 0.62%

LAB 73.17, -27.22, 30.17

 

CMYK 33 / 0 / 36 / 25

HEX #81C07B

RGB 129 192 123

HSL 114.78, 0.35%, 0.62%

LAB 72.09, -33.77, 28.55

 

CMYK 36 / 0 / 30 / 25

HEX #7BC087

RGB 123 192 135

HSL 130.43, 0.35%, 0.62%

LAB 72, -33.7, 22.03

 

CMYK 3 / 0 / 36 / 25

HEX #BAC07B

RGB 186 192 123

HSL 65.22, 0.35%, 0.62%

LAB 75.8, -12.84, 34.11

 

CMYK 5 / 0 / 49 / 18

HEX #C6D06B

RGB 198 208 107

HSL 65.94, 0.52%, 0.62%

LAB 80.84, -17.86, 48.57

 

CMYK 6 / 0 / 59 / 12

HEX #D3E05B

RGB 211 224 91

HSL 65.86, 0.68%, 0.62%

LAB 85.96, -21.82, 61.95

 

CMYK 7 / 0 / 68 / 6

HEX #DFF04C

RGB 223 240 76

HSL 66.22, 0.85%, 0.62%

LAB 91.02, -25.59, 73.39

 

CMYK 3 / 0 / 36 / 25

HEX #BAC07B

RGB 186 192 123

HSL 65.22, 0.35%, 0.62%

LAB 75.8, -12.84, 34.11

 

CMYK 2 / 0 / 22 / 31

HEX #ADB18A

RGB 173 177 138

HSL 66.15, 0.2%, 0.62%

LAB 70.98, -8.07, 19.53

 

CMYK 1 / 0 / 4 / 37

HEX #A0A19A

RGB 160 161 154

HSL 68.57, 0.04%, 0.62%

LAB 65.98, -1.67, 3.51

 

CMYK 13 / 15 / 0 / 33

HEX #9491AA

RGB 148 145 170

HSL 247.2, 0.13%, 0.62%

LAB 61.18, 6.23, -12.7

 

CMYK 27 / 30 / 0 / 27

HEX #8782B9

RGB 135 130 185

HSL 245.45, 0.28%, 0.62%

LAB 56.7, 14.22, -28.17

 

CMYK 0 / 16 / 36 / 25

HEX #C0A27B

RGB 192 162 123

HSL 33.91, 0.35%, 0.62%

LAB 68.37, 5.43, 24.4

 

CMYK 0 / 6 / 36 / 25

HEX #C0B57B

RGB 192 181 123

HSL 50.43, 0.35%, 0.62%

LAB 73.34, -4.74, 30.99

 

CMYK 3 / 0 / 36 / 25

HEX #BAC07B

RGB 186 192 123

HSL 65.22, 0.35%, 0.62%

LAB 75.8, -12.84, 34.11

 

CMYK 13 / 0 / 36 / 25

HEX #A7C07B

RGB 167 192 123

HSL 81.74, 0.35%, 0.62%

LAB 74.41, -20.19, 32.03

 

CMYK 23 / 0 / 36 / 25

HEX #94C07B

RGB 148 192 123

HSL 98.26, 0.35%, 0.62%

LAB 73.17, -27.22, 30.17

 

CMYK 5 / 0 / 53 / 38

HEX #969E4A

RGB 150 158 74

HSL 65.71, 0.36%, 0.45%

LAB 62.87, -15.22, 42.35

 

CMYK 4 / 0 / 47 / 30

HEX #ABB35F

RGB 171 179 95

HSL 65.71, 0.36%, 0.54%

LAB 70.68, -15.31, 41.68

 

CMYK 3 / 0 / 36 / 25

HEX #BAC07B

RGB 186 192 123

HSL 65.22, 0.35%, 0.62%

LAB 75.8, -12.84, 34.11

 

CMYK 3 / 0 / 27 / 19

HEX #C8CE97

RGB 200 206 151

HSL 66.55, 0.36%, 0.7%

LAB 81.1, -10.98, 26.75

 

CMYK 2 / 0 / 18 / 14

HEX #D7DBB3

RGB 215 219 179

HSL 66, 0.36%, 0.78%

LAB 86.19, -8.02, 19.25

 

CMYK 4 / 0 / 36 / 25

HEX #B9C07A

RGB 185 192 122

HSL 66, 0.36%, 0.62%

LAB 75.71, -13.35, 34.49

 

CMYK 36 / 0 / 25 / 25

HEX #7BC090

RGB 123 192 144

HSL 138.26, 0.35%, 0.62%

LAB 72.18, -32.05, 17.45

 

CMYK 10 / 36 / 0 / 25

HEX #AC7BC0

RGB 172 123 192

HSL 282.61, 0.35%, 0.62%

LAB 58.74, 31.44, -28.73

 

CMYK 4 / 0 / 36 / 25

HEX #B9C07A

RGB 185 192 122

HSL 66, 0.36%, 0.62%

LAB 75.71, -13.35, 34.49

 

CMYK 36 / 3 / 0 / 25

HEX #7BBAC0

RGB 123 186 192

HSL 185.22, 0.35%, 0.62%

LAB 71.65, -18.58, -9.45

 

CMYK 0 / 36 / 3 / 25

HEX #C07BBA

RGB 192 123 186

HSL 305.22, 0.35%, 0.62%

LAB 60.71, 36.68, -22.09

 

CMYK 4 / 0 / 36 / 25

HEX #B9C07A

RGB 185 192 122

HSL 66, 0.36%, 0.62%

LAB 75.71, -13.35, 34.49

 

CMYK 36 / 0 / 25 / 25

HEX #7BC090

RGB 123 192 144

HSL 138.26, 0.35%, 0.62%

LAB 72.18, -32.05, 17.45

 

CMYK 32 / 36 / 0 / 25

HEX #827BC0

RGB 130 123 192

HSL 246.09, 0.35%, 0.62%

LAB 54.78, 18.67, -35.19

 

CMYK 0 / 36 / 10 / 25

HEX #C07BAC

RGB 192 123 172

HSL 317.39, 0.35%, 0.62%

LAB 60.2, 34.19, -14.88

 

CMYK 4 / 0 / 36 / 25

HEX #B9C07A

RGB 185 192 122

HSL 66, 0.36%, 0.62%

LAB 75.71, -13.35, 34.49

 

CMYK 36 / 0 / 14 / 25

HEX #7BC0A5

RGB 123 192 165

HSL 156.52, 0.35%, 0.62%

LAB 72.65, -27.82, 6.75

 

CMYK 32 / 36 / 0 / 25

HEX #827BC0

RGB 130 123 192

HSL 246.09, 0.35%, 0.62%

LAB 54.78, 18.67, -35.19

 

CMYK 0 / 36 / 21 / 25

HEX #C07B97

RGB 192 123 151

HSL 335.65, 0.35%, 0.62%

LAB 59.53, 30.78, -3.83

 

Description

Color code: HEX #B9C07A | qconv.com Color code: HEX #B9C07A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 192 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 192 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 36 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 36% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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