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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9B4CA it is the complementary color #464B35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9B4CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9B4CA shade: #BEB4C5, #CFC6D8, #E0D8EB, #F1EAFE and #FFFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9B4CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9B4CA shade: #B9B4CA, #A8A2B7, #9790A4, #867E91 and #756C7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9B4CA shade: #B9B4CA, #BFB4CA, #C5B4CA, #CAB4C9 and #CAB4C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9B4CA shade: #B9B4CA and #B4B4CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9B4CA shade matches the following richer shades: #B9B4CA, #B3AAD4, #AE9FDE, #A895E9 and #A28BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9B4CA shade: #B9B4CA, #BEBEBF, #C4C9B5, #CAD3AB and #CFDDA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9B4CA shade: #B4BBCA, #B4B5CA, #B9B4CA, #BEB4CA and #C4B4CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9B4CA shade: #8C84A7, #A29CB8, #B9B4CA, #CFCCDB and #E6E4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9B4CA shade: #B9B4CA, #CAB4C1 and #B8CAB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9B4CA shade: #B9B4CA, #CAB9B4 and #B4CAB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9B4CA shade: #B9B4CA, #CAB4C1, #C5CAB4 and #B4CABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9B4CA shade: #B9B4CA, #CAB4BA, #C5CAB4 and #B4CAC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

Complementary color

CMYK 7 / 0 / 29 / 71

HEX #464B35

RGB 70 75 53

HSL 73.64, 0.17%, 0.25%

LAB 30.86, -6.44, 12.47

 

CMYK 4 / 9 / 0 / 23

HEX #BEB4C5

RGB 190 180 197

HSL 275.29, 0.13%, 0.74%

LAB 74.59, 6.71, -7.33

 

CMYK 4 / 8 / 0 / 15

HEX #CFC6D8

RGB 207 198 216

HSL 270, 0.19%, 0.81%

LAB 81.08, 6.44, -7.83

 

CMYK 5 / 8 / 0 / 8

HEX #E0D8EB

RGB 224 216 235

HSL 265.26, 0.32%, 0.88%

LAB 87.46, 6.19, -8.32

 

CMYK 5 / 8 / 0 / 0

HEX #F1EAFE

RGB 241 234 254

HSL 261, 0.91%, 0.96%

LAB 93.75, 5.96, -8.81

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

CMYK 8 / 11 / 0 / 28

HEX #A8A2B7

RGB 168 162 183

HSL 257.14, 0.13%, 0.68%

LAB 67.71, 6.26, -10.04

 

CMYK 8 / 12 / 0 / 36

HEX #9790A4

RGB 151 144 164

HSL 261, 0.1%, 0.6%

LAB 60.96, 6.55, -9.59

 

CMYK 8 / 13 / 0 / 43

HEX #867E91

RGB 134 126 145

HSL 265.26, 0.08%, 0.53%

LAB 54.06, 6.86, -9.14

 

CMYK 7 / 14 / 0 / 51

HEX #756C7E

RGB 117 108 126

HSL 270, 0.08%, 0.46%

LAB 46.99, 7.21, -8.68

 

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

CMYK 5 / 11 / 0 / 21

HEX #BFB4CA

RGB 191 180 202

HSL 270, 0.17%, 0.75%

LAB 74.81, 8.02, -9.71

 

CMYK 2 / 11 / 0 / 21

HEX #C5B4CA

RGB 197 180 202

HSL 286.36, 0.17%, 0.75%

LAB 75.31, 10.06, -8.92

 

CMYK 0 / 11 / 0 / 21

HEX #CAB4C9

RGB 202 180 201

HSL 302.73, 0.17%, 0.75%

LAB 75.71, 11.59, -7.74

 

CMYK 0 / 11 / 3 / 21

HEX #CAB4C3

RGB 202 180 195

HSL 319.09, 0.17%, 0.75%

LAB 75.54, 10.49, -4.72

 

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

CMYK 11 / 11 / 0 / 21

HEX #B4B4CA

RGB 180 180 202

HSL 240, 0.17%, 0.75%

LAB 73.94, 4.33, -11.11

 

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

CMYK 16 / 20 / 0 / 17

HEX #B3AAD4

RGB 179 170 212

HSL 252.86, 0.33%, 0.75%

LAB 71.61, 11.62, -20.1

 

CMYK 22 / 28 / 0 / 13

HEX #AE9FDE

RGB 174 159 222

HSL 254.29, 0.49%, 0.75%

LAB 68.8, 18.43, -29.93

 

CMYK 28 / 36 / 0 / 9

HEX #A895E9

RGB 168 149 233

HSL 253.57, 0.66%, 0.75%

LAB 66.29, 24.93, -39.92

 

CMYK 33 / 43 / 0 / 5

HEX #A28BF3

RGB 162 139 243

HSL 253.27, 0.81%, 0.75%

LAB 63.85, 31.48, -49.3

 

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

CMYK 1 / 1 / 0 / 25

HEX #BEBEBF

RGB 190 190 191

HSL 240, 0.01%, 0.75%

LAB 77, 0.19, -0.51

 

CMYK 2 / 0 / 10 / 21

HEX #C4C9B5

RGB 196 201 181

HSL 75, 0.16%, 0.75%

LAB 80.09, -5.27, 9.4

 

CMYK 4 / 0 / 19 / 17

HEX #CAD3AB

RGB 202 211 171

HSL 73.5, 0.31%, 0.75%

LAB 82.96, -9.88, 18.81

 

CMYK 6 / 0 / 28 / 13

HEX #CFDDA0

RGB 207 221 160

HSL 73.77, 0.47%, 0.75%

LAB 85.76, -14.7, 28.45

 

CMYK 11 / 7 / 0 / 21

HEX #B4BBCA

RGB 180 187 202

HSL 220.91, 0.17%, 0.75%

LAB 75.77, 0.55, -8.39

 

CMYK 11 / 10 / 0 / 21

HEX #B4B5CA

RGB 180 181 202

HSL 237.27, 0.17%, 0.75%

LAB 74.2, 3.79, -10.72

 

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

CMYK 6 / 11 / 0 / 21

HEX #BEB4CA

RGB 190 180 202

HSL 267.27, 0.17%, 0.75%

LAB 74.73, 7.68, -9.84

 

CMYK 3 / 11 / 0 / 21

HEX #C4B4CA

RGB 196 180 202

HSL 283.64, 0.17%, 0.75%

LAB 75.23, 9.72, -9.05

 

CMYK 16 / 21 / 0 / 35

HEX #8C84A7

RGB 140 132 167

HSL 253.71, 0.17%, 0.59%

LAB 56.95, 10.32, -17.45

 

CMYK 12 / 15 / 0 / 28

HEX #A29CB8

RGB 162 156 184

HSL 252.86, 0.16%, 0.67%

LAB 65.69, 7.79, -13.69

 

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

CMYK 5 / 7 / 0 / 14

HEX #CFCCDB

RGB 207 204 219

HSL 252, 0.17%, 0.83%

LAB 82.68, 3.83, -7.06

 

CMYK 3 / 3 / 0 / 7

HEX #E6E4EC

RGB 230 228 236

HSL 255, 0.17%, 0.91%

LAB 90.95, 2.12, -3.66

 

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

CMYK 0 / 11 / 4 / 21

HEX #CAB4C1

RGB 202 180 193

HSL 324.55, 0.17%, 0.75%

LAB 75.48, 10.12, -3.71

 

CMYK 9 / 0 / 11 / 21

HEX #B8CAB4

RGB 184 202 180

HSL 109.09, 0.17%, 0.75%

LAB 79.46, -10.2, 8.91

 

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

CMYK 0 / 8 / 11 / 21

HEX #CAB9B4

RGB 202 185 180

HSL 13.64, 0.17%, 0.75%

LAB 76.41, 5.18, 4.71

 

CMYK 11 / 0 / 8 / 21

HEX #B4CAB9

RGB 180 202 185

HSL 133.64, 0.17%, 0.75%

LAB 79.3, -10.67, 5.96

 

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

CMYK 0 / 11 / 4 / 21

HEX #CAB4C1

RGB 202 180 193

HSL 324.55, 0.17%, 0.75%

LAB 75.48, 10.12, -3.71

 

CMYK 2 / 0 / 11 / 21

HEX #C5CAB4

RGB 197 202 180

HSL 73.64, 0.17%, 0.75%

LAB 80.41, -5.61, 10.39

 

CMYK 11 / 0 / 6 / 21

HEX #B4CABD

RGB 180 202 189

HSL 144.55, 0.17%, 0.75%

LAB 79.4, -9.92, 3.96

 

CMYK 8 / 11 / 0 / 21

HEX #B9B4CA

RGB 185 180 202

HSL 253.64, 0.17%, 0.75%

LAB 74.33, 6, -10.49

 

CMYK 0 / 11 / 8 / 21

HEX #CAB4BA

RGB 202 180 186

HSL 343.64, 0.17%, 0.75%

LAB 75.29, 8.89, -0.18

 

CMYK 2 / 0 / 11 / 21

HEX #C5CAB4

RGB 197 202 180

HSL 73.64, 0.17%, 0.75%

LAB 80.41, -5.61, 10.39

 

CMYK 11 / 0 / 3 / 21

HEX #B4CAC3

RGB 180 202 195

HSL 160.91, 0.17%, 0.75%

LAB 79.55, -8.77, 0.96

 

Description

Color code: HEX #B9B4CA | qconv.com Color code: HEX #B9B4CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 180 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 180 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 11 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 11% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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