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Color name
HEX #B9A245

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9A245 it is the complementary color #465DBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9A245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9A245 shade: #BEA240, #CFB453, #E0C666, #F1D879 and #FFEA8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9A245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9A245 shade: #B9A245, #A89032, #977E1F, #866C0C and #755A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9A245 shade: #BAA244, #BA8344, #BA6344 and #BA4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9A245 shade: #BAA244, #B1BA44, #92BA44, #72BA44 and #52BA44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9A245 shade matches the following richer shades: #BAA244, #CEAF30, #E3BB1B and #F8C806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9A245 shade: #BAA244, #A59659, #90896E, #7C7D82 and #677197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9A245 shade: #BA6444, #BA8344, #BAA244, #B2BA44 and #93BA44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9A245 shade: #7D6E2E, #9C8839, #BAA244, #C5B162 and #D0C081

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9A245 shade: #B9A245, #44BA44 and #7344BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9A245 shade: #B9A245, #44BAA2 and #A244BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9A245 shade: #B9A245, #44BA44, #445CBA and #BA44BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9A245 shade: #B9A245, #44BA68, #445CBA and #BA4496

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 63 / 27

HEX #B9A245

RGB 185 162 69

HSL 48.1, 0.46%, 0.5%

LAB 66.96, -2.66, 50.18

 

Complementary color

CMYK 62 / 50 / 0 / 27

HEX #465DBA

RGB 70 93 186

HSL 228.1, 0.46%, 0.5%

LAB 42.27, 20.84, -51.85

 

CMYK 0 / 15 / 66 / 25

HEX #BEA240

RGB 190 162 64

HSL 46.67, 0.5%, 0.5%

LAB 67.4, -0.8, 53.03

 

CMYK 0 / 13 / 60 / 19

HEX #CFB453

RGB 207 180 83

HSL 46.94, 0.56%, 0.57%

LAB 73.89, -1.8, 52

 

CMYK 0 / 12 / 54 / 12

HEX #E0C666

RGB 224 198 102

HSL 47.21, 0.66%, 0.64%

LAB 80.29, -2.64, 50.83

 

CMYK 0 / 10 / 50 / 5

HEX #F1D879

RGB 241 216 121

HSL 47.5, 0.81%, 0.71%

LAB 86.6, -3.35, 49.63

 

CMYK 0 / 8 / 45 / 0

HEX #FFEA8C

RGB 255 234 140

HSL 49.04, 1%, 0.77%

LAB 92.57, -5.14, 48.06

 

CMYK 0 / 12 / 63 / 27

HEX #B9A245

RGB 185 162 69

HSL 48.1, 0.46%, 0.5%

LAB 66.96, -2.66, 50.18

 

CMYK 0 / 14 / 70 / 34

HEX #A89032

RGB 168 144 50

HSL 47.8, 0.54%, 0.43%

LAB 60.34, -1.6, 51.07

 

CMYK 0 / 17 / 79 / 41

HEX #977E1F

RGB 151 126 31

HSL 47.5, 0.66%, 0.36%

LAB 53.6, -0.29, 51.44

 

CMYK 0 / 19 / 91 / 47

HEX #866C0C

RGB 134 108 12

HSL 47.21, 0.84%, 0.29%

LAB 46.74, 1.34, 50.6

 

CMYK 0 / 23 / 100 / 54

HEX #755A00

RGB 117 90 0

HSL 46.15, 1%, 0.23%

LAB 39.74, 3.35, 47.5

 

CMYK 0 / 13 / 63 / 27

HEX #BAA244

RGB 186 162 68

HSL 47.8, 0.46%, 0.5%

LAB 67.05, -2.29, 50.75

 

CMYK 0 / 30 / 63 / 27

HEX #BA8344

RGB 186 131 68

HSL 32.03, 0.46%, 0.5%

LAB 59.06, 14.66, 41.81

 

CMYK 0 / 47 / 63 / 27

HEX #BA6344

RGB 186 99 68

HSL 15.76, 0.46%, 0.5%

LAB 51.59, 32.23, 33.01

 

CMYK 0 / 63 / 63 / 27

HEX #BA4444

RGB 186 68 68

HSL 0, 0.46%, 0.5%

LAB 45.62, 47.59, 25.63

 

CMYK 0 / 13 / 63 / 27

HEX #BAA244

RGB 186 162 68

HSL 47.8, 0.46%, 0.5%

LAB 67.05, -2.29, 50.75

 

CMYK 5 / 0 / 63 / 27

HEX #B1BA44

RGB 177 186 68

HSL 64.58, 0.46%, 0.5%

LAB 72.81, -18.62, 56.72

 

CMYK 22 / 0 / 63 / 27

HEX #92BA44

RGB 146 186 68

HSL 80.34, 0.46%, 0.5%

LAB 70.63, -31.24, 53.73

 

CMYK 39 / 0 / 63 / 27

HEX #72BA44

RGB 114 186 68

HSL 96.61, 0.46%, 0.5%

LAB 68.83, -43, 51.26

 

CMYK 56 / 0 / 63 / 27

HEX #52BA44

RGB 82 186 68

HSL 112.88, 0.46%, 0.5%

LAB 67.52, -52.64, 49.44

 

CMYK 0 / 13 / 63 / 27

HEX #BAA244

RGB 186 162 68

HSL 47.8, 0.46%, 0.5%

LAB 67.05, -2.29, 50.75

 

CMYK 0 / 15 / 77 / 19

HEX #CEAF30

RGB 206 175 48

HSL 48.23, 0.62%, 0.5%

LAB 72.23, -1.52, 64.64

 

CMYK 0 / 18 / 88 / 11

HEX #E3BB1B

RGB 227 187 27

HSL 48, 0.79%, 0.5%

LAB 77.25, 0.73, 75.48

 

CMYK 0 / 19 / 98 / 3

HEX #F8C806

RGB 248 200 6

HSL 48.1, 0.95%, 0.5%

LAB 82.53, 2.79, 83.18

 

CMYK 0 / 13 / 63 / 27

HEX #BAA244

RGB 186 162 68

HSL 47.8, 0.46%, 0.5%

LAB 67.05, -2.29, 50.75

 

CMYK 0 / 9 / 46 / 35

HEX #A59659

RGB 165 150 89

HSL 48.16, 0.3%, 0.5%

LAB 62.11, -3.1, 34.07

 

CMYK 0 / 5 / 24 / 44

HEX #90896E

RGB 144 137 110

HSL 47.65, 0.13%, 0.5%

LAB 57.02, -2, 15.45

 

CMYK 5 / 4 / 0 / 49

HEX #7C7D82

RGB 124 125 130

HSL 230, 0.02%, 0.5%

LAB 52.47, 0.65, -2.85

 

CMYK 32 / 25 / 0 / 41

HEX #677197

RGB 103 113 151

HSL 227.5, 0.19%, 0.5%

LAB 48.17, 5.59, -21.84

 

CMYK 0 / 46 / 63 / 27

HEX #BA6444

RGB 186 100 68

HSL 16.27, 0.46%, 0.5%

LAB 51.8, 31.69, 33.27

 

CMYK 0 / 30 / 63 / 27

HEX #BA8344

RGB 186 131 68

HSL 32.03, 0.46%, 0.5%

LAB 59.06, 14.66, 41.81

 

CMYK 0 / 13 / 63 / 27

HEX #BAA244

RGB 186 162 68

HSL 47.8, 0.46%, 0.5%

LAB 67.05, -2.29, 50.75

 

CMYK 4 / 0 / 63 / 27

HEX #B2BA44

RGB 178 186 68

HSL 64.07, 0.46%, 0.5%

LAB 72.89, -18.2, 56.83

 

CMYK 21 / 0 / 63 / 27

HEX #93BA44

RGB 147 186 68

HSL 79.83, 0.46%, 0.5%

LAB 70.69, -30.85, 53.82

 

CMYK 0 / 12 / 63 / 51

HEX #7D6E2E

RGB 125 110 46

HSL 48.61, 0.46%, 0.34%

LAB 46.59, -2.46, 37.01

 

CMYK 0 / 13 / 63 / 39

HEX #9C8839

RGB 156 136 57

HSL 47.88, 0.46%, 0.42%

LAB 57.05, -2.15, 44.09

 

CMYK 0 / 13 / 63 / 27

HEX #BAA244

RGB 186 162 68

HSL 47.8, 0.46%, 0.5%

LAB 67.05, -2.29, 50.75

 

CMYK 0 / 10 / 50 / 23

HEX #C5B162

RGB 197 177 98

HSL 47.88, 0.46%, 0.58%

LAB 72.36, -3.21, 42.73

 

CMYK 0 / 8 / 38 / 18

HEX #D0C081

RGB 208 192 129

HSL 47.85, 0.46%, 0.66%

LAB 77.69, -3.41, 33.81

 

CMYK 0 / 12 / 63 / 27

HEX #B9A245

RGB 185 162 69

HSL 48.1, 0.46%, 0.5%

LAB 66.96, -2.66, 50.18

 

CMYK 63 / 0 / 63 / 27

HEX #44BA44

RGB 68 186 68

HSL 120, 0.46%, 0.5%

LAB 67.1, -55.98, 48.85

 

CMYK 38 / 63 / 0 / 27

HEX #7344BA

RGB 115 68 186

HSL 263.9, 0.46%, 0.5%

LAB 40.12, 45.23, -55.13

 

CMYK 0 / 12 / 63 / 27

HEX #B9A245

RGB 185 162 69

HSL 48.1, 0.46%, 0.5%

LAB 66.96, -2.66, 50.18

 

CMYK 63 / 0 / 13 / 27

HEX #44BAA2

RGB 68 186 162

HSL 167.8, 0.46%, 0.5%

LAB 68.72, -38.67, 2.46

 

CMYK 13 / 63 / 0 / 27

HEX #A244BA

RGB 162 68 186

HSL 287.8, 0.46%, 0.5%

LAB 46.12, 56.09, -45.16

 

CMYK 0 / 12 / 63 / 27

HEX #B9A245

RGB 185 162 69

HSL 48.1, 0.46%, 0.5%

LAB 66.96, -2.66, 50.18

 

CMYK 63 / 0 / 63 / 27

HEX #44BA44

RGB 68 186 68

HSL 120, 0.46%, 0.5%

LAB 67.1, -55.98, 48.85

 

CMYK 63 / 51 / 0 / 27

HEX #445CBA

RGB 68 92 186

HSL 227.8, 0.46%, 0.5%

LAB 41.89, 21.12, -52.47

 

CMYK 0 / 63 / 0 / 27

HEX #BA44BA

RGB 186 68 186

HSL 300, 0.46%, 0.5%

LAB 49.64, 61.91, -39.37

 

CMYK 0 / 12 / 63 / 27

HEX #B9A245

RGB 185 162 69

HSL 48.1, 0.46%, 0.5%

LAB 66.96, -2.66, 50.18

 

CMYK 63 / 0 / 44 / 27

HEX #44BA68

RGB 68 186 104

HSL 138.31, 0.46%, 0.5%

LAB 67.54, -51.03, 32.03

 

CMYK 63 / 51 / 0 / 27

HEX #445CBA

RGB 68 92 186

HSL 227.8, 0.46%, 0.5%

LAB 41.89, 21.12, -52.47

 

CMYK 0 / 63 / 19 / 27

HEX #BA4496

RGB 186 68 150

HSL 318.31, 0.46%, 0.5%

LAB 47.98, 56.23, -20.74

 

Description

Color code: HEX #B9A245 | qconv.com Color code: HEX #B9A245 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 162 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 162 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 63 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 63% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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