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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9A690 it is the complementary color #46596F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9A690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9A690 shade: #BEA68B, #CFB89E, #E0CAB1, #F1DCC4 and #FFEED7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9A690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9A690 shade: #B9A690, #A8947D, #97826A, #867057 and #755E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9A690 shade: #BAA791, #BA9C91 and #BA9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9A690 shade: #BAA791, #BAB291, #B7BA91, #ACBA91 and #A1BA91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9A690 shade matches the following richer shades: #BAA791, #C8A882, #D7A974, #E5AA65 and #F4AB57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9A690 shade: #BAA791, #ABA69F, #9DA5AE, #8EA4BC and #80A3CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9A690 shade: #BA9191, #BA9C91, #BAA791, #BAB291 and #B7BA91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9A690 shade: #997E5F, #AA9277, #BAA791, #CABBAA and #DACFC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9A690 shade: #B9A690, #9CBA91 and #9691BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9A690 shade: #B9A690, #91BAA7 and #A791BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9A690 shade: #B9A690, #9CBA91, #91A4BA and #AF91BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9A690 shade: #B9A690, #91BA92, #91A4BA and #BA91B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 22 / 27

HEX #B9A690

RGB 185 166 144

HSL 32.2, 0.23%, 0.65%

LAB 69.18, 3.35, 13.91

 

Complementary color

CMYK 37 / 20 / 0 / 56

HEX #46596F

RGB 70 89 111

HSL 212.2, 0.23%, 0.35%

LAB 37.1, -1.28, -14.89

 

CMYK 0 / 13 / 27 / 25

HEX #BEA68B

RGB 190 166 139

HSL 31.76, 0.28%, 0.65%

LAB 69.53, 4.57, 17.21

 

CMYK 0 / 11 / 24 / 19

HEX #CFB89E

RGB 207 184 158

HSL 31.84, 0.34%, 0.72%

LAB 76.08, 4.15, 16.22

 

CMYK 0 / 10 / 21 / 12

HEX #E0CAB1

RGB 224 202 177

HSL 31.91, 0.43%, 0.79%

LAB 82.52, 3.78, 15.29

 

CMYK 0 / 9 / 19 / 5

HEX #F1DCC4

RGB 241 220 196

HSL 32, 0.62%, 0.86%

LAB 88.86, 3.45, 14.41

 

CMYK 0 / 7 / 16 / 0

HEX #FFEED7

RGB 255 238 215

HSL 34.5, 1%, 0.92%

LAB 94.87, 2.08, 13.19

 

CMYK 0 / 10 / 22 / 27

HEX #B9A690

RGB 185 166 144

HSL 32.2, 0.23%, 0.65%

LAB 69.18, 3.35, 13.91

 

CMYK 0 / 12 / 26 / 34

HEX #A8947D

RGB 168 148 125

HSL 32.09, 0.2%, 0.57%

LAB 62.5, 3.75, 14.9

 

CMYK 0 / 14 / 30 / 41

HEX #97826A

RGB 151 130 106

HSL 32, 0.18%, 0.5%

LAB 55.67, 4.21, 15.96

 

CMYK 0 / 16 / 35 / 47

HEX #867057

RGB 134 112 87

HSL 31.91, 0.21%, 0.43%

LAB 48.69, 4.77, 17.13

HEX #867057

CMYK 0 / 20 / 42 / 54

HEX #755E44

RGB 117 94 68

HSL 31.84, 0.26%, 0.36%

LAB 41.54, 5.45, 18.44

HEX #755E44

CMYK 0 / 10 / 22 / 27

HEX #BAA791

RGB 186 167 145

HSL 32.2, 0.23%, 0.65%

LAB 69.56, 3.34, 13.89

 

CMYK 0 / 16 / 22 / 27

HEX #BA9C91

RGB 186 156 145

HSL 16.1, 0.23%, 0.65%

LAB 66.72, 9.35, 9.89

 

CMYK 0 / 22 / 22 / 27

HEX #BA9191

RGB 186 145 145

HSL 0, 0.23%, 0.65%

LAB 63.95, 15.44, 5.93

 

CMYK 0 / 10 / 22 / 27

HEX #BAA791

RGB 186 167 145

HSL 32.2, 0.23%, 0.65%

LAB 69.56, 3.34, 13.89

 

CMYK 0 / 4 / 22 / 27

HEX #BAB291

RGB 186 178 145

HSL 48.29, 0.23%, 0.65%

LAB 72.44, -2.57, 17.92

 

CMYK 2 / 0 / 22 / 27

HEX #B7BA91

RGB 183 186 145

HSL 64.39, 0.23%, 0.65%

LAB 74.34, -7.94, 20.49

 

CMYK 8 / 0 / 22 / 27

HEX #ACBA91

RGB 172 186 145

HSL 80.49, 0.23%, 0.65%

LAB 73.5, -12.08, 19.21

 

CMYK 13 / 0 / 22 / 27

HEX #A1BA91

RGB 161 186 145

HSL 96.59, 0.23%, 0.65%

LAB 72.72, -16.13, 18.01

 

CMYK 0 / 10 / 22 / 27

HEX #BAA791

RGB 186 167 145

HSL 32.2, 0.23%, 0.65%

LAB 69.56, 3.34, 13.89

 

CMYK 0 / 16 / 35 / 22

HEX #C8A882

RGB 200 168 130

HSL 32.57, 0.39%, 0.65%

LAB 70.8, 6.25, 24

 

CMYK 0 / 21 / 46 / 16

HEX #D7A974

RGB 215 169 116

HSL 32.12, 0.55%, 0.65%

LAB 72.28, 10.21, 33.73

 

CMYK 0 / 26 / 56 / 10

HEX #E5AA65

RGB 229 170 101

HSL 32.34, 0.71%, 0.65%

LAB 73.77, 14.08, 43.66

 

CMYK 0 / 30 / 64 / 4

HEX #F4AB57

RGB 244 171 87

HSL 32.1, 0.88%, 0.65%

LAB 75.48, 18.76, 52.94

 

CMYK 0 / 10 / 22 / 27

HEX #BAA791

RGB 186 167 145

HSL 32.2, 0.23%, 0.65%

LAB 69.56, 3.34, 13.89

 

CMYK 0 / 3 / 7 / 33

HEX #ABA69F

RGB 171 166 159

HSL 35, 0.07%, 0.65%

LAB 68.34, 0.53, 4.25

 

CMYK 10 / 5 / 0 / 32

HEX #9DA5AE

RGB 157 165 174

HSL 211.76, 0.09%, 0.65%

LAB 67.38, -1.01, -5.62

 

CMYK 24 / 13 / 0 / 26

HEX #8EA4BC

RGB 142 164 188

HSL 211.3, 0.26%, 0.65%

LAB 66.47, -2.25, -14.89

 

CMYK 37 / 19 / 0 / 21

HEX #80A3CA

RGB 128 163 202

HSL 211.62, 0.41%, 0.65%

LAB 65.79, -2.32, -23.79

 

CMYK 0 / 22 / 22 / 27

HEX #BA9191

RGB 186 145 145

HSL 0, 0.23%, 0.65%

LAB 63.95, 15.44, 5.93

 

CMYK 0 / 16 / 22 / 27

HEX #BA9C91

RGB 186 156 145

HSL 16.1, 0.23%, 0.65%

LAB 66.72, 9.35, 9.89

 

CMYK 0 / 10 / 22 / 27

HEX #BAA791

RGB 186 167 145

HSL 32.2, 0.23%, 0.65%

LAB 69.56, 3.34, 13.89

 

CMYK 0 / 4 / 22 / 27

HEX #BAB291

RGB 186 178 145

HSL 48.29, 0.23%, 0.65%

LAB 72.44, -2.57, 17.92

 

CMYK 2 / 0 / 22 / 27

HEX #B7BA91

RGB 183 186 145

HSL 64.39, 0.23%, 0.65%

LAB 74.34, -7.94, 20.49

 

CMYK 0 / 18 / 38 / 40

HEX #997E5F

RGB 153 126 95

HSL 32.07, 0.23%, 0.49%

LAB 54.57, 5.85, 20.79

 

CMYK 0 / 14 / 30 / 33

HEX #AA9277

RGB 170 146 119

HSL 31.76, 0.23%, 0.57%

LAB 62.03, 4.81, 17.64

 

CMYK 0 / 10 / 22 / 27

HEX #BAA791

RGB 186 167 145

HSL 32.2, 0.23%, 0.65%

LAB 69.56, 3.34, 13.89

 

CMYK 0 / 7 / 16 / 21

HEX #CABBAA

RGB 202 187 170

HSL 31.88, 0.23%, 0.73%

LAB 76.68, 2.48, 10.52

 

CMYK 0 / 5 / 11 / 15

HEX #DACFC3

RGB 218 207 195

HSL 31.3, 0.24%, 0.81%

LAB 83.69, 1.77, 7.31

 

CMYK 0 / 10 / 22 / 27

HEX #B9A690

RGB 185 166 144

HSL 32.2, 0.23%, 0.65%

LAB 69.18, 3.35, 13.91

 

CMYK 16 / 0 / 22 / 27

HEX #9CBA91

RGB 156 186 145

HSL 103.9, 0.23%, 0.65%

LAB 72.38, -17.92, 17.49

 

CMYK 19 / 22 / 0 / 27

HEX #9691BA

RGB 150 145 186

HSL 247.32, 0.23%, 0.65%

LAB 61.9, 10.5, -20.65

 

CMYK 0 / 10 / 22 / 27

HEX #B9A690

RGB 185 166 144

HSL 32.2, 0.23%, 0.65%

LAB 69.18, 3.35, 13.91

 

CMYK 22 / 0 / 10 / 27

HEX #91BAA7

RGB 145 186 167

HSL 152.2, 0.23%, 0.65%

LAB 72.18, -17.62, 5.15

 

CMYK 10 / 22 / 0 / 27

HEX #A791BA

RGB 167 145 186

HSL 272.2, 0.23%, 0.65%

LAB 63.35, 16.09, -18.3

 

CMYK 0 / 10 / 22 / 27

HEX #B9A690

RGB 185 166 144

HSL 32.2, 0.23%, 0.65%

LAB 69.18, 3.35, 13.91

 

CMYK 16 / 0 / 22 / 27

HEX #9CBA91

RGB 156 186 145

HSL 103.9, 0.23%, 0.65%

LAB 72.38, -17.92, 17.49

 

CMYK 22 / 12 / 0 / 27

HEX #91A4BA

RGB 145 164 186

HSL 212.2, 0.23%, 0.65%

LAB 66.61, -1.78, -13.54

 

CMYK 6 / 22 / 0 / 27

HEX #AF91BA

RGB 175 145 186

HSL 283.9, 0.23%, 0.65%

LAB 64.09, 18.78, -17.11

 

CMYK 0 / 10 / 22 / 27

HEX #B9A690

RGB 185 166 144

HSL 32.2, 0.23%, 0.65%

LAB 69.18, 3.35, 13.91

 

CMYK 22 / 0 / 22 / 27

HEX #91BA92

RGB 145 186 146

HSL 121.46, 0.23%, 0.65%

LAB 71.7, -21.61, 15.89

 

CMYK 22 / 12 / 0 / 27

HEX #91A4BA

RGB 145 164 186

HSL 212.2, 0.23%, 0.65%

LAB 66.61, -1.78, -13.54

 

CMYK 0 / 22 / 1 / 27

HEX #BA91B8

RGB 186 145 184

HSL 302.93, 0.23%, 0.65%

LAB 65.08, 22.14, -14.38

 

Description

Color code: HEX #B9A690 | qconv.com Color code: HEX #B9A690 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 166 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 166 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 22 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 22% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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