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Color name
HEX #B99F16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B99F16 it is the complementary color #4660E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B99F16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B99F16 shade: #BE9F11, #CFB124, #E0C337, #F1D54A and #FFE75D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B99F16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B99F16 shade: #B99F16, #A88D03, #977B00, #866900 and #755700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B99F16 shade: #BBA015, #BB7415, #BB4715, #BB1B15 and #BB1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B99F16 shade: #BBA015, #A8BB15, #7CBB15, #4FBB15 and #23BB15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B99F16 shade matches the following richer shades: #BBA015 and #CCAC05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B99F16 shade: #BBA015, #AA9526, #998937, #887E48 and #777259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B99F16 shade: #BB4715, #BB7315, #BB9F15, #AABB15 and #7EBB15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B99F16 shade: #71610D, #968111, #BBA015, #E0C01A and #E8CC3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B99F16 shade: #B99F16, #15BB1B and #5D15BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B99F16 shade: #B99F16, #15BB9F and #9F15BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B99F16 shade: #B99F16, #15BB1B, #1531BB and #BB15B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B99F16 shade: #B99F16, #15BB4D, #1531BB and #BB1584

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 88 / 27

HEX #B99F16

RGB 185 159 22

HSL 50.43, 0.79%, 0.41%

LAB 65.88, -3.11, 65.78

 

Complementary color

CMYK 70 / 59 / 0 / 9

HEX #4660E9

RGB 70 96 233

HSL 230.43, 0.79%, 0.59%

LAB 46.38, 35.38, -72.14

 

CMYK 0 / 16 / 91 / 25

HEX #BE9F11

RGB 190 159 17

HSL 49.25, 0.84%, 0.41%

LAB 66.35, -0.97, 67.35

 

CMYK 0 / 14 / 83 / 19

HEX #CFB124

RGB 207 177 36

HSL 49.47, 0.7%, 0.48%

LAB 72.78, -2.54, 68.89

 

CMYK 0 / 13 / 75 / 12

HEX #E0C337

RGB 224 195 55

HSL 49.7, 0.73%, 0.55%

LAB 79.13, -3.89, 69.27

 

CMYK 0 / 12 / 69 / 5

HEX #F1D54A

RGB 241 213 74

HSL 49.94, 0.86%, 0.62%

LAB 85.39, -5.04, 68.98

 

CMYK 0 / 9 / 64 / 0

HEX #FFE75D

RGB 255 231 93

HSL 51.11, 1%, 0.68%

LAB 91.33, -7.26, 67.94

 

CMYK 0 / 14 / 88 / 27

HEX #B99F16

RGB 185 159 22

HSL 50.43, 0.79%, 0.41%

LAB 65.88, -3.11, 65.78

 

CMYK 0 / 16 / 98 / 34

HEX #A88D03

RGB 168 141 3

HSL 50.18, 0.96%, 0.34%

LAB 59.33, -1.4, 63.29

 

CMYK 0 / 19 / 100 / 41

HEX #977B00

RGB 151 123 0

HSL 48.87, 1%, 0.3%

LAB 52.67, 0.64, 58.27

 

CMYK 0 / 22 / 100 / 47

HEX #866900

RGB 134 105 0

HSL 47.01, 1%, 0.26%

LAB 45.87, 2.82, 52.66

 

CMYK 0 / 26 / 100 / 54

HEX #755700

RGB 117 87 0

HSL 44.62, 1%, 0.23%

LAB 38.9, 5.14, 46.92

 

CMYK 0 / 14 / 89 / 27

HEX #BBA015

RGB 187 160 21

HSL 50.24, 0.8%, 0.41%

LAB 66.34, -2.77, 66.44

 

CMYK 0 / 38 / 89 / 27

HEX #BB7415

RGB 187 116 21

HSL 34.34, 0.8%, 0.41%

LAB 55.19, 21.34, 57.64

 

CMYK 0 / 62 / 89 / 27

HEX #BB4715

RGB 187 71 21

HSL 18.07, 0.8%, 0.41%

LAB 45.81, 44.64, 50.31

 

CMYK 0 / 86 / 89 / 27

HEX #BB1B15

RGB 187 27 21

HSL 2.17, 0.8%, 0.41%

LAB 40.25, 59.91, 46.01

 

CMYK 0 / 89 / 89 / 27

HEX #BB1515

RGB 187 21 21

HSL 0, 0.8%, 0.41%

LAB 39.84, 61.08, 45.7

 

CMYK 0 / 14 / 89 / 27

HEX #BBA015

RGB 187 160 21

HSL 50.24, 0.8%, 0.41%

LAB 66.34, -2.77, 66.44

 

CMYK 10 / 0 / 89 / 27

HEX #A8BB15

RGB 168 187 21

HSL 66.87, 0.8%, 0.41%

LAB 72.17, -24.94, 70.44

 

CMYK 34 / 0 / 89 / 27

HEX #7CBB15

RGB 124 187 21

HSL 82.77, 0.8%, 0.41%

LAB 69.38, -42.56, 67

 

CMYK 58 / 0 / 89 / 27

HEX #4FBB15

RGB 79 187 21

HSL 99.04, 0.8%, 0.41%

LAB 67.47, -56.89, 64.61

 

CMYK 81 / 0 / 89 / 27

HEX #23BB15

RGB 35 187 21

HSL 114.94, 0.8%, 0.41%

LAB 66.48, -65.25, 63.38

 

CMYK 0 / 14 / 89 / 27

HEX #BBA015

RGB 187 160 21

HSL 50.24, 0.8%, 0.41%

LAB 66.34, -2.77, 66.44

 

CMYK 0 / 16 / 98 / 20

HEX #CCAC05

RGB 204 172 5

HSL 50.35, 0.95%, 0.41%

LAB 71.11, -1.79, 73.14

 

CMYK 0 / 14 / 89 / 27

HEX #BBA015

RGB 187 160 21

HSL 50.24, 0.8%, 0.41%

LAB 66.34, -2.77, 66.44

 

CMYK 0 / 12 / 78 / 33

HEX #AA9526

RGB 170 149 38

HSL 50.45, 0.63%, 0.41%

LAB 61.81, -3.99, 57.21

 

CMYK 0 / 10 / 64 / 40

HEX #998937

RGB 153 137 55

HSL 50.2, 0.47%, 0.41%

LAB 57.02, -4.18, 44.91

 

CMYK 0 / 7 / 47 / 47

HEX #887E48

RGB 136 126 72

HSL 50.63, 0.31%, 0.41%

LAB 52.54, -4.17, 30.65

 

CMYK 0 / 4 / 25 / 53

HEX #777259

RGB 119 114 89

HSL 50, 0.14%, 0.41%

LAB 47.85, -2.47, 14.58

 

CMYK 0 / 62 / 89 / 27

HEX #BB4715

RGB 187 71 21

HSL 18.07, 0.8%, 0.41%

LAB 45.81, 44.64, 50.31

 

CMYK 0 / 39 / 89 / 27

HEX #BB7315

RGB 187 115 21

HSL 33.98, 0.8%, 0.41%

LAB 54.95, 21.89, 57.46

 

CMYK 0 / 15 / 89 / 27

HEX #BB9F15

RGB 187 159 21

HSL 49.88, 0.8%, 0.41%

LAB 66.07, -2.24, 66.23

 

CMYK 9 / 0 / 89 / 27

HEX #AABB15

RGB 170 187 21

HSL 66.14, 0.8%, 0.41%

LAB 72.32, -24.09, 70.62

 

CMYK 33 / 0 / 89 / 27

HEX #7EBB15

RGB 126 187 21

HSL 82.05, 0.8%, 0.41%

LAB 69.49, -41.81, 67.13

 

CMYK 0 / 14 / 88 / 56

HEX #71610D

RGB 113 97 13

HSL 50.4, 0.79%, 0.25%

LAB 41.36, -2.41, 45.04

 

CMYK 0 / 14 / 89 / 41

HEX #968111

RGB 150 129 17

HSL 50.53, 0.8%, 0.33%

LAB 54.26, -2.87, 56.14

 

CMYK 0 / 14 / 89 / 27

HEX #BBA015

RGB 187 160 21

HSL 50.24, 0.8%, 0.41%

LAB 66.34, -2.77, 66.44

 

CMYK 0 / 14 / 88 / 12

HEX #E0C01A

RGB 224 192 26

HSL 50.3, 0.79%, 0.49%

LAB 78.24, -3.18, 76.33

 

CMYK 0 / 12 / 75 / 9

HEX #E8CC3B

RGB 232 204 59

HSL 50.29, 0.79%, 0.57%

LAB 82.19, -4.93, 71.04

 

CMYK 0 / 14 / 88 / 27

HEX #B99F16

RGB 185 159 22

HSL 50.43, 0.79%, 0.41%

LAB 65.88, -3.11, 65.78

 

CMYK 89 / 0 / 86 / 27

HEX #15BB1B

RGB 21 187 27

HSL 122.17, 0.8%, 0.41%

LAB 66.35, -66.36, 61.94

 

CMYK 50 / 89 / 0 / 27

HEX #5D15BB

RGB 93 21 187

HSL 266.02, 0.8%, 0.41%

LAB 30.52, 61.96, -71.51

 

CMYK 0 / 14 / 88 / 27

HEX #B99F16

RGB 185 159 22

HSL 50.43, 0.79%, 0.41%

LAB 65.88, -3.11, 65.78

 

CMYK 89 / 0 / 15 / 27

HEX #15BB9F

RGB 21 187 159

HSL 169.88, 0.8%, 0.41%

LAB 68.17, -45.3, 3.22

 

CMYK 15 / 89 / 0 / 27

HEX #9F15BB

RGB 159 21 187

HSL 289.88, 0.8%, 0.41%

LAB 40.4, 70.87, -54.96

 

CMYK 0 / 14 / 88 / 27

HEX #B99F16

RGB 185 159 22

HSL 50.43, 0.79%, 0.41%

LAB 65.88, -3.11, 65.78

 

CMYK 89 / 0 / 86 / 27

HEX #15BB1B

RGB 21 187 27

HSL 122.17, 0.8%, 0.41%

LAB 66.35, -66.36, 61.94

 

CMYK 89 / 74 / 0 / 27

HEX #1531BB

RGB 21 49 187

HSL 229.88, 0.8%, 0.41%

LAB 29.27, 43.84, -73.75

 

CMYK 0 / 89 / 3 / 27

HEX #BB15B5

RGB 187 21 181

HSL 302.17, 0.8%, 0.41%

LAB 44.85, 74.7, -44.02

 

CMYK 0 / 14 / 88 / 27

HEX #B99F16

RGB 185 159 22

HSL 50.43, 0.79%, 0.41%

LAB 65.88, -3.11, 65.78

 

CMYK 89 / 0 / 59 / 27

HEX #15BB4D

RGB 21 187 77

HSL 140.24, 0.8%, 0.41%

LAB 66.7, -61.98, 44.12

 

CMYK 89 / 74 / 0 / 27

HEX #1531BB

RGB 21 49 187

HSL 229.88, 0.8%, 0.41%

LAB 29.27, 43.84, -73.75

 

CMYK 0 / 89 / 29 / 27

HEX #BB1584

RGB 187 21 132

HSL 319.88, 0.8%, 0.41%

LAB 42.41, 68.28, -18.37

 

Description

Color code: HEX #B99F16 | qconv.com Color code: HEX #B99F16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 159 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 159 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 88 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 88% 27% C M Y K

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Provide designers and agencies with accurate color values.

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