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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B99DF2 it is the complementary color #46620D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B99DF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B99DF2 shade: #BE9DED, #CFAFFF, #E0C1FF, #F1D3FF and #FFE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B99DF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B99DF2 shade: #B99DF2, #A88BDF, #9779CC, #8667B9 and #7555A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B99DF2 shade: #B89BF2, #CF9BF2, #E69BF2, #F29BE6 and #F29BCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B99DF2 shade: #B89BF2, #A09BF2 and #9B9BF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B99DF2 shade matches the following richer shades: #B89BF2 and #B592FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B99DF2 shade: #B89BF2, #BBA4E9, #BEADDF, #C1B6D6 and #C4C0CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B99DF2 shade: #9BAEF2, #A09BF2, #B79BF2, #CE9BF2 and #E59BF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B99DF2 shade: #8452E8, #9E77ED, #B89BF2, #D2C0F6 and #ECE4FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B99DF2 shade: #B99DF2, #F29BC5 and #A2F29B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B99DF2 shade: #B99DF2, #F2B79B and #9BF2B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B99DF2 shade: #B99DF2, #F29BC5, #D6F29B and #9BF2C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B99DF2 shade: #B99DF2, #F29BAB, #D6F29B and #9BF2E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 35 / 0 / 5

HEX #B99DF2

RGB 185 157 242

HSL 259.76, 0.77%, 0.78%

LAB 70.06, 27.46, -38.86

 

Complementary color

CMYK 29 / 0 / 87 / 62

HEX #46620D

RGB 70 98 13

HSL 79.76, 0.77%, 0.22%

LAB 37.96, -23.35, 40.65

 

CMYK 20 / 34 / 0 / 7

HEX #BE9DED

RGB 190 157 237

HSL 264.75, 0.69%, 0.77%

LAB 70.3, 27.79, -35.73

 

CMYK 19 / 31 / 0 / 0

HEX #CFAFFF

RGB 207 175 255

HSL 264, 1%, 0.84%

LAB 76.77, 26.93, -35.34

 

CMYK 12 / 24 / 0 / 0

HEX #E0C1FF

RGB 224 193 255

HSL 270, 1%, 0.88%

LAB 82.49, 22.36, -26.42

 

CMYK 5 / 17 / 0 / 0

HEX #F1D3FF

RGB 241 211 255

HSL 280.91, 1%, 0.91%

LAB 88.21, 18.16, -17.61

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 24 / 35 / 0 / 5

HEX #B99DF2

RGB 185 157 242

HSL 259.76, 0.77%, 0.78%

LAB 70.06, 27.46, -38.86

 

CMYK 25 / 38 / 0 / 13

HEX #A88BDF

RGB 168 139 223

HSL 260.71, 0.57%, 0.71%

LAB 63.44, 28.18, -38.85

 

CMYK 26 / 41 / 0 / 20

HEX #9779CC

RGB 151 121 204

HSL 261.69, 0.45%, 0.64%

LAB 56.7, 28.96, -38.87

 

CMYK 28 / 44 / 0 / 27

HEX #8667B9

RGB 134 103 185

HSL 262.68, 0.37%, 0.56%

LAB 49.82, 29.82, -38.93

 

CMYK 30 / 49 / 0 / 35

HEX #7555A6

RGB 117 85 166

HSL 263.7, 0.32%, 0.49%

LAB 42.81, 30.77, -39

 

CMYK 24 / 36 / 0 / 5

HEX #B89BF2

RGB 184 155 242

HSL 260, 0.77%, 0.78%

LAB 69.5, 28.29, -39.74

 

CMYK 14 / 36 / 0 / 5

HEX #CF9BF2

RGB 207 155 242

HSL 275.86, 0.77%, 0.78%

LAB 71.64, 35.04, -36.26

 

CMYK 5 / 36 / 0 / 5

HEX #E69BF2

RGB 230 155 242

HSL 291.72, 0.77%, 0.78%

LAB 73.98, 41.97, -32.44

 

CMYK 0 / 36 / 5 / 5

HEX #F29BE6

RGB 242 155 230

HSL 308.28, 0.77%, 0.78%

LAB 74.85, 43.5, -24.46

 

CMYK 0 / 36 / 15 / 5

HEX #F29BCE

RGB 242 155 206

HSL 324.83, 0.77%, 0.78%

LAB 74.05, 39.54, -12.53

 

CMYK 24 / 36 / 0 / 5

HEX #B89BF2

RGB 184 155 242

HSL 260, 0.77%, 0.78%

LAB 69.5, 28.29, -39.74

 

CMYK 34 / 36 / 0 / 5

HEX #A09BF2

RGB 160 155 242

HSL 243.45, 0.77%, 0.78%

LAB 67.52, 21.57, -42.98

 

CMYK 36 / 36 / 0 / 5

HEX #9B9BF2

RGB 155 155 242

HSL 240, 0.77%, 0.78%

LAB 67.14, 20.23, -43.6

 

CMYK 24 / 36 / 0 / 5

HEX #B89BF2

RGB 184 155 242

HSL 260, 0.77%, 0.78%

LAB 69.5, 28.29, -39.74

 

CMYK 28 / 42 / 0 / 2

HEX #B592FB

RGB 181 146 251

HSL 260, 0.93%, 0.78%

LAB 67.54, 34.61, -47.76

 

CMYK 24 / 36 / 0 / 5

HEX #B89BF2

RGB 184 155 242

HSL 260, 0.77%, 0.78%

LAB 69.5, 28.29, -39.74

 

CMYK 20 / 30 / 0 / 9

HEX #BBA4E9

RGB 187 164 233

HSL 260, 0.61%, 0.78%

LAB 71.55, 22.1, -31.62

 

CMYK 15 / 22 / 0 / 13

HEX #BEADDF

RGB 190 173 223

HSL 260.4, 0.44%, 0.78%

LAB 73.65, 15.85, -22.93

 

CMYK 10 / 15 / 0 / 16

HEX #C1B6D6

RGB 193 182 214

HSL 260.63, 0.28%, 0.78%

LAB 75.85, 10, -14.67

 

CMYK 4 / 6 / 0 / 20

HEX #C4C0CD

RGB 196 192 205

HSL 258.46, 0.12%, 0.78%

LAB 78.37, 3.83, -6.02

 

CMYK 36 / 28 / 0 / 5

HEX #9BAEF2

RGB 155 174 242

HSL 226.9, 0.77%, 0.78%

LAB 71.99, 9.49, -36.03

 

CMYK 34 / 36 / 0 / 5

HEX #A09BF2

RGB 160 155 242

HSL 243.45, 0.77%, 0.78%

LAB 67.52, 21.57, -42.98

 

CMYK 24 / 36 / 0 / 5

HEX #B79BF2

RGB 183 155 242

HSL 259.31, 0.77%, 0.78%

LAB 69.41, 28, -39.89

 

CMYK 15 / 36 / 0 / 5

HEX #CE9BF2

RGB 206 155 242

HSL 275.17, 0.77%, 0.78%

LAB 71.54, 34.75, -36.42

 

CMYK 5 / 36 / 0 / 5

HEX #E59BF2

RGB 229 155 242

HSL 291.03, 0.77%, 0.78%

LAB 73.88, 41.67, -32.61

 

CMYK 43 / 65 / 0 / 9

HEX #8452E8

RGB 132 82 232

HSL 260, 0.77%, 0.62%

LAB 47.96, 53.38, -68.79

 

CMYK 33 / 50 / 0 / 7

HEX #9E77ED

RGB 158 119 237

HSL 259.83, 0.77%, 0.7%

LAB 58.58, 40.24, -54.37

 

CMYK 24 / 36 / 0 / 5

HEX #B89BF2

RGB 184 155 242

HSL 260, 0.77%, 0.78%

LAB 69.5, 28.29, -39.74

 

CMYK 15 / 22 / 0 / 4

HEX #D2C0F6

RGB 210 192 246

HSL 260, 0.75%, 0.86%

LAB 80.77, 16.67, -24.35

 

CMYK 6 / 9 / 0 / 2

HEX #ECE4FB

RGB 236 228 251

HSL 260.87, 0.74%, 0.94%

LAB 91.81, 6.88, -10.17

 

CMYK 24 / 35 / 0 / 5

HEX #B99DF2

RGB 185 157 242

HSL 259.76, 0.77%, 0.78%

LAB 70.06, 27.46, -38.86

 

CMYK 0 / 36 / 19 / 5

HEX #F29BC5

RGB 242 155 197

HSL 331.03, 0.77%, 0.78%

LAB 73.77, 38.16, -7.99

 

CMYK 33 / 0 / 36 / 5

HEX #A2F29B

RGB 162 242 155

HSL 115.17, 0.77%, 0.78%

LAB 88.71, -40.91, 34.44

 

CMYK 24 / 35 / 0 / 5

HEX #B99DF2

RGB 185 157 242

HSL 259.76, 0.77%, 0.78%

LAB 70.06, 27.46, -38.86

 

CMYK 0 / 24 / 36 / 5

HEX #F2B79B

RGB 242 183 155

HSL 19.31, 0.77%, 0.78%

LAB 79.11, 17.71, 22.53

 

CMYK 36 / 0 / 24 / 5

HEX #9BF2B7

RGB 155 242 183

HSL 139.31, 0.77%, 0.78%

LAB 88.87, -38.38, 20.36

 

CMYK 24 / 35 / 0 / 5

HEX #B99DF2

RGB 185 157 242

HSL 259.76, 0.77%, 0.78%

LAB 70.06, 27.46, -38.86

 

CMYK 0 / 36 / 19 / 5

HEX #F29BC5

RGB 242 155 197

HSL 331.03, 0.77%, 0.78%

LAB 73.77, 38.16, -7.99

 

CMYK 12 / 0 / 36 / 5

HEX #D6F29B

RGB 214 242 155

HSL 79.31, 0.77%, 0.78%

LAB 91.76, -23.06, 39.02

 

CMYK 36 / 0 / 17 / 5

HEX #9BF2C8

RGB 155 242 200

HSL 151.03, 0.77%, 0.78%

LAB 89.23, -35.15, 12.06

 

CMYK 24 / 35 / 0 / 5

HEX #B99DF2

RGB 185 157 242

HSL 259.76, 0.77%, 0.78%

LAB 70.06, 27.46, -38.86

 

CMYK 0 / 36 / 29 / 5

HEX #F29BAB

RGB 242 155 171

HSL 348.97, 0.77%, 0.78%

LAB 73.06, 34.5, 5.33

 

CMYK 12 / 0 / 36 / 5

HEX #D6F29B

RGB 214 242 155

HSL 79.31, 0.77%, 0.78%

LAB 91.76, -23.06, 39.02

 

CMYK 36 / 0 / 7 / 5

HEX #9BF2E2

RGB 155 242 226

HSL 168.97, 0.77%, 0.78%

LAB 89.84, -29.7, -0.58

 

Description

Color code: HEX #B99DF2 | qconv.com Color code: HEX #B99DF2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 157 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 157 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 35 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 35% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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