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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B992A4 it is the complementary color #466D5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B992A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B992A4 shade: #BE929F, #CFA4B2, #E0B6C5, #F1C8D8 and #FFDAEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B992A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B992A4 shade: #B992A4, #A88091, #976E7E, #865C6B and #754A58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B992A4 shade: #B992A4, #B99299 and #B99292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B992A4 shade: #B992A4, #B992AE, #B992B9, #AE92B9 and #A492B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B992A4 shade matches the following richer shades: #B992A4, #C783A3, #D675A2, #E466A0 and #F3589F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B992A4 shade: #B992A4, #AAA0A5, #9CAEA6, #8EBDA7 and #7FCBA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B992A4 shade: #B992B9, #B992AE, #B992A4, #B99299 and #B99492

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B992A4 shade: #97617A, #A9788F, #B992A4, #C9ABB9 and #D9C4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B992A4 shade: #B992A4, #B9AE92 and #92B4B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B992A4 shade: #B992A4, #A4B992 and #92A4B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B992A4 shade: #B992A4, #B9AE92, #92B9A7 and #929CB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B992A4 shade: #B992A4, #B8B992, #92B9A7 and #9392B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

Complementary color

CMYK 36 / 0 / 17 / 57

HEX #466D5B

RGB 70 109 91

HSL 152.31, 0.22%, 0.35%

LAB 42.76, -18.14, 5.72

 

CMYK 0 / 23 / 16 / 25

HEX #BE929F

RGB 190 146 159

HSL 342.27, 0.25%, 0.66%

LAB 64.97, 18.6, -0.43

 

CMYK 0 / 21 / 14 / 19

HEX #CFA4B2

RGB 207 164 178

HSL 340.47, 0.31%, 0.73%

LAB 71.58, 18.03, -1.16

 

CMYK 0 / 19 / 12 / 12

HEX #E0B6C5

RGB 224 182 197

HSL 338.57, 0.4%, 0.8%

LAB 78.07, 17.51, -1.85

 

CMYK 0 / 17 / 10 / 5

HEX #F1C8D8

RGB 241 200 216

HSL 336.59, 0.59%, 0.86%

LAB 84.47, 17.03, -2.51

 

CMYK 0 / 15 / 8 / 0

HEX #FFDAEB

RGB 255 218 235

HSL 332.43, 1%, 0.93%

LAB 90.51, 15.57, -3.54

 

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

CMYK 0 / 24 / 14 / 34

HEX #A88091

RGB 168 128 145

HSL 334.5, 0.19%, 0.58%

LAB 57.85, 18.19, -3.16

 

CMYK 0 / 27 / 17 / 41

HEX #976E7E

RGB 151 110 126

HSL 336.59, 0.16%, 0.51%

LAB 50.96, 18.84, -2.41

 

CMYK 0 / 31 / 20 / 47

HEX #865C6B

RGB 134 92 107

HSL 338.57, 0.19%, 0.44%

LAB 43.92, 19.58, -1.59

 

CMYK 0 / 37 / 25 / 54

HEX #754A58

RGB 117 74 88

HSL 340.47, 0.23%, 0.37%

LAB 36.71, 20.42, -0.64

 

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

CMYK 0 / 21 / 17 / 27

HEX #B99299

RGB 185 146 153

HSL 349.23, 0.22%, 0.65%

LAB 64.3, 15.76, 1.91

 

CMYK 0 / 21 / 21 / 27

HEX #B99292

RGB 185 146 146

HSL 0, 0.22%, 0.65%

LAB 64.12, 14.66, 5.6

 

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

CMYK 0 / 21 / 6 / 27

HEX #B992AE

RGB 185 146 174

HSL 316.92, 0.22%, 0.65%

LAB 64.91, 19.37, -9.03

 

CMYK 0 / 21 / 0 / 27

HEX #B992B9

RGB 185 146 185

HSL 300, 0.22%, 0.65%

LAB 65.26, 21.43, -14.69

 

CMYK 6 / 21 / 0 / 27

HEX #AE92B9

RGB 174 146 185

HSL 283.08, 0.22%, 0.65%

LAB 64.21, 17.67, -16.38

 

CMYK 11 / 21 / 0 / 27

HEX #A492B9

RGB 164 146 185

HSL 267.69, 0.22%, 0.65%

LAB 63.3, 14.31, -17.83

 

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

CMYK 0 / 34 / 18 / 22

HEX #C783A3

RGB 199 131 163

HSL 331.76, 0.38%, 0.65%

LAB 62.52, 30.78, -6.19

 

CMYK 0 / 45 / 24 / 16

HEX #D675A2

RGB 214 117 162

HSL 332.16, 0.54%, 0.65%

LAB 61.33, 43.28, -7.18

 

CMYK 0 / 55 / 30 / 11

HEX #E466A0

RGB 228 102 160

HSL 332.38, 0.7%, 0.65%

LAB 60.37, 54.93, -7.26

 

CMYK 0 / 64 / 35 / 5

HEX #F3589F

RGB 243 88 159

HSL 332.52, 0.87%, 0.65%

LAB 60.37, 65.39, -6.43

 

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

CMYK 0 / 6 / 3 / 33

HEX #AAA0A5

RGB 170 160 165

HSL 330, 0.06%, 0.65%

LAB 66.83, 4.55, -1.3

 

CMYK 10 / 0 / 5 / 32

HEX #9CAEA6

RGB 156 174 166

HSL 153.33, 0.1%, 0.65%

LAB 69.54, -7.83, 1.97

 

CMYK 25 / 0 / 12 / 26

HEX #8EBDA7

RGB 142 189 167

HSL 151.91, 0.26%, 0.65%

LAB 72.85, -20.11, 6.09

 

CMYK 37 / 0 / 17 / 20

HEX #7FCBA8

RGB 127 203 168

HSL 152.37, 0.42%, 0.65%

LAB 76.1, -31.32, 10.1

 

CMYK 0 / 21 / 0 / 27

HEX #B992B9

RGB 185 146 185

HSL 300, 0.22%, 0.65%

LAB 65.26, 21.43, -14.69

 

CMYK 0 / 21 / 6 / 27

HEX #B992AE

RGB 185 146 174

HSL 316.92, 0.22%, 0.65%

LAB 64.91, 19.37, -9.03

 

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

CMYK 0 / 21 / 17 / 27

HEX #B99299

RGB 185 146 153

HSL 349.23, 0.22%, 0.65%

LAB 64.3, 15.76, 1.91

 

CMYK 0 / 20 / 21 / 27

HEX #B99492

RGB 185 148 146

HSL 3.08, 0.22%, 0.65%

LAB 64.62, 13.55, 6.32

 

CMYK 0 / 36 / 19 / 41

HEX #97617A

RGB 151 97 122

HSL 332.22, 0.22%, 0.49%

LAB 47.67, 25.67, -4.9

 

CMYK 0 / 29 / 15 / 34

HEX #A9788F

RGB 169 120 143

HSL 331.84, 0.22%, 0.57%

LAB 55.94, 22.76, -4.81

 

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

CMYK 0 / 15 / 8 / 21

HEX #C9ABB9

RGB 201 171 185

HSL 332, 0.22%, 0.73%

LAB 72.92, 13.24, -3.11

 

CMYK 0 / 10 / 5 / 15

HEX #D9C4CE

RGB 217 196 206

HSL 331.43, 0.22%, 0.81%

LAB 81.12, 9.09, -2.31

 

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

CMYK 0 / 6 / 21 / 27

HEX #B9AE92

RGB 185 174 146

HSL 43.08, 0.22%, 0.65%

LAB 71.32, -0.67, 15.81

 

CMYK 21 / 3 / 0 / 27

HEX #92B4B9

RGB 146 180 185

HSL 187.69, 0.22%, 0.65%

LAB 71.05, -10.34, -6.36

 

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

CMYK 11 / 0 / 21 / 27

HEX #A4B992

RGB 164 185 146

HSL 92.31, 0.22%, 0.65%

LAB 72.67, -14.36, 17.43

 

CMYK 21 / 11 / 0 / 27

HEX #92A4B9

RGB 146 164 185

HSL 212.31, 0.22%, 0.65%

LAB 66.65, -1.69, -12.92

 

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

CMYK 0 / 6 / 21 / 27

HEX #B9AE92

RGB 185 174 146

HSL 43.08, 0.22%, 0.65%

LAB 71.32, -0.67, 15.81

 

CMYK 21 / 0 / 10 / 27

HEX #92B9A7

RGB 146 185 167

HSL 152.31, 0.22%, 0.65%

LAB 71.96, -16.78, 4.84

 

CMYK 21 / 16 / 0 / 27

HEX #929CB9

RGB 146 156 185

HSL 224.62, 0.22%, 0.65%

LAB 64.48, 2.76, -16.19

 

CMYK 0 / 21 / 11 / 27

HEX #B992A4

RGB 185 146 164

HSL 332.31, 0.22%, 0.65%

LAB 64.61, 17.6, -3.84

 

CMYK 1 / 0 / 21 / 27

HEX #B8B992

RGB 184 185 146

HSL 61.54, 0.22%, 0.65%

LAB 74.17, -6.89, 19.73

 

CMYK 21 / 0 / 10 / 27

HEX #92B9A7

RGB 146 185 167

HSL 152.31, 0.22%, 0.65%

LAB 71.96, -16.78, 4.84

 

CMYK 21 / 21 / 0 / 27

HEX #9392B9

RGB 147 146 185

HSL 241.54, 0.22%, 0.65%

LAB 61.88, 8.73, -20.13

 

Description

Color code: HEX #B992A4 | qconv.com Color code: HEX #B992A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 146 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 146 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 11 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 11% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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