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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B99991 it is the complementary color #46666E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B99991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B99991 shade: #BE998C, #CFAB9F, #E0BDB2, #F1CFC5 and #FFE1D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B99991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B99991 shade: #B99991, #A8877E, #97756B, #866358 and #755145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B99991 shade: #B99992 and #B99292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B99991 shade: #B99992, #B9A492, #B9AF92, #B9B992 and #AEB992

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B99991 shade matches the following richer shades: #B99992, #C79183, #D68875, #E47F66 and #F37758

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B99991 shade: #B99992, #AAA2A0, #9CABAE, #8EB3BD and #7FBCCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B99991 shade: #B9929F, #B99294, #B99992, #B9A492 and #B9AE92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B99991 shade: #976C61, #A98278, #B99992, #C9B1AB and #D9C8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B99991 shade: #B99991, #A9B992 and #9299B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B99991 shade: #B99991, #92B999 and #9992B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B99991 shade: #B99991, #A9B992, #92B1B9 and #A192B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B99991 shade: #B99991, #9DB992, #92B1B9 and #AD92B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 22 / 27

HEX #B99991

RGB 185 153 145

HSL 12, 0.22%, 0.65%

LAB 65.86, 10.62, 8.65

 

Complementary color

CMYK 36 / 7 / 0 / 57

HEX #46666E

RGB 70 102 110

HSL 192, 0.22%, 0.35%

LAB 41.11, -9.38, -8.22

 

CMYK 0 / 19 / 26 / 25

HEX #BE998C

RGB 190 153 140

HSL 15.6, 0.28%, 0.65%

LAB 66.23, 11.82, 12.04

 

CMYK 0 / 17 / 23 / 19

HEX #CFAB9F

RGB 207 171 159

HSL 15, 0.33%, 0.72%

LAB 72.82, 11.28, 11.09

 

CMYK 0 / 16 / 21 / 12

HEX #E0BDB2

RGB 224 189 178

HSL 14.35, 0.43%, 0.79%

LAB 79.3, 10.79, 10.2

 

CMYK 0 / 14 / 18 / 5

HEX #F1CFC5

RGB 241 207 197

HSL 13.64, 0.61%, 0.86%

LAB 85.68, 10.35, 9.36

 

CMYK 0 / 12 / 15 / 0

HEX #FFE1D8

RGB 255 225 216

HSL 13.85, 1%, 0.92%

LAB 91.72, 8.89, 8.17

 

CMYK 0 / 17 / 22 / 27

HEX #B99991

RGB 185 153 145

HSL 12, 0.22%, 0.65%

LAB 65.86, 10.62, 8.65

 

CMYK 0 / 20 / 25 / 34

HEX #A8877E

RGB 168 135 126

HSL 12.86, 0.19%, 0.58%

LAB 59.12, 11.17, 9.59

 

CMYK 0 / 23 / 29 / 41

HEX #97756B

RGB 151 117 107

HSL 13.64, 0.17%, 0.51%

LAB 52.25, 11.79, 10.62

 

CMYK 0 / 26 / 34 / 47

HEX #866358

RGB 134 99 88

HSL 14.35, 0.21%, 0.44%

LAB 45.22, 12.53, 11.77

 

CMYK 0 / 31 / 41 / 54

HEX #755145

RGB 117 81 69

HSL 15, 0.26%, 0.36%

LAB 38.01, 13.42, 13.08

 

CMYK 0 / 17 / 21 / 27

HEX #B99992

RGB 185 153 146

HSL 10.77, 0.22%, 0.65%

LAB 65.88, 10.78, 8.13

 

CMYK 0 / 21 / 21 / 27

HEX #B99292

RGB 185 146 146

HSL 0, 0.22%, 0.65%

LAB 64.12, 14.66, 5.6

 

CMYK 0 / 17 / 21 / 27

HEX #B99992

RGB 185 153 146

HSL 10.77, 0.22%, 0.65%

LAB 65.88, 10.78, 8.13

 

CMYK 0 / 11 / 21 / 27

HEX #B9A492

RGB 185 164 146

HSL 27.69, 0.22%, 0.65%

LAB 68.71, 4.74, 12.14

 

CMYK 0 / 5 / 21 / 27

HEX #B9AF92

RGB 185 175 146

HSL 44.62, 0.22%, 0.65%

LAB 71.59, -1.21, 16.17

 

CMYK 0 / 0 / 21 / 27

HEX #B9B992

RGB 185 185 146

HSL 60, 0.22%, 0.65%

LAB 74.25, -6.51, 19.86

 

CMYK 6 / 0 / 21 / 27

HEX #AEB992

RGB 174 185 146

HSL 76.92, 0.22%, 0.65%

LAB 73.4, -10.66, 18.55

 

CMYK 0 / 17 / 21 / 27

HEX #B99992

RGB 185 153 146

HSL 10.77, 0.22%, 0.65%

LAB 65.88, 10.78, 8.13

 

CMYK 0 / 27 / 34 / 22

HEX #C79183

RGB 199 145 131

HSL 12.35, 0.38%, 0.65%

LAB 64.99, 18.53, 15.47

 

CMYK 0 / 36 / 45 / 16

HEX #D68875

RGB 214 136 117

HSL 11.75, 0.54%, 0.65%

LAB 64.31, 27.72, 22.66

 

CMYK 0 / 44 / 55 / 11

HEX #E47F66

RGB 228 127 102

HSL 11.9, 0.7%, 0.65%

LAB 63.86, 36.55, 30.73

 

CMYK 0 / 51 / 64 / 5

HEX #F37758

RGB 243 119 88

HSL 12, 0.87%, 0.65%

LAB 64.12, 45.26, 39.15

 

CMYK 0 / 17 / 21 / 27

HEX #B99992

RGB 185 153 146

HSL 10.77, 0.22%, 0.65%

LAB 65.88, 10.78, 8.13

 

CMYK 0 / 5 / 6 / 33

HEX #AAA2A0

RGB 170 162 160

HSL 12, 0.06%, 0.65%

LAB 67.22, 2.53, 2.06

 

CMYK 10 / 2 / 0 / 32

HEX #9CABAE

RGB 156 171 174

HSL 190, 0.1%, 0.65%

LAB 68.93, -4.61, -3.34

 

CMYK 25 / 5 / 0 / 26

HEX #8EB3BD

RGB 142 179 189

HSL 192.77, 0.26%, 0.65%

LAB 70.64, -10.15, -9.19

 

CMYK 37 / 7 / 0 / 20

HEX #7FBCCB

RGB 127 188 203

HSL 191.84, 0.42%, 0.65%

LAB 72.75, -15.79, -13.78

 

CMYK 0 / 21 / 14 / 27

HEX #B9929F

RGB 185 146 159

HSL 340, 0.22%, 0.65%

LAB 64.46, 16.75, -1.23

 

CMYK 0 / 21 / 20 / 27

HEX #B99294

RGB 185 146 148

HSL 356.92, 0.22%, 0.65%

LAB 64.17, 14.97, 4.55

 

CMYK 0 / 17 / 21 / 27

HEX #B99992

RGB 185 153 146

HSL 10.77, 0.22%, 0.65%

LAB 65.88, 10.78, 8.13

 

CMYK 0 / 11 / 21 / 27

HEX #B9A492

RGB 185 164 146

HSL 27.69, 0.22%, 0.65%

LAB 68.71, 4.74, 12.14

 

CMYK 0 / 6 / 21 / 27

HEX #B9AE92

RGB 185 174 146

HSL 43.08, 0.22%, 0.65%

LAB 71.32, -0.67, 15.81

 

CMYK 0 / 28 / 36 / 41

HEX #976C61

RGB 151 108 97

HSL 12.22, 0.22%, 0.49%

LAB 49.7, 15.61, 12.94

 

CMYK 0 / 23 / 29 / 34

HEX #A98278

RGB 169 130 120

HSL 12.24, 0.22%, 0.57%

LAB 57.81, 13.51, 11.19

 

CMYK 0 / 17 / 21 / 27

HEX #B99992

RGB 185 153 146

HSL 10.77, 0.22%, 0.65%

LAB 65.88, 10.78, 8.13

 

CMYK 0 / 12 / 15 / 21

HEX #C9B1AB

RGB 201 177 171

HSL 12, 0.22%, 0.73%

LAB 74.06, 7.63, 6.22

 

CMYK 0 / 8 / 10 / 15

HEX #D9C8C4

RGB 217 200 196

HSL 11.43, 0.22%, 0.81%

LAB 81.86, 5.26, 4.13

 

CMYK 0 / 17 / 22 / 27

HEX #B99991

RGB 185 153 145

HSL 12, 0.22%, 0.65%

LAB 65.86, 10.62, 8.65

 

CMYK 9 / 0 / 21 / 27

HEX #A9B992

RGB 169 185 146

HSL 84.62, 0.22%, 0.65%

LAB 73.03, -12.52, 17.98

 

CMYK 21 / 17 / 0 / 27

HEX #9299B9

RGB 146 153 185

HSL 229.23, 0.22%, 0.65%

LAB 63.67, 4.44, -17.42

 

CMYK 0 / 17 / 22 / 27

HEX #B99991

RGB 185 153 145

HSL 12, 0.22%, 0.65%

LAB 65.86, 10.62, 8.65

 

CMYK 21 / 0 / 17 / 27

HEX #92B999

RGB 146 185 153

HSL 130.77, 0.22%, 0.65%

LAB 71.63, -19.49, 12

 

CMYK 17 / 21 / 0 / 27

HEX #9992B9

RGB 153 146 185

HSL 250.77, 0.22%, 0.65%

LAB 62.37, 10.67, -19.34

 

CMYK 0 / 17 / 22 / 27

HEX #B99991

RGB 185 153 145

HSL 12, 0.22%, 0.65%

LAB 65.86, 10.62, 8.65

 

CMYK 9 / 0 / 21 / 27

HEX #A9B992

RGB 169 185 146

HSL 84.62, 0.22%, 0.65%

LAB 73.03, -12.52, 17.98

 

CMYK 21 / 4 / 0 / 27

HEX #92B1B9

RGB 146 177 185

HSL 192.31, 0.22%, 0.65%

LAB 70.22, -8.75, -7.59

 

CMYK 13 / 21 / 0 / 27

HEX #A192B9

RGB 161 146 185

HSL 263.08, 0.22%, 0.65%

LAB 63.04, 13.31, -18.25

 

CMYK 0 / 17 / 22 / 27

HEX #B99991

RGB 185 153 145

HSL 12, 0.22%, 0.65%

LAB 65.86, 10.62, 8.65

 

CMYK 15 / 0 / 21 / 27

HEX #9DB992

RGB 157 185 146

HSL 103.08, 0.22%, 0.65%

LAB 72.19, -16.89, 16.69

 

CMYK 21 / 4 / 0 / 27

HEX #92B1B9

RGB 146 177 185

HSL 192.31, 0.22%, 0.65%

LAB 70.22, -8.75, -7.59

 

CMYK 6 / 21 / 0 / 27

HEX #AD92B9

RGB 173 146 185

HSL 281.54, 0.22%, 0.65%

LAB 64.12, 17.34, -16.52

 

Description

Color code: HEX #B99991 | qconv.com Color code: HEX #B99991 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 153 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 153 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 22 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 22% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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