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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B98D37 it is the complementary color #4672C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B98D37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B98D37 shade: #BE8D32, #CF9F45, #E0B158, #F1C36B and #FFD57E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B98D37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B98D37 shade: #B98D37, #A87B24, #976911, #865700 and #754500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B98D37 shade: #B88C37, #B86937, #B84637 and #B83737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B98D37 shade: #B88C37, #B8AF37, #9EB837, #7BB837 and #58B837

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B98D37 shade matches the following richer shades: #B88C37, #CB9323 and #DF9910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B98D37 shade: #B88C37, #A5864A, #91805D, #7E7971 and #6B7384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B98D37 shade: #B84637, #B86837, #B88B37, #B8AD37 and #A0B837

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B98D37 shade: #795C24, #98742D, #B88C37, #CAA04E and #D3B16E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B98D37 shade: #B98D37, #4AB837 and #5737B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B98D37 shade: #B98D37, #37B88B and #8B37B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B98D37 shade: #B98D37, #4AB837, #3764B8 and #A537B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B98D37 shade: #B98D37, #37B84A, #3764B8 and #B837A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 70 / 27

HEX #B98D37

RGB 185 141 55

HSL 39.69, 0.54%, 0.47%

LAB 61.34, 7.9, 50.49

 

Complementary color

CMYK 65 / 43 / 0 / 22

HEX #4672C8

RGB 70 114 200

HSL 219.69, 0.54%, 0.53%

LAB 48.89, 12.48, -49.33

 

CMYK 0 / 26 / 74 / 25

HEX #BE8D32

RGB 190 141 50

HSL 39, 0.58%, 0.47%

LAB 61.85, 9.85, 53.35

 

CMYK 0 / 23 / 67 / 19

HEX #CF9F45

RGB 207 159 69

HSL 39.13, 0.59%, 0.54%

LAB 68.38, 8.48, 52.36

 

CMYK 0 / 21 / 61 / 12

HEX #E0B158

RGB 224 177 88

HSL 39.26, 0.69%, 0.61%

LAB 74.82, 7.31, 51.15

 

CMYK 0 / 19 / 56 / 5

HEX #F1C36B

RGB 241 195 107

HSL 39.4, 0.83%, 0.68%

LAB 81.18, 6.31, 49.87

 

CMYK 0 / 16 / 51 / 0

HEX #FFD57E

RGB 255 213 126

HSL 40.47, 1%, 0.75%

LAB 87.17, 4.24, 48.18

 

CMYK 0 / 24 / 70 / 27

HEX #B98D37

RGB 185 141 55

HSL 39.69, 0.54%, 0.47%

LAB 61.34, 7.9, 50.49

 

CMYK 0 / 27 / 79 / 34

HEX #A87B24

RGB 168 123 36

HSL 39.55, 0.65%, 0.4%

LAB 54.68, 9.4, 51.24

 

CMYK 0 / 30 / 89 / 41

HEX #976911

RGB 151 105 17

HSL 39.4, 0.8%, 0.33%

LAB 47.91, 11.21, 51.06

 

CMYK 0 / 35 / 100 / 47

HEX #865700

RGB 134 87 0

HSL 38.96, 1%, 0.26%

LAB 41.03, 13.36, 49.38

 

CMYK 0 / 41 / 100 / 54

HEX #754500

RGB 117 69 0

HSL 35.38, 1%, 0.23%

LAB 34.06, 15.96, 43.71

 

CMYK 0 / 24 / 70 / 28

HEX #B88C37

RGB 184 140 55

HSL 39.53, 0.54%, 0.47%

LAB 60.98, 8.01, 50.08

 

CMYK 0 / 43 / 70 / 28

HEX #B86937

RGB 184 105 55

HSL 23.26, 0.54%, 0.47%

LAB 52.47, 27.37, 40.95

 

CMYK 0 / 62 / 70 / 28

HEX #B84637

RGB 184 70 55

HSL 6.98, 0.54%, 0.47%

LAB 45.42, 45.22, 32.94

 

CMYK 0 / 70 / 70 / 28

HEX #B83737

RGB 184 55 55

HSL 0, 0.54%, 0.47%

LAB 43.06, 51.6, 30.15

 

CMYK 0 / 24 / 70 / 28

HEX #B88C37

RGB 184 140 55

HSL 39.53, 0.54%, 0.47%

LAB 60.98, 8.01, 50.08

 

CMYK 0 / 5 / 70 / 28

HEX #B8AF37

RGB 184 175 55

HSL 55.81, 0.54%, 0.47%

LAB 70.26, -10.78, 59.51

 

CMYK 14 / 0 / 70 / 28

HEX #9EB837

RGB 158 184 55

HSL 72.09, 0.54%, 0.47%

LAB 70.75, -26.34, 59.32

 

CMYK 33 / 0 / 70 / 28

HEX #7BB837

RGB 123 184 55

HSL 88.37, 0.54%, 0.47%

LAB 68.58, -40.01, 56.43

 

CMYK 52 / 0 / 70 / 28

HEX #58B837

RGB 88 184 55

HSL 104.65, 0.54%, 0.47%

LAB 67, -51.44, 54.29

 

CMYK 0 / 24 / 70 / 28

HEX #B88C37

RGB 184 140 55

HSL 39.53, 0.54%, 0.47%

LAB 60.98, 8.01, 50.08

 

CMYK 0 / 28 / 83 / 20

HEX #CB9323

RGB 203 147 35

HSL 40, 0.71%, 0.47%

LAB 64.71, 11.73, 62.1

 

CMYK 0 / 31 / 93 / 13

HEX #DF9910

RGB 223 153 16

HSL 39.71, 0.87%, 0.47%

LAB 68.39, 16.82, 70.63

 

CMYK 0 / 24 / 70 / 28

HEX #B88C37

RGB 184 140 55

HSL 39.53, 0.54%, 0.47%

LAB 60.98, 8.01, 50.08

 

CMYK 0 / 19 / 55 / 35

HEX #A5864A

RGB 165 134 74

HSL 39.56, 0.38%, 0.47%

LAB 57.6, 4.29, 36.43

 

CMYK 0 / 12 / 36 / 43

HEX #91805D

RGB 145 128 93

HSL 40.38, 0.22%, 0.47%

LAB 54.29, 1.07, 21.4

 

CMYK 0 / 4 / 10 / 51

HEX #7E7971

RGB 126 121 113

HSL 36.92, 0.05%, 0.47%

LAB 51.04, 0.4, 5.06

 

CMYK 19 / 13 / 0 / 48

HEX #6B7384

RGB 107 115 132

HSL 220.8, 0.1%, 0.47%

LAB 48.33, 0.86, -10.34

 

CMYK 0 / 62 / 70 / 28

HEX #B84637

RGB 184 70 55

HSL 6.98, 0.54%, 0.47%

LAB 45.42, 45.22, 32.94

 

CMYK 0 / 43 / 70 / 28

HEX #B86837

RGB 184 104 55

HSL 22.79, 0.54%, 0.47%

LAB 52.25, 27.91, 40.7

 

CMYK 0 / 24 / 70 / 28

HEX #B88B37

RGB 184 139 55

HSL 39.07, 0.54%, 0.47%

LAB 60.72, 8.56, 49.81

 

CMYK 0 / 6 / 70 / 28

HEX #B8AD37

RGB 184 173 55

HSL 54.88, 0.54%, 0.47%

LAB 69.72, -9.74, 58.97

 

CMYK 13 / 0 / 70 / 28

HEX #A0B837

RGB 160 184 55

HSL 71.16, 0.54%, 0.47%

LAB 70.89, -25.52, 59.51

 

CMYK 0 / 24 / 70 / 53

HEX #795C24

RGB 121 92 36

HSL 39.53, 0.54%, 0.31%

LAB 40.97, 5.48, 35.73

 

CMYK 0 / 24 / 70 / 40

HEX #98742D

RGB 152 116 45

HSL 39.81, 0.54%, 0.39%

LAB 51.1, 6.51, 43.21

 

CMYK 0 / 24 / 70 / 28

HEX #B88C37

RGB 184 140 55

HSL 39.53, 0.54%, 0.47%

LAB 60.98, 8.01, 50.08

 

CMYK 0 / 21 / 61 / 21

HEX #CAA04E

RGB 202 160 78

HSL 39.68, 0.54%, 0.55%

LAB 68.2, 6.37, 47.79

 

CMYK 0 / 16 / 48 / 17

HEX #D3B16E

RGB 211 177 110

HSL 39.8, 0.53%, 0.63%

LAB 73.82, 3.71, 38.72

 

CMYK 0 / 24 / 70 / 27

HEX #B98D37

RGB 185 141 55

HSL 39.69, 0.54%, 0.47%

LAB 61.34, 7.9, 50.49

 

CMYK 60 / 0 / 70 / 28

HEX #4AB837

RGB 74 184 55

HSL 111.16, 0.54%, 0.47%

LAB 66.53, -55.13, 53.66

 

CMYK 53 / 70 / 0 / 28

HEX #5737B8

RGB 87 55 184

HSL 254.88, 0.54%, 0.47%

LAB 34.44, 46.34, -63.33

 

CMYK 0 / 24 / 70 / 27

HEX #B98D37

RGB 185 141 55

HSL 39.69, 0.54%, 0.47%

LAB 61.34, 7.9, 50.49

 

CMYK 70 / 0 / 24 / 28

HEX #37B88B

RGB 55 184 139

HSL 159.07, 0.54%, 0.47%

LAB 67.24, -45.55, 12.91

 

CMYK 24 / 70 / 0 / 28

HEX #8B37B8

RGB 139 55 184

HSL 279.07, 0.54%, 0.47%

LAB 40.71, 56.23, -52.86

 

CMYK 0 / 24 / 70 / 27

HEX #B98D37

RGB 185 141 55

HSL 39.69, 0.54%, 0.47%

LAB 61.34, 7.9, 50.49

 

CMYK 60 / 0 / 70 / 28

HEX #4AB837

RGB 74 184 55

HSL 111.16, 0.54%, 0.47%

LAB 66.53, -55.13, 53.66

 

CMYK 70 / 46 / 0 / 28

HEX #3764B8

RGB 55 100 184

HSL 219.07, 0.54%, 0.47%

LAB 43.34, 13.12, -49

 

CMYK 10 / 70 / 0 / 28

HEX #A537B8

RGB 165 55 184

HSL 291.16, 0.54%, 0.47%

LAB 44.51, 61.82, -46.55

 

CMYK 0 / 24 / 70 / 27

HEX #B98D37

RGB 185 141 55

HSL 39.69, 0.54%, 0.47%

LAB 61.34, 7.9, 50.49

 

CMYK 70 / 0 / 60 / 28

HEX #37B84A

RGB 55 184 74

HSL 128.84, 0.54%, 0.47%

LAB 66.2, -57.17, 45.06

 

CMYK 70 / 46 / 0 / 28

HEX #3764B8

RGB 55 100 184

HSL 219.07, 0.54%, 0.47%

LAB 43.34, 13.12, -49

 

CMYK 0 / 70 / 10 / 28

HEX #B837A5

RGB 184 55 165

HSL 308.84, 0.54%, 0.47%

LAB 46.5, 63.01, -31.99

 

Description

Color code: HEX #B98D37 | qconv.com Color code: HEX #B98D37 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 141 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 141 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 70 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 70% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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