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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B980CB it is the complementary color #467F34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B980CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B980CB shade: #BE80C6, #CF92D9, #E0A4EC, #F1B6FF and #FFC8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B980CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B980CB shade: #B980CB, #A86EB8, #975CA5, #864A92 and #75387F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B980CB shade: #B980CB, #CB80C9, #CB80B4, #CB80A0 and #CB808C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B980CB shade: #B980CB, #A580CB, #9080CB and #8080CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B980CB shade matches the following richer shades: #B980CB, #C071D9, #C863E8 and #CF54F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B980CB shade: #B980CB, #B18EBC, #AA9DAE, #A2AB9F and #9BBA91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B980CB shade: #9080CB, #A480CB, #B880CB, #CB80C9 and #CB80B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B980CB shade: #9748B0, #A962BF, #B980CB, #C99DD7 and #D9BAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B980CB shade: #B980CB, #CB8084 and #80CB9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B980CB shade: #B980CB, #CBB880 and #80CBB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B980CB shade: #B980CB, #CB8084, #93CB80 and #80CBC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B980CB shade: #B980CB, #CB9380, #93CB80 and #80B8CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

Complementary color

CMYK 45 / 0 / 59 / 50

HEX #467F34

RGB 70 127 52

HSL 105.6, 0.42%, 0.35%

LAB 47.92, -33.81, 34.47

 

CMYK 4 / 35 / 0 / 22

HEX #BE80C6

RGB 190 128 198

HSL 293.14, 0.38%, 0.64%

LAB 62.05, 35.58, -26.85

 

CMYK 5 / 33 / 0 / 15

HEX #CF92D9

RGB 207 146 217

HSL 291.55, 0.48%, 0.71%

LAB 68.63, 34.86, -27.18

 

CMYK 5 / 31 / 0 / 7

HEX #E0A4EC

RGB 224 164 236

HSL 290, 0.65%, 0.78%

LAB 75.11, 34.18, -27.49

 

CMYK 5 / 29 / 0 / 0

HEX #F1B6FF

RGB 241 182 255

HSL 288.49, 1%, 0.86%

LAB 81.5, 33.54, -27.8

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 9 / 40 / 0 / 28

HEX #A86EB8

RGB 168 110 184

HSL 287.03, 0.34%, 0.58%

LAB 55.01, 35.78, -29.97

 

CMYK 8 / 44 / 0 / 35

HEX #975CA5

RGB 151 92 165

HSL 288.49, 0.29%, 0.5%

LAB 48.2, 36.58, -29.68

 

CMYK 8 / 49 / 0 / 43

HEX #864A92

RGB 134 74 146

HSL 290, 0.33%, 0.43%

LAB 41.28, 37.37, -29.32

 

CMYK 8 / 56 / 0 / 50

HEX #75387F

RGB 117 56 127

HSL 291.55, 0.39%, 0.36%

LAB 34.28, 38.1, -28.84

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 0 / 37 / 1 / 20

HEX #CB80C9

RGB 203 128 201

HSL 301.6, 0.42%, 0.65%

LAB 63.63, 40.27, -25.98

 

CMYK 0 / 37 / 11 / 20

HEX #CB80B4

RGB 203 128 180

HSL 318.4, 0.42%, 0.65%

LAB 62.87, 36.56, -15.28

 

CMYK 0 / 37 / 21 / 20

HEX #CB80A0

RGB 203 128 160

HSL 334.4, 0.42%, 0.65%

LAB 62.23, 33.37, -4.86

 

CMYK 0 / 37 / 31 / 20

HEX #CB808C

RGB 203 128 140

HSL 350.4, 0.42%, 0.65%

LAB 61.68, 30.53, 5.77

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 19 / 37 / 0 / 20

HEX #A580CB

RGB 165 128 203

HSL 269.6, 0.42%, 0.65%

LAB 59.66, 28.86, -33.57

 

CMYK 29 / 37 / 0 / 20

HEX #9080CB

RGB 144 128 203

HSL 252.8, 0.42%, 0.65%

LAB 57.73, 22.63, -36.73

 

CMYK 37 / 37 / 0 / 20

HEX #8080CB

RGB 128 128 203

HSL 240, 0.42%, 0.65%

LAB 56.43, 18.12, -38.87

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 12 / 48 / 0 / 15

HEX #C071D9

RGB 192 113 217

HSL 285.58, 0.58%, 0.65%

LAB 59.91, 48.01, -40.85

 

CMYK 14 / 57 / 0 / 9

HEX #C863E8

RGB 200 99 232

HSL 285.56, 0.74%, 0.65%

LAB 59, 60.1, -50.63

 

CMYK 16 / 66 / 0 / 4

HEX #CF54F6

RGB 207 84 246

HSL 285.56, 0.9%, 0.65%

LAB 58.28, 71.06, -59.52

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 6 / 24 / 0 / 26

HEX #B18EBC

RGB 177 142 188

HSL 285.65, 0.26%, 0.65%

LAB 63.61, 21.55, -18.94

 

CMYK 2 / 10 / 0 / 32

HEX #AA9DAE

RGB 170 157 174

HSL 285.88, 0.09%, 0.65%

LAB 66.3, 7.93, -7.1

 

CMYK 5 / 0 / 7 / 33

HEX #A2AB9F

RGB 162 171 159

HSL 105, 0.07%, 0.65%

LAB 68.98, -5.45, 5.08

 

CMYK 17 / 0 / 22 / 27

HEX #9BBA91

RGB 155 186 145

HSL 105.37, 0.23%, 0.65%

LAB 72.32, -18.28, 17.39

 

CMYK 29 / 37 / 0 / 20

HEX #9080CB

RGB 144 128 203

HSL 252.8, 0.42%, 0.65%

LAB 57.73, 22.63, -36.73

 

CMYK 19 / 37 / 0 / 20

HEX #A480CB

RGB 164 128 203

HSL 268.8, 0.42%, 0.65%

LAB 59.56, 28.56, -33.73

 

CMYK 9 / 37 / 0 / 20

HEX #B880CB

RGB 184 128 203

HSL 284.8, 0.42%, 0.65%

LAB 61.6, 34.7, -30.41

 

CMYK 0 / 37 / 1 / 20

HEX #CB80C9

RGB 203 128 201

HSL 301.6, 0.42%, 0.65%

LAB 63.63, 40.27, -25.98

 

CMYK 0 / 37 / 11 / 20

HEX #CB80B5

RGB 203 128 181

HSL 317.6, 0.42%, 0.65%

LAB 62.9, 36.73, -15.8

 

CMYK 14 / 59 / 0 / 31

HEX #9748B0

RGB 151 72 176

HSL 285.58, 0.42%, 0.49%

LAB 44.73, 49.44, -41.61

 

CMYK 12 / 49 / 0 / 25

HEX #A962BF

RGB 169 98 191

HSL 285.81, 0.42%, 0.57%

LAB 52.87, 44.06, -37.32

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 7 / 27 / 0 / 16

HEX #C99DD7

RGB 201 157 215

HSL 285.52, 0.42%, 0.73%

LAB 70.48, 26.54, -23.29

 

CMYK 4 / 18 / 0 / 11

HEX #D9BAE3

RGB 217 186 227

HSL 285.37, 0.42%, 0.81%

LAB 79.28, 18.32, -16.35

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 0 / 37 / 35 / 20

HEX #CB8084

RGB 203 128 132

HSL 356.8, 0.42%, 0.65%

LAB 61.48, 29.5, 10.06

 

CMYK 37 / 0 / 24 / 20

HEX #80CB9A

RGB 128 203 154

HSL 140.8, 0.42%, 0.65%

LAB 75.84, -33.81, 17.23

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 0 / 9 / 37 / 20

HEX #CBB880

RGB 203 184 128

HSL 44.8, 0.42%, 0.65%

LAB 75.16, -1.33, 30.93

 

CMYK 37 / 0 / 9 / 20

HEX #80CBB8

RGB 128 203 184

HSL 164.8, 0.42%, 0.65%

LAB 76.53, -27.6, 2.12

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 0 / 37 / 35 / 20

HEX #CB8084

RGB 203 128 132

HSL 356.8, 0.42%, 0.65%

LAB 61.48, 29.5, 10.06

 

CMYK 28 / 0 / 37 / 20

HEX #93CB80

RGB 147 203 128

HSL 104.8, 0.42%, 0.65%

LAB 76.36, -32.08, 31.76

 

CMYK 37 / 0 / 2 / 20

HEX #80CBC7

RGB 128 203 199

HSL 176.8, 0.42%, 0.65%

LAB 76.94, -24.13, -5.38

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 0 / 28 / 37 / 20

HEX #CB9380

RGB 203 147 128

HSL 15.2, 0.42%, 0.65%

LAB 65.84, 18.64, 18.4

 

CMYK 28 / 0 / 37 / 20

HEX #93CB80

RGB 147 203 128

HSL 104.8, 0.42%, 0.65%

LAB 76.36, -32.08, 31.76

 

CMYK 37 / 9 / 0 / 20

HEX #80B8CB

RGB 128 184 203

HSL 195.2, 0.42%, 0.65%

LAB 71.68, -13.43, -15.39

 

Description

Color code: HEX #B980CB | qconv.com Color code: HEX #B980CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 128 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 128 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 37 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 37% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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