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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B97F8B it is the complementary color #468074. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B97F8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B97F8B shade: #BE7F86, #CF9199, #E0A3AC, #F1B5BF and #FFC7D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B97F8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B97F8B shade: #B97F8B, #A86D78, #975B65, #864952 and #75373F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B97F8B shade: #B87E8A and #B87E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B97F8B shade: #B87E8A, #B87E9A, #B87EA9, #B77EB8 and #A77EB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B97F8B shade matches the following richer shades: #B87E8A, #C86E81, #D85E77, #E84E6E and #F83E64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B97F8B shade: #B87E8A, #A88E94, #989E9D, #88AEA6 and #78BFB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B97F8B shade: #B87EA9, #B87E9A, #B87E8B, #B8817E and #B8907E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B97F8B shade: #93515E, #A96472, #B87E8A, #C799A2 and #D5B3BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B97F8B shade: #B97F8B, #B8B77E and #7EA2B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B97F8B shade: #B97F8B, #8BB87E and #7E8BB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B97F8B shade: #B97F8B, #B8B77E, #7EB8AB and #7E7FB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B97F8B shade: #B97F8B, #A8B87E, #7EB8AB and #8F7EB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 25 / 27

HEX #B97F8B

RGB 185 127 139

HSL 347.59, 0.29%, 0.61%

LAB 59.3, 24.18, 2.64

 

Complementary color

CMYK 45 / 0 / 9 / 50

HEX #468074

RGB 70 128 116

HSL 167.59, 0.29%, 0.39%

LAB 49.5, -22.1, 0.6

 

CMYK 0 / 33 / 29 / 25

HEX #BE7F86

RGB 190 127 134

HSL 353.33, 0.33%, 0.62%

LAB 59.75, 25.36, 6.23

 

CMYK 0 / 30 / 26 / 19

HEX #CF9199

RGB 207 145 153

HSL 352.26, 0.39%, 0.69%

LAB 66.38, 24.56, 5.22

 

CMYK 0 / 27 / 23 / 12

HEX #E0A3AC

RGB 224 163 172

HSL 351.15, 0.5%, 0.76%

LAB 72.91, 23.84, 4.29

 

CMYK 0 / 25 / 21 / 5

HEX #F1B5BF

RGB 241 181 191

HSL 350, 0.68%, 0.83%

LAB 79.33, 23.18, 3.44

 

CMYK 0 / 22 / 18 / 0

HEX #FFC7D2

RGB 255 199 210

HSL 348.21, 1%, 0.89%

LAB 85.38, 21.52, 2.19

 

CMYK 0 / 31 / 25 / 27

HEX #B97F8B

RGB 185 127 139

HSL 347.59, 0.29%, 0.61%

LAB 59.3, 24.18, 2.64

 

CMYK 0 / 35 / 29 / 34

HEX #A86D78

RGB 168 109 120

HSL 348.81, 0.25%, 0.54%

LAB 52.53, 25.01, 3.65

 

CMYK 0 / 40 / 33 / 41

HEX #975B65

RGB 151 91 101

HSL 350, 0.25%, 0.47%

LAB 45.64, 25.92, 4.81

 

CMYK 0 / 46 / 39 / 47

HEX #864952

RGB 134 73 82

HSL 351.15, 0.29%, 0.41%

LAB 38.63, 26.94, 6.18

 

CMYK 0 / 53 / 46 / 54

HEX #75373F

RGB 117 55 63

HSL 352.26, 0.36%, 0.34%

LAB 31.52, 28.04, 7.89

 

CMYK 0 / 32 / 25 / 28

HEX #B87E8A

RGB 184 126 138

HSL 347.59, 0.29%, 0.61%

LAB 58.93, 24.21, 2.65

 

CMYK 0 / 32 / 32 / 28

HEX #B87E7E

RGB 184 126 126

HSL 0, 0.29%, 0.61%

LAB 58.62, 22.52, 9.13

 

CMYK 0 / 32 / 25 / 28

HEX #B87E8A

RGB 184 126 138

HSL 347.59, 0.29%, 0.61%

LAB 58.93, 24.21, 2.65

 

CMYK 0 / 32 / 16 / 28

HEX #B87E9A

RGB 184 126 154

HSL 331.03, 0.29%, 0.61%

LAB 59.38, 26.71, -5.88

 

CMYK 0 / 32 / 8 / 28

HEX #B87EA9

RGB 184 126 169

HSL 315.52, 0.29%, 0.61%

LAB 59.87, 29.27, -13.76

 

CMYK 1 / 32 / 0 / 28

HEX #B77EB8

RGB 183 126 184

HSL 298.97, 0.29%, 0.61%

LAB 60.29, 31.71, -21.68

 

CMYK 9 / 32 / 0 / 28

HEX #A77EB8

RGB 167 126 184

HSL 282.41, 0.29%, 0.61%

LAB 58.6, 26.46, -24.43

 

CMYK 0 / 32 / 25 / 28

HEX #B87E8A

RGB 184 126 138

HSL 347.59, 0.29%, 0.61%

LAB 58.93, 24.21, 2.65

 

CMYK 0 / 45 / 36 / 22

HEX #C86E81

RGB 200 110 129

HSL 347.33, 0.45%, 0.61%

LAB 57.09, 37.64, 5.48

 

CMYK 0 / 56 / 45 / 15

HEX #D85E77

RGB 216 94 119

HSL 347.7, 0.61%, 0.61%

LAB 56.02, 50.14, 10.12

 

CMYK 0 / 66 / 53 / 9

HEX #E84E6E

RGB 232 78 110

HSL 347.53, 0.77%, 0.61%

LAB 55.82, 61.41, 15.53

 

CMYK 0 / 75 / 60 / 3

HEX #F83E64

RGB 248 62 100

HSL 347.74, 0.93%, 0.61%

LAB 56.41, 70.94, 22.71

 

CMYK 0 / 32 / 25 / 28

HEX #B87E8A

RGB 184 126 138

HSL 347.59, 0.29%, 0.61%

LAB 58.93, 24.21, 2.65

 

CMYK 0 / 15 / 12 / 34

HEX #A88E94

RGB 168 142 148

HSL 346.15, 0.13%, 0.61%

LAB 61.49, 10.79, 0.45

 

CMYK 4 / 0 / 1 / 38

HEX #989E9D

RGB 152 158 157

HSL 170, 0.03%, 0.61%

LAB 64.61, -2.34, -0.23

 

CMYK 22 / 0 / 5 / 32

HEX #88AEA6

RGB 136 174 166

HSL 167.37, 0.19%, 0.61%

LAB 68.21, -14.52, -0.12

 

CMYK 37 / 0 / 8 / 25

HEX #78BFB0

RGB 120 191 176

HSL 167.32, 0.36%, 0.61%

LAB 72.49, -25.74, 0.52

 

CMYK 0 / 32 / 8 / 28

HEX #B87EA9

RGB 184 126 169

HSL 315.52, 0.29%, 0.61%

LAB 59.87, 29.27, -13.76

 

CMYK 0 / 32 / 16 / 28

HEX #B87E9A

RGB 184 126 154

HSL 331.03, 0.29%, 0.61%

LAB 59.38, 26.71, -5.88

 

CMYK 0 / 32 / 24 / 28

HEX #B87E8B

RGB 184 126 139

HSL 346.55, 0.29%, 0.61%

LAB 58.95, 24.36, 2.12

 

CMYK 0 / 30 / 32 / 28

HEX #B8817E

RGB 184 129 126

HSL 3.1, 0.29%, 0.61%

LAB 59.34, 20.84, 10.15

 

CMYK 0 / 22 / 32 / 28

HEX #B8907E

RGB 184 144 126

HSL 18.62, 0.29%, 0.61%

LAB 63.05, 12.49, 15.34

 

CMYK 0 / 45 / 36 / 42

HEX #93515E

RGB 147 81 94

HSL 348.18, 0.29%, 0.45%

LAB 42.61, 29.07, 4.67

 

CMYK 0 / 41 / 33 / 34

HEX #A96472

RGB 169 100 114

HSL 347.83, 0.29%, 0.53%

LAB 50.41, 29.59, 4.17

 

CMYK 0 / 32 / 25 / 28

HEX #B87E8A

RGB 184 126 138

HSL 347.59, 0.29%, 0.61%

LAB 58.93, 24.21, 2.65

 

CMYK 0 / 23 / 19 / 22

HEX #C799A2

RGB 199 153 162

HSL 348.26, 0.29%, 0.69%

LAB 67.68, 18.55, 1.94

 

CMYK 0 / 16 / 13 / 16

HEX #D5B3BA

RGB 213 179 186

HSL 347.65, 0.29%, 0.77%

LAB 76.03, 13.38, 1.02

 

CMYK 0 / 31 / 25 / 27

HEX #B97F8B

RGB 185 127 139

HSL 347.59, 0.29%, 0.61%

LAB 59.3, 24.18, 2.64

 

CMYK 0 / 1 / 32 / 28

HEX #B8B77E

RGB 184 183 126

HSL 58.97, 0.29%, 0.61%

LAB 73.26, -8.6, 29.19

 

CMYK 32 / 12 / 0 / 28

HEX #7EA2B8

RGB 126 162 184

HSL 202.76, 0.29%, 0.61%

LAB 64.75, -6.98, -15.35

 

CMYK 0 / 31 / 25 / 27

HEX #B97F8B

RGB 185 127 139

HSL 347.59, 0.29%, 0.61%

LAB 59.3, 24.18, 2.64

 

CMYK 24 / 0 / 32 / 28

HEX #8BB87E

RGB 139 184 126

HSL 106.55, 0.29%, 0.61%

LAB 70.37, -26.07, 24.76

 

CMYK 32 / 24 / 0 / 28

HEX #7E8BB8

RGB 126 139 184

HSL 226.55, 0.29%, 0.61%

LAB 58.38, 6, -25.07

 

CMYK 0 / 31 / 25 / 27

HEX #B97F8B

RGB 185 127 139

HSL 347.59, 0.29%, 0.61%

LAB 59.3, 24.18, 2.64

 

CMYK 0 / 1 / 32 / 28

HEX #B8B77E

RGB 184 183 126

HSL 58.97, 0.29%, 0.61%

LAB 73.26, -8.6, 29.19

 

CMYK 32 / 0 / 7 / 28

HEX #7EB8AB

RGB 126 184 171

HSL 166.55, 0.29%, 0.61%

LAB 70.63, -21.66, 0.59

 

CMYK 32 / 31 / 0 / 28

HEX #7E7FB8

RGB 126 127 184

HSL 238.97, 0.29%, 0.61%

LAB 55.15, 13.02, -30.06

 

CMYK 0 / 31 / 25 / 27

HEX #B97F8B

RGB 185 127 139

HSL 347.59, 0.29%, 0.61%

LAB 59.3, 24.18, 2.64

 

CMYK 9 / 0 / 32 / 28

HEX #A8B87E

RGB 168 184 126

HSL 76.55, 0.29%, 0.61%

LAB 72.3, -15.36, 27.69

 

CMYK 32 / 0 / 7 / 28

HEX #7EB8AB

RGB 126 184 171

HSL 166.55, 0.29%, 0.61%

LAB 70.63, -21.66, 0.59

 

CMYK 22 / 32 / 0 / 28

HEX #8F7EB8

RGB 143 126 184

HSL 257.59, 0.29%, 0.61%

LAB 56.31, 18.78, -28.15

 

Description

Color code: HEX #B97F8B | qconv.com Color code: HEX #B97F8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 127 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 127 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 25 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 25% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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