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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B97CEB it is the complementary color #468314. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B97CEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B97CEB shade: #BE7CE6, #CF8EF9, #E0A0FF, #F1B2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B97CEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B97CEB shade: #B97CEB, #A86AD8, #9758C5, #8646B2 and #75349F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B97CEB shade: #B879EB, #D679EB, #EB79E1, #EB79C2 and #EB79A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B97CEB shade: #B879EB, #9979EB, #7B79EB and #7979EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B97CEB shade matches the following richer shades: #B879EB and #B96DF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B97CEB shade: #B879EB, #B686DE, #B592D2, #B49FC5 and #B3ABB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B97CEB shade: #7979EB, #9879EB, #B679EB, #D479EB and #EB79E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B97CEB shade: #9132E0, #A455E5, #B879EB, #CB9DF0 and #DEC1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B97CEB shade: #B97CEB, #EB7998 and #79EB88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B97CEB shade: #B97CEB, #EBB679 and #79EBB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B97CEB shade: #B97CEB, #EB7998, #AEEB79 and #79EBCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B97CEB shade: #B97CEB, #EB7D79, #AEEB79 and #79E7EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 47 / 0 / 8

HEX #B97CEB

RGB 185 124 235

HSL 272.97, 0.74%, 0.7%

LAB 62.28, 44.07, -47.23

 

Complementary color

CMYK 47 / 0 / 85 / 49

HEX #468314

RGB 70 131 20

HSL 92.97, 0.74%, 0.3%

LAB 48.99, -38.19, 48.53

 

CMYK 17 / 46 / 0 / 10

HEX #BE7CE6

RGB 190 124 230

HSL 277.36, 0.68%, 0.69%

LAB 62.57, 44.35, -43.95

 

CMYK 17 / 43 / 0 / 2

HEX #CF8EF9

RGB 207 142 249

HSL 276.45, 0.9%, 0.77%

LAB 69.08, 43.55, -44.07

 

CMYK 12 / 37 / 0 / 0

HEX #E0A0FF

RGB 224 160 255

HSL 280.42, 1%, 0.81%

LAB 74.96, 40.08, -38.02

 

CMYK 5 / 30 / 0 / 0

HEX #F1B2FF

RGB 241 178 255

HSL 289.09, 1%, 0.85%

LAB 80.61, 35.66, -29.17

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 21 / 47 / 0 / 8

HEX #B97CEB

RGB 185 124 235

HSL 272.97, 0.74%, 0.7%

LAB 62.28, 44.07, -47.23

 

CMYK 22 / 51 / 0 / 15

HEX #A86AD8

RGB 168 106 216

HSL 273.82, 0.59%, 0.63%

LAB 55.68, 44.93, -47.16

 

CMYK 23 / 55 / 0 / 23

HEX #9758C5

RGB 151 88 197

HSL 274.68, 0.48%, 0.56%

LAB 48.99, 45.79, -47.06

 

CMYK 25 / 61 / 0 / 30

HEX #8646B2

RGB 134 70 178

HSL 275.56, 0.44%, 0.49%

LAB 42.25, 46.6, -46.88

 

CMYK 26 / 67 / 0 / 38

HEX #75349F

RGB 117 52 159

HSL 276.45, 0.51%, 0.41%

LAB 35.48, 47.23, -46.54

 

CMYK 22 / 49 / 0 / 8

HEX #B879EB

RGB 184 121 235

HSL 273.16, 0.74%, 0.7%

LAB 61.54, 45.42, -48.4

 

CMYK 9 / 49 / 0 / 8

HEX #D679EB

RGB 214 121 235

HSL 288.95, 0.74%, 0.7%

LAB 64.94, 53.58, -42.81

 

CMYK 0 / 49 / 4 / 8

HEX #EB79E1

RGB 235 121 225

HSL 305.26, 0.74%, 0.7%

LAB 67.11, 57.65, -33.69

 

CMYK 0 / 49 / 17 / 8

HEX #EB79C2

RGB 235 121 194

HSL 321.58, 0.74%, 0.7%

LAB 65.93, 52.72, -18.18

 

CMYK 0 / 49 / 31 / 8

HEX #EB79A3

RGB 235 121 163

HSL 337.89, 0.74%, 0.7%

LAB 64.95, 48.45, -2.1

 

CMYK 22 / 49 / 0 / 8

HEX #B879EB

RGB 184 121 235

HSL 273.16, 0.74%, 0.7%

LAB 61.54, 45.42, -48.4

 

CMYK 35 / 49 / 0 / 8

HEX #9979EB

RGB 153 121 235

HSL 256.84, 0.74%, 0.7%

LAB 58.46, 37.34, -53.48

 

CMYK 48 / 49 / 0 / 8

HEX #7B79EB

RGB 123 121 235

HSL 241.05, 0.74%, 0.7%

LAB 55.97, 30.22, -57.6

 

CMYK 49 / 49 / 0 / 8

HEX #7979EB

RGB 121 121 235

HSL 240, 0.74%, 0.7%

LAB 55.82, 29.77, -57.84

 

CMYK 22 / 49 / 0 / 8

HEX #B879EB

RGB 184 121 235

HSL 273.16, 0.74%, 0.7%

LAB 61.54, 45.42, -48.4

 

CMYK 25 / 56 / 0 / 3

HEX #B96DF7

RGB 185 109 247

HSL 273.04, 0.9%, 0.7%

LAB 59.86, 54.66, -57.71

 

CMYK 22 / 49 / 0 / 8

HEX #B879EB

RGB 184 121 235

HSL 273.16, 0.74%, 0.7%

LAB 61.54, 45.42, -48.4

 

CMYK 18 / 40 / 0 / 13

HEX #B686DE

RGB 182 134 222

HSL 272.73, 0.57%, 0.7%

LAB 63.56, 34.84, -38

 

CMYK 14 / 30 / 0 / 18

HEX #B592D2

RGB 181 146 210

HSL 272.81, 0.42%, 0.7%

LAB 65.78, 25.21, -27.91

 

CMYK 9 / 19 / 0 / 23

HEX #B49FC5

RGB 180 159 197

HSL 273.16, 0.25%, 0.7%

LAB 68.41, 14.87, -16.67

 

CMYK 3 / 8 / 0 / 27

HEX #B3ABB9

RGB 179 171 185

HSL 274.29, 0.09%, 0.7%

LAB 71.02, 5.49, -6.14

 

CMYK 49 / 49 / 0 / 8

HEX #7979EB

RGB 121 121 235

HSL 240, 0.74%, 0.7%

LAB 55.82, 29.77, -57.84

 

CMYK 35 / 49 / 0 / 8

HEX #9879EB

RGB 152 121 235

HSL 256.32, 0.74%, 0.7%

LAB 58.37, 37.09, -53.63

 

CMYK 23 / 49 / 0 / 8

HEX #B679EB

RGB 182 121 235

HSL 272.11, 0.74%, 0.7%

LAB 61.32, 44.88, -48.75

 

CMYK 10 / 49 / 0 / 8

HEX #D479EB

RGB 212 121 235

HSL 287.89, 0.74%, 0.7%

LAB 64.7, 53.03, -43.2

 

CMYK 0 / 49 / 3 / 8

HEX #EB79E3

RGB 235 121 227

HSL 304.21, 0.74%, 0.7%

LAB 67.19, 57.99, -34.68

 

CMYK 35 / 78 / 0 / 12

HEX #9132E0

RGB 145 50 224

HSL 272.76, 0.74%, 0.54%

LAB 43.77, 68.05, -71

 

CMYK 28 / 63 / 0 / 10

HEX #A455E5

RGB 164 85 229

HSL 272.92, 0.73%, 0.62%

LAB 51.89, 57.73, -60.57

 

CMYK 22 / 49 / 0 / 8

HEX #B879EB

RGB 184 121 235

HSL 273.16, 0.74%, 0.7%

LAB 61.54, 45.42, -48.4

 

CMYK 15 / 35 / 0 / 6

HEX #CB9DF0

RGB 203 157 240

HSL 273.25, 0.73%, 0.78%

LAB 71.62, 32.33, -35.22

 

CMYK 9 / 21 / 0 / 4

HEX #DEC1F5

RGB 222 193 245

HSL 273.46, 0.72%, 0.86%

LAB 81.98, 19.71, -21.88

 

CMYK 21 / 47 / 0 / 8

HEX #B97CEB

RGB 185 124 235

HSL 272.97, 0.74%, 0.7%

LAB 62.28, 44.07, -47.23

 

CMYK 0 / 49 / 35 / 8

HEX #EB7998

RGB 235 121 152

HSL 343.68, 0.74%, 0.7%

LAB 64.65, 47.11, 3.72

 

CMYK 49 / 0 / 42 / 8

HEX #79EB88

RGB 121 235 136

HSL 127.89, 0.74%, 0.7%

LAB 84.62, -52.74, 38.23

 

CMYK 21 / 47 / 0 / 8

HEX #B97CEB

RGB 185 124 235

HSL 272.97, 0.74%, 0.7%

LAB 62.28, 44.07, -47.23

 

CMYK 0 / 23 / 49 / 8

HEX #EBB679

RGB 235 182 121

HSL 32.11, 0.74%, 0.7%

LAB 77.58, 11.88, 38.3

 

CMYK 49 / 0 / 23 / 8

HEX #79EBB6

RGB 121 235 182

HSL 152.11, 0.74%, 0.7%

LAB 85.43, -44.54, 15.86

 

CMYK 21 / 47 / 0 / 8

HEX #B97CEB

RGB 185 124 235

HSL 272.97, 0.74%, 0.7%

LAB 62.28, 44.07, -47.23

 

CMYK 0 / 49 / 35 / 8

HEX #EB7998

RGB 235 121 152

HSL 343.68, 0.74%, 0.7%

LAB 64.65, 47.11, 3.72

 

CMYK 26 / 0 / 49 / 8

HEX #AEEB79

RGB 174 235 121

HSL 92.11, 0.74%, 0.7%

LAB 86.9, -38.24, 48.89

 

CMYK 49 / 0 / 13 / 8

HEX #79EBCC

RGB 121 235 204

HSL 163.68, 0.74%, 0.7%

LAB 85.93, -39.81, 5.06

 

CMYK 21 / 47 / 0 / 8

HEX #B97CEB

RGB 185 124 235

HSL 272.97, 0.74%, 0.7%

LAB 62.28, 44.07, -47.23

 

CMYK 0 / 47 / 49 / 8

HEX #EB7D79

RGB 235 125 121

HSL 2.11, 0.74%, 0.7%

LAB 64.73, 41.85, 21.44

 

CMYK 26 / 0 / 49 / 8

HEX #AEEB79

RGB 174 235 121

HSL 92.11, 0.74%, 0.7%

LAB 86.9, -38.24, 48.89

 

CMYK 49 / 2 / 0 / 8

HEX #79E7EB

RGB 121 231 235

HSL 182.11, 0.74%, 0.7%

LAB 85.61, -30.48, -11.71

 

Description

Color code: HEX #B97CEB | qconv.com Color code: HEX #B97CEB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 124 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 124 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 47 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 47% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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