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Color name
HEX #B97B12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B97B12 it is the complementary color #4684ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B97B12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B97B12 shade: #BE7B0D, #CF8D20, #E09F33, #F1B146 and #FFC359

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B97B12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B97B12 shade: #B97B12, #A86900, #975700, #864500 and #753300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B97B12 shade: #B97B12, #B94E12, #B92112 and #B91212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B97B12 shade: #B97B12, #B9A812, #9DB912, #70B912 and #43B912

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B97B12 shade matches the following richer shades: #B97B12 and #CA7F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B97B12 shade: #B97B12, #A97722, #987333, #886E43 and #776A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B97B12 shade: #B92012, #B94C12, #B97912, #B9A612 and #A0B912

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B97B12 shade: #6E490A, #94620E, #B97B12, #DF9416 and #EAA633

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B97B12 shade: #B97B12, #31B912 and #3612B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B97B12 shade: #B97B12, #12B979 and #7912B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B97B12 shade: #B97B12, #31B912, #1252B9 and #9A12B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B97B12 shade: #B97B12, #12B925, #1252B9 and #B912A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 90 / 27

HEX #B97B12

RGB 185 123 18

HSL 37.72, 0.82%, 0.4%

LAB 56.61, 16.52, 59.42

 

Complementary color

CMYK 70 / 44 / 0 / 7

HEX #4684ED

RGB 70 132 237

HSL 217.72, 0.82%, 0.6%

LAB 56.01, 14.46, -58.82

 

CMYK 0 / 35 / 93 / 25

HEX #BE7B0D

RGB 190 123 13

HSL 37.29, 0.87%, 0.4%

LAB 57.21, 18.66, 61.23

 

CMYK 0 / 32 / 85 / 19

HEX #CF8D20

RGB 207 141 32

HSL 37.37, 0.73%, 0.47%

LAB 63.69, 16.66, 62.35

 

CMYK 0 / 29 / 77 / 12

HEX #E09F33

RGB 224 159 51

HSL 37.46, 0.74%, 0.54%

LAB 70.09, 14.92, 62.24

 

CMYK 0 / 27 / 71 / 5

HEX #F1B146

RGB 241 177 70

HSL 37.54, 0.86%, 0.61%

LAB 76.43, 13.41, 61.49

 

CMYK 0 / 24 / 65 / 0

HEX #FFC359

RGB 255 195 89

HSL 38.31, 1%, 0.67%

LAB 82.38, 10.86, 60

 

CMYK 0 / 34 / 90 / 27

HEX #B97B12

RGB 185 123 18

HSL 37.72, 0.82%, 0.4%

LAB 56.61, 16.52, 59.42

 

CMYK 0 / 38 / 100 / 34

HEX #A86900

RGB 168 105 0

HSL 37.5, 1%, 0.33%

LAB 50.01, 18.7, 57.43

 

CMYK 0 / 42 / 100 / 41

HEX #975700

RGB 151 87 0

HSL 34.57, 1%, 0.3%

LAB 43.35, 21.22, 52.02

 

CMYK 0 / 49 / 100 / 47

HEX #864500

RGB 134 69 0

HSL 30.9, 1%, 0.26%

LAB 36.6, 23.82, 46.57

 

CMYK 0 / 56 / 100 / 54

HEX #753300

RGB 117 51 0

HSL 26.15, 1%, 0.23%

LAB 29.79, 26.41, 40.8

 

CMYK 0 / 34 / 90 / 27

HEX #B97B12

RGB 185 123 18

HSL 37.72, 0.82%, 0.4%

LAB 56.61, 16.52, 59.42

 

CMYK 0 / 58 / 90 / 27

HEX #B94E12

RGB 185 78 18

HSL 21.56, 0.82%, 0.4%

LAB 46.72, 40.51, 51.91

 

CMYK 0 / 82 / 90 / 27

HEX #B92112

RGB 185 33 18

HSL 5.39, 0.82%, 0.4%

LAB 40.32, 57.87, 47.19

 

CMYK 0 / 90 / 90 / 27

HEX #B91212

RGB 185 18 18

HSL 0, 0.82%, 0.4%

LAB 39.23, 61, 46.4

 

CMYK 0 / 34 / 90 / 27

HEX #B97B12

RGB 185 123 18

HSL 37.72, 0.82%, 0.4%

LAB 56.61, 16.52, 59.42

 

CMYK 0 / 9 / 90 / 27

HEX #B9A812

RGB 185 168 18

HSL 53.89, 0.82%, 0.4%

LAB 68.29, -7.96, 68.47

 

CMYK 15 / 0 / 90 / 27

HEX #9DB912

RGB 157 185 18

HSL 70.06, 0.82%, 0.4%

LAB 70.81, -28.66, 69.52

 

CMYK 39 / 0 / 90 / 27

HEX #70B912

RGB 112 185 18

HSL 86.23, 0.82%, 0.4%

LAB 68.16, -46.1, 66.26

 

CMYK 64 / 0 / 90 / 27

HEX #43B912

RGB 67 185 18

HSL 102.4, 0.82%, 0.4%

LAB 66.47, -59.21, 64.16

 

CMYK 0 / 34 / 90 / 27

HEX #B97B12

RGB 185 123 18

HSL 37.72, 0.82%, 0.4%

LAB 56.61, 16.52, 59.42

 

CMYK 0 / 37 / 100 / 21

HEX #CA7F01

RGB 202 127 1

HSL 37.61, 0.99%, 0.4%

LAB 59.65, 21.58, 65.66

 

CMYK 0 / 34 / 90 / 27

HEX #B97B12

RGB 185 123 18

HSL 37.72, 0.82%, 0.4%

LAB 56.61, 16.52, 59.42

 

CMYK 0 / 30 / 80 / 34

HEX #A97722

RGB 169 119 34

HSL 37.78, 0.67%, 0.4%

LAB 53.75, 12.03, 51.19

 

CMYK 0 / 24 / 66 / 40

HEX #987333

RGB 152 115 51

HSL 38.02, 0.5%, 0.4%

LAB 50.89, 7.46, 40.1

 

CMYK 0 / 19 / 51 / 47

HEX #886E43

RGB 136 110 67

HSL 37.39, 0.34%, 0.4%

LAB 48, 4.44, 27.74

 

CMYK 0 / 11 / 29 / 53

HEX #776A54

RGB 119 106 84

HSL 37.71, 0.17%, 0.4%

LAB 45.46, 1.42, 14.24

 

CMYK 0 / 83 / 90 / 27

HEX #B92012

RGB 185 32 18

HSL 5.03, 0.82%, 0.4%

LAB 40.23, 58.13, 47.13

 

CMYK 0 / 59 / 90 / 27

HEX #B94C12

RGB 185 76 18

HSL 20.84, 0.82%, 0.4%

LAB 46.35, 41.48, 51.63

 

CMYK 0 / 35 / 90 / 27

HEX #B97912

RGB 185 121 18

HSL 37.01, 0.82%, 0.4%

LAB 56.12, 17.63, 59.04

 

CMYK 0 / 10 / 90 / 27

HEX #B9A612

RGB 185 166 18

HSL 53.17, 0.82%, 0.4%

LAB 67.75, -6.91, 68.05

 

CMYK 14 / 0 / 90 / 27

HEX #A0B912

RGB 160 185 18

HSL 68.98, 0.82%, 0.4%

LAB 71.02, -27.41, 69.77

 

CMYK 0 / 34 / 91 / 57

HEX #6E490A

RGB 110 73 10

HSL 37.8, 0.83%, 0.24%

LAB 34.19, 10.42, 39.87

 

CMYK 0 / 34 / 91 / 42

HEX #94620E

RGB 148 98 14

HSL 37.61, 0.83%, 0.32%

LAB 45.72, 13.78, 49.99

 

CMYK 0 / 34 / 90 / 27

HEX #B97B12

RGB 185 123 18

HSL 37.72, 0.82%, 0.4%

LAB 56.61, 16.52, 59.42

 

CMYK 0 / 34 / 90 / 13

HEX #DF9416

RGB 223 148 22

HSL 37.61, 0.82%, 0.48%

LAB 67.22, 19.59, 68.59

 

CMYK 0 / 29 / 78 / 8

HEX #EAA633

RGB 234 166 51

HSL 37.7, 0.81%, 0.56%

LAB 72.89, 15.46, 65.25

 

CMYK 0 / 34 / 90 / 27

HEX #B97B12

RGB 185 123 18

HSL 37.72, 0.82%, 0.4%

LAB 56.61, 16.52, 59.42

 

CMYK 74 / 0 / 90 / 27

HEX #31B912

RGB 49 185 18

HSL 108.86, 0.82%, 0.4%

LAB 66.05, -62.75, 63.64

 

CMYK 71 / 90 / 0 / 27

HEX #3612B9

RGB 54 18 185

HSL 252.93, 0.82%, 0.4%

LAB 25.92, 59.18, -78.07

 

CMYK 0 / 34 / 90 / 27

HEX #B97B12

RGB 185 123 18

HSL 37.72, 0.82%, 0.4%

LAB 56.61, 16.52, 59.42

 

CMYK 90 / 0 / 35 / 27

HEX #12B979

RGB 18 185 121

HSL 157.01, 0.82%, 0.4%

LAB 66.68, -53.86, 21.79

 

CMYK 35 / 90 / 0 / 27

HEX #7912B9

RGB 121 18 185

HSL 277.01, 0.82%, 0.4%

LAB 33.98, 65.48, -64.49

 

CMYK 0 / 34 / 90 / 27

HEX #B97B12

RGB 185 123 18

HSL 37.72, 0.82%, 0.4%

LAB 56.61, 16.52, 59.42

 

CMYK 74 / 0 / 90 / 27

HEX #31B912

RGB 49 185 18

HSL 108.86, 0.82%, 0.4%

LAB 66.05, -62.75, 63.64

 

CMYK 90 / 56 / 0 / 27

HEX #1252B9

RGB 18 82 185

HSL 217.01, 0.82%, 0.4%

LAB 37.24, 21.53, -59.5

 

CMYK 17 / 90 / 0 / 27

HEX #9A12B9

RGB 154 18 185

HSL 288.86, 0.82%, 0.4%

LAB 39.25, 70.23, -55.69

 

CMYK 0 / 34 / 90 / 27

HEX #B97B12

RGB 185 123 18

HSL 37.72, 0.82%, 0.4%

LAB 56.61, 16.52, 59.42

 

CMYK 90 / 0 / 80 / 27

HEX #12B925

RGB 18 185 37

HSL 126.83, 0.82%, 0.4%

LAB 65.72, -65.46, 58.72

 

CMYK 90 / 56 / 0 / 27

HEX #1252B9

RGB 18 82 185

HSL 217.01, 0.82%, 0.4%

LAB 37.24, 21.53, -59.5

 

CMYK 0 / 90 / 10 / 27

HEX #B912A6

RGB 185 18 166

HSL 306.83, 0.82%, 0.4%

LAB 43.51, 72.62, -37.28

 

Description

Color code: HEX #B97B12 | qconv.com Color code: HEX #B97B12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 123 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 123 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 90 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 90% 27% C M Y K

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Provide designers and agencies with accurate color values.

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