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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B971CC it is the complementary color #468E33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B971CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B971CC shade: #BE71C7, #CF83DA, #E095ED, #F1A7FF and #FFB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B971CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B971CC shade: #B971CC, #A85FB9, #974DA6, #863B93 and #752980

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B971CC shade: #B870CB, #CB70C6, #CB70AD, #CB7094 and #CB707C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B971CC shade: #B870CB, #A070CB, #8770CB and #7070CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B971CC shade matches the following richer shades: #B870CB, #C160DB, #CA51EA and #D441FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B971CC shade: #B870CB, #AF80BB, #A68FAC, #9D9F9C and #94AF8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B971CC shade: #8770CB, #9F70CB, #B770CB, #CB70C7 and #CB70AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B971CC shade: #943DAB, #A952C0, #B870CB, #C78ED6 and #D6ADE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B971CC shade: #B971CC, #CB7072 and #70CB93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B971CC shade: #B971CC, #CBB770 and #70CBB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B971CC shade: #B971CC, #CB7072, #84CB70 and #70CBCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B971CC shade: #B971CC, #CB8A70, #84CB70 and #70B1CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 45 / 0 / 20

HEX #B971CC

RGB 185 113 204

HSL 287.47, 0.47%, 0.62%

LAB 58.49, 43.37, -35.8

 

Complementary color

CMYK 51 / 0 / 64 / 44

HEX #468E33

RGB 70 142 51

HSL 107.47, 0.47%, 0.38%

LAB 52.83, -40.4, 40.54

 

CMYK 5 / 43 / 0 / 22

HEX #BE71C7

RGB 190 113 199

HSL 293.72, 0.43%, 0.61%

LAB 58.86, 43.86, -32.35

 

CMYK 5 / 40 / 0 / 15

HEX #CF83DA

RGB 207 131 218

HSL 292.41, 0.54%, 0.68%

LAB 65.4, 43.11, -32.71

 

CMYK 5 / 37 / 0 / 7

HEX #E095ED

RGB 224 149 237

HSL 291.14, 0.71%, 0.76%

LAB 71.86, 42.37, -33.04

 

CMYK 5 / 35 / 0 / 0

HEX #F1A7FF

RGB 241 167 255

HSL 290.45, 1%, 0.83%

LAB 78.2, 41.46, -32.86

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 9 / 45 / 0 / 20

HEX #B971CC

RGB 185 113 204

HSL 287.47, 0.47%, 0.62%

LAB 58.49, 43.37, -35.8

 

CMYK 9 / 49 / 0 / 27

HEX #A85FB9

RGB 168 95 185

HSL 288.67, 0.39%, 0.55%

LAB 51.85, 44.14, -35.48

 

CMYK 9 / 54 / 0 / 35

HEX #974DA6

RGB 151 77 166

HSL 289.89, 0.37%, 0.48%

LAB 45.14, 44.86, -35.06

 

CMYK 9 / 60 / 0 / 42

HEX #863B93

RGB 134 59 147

HSL 291.14, 0.43%, 0.4%

LAB 38.38, 45.43, -34.5

 

CMYK 9 / 68 / 0 / 50

HEX #752980

RGB 117 41 128

HSL 292.41, 0.51%, 0.33%

LAB 31.64, 45.67, -33.65

 

CMYK 9 / 45 / 0 / 20

HEX #B870CB

RGB 184 112 203

HSL 287.47, 0.47%, 0.62%

LAB 58.12, 43.41, -35.82

 

CMYK 0 / 45 / 2 / 20

HEX #CB70C6

RGB 203 112 198

HSL 303.3, 0.47%, 0.62%

LAB 60.21, 48.1, -29.56

 

CMYK 0 / 45 / 15 / 20

HEX #CB70AD

RGB 203 112 173

HSL 319.78, 0.47%, 0.62%

LAB 59.25, 43.87, -16.77

 

CMYK 0 / 45 / 27 / 20

HEX #CB7094

RGB 203 112 148

HSL 336.26, 0.47%, 0.62%

LAB 58.44, 40.14, -3.56

 

CMYK 0 / 45 / 39 / 20

HEX #CB707C

RGB 203 112 124

HSL 352.09, 0.47%, 0.62%

LAB 57.79, 37.09, 9.44

 

CMYK 9 / 45 / 0 / 20

HEX #B870CB

RGB 184 112 203

HSL 287.47, 0.47%, 0.62%

LAB 58.12, 43.41, -35.82

 

CMYK 21 / 45 / 0 / 20

HEX #A070CB

RGB 160 112 203

HSL 271.65, 0.47%, 0.62%

LAB 55.46, 36.44, -40.2

 

CMYK 33 / 45 / 0 / 20

HEX #8770CB

RGB 135 112 203

HSL 255.16, 0.47%, 0.62%

LAB 53.01, 29.47, -44.23

 

CMYK 45 / 45 / 0 / 20

HEX #7070CB

RGB 112 112 203

HSL 240, 0.47%, 0.62%

LAB 51.09, 23.55, -47.39

 

CMYK 9 / 45 / 0 / 20

HEX #B870CB

RGB 184 112 203

HSL 287.47, 0.47%, 0.62%

LAB 58.12, 43.41, -35.82

 

CMYK 12 / 56 / 0 / 14

HEX #C160DB

RGB 193 96 219

HSL 287.32, 0.63%, 0.62%

LAB 56.9, 57.21, -46.73

 

CMYK 14 / 65 / 0 / 8

HEX #CA51EA

RGB 202 81 234

HSL 287.45, 0.78%, 0.62%

LAB 56.47, 68.93, -55.77

 

CMYK 15 / 74 / 0 / 2

HEX #D441FA

RGB 212 65 250

HSL 287.68, 0.95%, 0.62%

LAB 56.76, 79.78, -64.15

 

CMYK 9 / 45 / 0 / 20

HEX #B870CB

RGB 184 112 203

HSL 287.47, 0.47%, 0.62%

LAB 58.12, 43.41, -35.82

 

CMYK 6 / 32 / 0 / 27

HEX #AF80BB

RGB 175 128 187

HSL 287.8, 0.3%, 0.62%

LAB 60.02, 28.56, -23.89

 

CMYK 3 / 17 / 0 / 33

HEX #A68FAC

RGB 166 143 172

HSL 287.59, 0.15%, 0.62%

LAB 62.28, 13.99, -12.02

 

CMYK 1 / 0 / 2 / 38

HEX #9D9F9C

RGB 157 159 156

HSL 100, 0.02%, 0.62%

LAB 65.25, -1.29, 1.3

 

CMYK 15 / 0 / 20 / 31

HEX #94AF8C

RGB 148 175 140

HSL 106.29, 0.18%, 0.62%

LAB 68.64, -16, 14.92

 

CMYK 33 / 45 / 0 / 20

HEX #8770CB

RGB 135 112 203

HSL 255.16, 0.47%, 0.62%

LAB 53.01, 29.47, -44.23

 

CMYK 22 / 45 / 0 / 20

HEX #9F70CB

RGB 159 112 203

HSL 270.99, 0.47%, 0.62%

LAB 55.35, 36.15, -40.37

 

CMYK 10 / 45 / 0 / 20

HEX #B770CB

RGB 183 112 203

HSL 286.81, 0.47%, 0.62%

LAB 58.01, 43.11, -36.02

 

CMYK 0 / 45 / 2 / 20

HEX #CB70C7

RGB 203 112 199

HSL 302.64, 0.47%, 0.62%

LAB 60.26, 48.28, -30.06

 

CMYK 0 / 45 / 14 / 20

HEX #CB70AE

RGB 203 112 174

HSL 319.12, 0.47%, 0.62%

LAB 59.29, 44.03, -17.29

 

CMYK 13 / 64 / 0 / 33

HEX #943DAB

RGB 148 61 171

HSL 287.45, 0.47%, 0.45%

LAB 42.11, 52.89, -42.85

 

CMYK 12 / 57 / 0 / 25

HEX #A952C0

RGB 169 82 192

HSL 287.45, 0.47%, 0.54%

LAB 49.83, 52.45, -42.71

 

CMYK 9 / 45 / 0 / 20

HEX #B870CB

RGB 184 112 203

HSL 287.47, 0.47%, 0.62%

LAB 58.12, 43.41, -35.82

 

CMYK 7 / 34 / 0 / 16

HEX #C78ED6

RGB 199 142 214

HSL 287.5, 0.47%, 0.7%

LAB 66.78, 33.93, -28.43

 

CMYK 5 / 23 / 0 / 12

HEX #D6ADE1

RGB 214 173 225

HSL 287.31, 0.46%, 0.78%

LAB 75.84, 23.99, -20.5

 

CMYK 9 / 45 / 0 / 20

HEX #B971CC

RGB 185 113 204

HSL 287.47, 0.47%, 0.62%

LAB 58.49, 43.37, -35.8

 

CMYK 0 / 45 / 44 / 20

HEX #CB7072

RGB 203 112 114

HSL 358.68, 0.47%, 0.62%

LAB 57.56, 35.98, 14.91

 

CMYK 45 / 0 / 28 / 20

HEX #70CB93

RGB 112 203 147

HSL 143.08, 0.47%, 0.62%

LAB 74.99, -39.7, 19.66

 

CMYK 9 / 45 / 0 / 20

HEX #B971CC

RGB 185 113 204

HSL 287.47, 0.47%, 0.62%

LAB 58.49, 43.37, -35.8

 

CMYK 0 / 10 / 45 / 20

HEX #CBB770

RGB 203 183 112

HSL 46.81, 0.47%, 0.62%

LAB 74.66, -2.55, 38.59

 

CMYK 45 / 0 / 10 / 20

HEX #70CBB7

RGB 112 203 183

HSL 166.81, 0.47%, 0.62%

LAB 75.81, -32.01, 1.52

 

CMYK 9 / 45 / 0 / 20

HEX #B971CC

RGB 185 113 204

HSL 287.47, 0.47%, 0.62%

LAB 58.49, 43.37, -35.8

 

CMYK 0 / 45 / 44 / 20

HEX #CB7072

RGB 203 112 114

HSL 358.68, 0.47%, 0.62%

LAB 57.56, 35.98, 14.91

 

CMYK 35 / 0 / 45 / 20

HEX #84CB70

RGB 132 203 112

HSL 106.81, 0.47%, 0.62%

LAB 75.32, -39.39, 38.4

 

CMYK 45 / 0 / 0 / 20

HEX #70CBCA

RGB 112 203 202

HSL 179.34, 0.47%, 0.62%

LAB 76.33, -27.37, -7.97

 

CMYK 9 / 45 / 0 / 20

HEX #B971CC

RGB 185 113 204

HSL 287.47, 0.47%, 0.62%

LAB 58.49, 43.37, -35.8

 

CMYK 0 / 32 / 45 / 20

HEX #CB8A70

RGB 203 138 112

HSL 17.14, 0.47%, 0.62%

LAB 63.38, 21.75, 23.97

 

CMYK 35 / 0 / 45 / 20

HEX #84CB70

RGB 132 203 112

HSL 106.81, 0.47%, 0.62%

LAB 75.32, -39.39, 38.4

 

CMYK 45 / 13 / 0 / 20

HEX #70B1CB

RGB 112 177 203

HSL 197.14, 0.47%, 0.62%

LAB 68.9, -13.86, -19.68

 

Description

Color code: HEX #B971CC | qconv.com Color code: HEX #B971CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 113 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 113 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 45 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 45% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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