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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B977FE it is the complementary color #468801. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B977FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B977FE shade: #BE77F9, #CF89FF, #E09BFF, #F1ADFF and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B977FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B977FE shade: #B977FE, #A865EB, #9753D8, #8641C5 and #752FB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B977FE shade: #B875FE, #DD75FE, #FE75FA, #FE75D5 and #FE75B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B977FE shade: #B875FE, #9375FE and #7575FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B977FE shade matches the following richer shades: #B875FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B977FE shade: #B875FE, #B881F3, #B98CE8, #B997DC and #B9A2D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B977FE shade: #757CFE, #9375FE, #B775FE, #DC75FE and #FE75FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B977FE shade: #8E23FD, #A34CFE, #B875FE, #CD9FFE and #E2C8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B977FE shade: #B977FE, #FE75A1 and #75FE81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B977FE shade: #B977FE, #FEB775 and #75FEB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B977FE shade: #B977FE, #FE75A1, #BCFE75 and #75FED3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B977FE shade: #B977FE, #FE7578, #BCFE75 and #75FEFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 53 / 0 / 0

HEX #B977FE

RGB 185 119 254

HSL 269.33, 0.99%, 0.73%

LAB 62.22, 51.06, -57.8

 

Complementary color

CMYK 49 / 0 / 99 / 47

HEX #468801

RGB 70 136 1

HSL 89.33, 0.99%, 0.27%

LAB 50.58, -40.89, 53.85

 

CMYK 24 / 52 / 0 / 2

HEX #BE77F9

RGB 190 119 249

HSL 272.77, 0.92%, 0.72%

LAB 62.49, 51.17, -54.59

 

CMYK 19 / 46 / 0 / 0

HEX #CF89FF

RGB 207 137 255

HSL 275.59, 1%, 0.77%

LAB 68.3, 47.49, -48.57

 

CMYK 12 / 39 / 0 / 0

HEX #E09BFF

RGB 224 155 255

HSL 281.4, 1%, 0.8%

LAB 73.88, 42.74, -39.7

 

CMYK 5 / 32 / 0 / 0

HEX #F1ADFF

RGB 241 173 255

HSL 289.76, 1%, 0.84%

LAB 79.5, 38.3, -30.86

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 27 / 53 / 0 / 0

HEX #B977FE

RGB 185 119 254

HSL 269.33, 0.99%, 0.73%

LAB 62.22, 51.06, -57.8

 

CMYK 29 / 57 / 0 / 8

HEX #A865EB

RGB 168 101 235

HSL 270, 0.77%, 0.66%

LAB 55.72, 51.96, -57.77

 

CMYK 30 / 62 / 0 / 15

HEX #9753D8

RGB 151 83 216

HSL 270.68, 0.63%, 0.59%

LAB 49.16, 52.82, -57.68

 

CMYK 32 / 67 / 0 / 23

HEX #8641C5

RGB 134 65 197

HSL 271.36, 0.53%, 0.51%

LAB 42.58, 53.55, -57.46

 

CMYK 34 / 74 / 0 / 30

HEX #752FB2

RGB 117 47 178

HSL 272.06, 0.58%, 0.44%

LAB 36.04, 53.98, -57.01

 

CMYK 28 / 54 / 0 / 0

HEX #B875FE

RGB 184 117 254

HSL 269.34, 0.99%, 0.73%

LAB 61.71, 51.87, -58.62

 

CMYK 13 / 54 / 0 / 0

HEX #DD75FE

RGB 221 117 254

HSL 285.55, 0.99%, 0.73%

LAB 65.94, 61.09, -51.64

 

CMYK 0 / 54 / 2 / 0

HEX #FE75FA

RGB 254 117 250

HSL 301.75, 0.99%, 0.73%

LAB 69.96, 68.83, -42.83

 

CMYK 0 / 54 / 16 / 0

HEX #FE75D5

RGB 254 117 213

HSL 317.96, 0.99%, 0.73%

LAB 68.46, 63.06, -24.73

 

CMYK 0 / 54 / 31 / 0

HEX #FE75B0

RGB 254 117 176

HSL 334.16, 0.99%, 0.73%

LAB 67.22, 58.12, -5.82

 

CMYK 28 / 54 / 0 / 0

HEX #B875FE

RGB 184 117 254

HSL 269.34, 0.99%, 0.73%

LAB 61.71, 51.87, -58.62

 

CMYK 42 / 54 / 0 / 0

HEX #9375FE

RGB 147 117 254

HSL 253.14, 0.99%, 0.73%

LAB 58.11, 43.25, -64.58

 

CMYK 54 / 54 / 0 / 0

HEX #7575FE

RGB 117 117 254

HSL 240, 0.99%, 0.73%

LAB 55.75, 37.08, -68.52

 

CMYK 28 / 54 / 0 / 0

HEX #B875FE

RGB 184 117 254

HSL 269.34, 0.99%, 0.73%

LAB 61.71, 51.87, -58.62

 

CMYK 28 / 54 / 0 / 0

HEX #B875FE

RGB 184 117 254

HSL 269.34, 0.99%, 0.73%

LAB 61.71, 51.87, -58.62

 

CMYK 24 / 47 / 0 / 5

HEX #B881F3

RGB 184 129 243

HSL 268.95, 0.83%, 0.73%

LAB 63.64, 42.91, -49.5

 

CMYK 20 / 40 / 0 / 9

HEX #B98CE8

RGB 185 140 232

HSL 269.35, 0.67%, 0.73%

LAB 65.67, 34.63, -40.24

 

CMYK 16 / 31 / 0 / 14

HEX #B997DC

RGB 185 151 220

HSL 269.57, 0.5%, 0.73%

LAB 67.74, 25.84, -30.39

 

CMYK 11 / 22 / 0 / 18

HEX #B9A2D1

RGB 185 162 209

HSL 269.36, 0.34%, 0.73%

LAB 70.01, 17.35, -20.84

 

CMYK 54 / 51 / 0 / 0

HEX #757CFE

RGB 117 124 254

HSL 236.93, 0.99%, 0.73%

LAB 57.42, 32.94, -65.83

 

CMYK 42 / 54 / 0 / 0

HEX #9375FE

RGB 147 117 254

HSL 253.14, 0.99%, 0.73%

LAB 58.11, 43.25, -64.58

 

CMYK 28 / 54 / 0 / 0

HEX #B775FE

RGB 183 117 254

HSL 268.91, 0.99%, 0.73%

LAB 61.61, 51.63, -58.79

 

CMYK 13 / 54 / 0 / 0

HEX #DC75FE

RGB 220 117 254

HSL 285.11, 0.99%, 0.73%

LAB 65.82, 60.84, -51.84

 

CMYK 0 / 54 / 1 / 0

HEX #FE75FC

RGB 254 117 252

HSL 300.88, 0.99%, 0.73%

LAB 70.05, 69.17, -43.79

 

CMYK 44 / 86 / 0 / 1

HEX #8E23FD

RGB 142 35 253

HSL 269.45, 0.98%, 0.56%

LAB 44.3, 78.58, -86.53

 

CMYK 36 / 70 / 0 / 0

HEX #A34CFE

RGB 163 76 254

HSL 269.33, 0.99%, 0.65%

LAB 51.96, 67.4, -74.45

 

CMYK 28 / 54 / 0 / 0

HEX #B875FE

RGB 184 117 254

HSL 269.34, 0.99%, 0.73%

LAB 61.71, 51.87, -58.62

 

CMYK 19 / 37 / 0 / 0

HEX #CD9FFE

RGB 205 159 254

HSL 269.05, 0.98%, 0.81%

LAB 72.85, 34.87, -40.91

 

CMYK 11 / 21 / 0 / 0

HEX #E2C8FE

RGB 226 200 254

HSL 268.89, 0.96%, 0.89%

LAB 84.29, 19.03, -23.13

 

CMYK 27 / 53 / 0 / 0

HEX #B977FE

RGB 185 119 254

HSL 269.33, 0.99%, 0.73%

LAB 62.22, 51.06, -57.8

 

CMYK 0 / 54 / 37 / 0

HEX #FE75A1

RGB 254 117 161

HSL 340.73, 0.99%, 0.73%

LAB 66.8, 56.37, 2.06

 

CMYK 54 / 0 / 49 / 0

HEX #75FE81

RGB 117 254 129

HSL 125.26, 0.99%, 0.73%

LAB 89.98, -62.13, 48.34

 

CMYK 27 / 53 / 0 / 0

HEX #B977FE

RGB 185 119 254

HSL 269.33, 0.99%, 0.73%

LAB 62.22, 51.06, -57.8

 

CMYK 0 / 28 / 54 / 0

HEX #FEB775

RGB 254 183 117

HSL 28.91, 0.99%, 0.73%

LAB 79.74, 18.66, 43.48

 

CMYK 54 / 0 / 28 / 0

HEX #75FEB7

RGB 117 254 183

HSL 148.91, 0.99%, 0.73%

LAB 90.82, -53.26, 22.82

 

CMYK 27 / 53 / 0 / 0

HEX #B977FE

RGB 185 119 254

HSL 269.33, 0.99%, 0.73%

LAB 62.22, 51.06, -57.8

 

CMYK 0 / 54 / 37 / 0

HEX #FE75A1

RGB 254 117 161

HSL 340.73, 0.99%, 0.73%

LAB 66.8, 56.37, 2.06

 

CMYK 26 / 0 / 54 / 0

HEX #BCFE75

RGB 188 254 117

HSL 88.91, 0.99%, 0.73%

LAB 92.95, -42.16, 58.15

 

CMYK 54 / 0 / 17 / 0

HEX #75FED3

RGB 117 254 211

HSL 161.17, 0.99%, 0.73%

LAB 91.4, -47.45, 9.27

 

CMYK 27 / 53 / 0 / 0

HEX #B977FE

RGB 185 119 254

HSL 269.33, 0.99%, 0.73%

LAB 62.22, 51.06, -57.8

 

CMYK 0 / 54 / 53 / 0

HEX #FE7578

RGB 254 117 120

HSL 358.69, 0.99%, 0.73%

LAB 65.86, 52.43, 23.99

 

CMYK 26 / 0 / 54 / 0

HEX #BCFE75

RGB 188 254 117

HSL 88.91, 0.99%, 0.73%

LAB 92.95, -42.16, 58.15

 

CMYK 54 / 0 / 1 / 0

HEX #75FEFC

RGB 117 254 252

HSL 179.12, 0.99%, 0.73%

LAB 92.44, -37.66, -10.43

 

Description

Color code: HEX #B977FE | qconv.com Color code: HEX #B977FE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 119 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 119 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 53 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 53% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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