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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9766A it is the complementary color #468995. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9766A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9766A shade: #BE7665, #CF8878, #E09A8B, #F1AC9E and #FFBEB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9766A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9766A shade: #B9766A, #A86457, #975244, #864031 and #752E1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9766A shade: #B87569 and #B86969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9766A shade: #B87569, #B88B69, #B8A069, #B8B569 and #A6B869

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9766A shade matches the following richer shades: #B87569, #CA6958, #DC5D46 and #EE5034

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9766A shade: #B87569, #A7827B, #958E8D, #839A9F and #71A7B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9766A shade: #B86988, #B86973, #B87569, #B88A69 and #B89F69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9766A shade: #8D4D42, #A95D4F, #B87569, #C68F85 and #D3A9A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9766A shade: #B9766A, #9DB869 and #697DB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9766A shade: #B9766A, #69B875 and #7569B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9766A shade: #B9766A, #9DB869, #69ACB8 and #8569B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9766A shade: #B9766A, #85B869, #69ACB8 and #9D69B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 43 / 27

HEX #B9766A

RGB 185 118 106

HSL 9.11, 0.36%, 0.57%

LAB 56.4, 24.88, 17.56

 

Complementary color

CMYK 53 / 8 / 0 / 42

HEX #468995

RGB 70 137 149

HSL 189.11, 0.36%, 0.43%

LAB 53.34, -17.76, -12.95

 

CMYK 0 / 38 / 47 / 25

HEX #BE7665

RGB 190 118 101

HSL 11.46, 0.41%, 0.57%

LAB 56.92, 26.35, 21.25

 

CMYK 0 / 34 / 42 / 19

HEX #CF8878

RGB 207 136 120

HSL 11.03, 0.48%, 0.64%

LAB 63.53, 25.29, 19.78

 

CMYK 0 / 31 / 38 / 12

HEX #E09A8B

RGB 224 154 139

HSL 10.59, 0.58%, 0.71%

LAB 70.05, 24.35, 18.47

 

CMYK 0 / 29 / 34 / 5

HEX #F1AC9E

RGB 241 172 158

HSL 10.12, 0.75%, 0.78%

LAB 76.48, 23.51, 17.28

 

CMYK 0 / 25 / 31 / 0

HEX #FFBEB1

RGB 255 190 177

HSL 10, 1%, 0.85%

LAB 82.52, 21.64, 15.71

 

CMYK 0 / 36 / 43 / 27

HEX #B9766A

RGB 185 118 106

HSL 9.11, 0.36%, 0.57%

LAB 56.4, 24.88, 17.56

 

CMYK 0 / 40 / 48 / 34

HEX #A86457

RGB 168 100 87

HSL 9.63, 0.32%, 0.5%

LAB 49.65, 25.99, 19.11

 

CMYK 0 / 46 / 55 / 41

HEX #975244

RGB 151 82 68

HSL 10.12, 0.38%, 0.43%

LAB 42.81, 27.24, 20.91

 

CMYK 0 / 52 / 63 / 47

HEX #864031

RGB 134 64 49

HSL 10.59, 0.46%, 0.36%

LAB 35.9, 28.64, 23.05

 

CMYK 0 / 61 / 74 / 54

HEX #752E1E

RGB 117 46 30

HSL 11.03, 0.59%, 0.29%

LAB 28.98, 30.14, 25.65

 

CMYK 0 / 36 / 43 / 28

HEX #B87569

RGB 184 117 105

HSL 9.11, 0.36%, 0.57%

LAB 56.02, 24.92, 17.6

 

CMYK 0 / 43 / 43 / 28

HEX #B86969

RGB 184 105 105

HSL 0, 0.36%, 0.57%

LAB 53.29, 31.51, 13.85

 

CMYK 0 / 36 / 43 / 28

HEX #B87569

RGB 184 117 105

HSL 9.11, 0.36%, 0.57%

LAB 56.02, 24.92, 17.6

 

CMYK 0 / 24 / 43 / 28

HEX #B88B69

RGB 184 139 105

HSL 25.82, 0.36%, 0.57%

LAB 61.37, 12.69, 24.81

 

CMYK 0 / 13 / 43 / 28

HEX #B8A069

RGB 184 160 105

HSL 41.77, 0.36%, 0.57%

LAB 66.79, 1.15, 31.88

 

CMYK 0 / 2 / 43 / 28

HEX #B8B569

RGB 184 181 105

HSL 57.72, 0.36%, 0.57%

LAB 72.4, -10, 38.99

 

CMYK 10 / 0 / 43 / 28

HEX #A6B869

RGB 166 184 105

HSL 73.67, 0.36%, 0.57%

LAB 71.83, -18.78, 37.98

 

CMYK 0 / 36 / 43 / 28

HEX #B87569

RGB 184 117 105

HSL 9.11, 0.36%, 0.57%

LAB 56.02, 24.92, 17.6

 

CMYK 0 / 48 / 56 / 21

HEX #CA6958

RGB 202 105 88

HSL 8.95, 0.52%, 0.57%

LAB 55.45, 36.85, 27.03

 

CMYK 0 / 58 / 68 / 14

HEX #DC5D46

RGB 220 93 70

HSL 9.2, 0.68%, 0.57%

LAB 55.57, 48.3, 37.89

 

CMYK 0 / 66 / 78 / 7

HEX #EE5034

RGB 238 80 52

HSL 9.03, 0.85%, 0.57%

LAB 56.25, 59.32, 49.01

 

CMYK 0 / 36 / 43 / 28

HEX #B87569

RGB 184 117 105

HSL 9.11, 0.36%, 0.57%

LAB 56.02, 24.92, 17.6

 

CMYK 0 / 22 / 26 / 35

HEX #A7827B

RGB 167 130 123

HSL 9.55, 0.2%, 0.57%

LAB 57.67, 13.15, 9.24

 

CMYK 0 / 5 / 5 / 42

HEX #958E8D

RGB 149 142 141

HSL 7.5, 0.04%, 0.57%

LAB 59.58, 2.4, 1.45

 

CMYK 18 / 3 / 0 / 38

HEX #839A9F

RGB 131 154 159

HSL 190.71, 0.13%, 0.57%

LAB 62.03, -6.96, -5.33

 

CMYK 36 / 5 / 0 / 31

HEX #71A7B0

RGB 113 167 176

HSL 188.57, 0.29%, 0.57%

LAB 65.19, -15.42, -10.3

 

CMYK 0 / 43 / 26 / 28

HEX #B86988

RGB 184 105 136

HSL 336.46, 0.36%, 0.57%

LAB 54.1, 35.46, -3.23

 

CMYK 0 / 43 / 38 / 28

HEX #B86973

RGB 184 105 115

HSL 352.41, 0.36%, 0.57%

LAB 53.53, 32.67, 8.3

 

CMYK 0 / 36 / 43 / 28

HEX #B87569

RGB 184 117 105

HSL 9.11, 0.36%, 0.57%

LAB 56.02, 24.92, 17.6

 

CMYK 0 / 25 / 43 / 28

HEX #B88A69

RGB 184 138 105

HSL 25.06, 0.36%, 0.57%

LAB 61.12, 13.25, 24.47

 

CMYK 0 / 14 / 43 / 28

HEX #B89F69

RGB 184 159 105

HSL 41.01, 0.36%, 0.57%

LAB 66.52, 1.7, 31.54

 

CMYK 0 / 45 / 53 / 45

HEX #8D4D42

RGB 141 77 66

HSL 8.8, 0.36%, 0.41%

LAB 40.19, 25.73, 18.4

 

CMYK 0 / 45 / 53 / 34

HEX #A95D4F

RGB 169 93 79

HSL 9.33, 0.36%, 0.49%

LAB 48.04, 29.49, 21.71

 

CMYK 0 / 36 / 43 / 28

HEX #B87569

RGB 184 117 105

HSL 9.11, 0.36%, 0.57%

LAB 56.02, 24.92, 17.6

 

CMYK 0 / 28 / 33 / 22

HEX #C68F85

RGB 198 143 133

HSL 9.23, 0.36%, 0.65%

LAB 64.44, 19.5, 13.57

 

CMYK 0 / 20 / 24 / 17

HEX #D3A9A1

RGB 211 169 161

HSL 9.6, 0.36%, 0.73%

LAB 72.76, 14.16, 9.96

 

CMYK 0 / 36 / 43 / 27

HEX #B9766A

RGB 185 118 106

HSL 9.11, 0.36%, 0.57%

LAB 56.4, 24.88, 17.56

 

CMYK 15 / 0 / 43 / 28

HEX #9DB869

RGB 157 184 105

HSL 80.51, 0.36%, 0.57%

LAB 71.19, -22.31, 37.04

 

CMYK 43 / 32 / 0 / 28

HEX #697DB8

RGB 105 125 184

HSL 224.81, 0.36%, 0.57%

LAB 53.09, 8.3, -33.38

 

CMYK 0 / 36 / 43 / 27

HEX #B9766A

RGB 185 118 106

HSL 9.11, 0.36%, 0.57%

LAB 56.4, 24.88, 17.56

 

CMYK 43 / 0 / 36 / 28

HEX #69B875

RGB 105 184 117

HSL 129.11, 0.36%, 0.57%

LAB 68.44, -38.65, 26.65

 

CMYK 36 / 43 / 0 / 28

HEX #7569B8

RGB 117 105 184

HSL 249.11, 0.36%, 0.57%

LAB 48.69, 23.61, -40.24

 

CMYK 0 / 36 / 43 / 27

HEX #B9766A

RGB 185 118 106

HSL 9.11, 0.36%, 0.57%

LAB 56.4, 24.88, 17.56

 

CMYK 15 / 0 / 43 / 28

HEX #9DB869

RGB 157 184 105

HSL 80.51, 0.36%, 0.57%

LAB 71.19, -22.31, 37.04

 

CMYK 43 / 7 / 0 / 28

HEX #69ACB8

RGB 105 172 184

HSL 189.11, 0.36%, 0.57%

LAB 66.5, -18.09, -12.83

 

CMYK 28 / 43 / 0 / 28

HEX #8569B8

RGB 133 105 184

HSL 261.27, 0.36%, 0.57%

LAB 50.16, 28.11, -37.83

 

CMYK 0 / 36 / 43 / 27

HEX #B9766A

RGB 185 118 106

HSL 9.11, 0.36%, 0.57%

LAB 56.4, 24.88, 17.56

 

CMYK 28 / 0 / 43 / 28

HEX #85B869

RGB 133 184 105

HSL 98.73, 0.36%, 0.57%

LAB 69.67, -31.28, 34.8

 

CMYK 43 / 7 / 0 / 28

HEX #69ACB8

RGB 105 172 184

HSL 189.11, 0.36%, 0.57%

LAB 66.5, -18.09, -12.83

 

CMYK 15 / 43 / 0 / 28

HEX #9D69B8

RGB 157 105 184

HSL 279.49, 0.36%, 0.57%

LAB 52.65, 35.21, -33.73

 

Description

Color code: HEX #B9766A | qconv.com Color code: HEX #B9766A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 118 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 118 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 43 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 43% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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