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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B97488 it is the complementary color #468B77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B97488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B97488 shade: #BE7483, #CF8696, #E098A9, #F1AABC and #FFBCCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B97488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B97488 shade: #B97488, #A86275, #975062, #863E4F and #752C3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B97488 shade: #B87387, #B87375 and #B87373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B97488 shade: #B87387, #B8739A, #B873AD, #B273B8 and #9F73B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B97488 shade matches the following richer shades: #B87387, #C96380, #DA5279, #EB4172 and #FC306B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B97488 shade: #B87387, #A8848F, #979596, #86A69D and #75B7A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B97488 shade: #B873AD, #B8739B, #B87388, #B87376 and #B88473

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B97488 shade: #91495E, #AB5870, #B87387, #C68F9F and #D4AAB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B97488 shade: #B97488, #B8B273 and #73A4B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B97488 shade: #B97488, #88B873 and #7388B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B97488 shade: #B97488, #B8B273, #73B8A4 and #737AB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B97488 shade: #B97488, #ABB873, #73B8A4 and #8173B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 26 / 27

HEX #B97488

RGB 185 116 136

HSL 342.61, 0.33%, 0.59%

LAB 56.67, 29.83, 0.54

 

Complementary color

CMYK 50 / 0 / 14 / 45

HEX #468B77

RGB 70 139 119

HSL 162.61, 0.33%, 0.41%

LAB 53.06, -26.93, 4.01

 

CMYK 0 / 39 / 31 / 25

HEX #BE7483

RGB 190 116 131

HSL 347.84, 0.36%, 0.6%

LAB 57.15, 31, 4.23

 

CMYK 0 / 35 / 28 / 19

HEX #CF8696

RGB 207 134 150

HSL 346.85, 0.43%, 0.67%

LAB 63.77, 30.12, 3.14

 

CMYK 0 / 32 / 25 / 12

HEX #E098A9

RGB 224 152 169

HSL 345.83, 0.54%, 0.74%

LAB 70.29, 29.32, 2.17

 

CMYK 0 / 29 / 22 / 5

HEX #F1AABC

RGB 241 170 188

HSL 344.79, 0.72%, 0.81%

LAB 76.73, 28.58, 1.28

 

CMYK 0 / 26 / 19 / 0

HEX #FFBCCF

RGB 255 188 207

HSL 342.99, 1%, 0.87%

LAB 82.77, 26.84, -0.01

 

CMYK 0 / 37 / 26 / 27

HEX #B97488

RGB 185 116 136

HSL 342.61, 0.33%, 0.59%

LAB 56.67, 29.83, 0.54

 

CMYK 0 / 42 / 30 / 34

HEX #A86275

RGB 168 98 117

HSL 343.71, 0.29%, 0.52%

LAB 49.91, 30.73, 1.64

 

CMYK 0 / 47 / 35 / 41

HEX #975062

RGB 151 80 98

HSL 344.79, 0.31%, 0.45%

LAB 43.06, 31.68, 2.94

 

CMYK 0 / 54 / 41 / 47

HEX #863E4F

RGB 134 62 79

HSL 345.83, 0.37%, 0.38%

LAB 36.13, 32.67, 4.52

 

CMYK 0 / 62 / 49 / 54

HEX #752C3C

RGB 117 44 60

HSL 346.85, 0.45%, 0.32%

LAB 29.18, 33.58, 6.58

 

CMYK 0 / 38 / 27 / 28

HEX #B87387

RGB 184 115 135

HSL 342.61, 0.33%, 0.59%

LAB 56.29, 29.87, 0.56

 

CMYK 0 / 38 / 36 / 28

HEX #B87375

RGB 184 115 117

HSL 358.26, 0.33%, 0.59%

LAB 55.82, 27.45, 10.38

 

CMYK 0 / 38 / 38 / 28

HEX #B87373

RGB 184 115 115

HSL 0, 0.33%, 0.59%

LAB 55.78, 27.2, 11.47

 

CMYK 0 / 38 / 27 / 28

HEX #B87387

RGB 184 115 135

HSL 342.61, 0.33%, 0.59%

LAB 56.29, 29.87, 0.56

 

CMYK 0 / 38 / 16 / 28

HEX #B8739A

RGB 184 115 154

HSL 326.09, 0.33%, 0.59%

LAB 56.87, 32.78, -9.63

 

CMYK 0 / 38 / 6 / 28

HEX #B873AD

RGB 184 115 173

HSL 309.57, 0.33%, 0.59%

LAB 57.53, 36.04, -19.6

 

CMYK 3 / 38 / 0 / 28

HEX #B273B8

RGB 178 115 184

HSL 294.78, 0.33%, 0.59%

LAB 57.26, 36.16, -26.4

 

CMYK 14 / 38 / 0 / 28

HEX #9F73B8

RGB 159 115 184

HSL 278.26, 0.33%, 0.59%

LAB 55.17, 30.16, -29.8

 

CMYK 0 / 38 / 27 / 28

HEX #B87387

RGB 184 115 135

HSL 342.61, 0.33%, 0.59%

LAB 56.29, 29.87, 0.56

 

CMYK 0 / 51 / 36 / 21

HEX #C96380

RGB 201 99 128

HSL 342.94, 0.49%, 0.59%

LAB 54.97, 43.54, 3.02

 

CMYK 0 / 62 / 44 / 15

HEX #DA5279

RGB 218 82 121

HSL 342.79, 0.65%, 0.59%

LAB 54.37, 56.38, 6.63

 

CMYK 0 / 72 / 51 / 8

HEX #EB4172

RGB 235 65 114

HSL 342.71, 0.81%, 0.59%

LAB 54.72, 67.32, 11.7

 

CMYK 0 / 81 / 58 / 1

HEX #FC306B

RGB 252 48 107

HSL 342.65, 0.97%, 0.59%

LAB 55.96, 76.2, 18.08

 

CMYK 0 / 38 / 27 / 28

HEX #B87387

RGB 184 115 135

HSL 342.61, 0.33%, 0.59%

LAB 56.29, 29.87, 0.56

 

CMYK 0 / 21 / 15 / 34

HEX #A8848F

RGB 168 132 143

HSL 341.67, 0.17%, 0.59%

LAB 58.8, 15.58, -0.62

 

CMYK 0 / 1 / 1 / 41

HEX #979596

RGB 151 149 150

HSL 330, 0.01%, 0.59%

LAB 61.89, 0.92, -0.28

 

CMYK 19 / 0 / 5 / 35

HEX #86A69D

RGB 134 166 157

HSL 163.13, 0.15%, 0.59%

LAB 65.57, -12.87, 1.01

 

CMYK 36 / 0 / 10 / 28

HEX #75B7A4

RGB 117 183 164

HSL 162.73, 0.31%, 0.59%

LAB 69.7, -25.35, 3.02

 

CMYK 0 / 38 / 6 / 28

HEX #B873AD

RGB 184 115 173

HSL 309.57, 0.33%, 0.59%

LAB 57.53, 36.04, -19.6

 

CMYK 0 / 38 / 16 / 28

HEX #B8739B

RGB 184 115 155

HSL 325.22, 0.33%, 0.59%

LAB 56.9, 32.95, -10.16

 

CMYK 0 / 38 / 26 / 28

HEX #B87388

RGB 184 115 136

HSL 341.74, 0.33%, 0.59%

LAB 56.32, 30.01, 0.02

 

CMYK 0 / 38 / 36 / 28

HEX #B87376

RGB 184 115 118

HSL 357.39, 0.33%, 0.59%

LAB 55.85, 27.57, 9.83

 

CMYK 0 / 28 / 38 / 28

HEX #B88473

RGB 184 132 115

HSL 14.78, 0.33%, 0.59%

LAB 59.83, 17.75, 17.1

 

CMYK 0 / 50 / 35 / 43

HEX #91495E

RGB 145 73 94

HSL 342.5, 0.33%, 0.43%

LAB 40.56, 32.74, 1.68

 

CMYK 0 / 49 / 35 / 33

HEX #AB5870

RGB 171 88 112

HSL 342.65, 0.33%, 0.51%

LAB 48.02, 36.59, 1.94

 

CMYK 0 / 38 / 27 / 28

HEX #B87387

RGB 184 115 135

HSL 342.61, 0.33%, 0.59%

LAB 56.29, 29.87, 0.56

 

CMYK 0 / 28 / 20 / 22

HEX #C68F9F

RGB 198 143 159

HSL 342.55, 0.33%, 0.67%

LAB 65.08, 23.21, -0.16

 

CMYK 0 / 20 / 14 / 17

HEX #D4AAB6

RGB 212 170 182

HSL 342.86, 0.33%, 0.75%

LAB 73.63, 17.23, -0.31

 

CMYK 0 / 37 / 26 / 27

HEX #B97488

RGB 185 116 136

HSL 342.61, 0.33%, 0.59%

LAB 56.67, 29.83, 0.54

 

CMYK 0 / 3 / 38 / 28

HEX #B8B273

RGB 184 178 115

HSL 54.78, 0.33%, 0.59%

LAB 71.74, -7.33, 32.98

 

CMYK 38 / 11 / 0 / 28

HEX #73A4B8

RGB 115 164 184

HSL 197.39, 0.33%, 0.59%

LAB 64.69, -11.2, -15.51

 

CMYK 0 / 37 / 26 / 27

HEX #B97488

RGB 185 116 136

HSL 342.61, 0.33%, 0.59%

LAB 56.67, 29.83, 0.54

 

CMYK 26 / 0 / 38 / 28

HEX #88B873

RGB 136 184 115

HSL 101.74, 0.33%, 0.59%

LAB 70, -28.81, 30.07

 

CMYK 38 / 26 / 0 / 28

HEX #7388B8

RGB 115 136 184

HSL 221.74, 0.33%, 0.59%

LAB 56.8, 4.55, -27.57

 

CMYK 0 / 37 / 26 / 27

HEX #B97488

RGB 185 116 136

HSL 342.61, 0.33%, 0.59%

LAB 56.67, 29.83, 0.54

 

CMYK 0 / 3 / 38 / 28

HEX #B8B273

RGB 184 178 115

HSL 54.78, 0.33%, 0.59%

LAB 71.74, -7.33, 32.98

 

CMYK 38 / 0 / 11 / 28

HEX #73B8A4

RGB 115 184 164

HSL 162.61, 0.33%, 0.59%

LAB 69.9, -26.41, 3.29

 

CMYK 38 / 34 / 0 / 28

HEX #737AB8

RGB 115 122 184

HSL 233.91, 0.33%, 0.59%

LAB 52.98, 12.82, -33.51

 

CMYK 0 / 37 / 26 / 27

HEX #B97488

RGB 185 116 136

HSL 342.61, 0.33%, 0.59%

LAB 56.67, 29.83, 0.54

 

CMYK 7 / 0 / 38 / 28

HEX #ABB873

RGB 171 184 115

HSL 71.3, 0.33%, 0.59%

LAB 72.35, -15.62, 33.57

 

CMYK 38 / 0 / 11 / 28

HEX #73B8A4

RGB 115 184 164

HSL 162.61, 0.33%, 0.59%

LAB 69.9, -26.41, 3.29

 

CMYK 30 / 38 / 0 / 28

HEX #8173B8

RGB 129 115 184

HSL 252.17, 0.33%, 0.59%

LAB 52.27, 21.02, -34.53

 

Description

Color code: HEX #B97488 | qconv.com Color code: HEX #B97488 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 116 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 116 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 26 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 26% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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