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Color name
HEX #B96D16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B96D16 it is the complementary color #4692E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B96D16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B96D16 shade: #BE6D11, #CF7F24, #E09137, #F1A34A and #FFB55D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B96D16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B96D16 shade: #B96D16, #A85B03, #974900, #863700 and #752500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B96D16 shade: #BB6E15, #BB4115 and #BB1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B96D16 shade: #BB6E15, #BB9A15, #AFBB15, #82BB15 and #55BB15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B96D16 shade matches the following richer shades: #BB6E15 and #CC6F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B96D16 shade: #BB6E15, #AA6C26, #996B37, #886A48 and #776959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B96D16 shade: #BB1515, #BB4215, #BB6E15, #BB9A15 and #B0BB15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B96D16 shade: #71420D, #965811, #BB6E15, #E0831A and #E8973B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B96D16 shade: #B96D16, #42BB15 and #2B15BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B96D16 shade: #B96D16, #15BB6E and #6E15BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B96D16 shade: #B96D16, #42BB15, #1563BB and #8F15BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B96D16 shade: #B96D16, #15BB1B, #1563BB and #BB15B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 88 / 27

HEX #B96D16

RGB 185 109 22

HSL 32.02, 0.79%, 0.41%

LAB 53.29, 24.34, 55.74

 

Complementary color

CMYK 70 / 37 / 0 / 9

HEX #4692E9

RGB 70 146 233

HSL 212.02, 0.79%, 0.59%

LAB 59.66, 4.65, -50.78

 

CMYK 0 / 43 / 91 / 25

HEX #BE6D11

RGB 190 109 17

HSL 31.91, 0.84%, 0.41%

LAB 53.95, 26.39, 57.93

 

CMYK 0 / 39 / 83 / 19

HEX #CF7F24

RGB 207 127 36

HSL 31.93, 0.7%, 0.48%

LAB 60.4, 24.36, 58.2

 

CMYK 0 / 35 / 75 / 12

HEX #E09137

RGB 224 145 55

HSL 31.95, 0.73%, 0.55%

LAB 66.8, 22.57, 57.47

 

CMYK 0 / 32 / 69 / 5

HEX #F1A34A

RGB 241 163 74

HSL 31.98, 0.86%, 0.62%

LAB 73.15, 21, 56.31

 

CMYK 0 / 29 / 64 / 0

HEX #FFB55D

RGB 255 181 93

HSL 32.59, 1%, 0.68%

LAB 79.1, 18.39, 54.52

 

CMYK 0 / 41 / 88 / 27

HEX #B96D16

RGB 185 109 22

HSL 32.02, 0.79%, 0.41%

LAB 53.29, 24.34, 55.74

 

CMYK 0 / 46 / 98 / 34

HEX #A85B03

RGB 168 91 3

HSL 32, 0.96%, 0.34%

LAB 46.73, 26.54, 54.61

 

CMYK 0 / 52 / 100 / 41

HEX #974900

RGB 151 73 0

HSL 29.01, 1%, 0.3%

LAB 40.15, 29.02, 50.06

 

CMYK 0 / 59 / 100 / 47

HEX #863700

RGB 134 55 0

HSL 24.63, 1%, 0.26%

LAB 33.56, 31.47, 44.77

 

CMYK 0 / 68 / 100 / 54

HEX #752500

RGB 117 37 0

HSL 18.97, 1%, 0.23%

LAB 27.03, 33.62, 38.54

 

CMYK 0 / 41 / 89 / 27

HEX #BB6E15

RGB 187 110 21

HSL 32.17, 0.8%, 0.41%

LAB 53.78, 24.64, 56.54

 

CMYK 0 / 65 / 89 / 27

HEX #BB4115

RGB 187 65 21

HSL 15.9, 0.8%, 0.41%

LAB 44.8, 47.32, 49.53

 

CMYK 0 / 89 / 89 / 27

HEX #BB1515

RGB 187 21 21

HSL 0, 0.8%, 0.41%

LAB 39.84, 61.08, 45.7

 

CMYK 0 / 41 / 89 / 27

HEX #BB6E15

RGB 187 110 21

HSL 32.17, 0.8%, 0.41%

LAB 53.78, 24.64, 56.54

 

CMYK 0 / 18 / 89 / 27

HEX #BB9A15

RGB 187 154 21

HSL 48.07, 0.8%, 0.41%

LAB 64.75, 0.45, 65.18

 

CMYK 6 / 0 / 89 / 27

HEX #AFBB15

RGB 175 187 21

HSL 64.34, 0.8%, 0.41%

LAB 72.7, -21.96, 71.08

 

CMYK 30 / 0 / 89 / 27

HEX #82BB15

RGB 130 187 21

HSL 80.6, 0.8%, 0.41%

LAB 69.71, -40.31, 67.4

 

CMYK 55 / 0 / 89 / 27

HEX #55BB15

RGB 85 187 21

HSL 96.87, 0.8%, 0.41%

LAB 67.67, -55.28, 64.86

 

CMYK 0 / 41 / 89 / 27

HEX #BB6E15

RGB 187 110 21

HSL 32.17, 0.8%, 0.41%

LAB 53.78, 24.64, 56.54

 

CMYK 0 / 46 / 98 / 20

HEX #CC6F05

RGB 204 111 5

HSL 31.96, 0.95%, 0.41%

LAB 56.3, 31.08, 62.91

 

CMYK 0 / 41 / 89 / 27

HEX #BB6E15

RGB 187 110 21

HSL 32.17, 0.8%, 0.41%

LAB 53.78, 24.64, 56.54

 

CMYK 0 / 36 / 78 / 33

HEX #AA6C26

RGB 170 108 38

HSL 31.82, 0.63%, 0.41%

LAB 51.16, 18.83, 47.14

 

CMYK 0 / 30 / 64 / 40

HEX #996B37

RGB 153 107 55

HSL 31.84, 0.47%, 0.41%

LAB 48.96, 12.77, 35.9

 

CMYK 0 / 22 / 47 / 47

HEX #886A48

RGB 136 106 72

HSL 31.88, 0.31%, 0.41%

LAB 46.99, 7.29, 23.62

 

CMYK 0 / 12 / 25 / 53

HEX #776959

RGB 119 105 89

HSL 32, 0.14%, 0.41%

LAB 45.28, 2.78, 11.03

 

CMYK 0 / 89 / 89 / 27

HEX #BB1515

RGB 187 21 21

HSL 0, 0.8%, 0.41%

LAB 39.84, 61.08, 45.7

 

CMYK 0 / 65 / 89 / 27

HEX #BB4215

RGB 187 66 21

HSL 16.27, 0.8%, 0.41%

LAB 44.96, 46.88, 49.65

 

CMYK 0 / 41 / 89 / 27

HEX #BB6E15

RGB 187 110 21

HSL 32.17, 0.8%, 0.41%

LAB 53.78, 24.64, 56.54

 

CMYK 0 / 18 / 89 / 27

HEX #BB9A15

RGB 187 154 21

HSL 48.07, 0.8%, 0.41%

LAB 64.75, 0.45, 65.18

 

CMYK 6 / 0 / 89 / 27

HEX #B0BB15

RGB 176 187 21

HSL 63.98, 0.8%, 0.41%

LAB 72.78, -21.53, 71.17

 

CMYK 0 / 42 / 88 / 56

HEX #71420D

RGB 113 66 13

HSL 31.8, 0.79%, 0.25%

LAB 32.78, 16.2, 37.81

 

CMYK 0 / 41 / 89 / 41

HEX #965811

RGB 150 88 17

HSL 32.03, 0.8%, 0.33%

LAB 43.51, 20.52, 47.45

 

CMYK 0 / 41 / 89 / 27

HEX #BB6E15

RGB 187 110 21

HSL 32.17, 0.8%, 0.41%

LAB 53.78, 24.64, 56.54

 

CMYK 0 / 42 / 88 / 12

HEX #E0831A

RGB 224 131 26

HSL 31.82, 0.79%, 0.49%

LAB 63.47, 29.14, 64.8

 

CMYK 0 / 35 / 75 / 9

HEX #E8973B

RGB 232 151 59

HSL 31.91, 0.79%, 0.57%

LAB 69.19, 22.9, 58.47

 

CMYK 0 / 41 / 88 / 27

HEX #B96D16

RGB 185 109 22

HSL 32.02, 0.79%, 0.41%

LAB 53.29, 24.34, 55.74

 

CMYK 65 / 0 / 89 / 27

HEX #42BB15

RGB 66 187 21

HSL 103.73, 0.8%, 0.41%

LAB 67.09, -60, 64.14

 

CMYK 77 / 89 / 0 / 27

HEX #2B15BB

RGB 43 21 187

HSL 247.95, 0.8%, 0.41%

LAB 25.68, 58.23, -79.69

 

CMYK 0 / 41 / 88 / 27

HEX #B96D16

RGB 185 109 22

HSL 32.02, 0.79%, 0.41%

LAB 53.29, 24.34, 55.74

 

CMYK 89 / 0 / 41 / 27

HEX #15BB6E

RGB 21 187 110

HSL 152.17, 0.8%, 0.41%

LAB 67.15, -56.63, 28.25

 

CMYK 41 / 89 / 0 / 27

HEX #6E15BB

RGB 110 21 187

HSL 272.17, 0.8%, 0.41%

LAB 32.79, 63.87, -67.7

 

CMYK 0 / 41 / 88 / 27

HEX #B96D16

RGB 185 109 22

HSL 32.02, 0.79%, 0.41%

LAB 53.29, 24.34, 55.74

 

CMYK 65 / 0 / 89 / 27

HEX #42BB15

RGB 66 187 21

HSL 103.73, 0.8%, 0.41%

LAB 67.09, -60, 64.14

 

CMYK 89 / 47 / 0 / 27

HEX #1563BB

RGB 21 99 187

HSL 211.81, 0.8%, 0.41%

LAB 42.26, 11.28, -52.53

 

CMYK 24 / 89 / 0 / 27

HEX #8F15BB

RGB 143 21 187

HSL 284.1, 0.8%, 0.41%

LAB 37.78, 68.37, -59.34

 

CMYK 0 / 41 / 88 / 27

HEX #B96D16

RGB 185 109 22

HSL 32.02, 0.79%, 0.41%

LAB 53.29, 24.34, 55.74

 

CMYK 89 / 0 / 86 / 27

HEX #15BB1B

RGB 21 187 27

HSL 122.17, 0.8%, 0.41%

LAB 66.35, -66.36, 61.94

 

CMYK 89 / 47 / 0 / 27

HEX #1563BB

RGB 21 99 187

HSL 211.81, 0.8%, 0.41%

LAB 42.26, 11.28, -52.53

 

CMYK 0 / 89 / 3 / 27

HEX #BB15B5

RGB 187 21 181

HSL 302.17, 0.8%, 0.41%

LAB 44.85, 74.7, -44.02

 

Description

Color code: HEX #B96D16 | qconv.com Color code: HEX #B96D16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 109 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 109 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 88 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 88% 27% C M Y K

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Provide designers and agencies with accurate color values.

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