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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B96B60 it is the complementary color #46949F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B96B60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B96B60 shade: #BE6B5B, #CF7D6E, #E08F81, #F1A194 and #FFB3A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B96B60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B96B60 shade: #B96B60, #A8594D, #97473A, #863527 and #752314

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B96B60 shade: #B96A5F and #B95F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B96B60 shade: #B96A5F, #B9825F, #B99A5F, #B9B25F and #A6B95F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B96B60 shade matches the following richer shades: #B96A5F, #CB5C4C, #DE4E3A and #F04027

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B96B60 shade: #B96A5F, #A67872, #938684, #819497 and #6EA2A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B96B60 shade: #B95F84, #B95F6C, #B9695F, #B9815F and #B9995F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B96B60 shade: #89453C, #A65448, #B96A5F, #C5857C and #D29F98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B96B60 shade: #B96B60, #9CB95F and #5F78B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B96B60 shade: #B96B60, #5FB969 and #695FB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B96B60 shade: #B96B60, #9CB95F, #5FAEB9 and #7B5FB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B96B60 shade: #B96B60, #81B95F, #5FAEB9 and #965FB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 48 / 27

HEX #B96B60

RGB 185 107 96

HSL 7.42, 0.39%, 0.55%

LAB 53.68, 29.86, 19.66

 

Complementary color

CMYK 56 / 7 / 0 / 38

HEX #46949F

RGB 70 148 159

HSL 187.42, 0.39%, 0.45%

LAB 57.06, -20.66, -13.1

 

CMYK 0 / 44 / 52 / 25

HEX #BE6B5B

RGB 190 107 91

HSL 9.7, 0.43%, 0.55%

LAB 54.26, 31.36, 23.44

 

CMYK 0 / 40 / 47 / 19

HEX #CF7D6E

RGB 207 125 110

HSL 9.28, 0.5%, 0.62%

LAB 60.83, 30.18, 21.76

 

CMYK 0 / 36 / 42 / 12

HEX #E08F81

RGB 224 143 129

HSL 8.84, 0.61%, 0.69%

LAB 67.33, 29.12, 20.27

 

CMYK 0 / 33 / 39 / 5

HEX #F1A194

RGB 241 161 148

HSL 8.39, 0.77%, 0.76%

LAB 73.76, 28.16, 18.94

 

CMYK 0 / 30 / 35 / 0

HEX #FFB3A7

RGB 255 179 167

HSL 8.18, 1%, 0.83%

LAB 79.78, 26.17, 17.23

 

CMYK 0 / 42 / 48 / 27

HEX #B96B60

RGB 185 107 96

HSL 7.42, 0.39%, 0.55%

LAB 53.68, 29.86, 19.66

 

CMYK 0 / 47 / 54 / 34

HEX #A8594D

RGB 168 89 77

HSL 7.91, 0.37%, 0.48%

LAB 46.98, 31.09, 21.47

 

CMYK 0 / 53 / 62 / 41

HEX #97473A

RGB 151 71 58

HSL 8.39, 0.44%, 0.41%

LAB 40.23, 32.42, 23.61

 

CMYK 0 / 60 / 71 / 47

HEX #863527

RGB 134 53 39

HSL 8.84, 0.55%, 0.34%

LAB 33.48, 33.81, 26.19

 

CMYK 0 / 70 / 83 / 54

HEX #752314

RGB 117 35 20

HSL 9.28, 0.71%, 0.27%

LAB 26.83, 35.08, 29.24

 

CMYK 0 / 43 / 49 / 27

HEX #B96A5F

RGB 185 106 95

HSL 7.33, 0.39%, 0.55%

LAB 53.44, 30.31, 19.91

 

CMYK 0 / 49 / 49 / 27

HEX #B95F5F

RGB 185 95 95

HSL 0, 0.39%, 0.55%

LAB 51.07, 36.19, 16.7

 

CMYK 0 / 43 / 49 / 27

HEX #B96A5F

RGB 185 106 95

HSL 7.33, 0.39%, 0.55%

LAB 53.44, 30.31, 19.91

 

CMYK 0 / 30 / 49 / 27

HEX #B9825F

RGB 185 130 95

HSL 23.33, 0.39%, 0.55%

LAB 59.07, 17.06, 27.36

 

CMYK 0 / 17 / 49 / 27

HEX #B99A5F

RGB 185 154 95

HSL 39.33, 0.39%, 0.55%

LAB 65.16, 3.8, 35.14

 

CMYK 0 / 4 / 49 / 27

HEX #B9B25F

RGB 185 178 95

HSL 55.33, 0.39%, 0.55%

LAB 71.54, -9.02, 42.99

 

CMYK 10 / 0 / 49 / 27

HEX #A6B95F

RGB 166 185 95

HSL 72.67, 0.39%, 0.55%

LAB 71.98, -20.37, 43.17

 

CMYK 0 / 43 / 49 / 27

HEX #B96A5F

RGB 185 106 95

HSL 7.33, 0.39%, 0.55%

LAB 53.44, 30.31, 19.91

 

CMYK 0 / 55 / 63 / 20

HEX #CB5C4C

RGB 203 92 76

HSL 7.56, 0.55%, 0.55%

LAB 52.81, 42.93, 30.57

 

CMYK 0 / 65 / 74 / 13

HEX #DE4E3A

RGB 222 78 58

HSL 7.32, 0.71%, 0.55%

LAB 53.26, 55.05, 41.89

 

CMYK 0 / 73 / 84 / 6

HEX #F04027

RGB 240 64 39

HSL 7.46, 0.87%, 0.55%

LAB 54.38, 65.4, 53.66

 

CMYK 0 / 43 / 49 / 27

HEX #B96A5F

RGB 185 106 95

HSL 7.33, 0.39%, 0.55%

LAB 53.44, 30.31, 19.91

 

CMYK 0 / 28 / 31 / 35

HEX #A67872

RGB 166 120 114

HSL 6.92, 0.23%, 0.55%

LAB 54.82, 17.14, 10.4

 

CMYK 0 / 9 / 10 / 42

HEX #938684

RGB 147 134 132

HSL 8, 0.06%, 0.55%

LAB 57, 4.53, 2.84

 

CMYK 15 / 2 / 0 / 41

HEX #819497

RGB 129 148 151

HSL 188.18, 0.1%, 0.55%

LAB 59.96, -6.09, -3.87

 

CMYK 35 / 4 / 0 / 34

HEX #6EA2A9

RGB 110 162 169

HSL 187.12, 0.26%, 0.55%

LAB 63.36, -15.37, -9.13

 

CMYK 0 / 49 / 29 / 27

HEX #B95F84

RGB 185 95 132

HSL 335.33, 0.39%, 0.55%

LAB 52.02, 40.54, -3.92

 

CMYK 0 / 49 / 42 / 27

HEX #B95F6C

RGB 185 95 108

HSL 351.33, 0.39%, 0.55%

LAB 51.36, 37.55, 9.39

 

CMYK 0 / 43 / 49 / 27

HEX #B9695F

RGB 185 105 95

HSL 6.67, 0.39%, 0.55%

LAB 53.22, 30.85, 19.61

 

CMYK 0 / 30 / 49 / 27

HEX #B9815F

RGB 185 129 95

HSL 22.67, 0.39%, 0.55%

LAB 58.83, 17.61, 27.04

 

CMYK 0 / 17 / 49 / 27

HEX #B9995F

RGB 185 153 95

HSL 38.67, 0.39%, 0.55%

LAB 64.9, 4.35, 34.81

 

CMYK 0 / 50 / 56 / 46

HEX #89453C

RGB 137 69 60

HSL 7.01, 0.39%, 0.39%

LAB 37.66, 28.01, 18.65

 

CMYK 0 / 49 / 57 / 35

HEX #A65448

RGB 166 84 72

HSL 7.66, 0.39%, 0.47%

LAB 45.52, 32.56, 22.47

 

CMYK 0 / 43 / 49 / 27

HEX #B96A5F

RGB 185 106 95

HSL 7.33, 0.39%, 0.55%

LAB 53.44, 30.31, 19.91

 

CMYK 0 / 32 / 37 / 23

HEX #C5857C

RGB 197 133 124

HSL 7.4, 0.39%, 0.63%

LAB 61.74, 23.47, 14.87

 

CMYK 0 / 24 / 28 / 18

HEX #D29F98

RGB 210 159 152

HSL 7.24, 0.39%, 0.71%

LAB 70.01, 17.93, 11

 

CMYK 0 / 42 / 48 / 27

HEX #B96B60

RGB 185 107 96

HSL 7.42, 0.39%, 0.55%

LAB 53.68, 29.86, 19.66

 

CMYK 16 / 0 / 49 / 27

HEX #9CB95F

RGB 156 185 95

HSL 79.33, 0.39%, 0.55%

LAB 71.28, -24.33, 42.15

 

CMYK 49 / 35 / 0 / 27

HEX #5F78B9

RGB 95 120 185

HSL 223.33, 0.39%, 0.55%

LAB 51.12, 9.06, -37.1

 

CMYK 0 / 42 / 48 / 27

HEX #B96B60

RGB 185 107 96

HSL 7.42, 0.39%, 0.55%

LAB 53.68, 29.86, 19.66

 

CMYK 49 / 0 / 43 / 27

HEX #5FB969

RGB 95 185 105

HSL 126.67, 0.39%, 0.55%

LAB 68.13, -43.92, 32.45

 

CMYK 43 / 49 / 0 / 27

HEX #695FB9

RGB 105 95 185

HSL 246.67, 0.39%, 0.55%

LAB 45.21, 26.85, -46.42

 

CMYK 0 / 42 / 48 / 27

HEX #B96B60

RGB 185 107 96

HSL 7.42, 0.39%, 0.55%

LAB 53.68, 29.86, 19.66

 

CMYK 16 / 0 / 49 / 27

HEX #9CB95F

RGB 156 185 95

HSL 79.33, 0.39%, 0.55%

LAB 71.28, -24.33, 42.15

 

CMYK 49 / 6 / 0 / 27

HEX #5FAEB9

RGB 95 174 185

HSL 187.33, 0.39%, 0.55%

LAB 66.68, -21.27, -13.16

 

CMYK 34 / 49 / 0 / 27

HEX #7B5FB9

RGB 123 95 185

HSL 258.67, 0.39%, 0.55%

LAB 46.84, 31.49, -43.72

 

CMYK 0 / 42 / 48 / 27

HEX #B96B60

RGB 185 107 96

HSL 7.42, 0.39%, 0.55%

LAB 53.68, 29.86, 19.66

 

CMYK 30 / 0 / 49 / 27

HEX #81B95F

RGB 129 185 95

HSL 97.33, 0.39%, 0.55%

LAB 69.61, -34.45, 39.72

 

CMYK 49 / 6 / 0 / 27

HEX #5FAEB9

RGB 95 174 185

HSL 187.33, 0.39%, 0.55%

LAB 66.68, -21.27, -13.16

 

CMYK 19 / 49 / 0 / 27

HEX #965FB9

RGB 150 95 185

HSL 276.67, 0.39%, 0.55%

LAB 49.7, 38.97, -39

 

Description

Color code: HEX #B96B60 | qconv.com Color code: HEX #B96B60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 107 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 107 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 48 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 48% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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