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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B96220 it is the complementary color #469DDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B96220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B96220 shade: #BE621B, #CF742E, #E08641, #F19854 and #FFAA67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B96220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B96220 shade: #B96220, #A8500D, #973E00, #862C00 and #751A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B96220 shade: #BB621F, #BB381F and #BB1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B96220 shade: #BB621F, #BB8C1F, #BBB61F, #96BB1F and #6CBB1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B96220 shade matches the following richer shades: #BB621F and #CD600E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B96220 shade: #BB621F, #A96531, #986743, #866A55 and #746C66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B96220 shade: #BB1F31, #BB371F, #BB601F, #BB8A1F and #BBB31F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B96220 shade: #743D13, #985019, #BB621F, #DA7629 and #E08C4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B96220 shade: #B96220, #5BBB1F and #221FBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B96220 shade: #B96220, #1FBB60 and #601FBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B96220 shade: #B96220, #5BBB1F, #1F7ABB and #7F1FBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B96220 shade: #B96220, #2CBB1F, #1F7ABB and #AE1FBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 83 / 27

HEX #B96220

RGB 185 98 32

HSL 25.88, 0.71%, 0.43%

LAB 50.87, 30.58, 50.13

 

Complementary color

CMYK 69 / 30 / 0 / 13

HEX #469DDF

RGB 70 157 223

HSL 205.88, 0.71%, 0.57%

LAB 62.29, -5.16, -41.08

 

CMYK 0 / 48 / 86 / 25

HEX #BE621B

RGB 190 98 27

HSL 26.13, 0.75%, 0.43%

LAB 51.57, 32.51, 52.95

 

CMYK 0 / 44 / 78 / 19

HEX #CF742E

RGB 207 116 46

HSL 26.09, 0.64%, 0.5%

LAB 57.99, 30.6, 51.96

 

CMYK 0 / 40 / 71 / 12

HEX #E08641

RGB 224 134 65

HSL 26.04, 0.72%, 0.57%

LAB 64.39, 28.89, 50.5

 

CMYK 0 / 37 / 65 / 5

HEX #F19854

RGB 241 152 84

HSL 25.99, 0.85%, 0.64%

LAB 70.73, 27.36, 48.91

 

CMYK 0 / 33 / 60 / 0

HEX #FFAA67

RGB 255 170 103

HSL 26.45, 1%, 0.7%

LAB 76.67, 24.8, 46.83

 

CMYK 0 / 47 / 83 / 27

HEX #B96220

RGB 185 98 32

HSL 25.88, 0.71%, 0.43%

LAB 50.87, 30.58, 50.13

 

CMYK 0 / 52 / 92 / 34

HEX #A8500D

RGB 168 80 13

HSL 25.94, 0.86%, 0.35%

LAB 44.36, 32.63, 50.49

 

CMYK 0 / 59 / 100 / 41

HEX #973E00

RGB 151 62 0

HSL 24.64, 1%, 0.3%

LAB 37.89, 34.8, 48.76

 

CMYK 0 / 67 / 100 / 47

HEX #862C00

RGB 134 44 0

HSL 19.7, 1%, 0.26%

LAB 31.51, 36.89, 43.45

 

CMYK 0 / 78 / 100 / 54

HEX #751A00

RGB 117 26 0

HSL 13.33, 1%, 0.23%

LAB 25.32, 38.28, 36.99

 

CMYK 0 / 48 / 83 / 27

HEX #BB621F

RGB 187 98 31

HSL 25.77, 0.72%, 0.43%

LAB 51.15, 31.38, 50.9

 

CMYK 0 / 70 / 83 / 27

HEX #BB381F

RGB 187 56 31

HSL 9.62, 0.72%, 0.43%

LAB 43.5, 51.27, 44.02

 

CMYK 0 / 83 / 83 / 27

HEX #BB1F1F

RGB 187 31 31

HSL 0, 0.72%, 0.43%

LAB 40.64, 59.22, 41.39

 

CMYK 0 / 48 / 83 / 27

HEX #BB621F

RGB 187 98 31

HSL 25.77, 0.72%, 0.43%

LAB 51.15, 31.38, 50.9

 

CMYK 0 / 25 / 83 / 27

HEX #BB8C1F

RGB 187 140 31

HSL 41.92, 0.72%, 0.43%

LAB 61.15, 8.34, 59.59

 

CMYK 0 / 3 / 83 / 27

HEX #BBB61F

RGB 187 182 31

HSL 58.08, 0.72%, 0.43%

LAB 72.31, -14.02, 69.06

 

CMYK 20 / 0 / 83 / 27

HEX #96BB1F

RGB 150 187 31

HSL 74.23, 0.72%, 0.43%

LAB 70.96, -32.14, 66.81

 

CMYK 42 / 0 / 83 / 27

HEX #6CBB1F

RGB 108 187 31

HSL 90.38, 0.72%, 0.43%

LAB 68.63, -47.85, 63.87

 

CMYK 0 / 48 / 83 / 27

HEX #BB621F

RGB 187 98 31

HSL 25.77, 0.72%, 0.43%

LAB 51.15, 31.38, 50.9

 

CMYK 0 / 53 / 93 / 20

HEX #CD600E

RGB 205 96 14

HSL 25.76, 0.87%, 0.43%

LAB 53.36, 39.33, 59.25

 

CMYK 0 / 48 / 83 / 27

HEX #BB621F

RGB 187 98 31

HSL 25.77, 0.72%, 0.43%

LAB 51.15, 31.38, 50.9

 

CMYK 0 / 40 / 71 / 34

HEX #A96531

RGB 169 101 49

HSL 26, 0.55%, 0.43%

LAB 49.45, 22.86, 40.12

 

CMYK 0 / 32 / 56 / 40

HEX #986743

RGB 152 103 67

HSL 25.41, 0.39%, 0.43%

LAB 47.98, 15.6, 28.12

 

CMYK 0 / 21 / 37 / 47

HEX #866A55

RGB 134 106 85

HSL 25.71, 0.22%, 0.43%

LAB 47.02, 8, 16.03

 

CMYK 0 / 7 / 12 / 55

HEX #746C66

RGB 116 108 102

HSL 25.71, 0.06%, 0.43%

LAB 46.17, 1.99, 4.47

 

CMYK 0 / 83 / 74 / 27

HEX #BB1F31

RGB 187 31 49

HSL 353.08, 0.72%, 0.43%

LAB 40.84, 59.82, 31.29

 

CMYK 0 / 71 / 83 / 27

HEX #BB371F

RGB 187 55 31

HSL 9.23, 0.72%, 0.43%

LAB 43.35, 51.66, 43.89

 

CMYK 0 / 49 / 83 / 27

HEX #BB601F

RGB 187 96 31

HSL 25, 0.72%, 0.43%

LAB 50.72, 32.44, 50.52

 

CMYK 0 / 26 / 83 / 27

HEX #BB8A1F

RGB 187 138 31

HSL 41.15, 0.72%, 0.43%

LAB 60.64, 9.44, 59.16

 

CMYK 0 / 4 / 83 / 27

HEX #BBB31F

RGB 187 179 31

HSL 56.92, 0.72%, 0.43%

LAB 71.49, -12.49, 68.37

 

CMYK 0 / 47 / 84 / 55

HEX #743D13

RGB 116 61 19

HSL 25.98, 0.72%, 0.26%

LAB 32.03, 20.79, 34.73

 

CMYK 0 / 47 / 84 / 40

HEX #985019

RGB 152 80 25

HSL 25.98, 0.72%, 0.35%

LAB 41.97, 26.15, 43.21

 

CMYK 0 / 48 / 83 / 27

HEX #BB621F

RGB 187 98 31

HSL 25.77, 0.72%, 0.43%

LAB 51.15, 31.38, 50.9

 

CMYK 0 / 46 / 81 / 15

HEX #DA7629

RGB 218 118 41

HSL 26.1, 0.71%, 0.51%

LAB 59.91, 33.87, 56.41

 

CMYK 0 / 38 / 66 / 12

HEX #E08C4D

RGB 224 140 77

HSL 25.71, 0.7%, 0.59%

LAB 65.86, 26.36, 46.27

 

CMYK 0 / 47 / 83 / 27

HEX #B96220

RGB 185 98 32

HSL 25.88, 0.71%, 0.43%

LAB 50.87, 30.58, 50.13

 

CMYK 51 / 0 / 83 / 27

HEX #5BBB1F

RGB 91 187 31

HSL 96.92, 0.72%, 0.43%

LAB 67.92, -53.19, 62.97

 

CMYK 82 / 83 / 0 / 27

HEX #221FBB

RGB 34 31 187

HSL 241.15, 0.72%, 0.43%

LAB 26.47, 53.91, -78.38

 

CMYK 0 / 47 / 83 / 27

HEX #B96220

RGB 185 98 32

HSL 25.88, 0.71%, 0.43%

LAB 50.87, 30.58, 50.13

 

CMYK 83 / 0 / 49 / 27

HEX #1FBB60

RGB 31 187 96

HSL 145, 0.72%, 0.43%

LAB 67.03, -58.31, 35.32

 

CMYK 49 / 83 / 0 / 27

HEX #601FBB

RGB 96 31 187

HSL 265, 0.72%, 0.43%

LAB 31.93, 59.23, -69.18

 

CMYK 0 / 47 / 83 / 27

HEX #B96220

RGB 185 98 32

HSL 25.88, 0.71%, 0.43%

LAB 50.87, 30.58, 50.13

 

CMYK 51 / 0 / 83 / 27

HEX #5BBB1F

RGB 91 187 31

HSL 96.92, 0.72%, 0.43%

LAB 67.92, -53.19, 62.97

 

CMYK 83 / 35 / 0 / 27

HEX #1F7ABB

RGB 31 122 187

HSL 205, 0.72%, 0.43%

LAB 49.25, -2.36, -41.37

 

CMYK 32 / 83 / 0 / 27

HEX #7F1FBB

RGB 127 31 187

HSL 276.92, 0.72%, 0.43%

LAB 36.14, 63.52, -62.12

 

CMYK 0 / 47 / 83 / 27

HEX #B96220

RGB 185 98 32

HSL 25.88, 0.71%, 0.43%

LAB 50.87, 30.58, 50.13

 

CMYK 76 / 0 / 83 / 27

HEX #2CBB1F

RGB 44 187 31

HSL 115, 0.72%, 0.43%

LAB 66.65, -63.62, 61.35

 

CMYK 83 / 35 / 0 / 27

HEX #1F7ABB

RGB 31 122 187

HSL 205, 0.72%, 0.43%

LAB 49.25, -2.36, -41.37

 

CMYK 7 / 83 / 0 / 27

HEX #AE1FBB

RGB 174 31 187

HSL 295, 0.72%, 0.43%

LAB 43.6, 71.42, -49.67

 

Description

Color code: HEX #B96220 | qconv.com Color code: HEX #B96220 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 98 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 98 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 83 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 83% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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