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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B96759 it is the complementary color #4698A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B96759. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B96759 shade: #BE6754, #CF7967, #E08B7A, #F19D8D and #FFAFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B96759. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B96759 shade: #B96759, #A85546, #974333, #863120 and #751F0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B96759 shade: #B96759 and #B95959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B96759 shade: #B96759, #B98159, #B99B59, #B9B559 and #A4B959

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B96759 shade matches the following richer shades: #B96759, #CC5A46, #DF4C33 and #F23F20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B96759 shade: #B96759, #A6756C, #93827F, #808F92 and #6D9DA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B96759 shade: #B95980, #B95966, #B96659, #B98059 and #B99959

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B96759 shade: #874438, #A55345, #B96759, #C58276 and #D29C93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B96759 shade: #B96759, #99B959 and #5973B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B96759 shade: #B96759, #59B966 and #6659B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B96759 shade: #B96759, #99B959, #59ACB9 and #7959B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B96759 shade: #B96759, #7CB959, #59ACB9 and #9659B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 52 / 27

HEX #B96759

RGB 185 103 89

HSL 8.75, 0.41%, 0.54%

LAB 52.66, 31.36, 22.36

 

Complementary color

CMYK 58 / 8 / 0 / 35

HEX #4698A6

RGB 70 152 166

HSL 188.75, 0.41%, 0.46%

LAB 58.52, -20.69, -14.88

 

CMYK 0 / 46 / 56 / 25

HEX #BE6754

RGB 190 103 84

HSL 10.75, 0.45%, 0.54%

LAB 53.26, 32.9, 26.17

 

CMYK 0 / 42 / 50 / 19

HEX #CF7967

RGB 207 121 103

HSL 10.38, 0.52%, 0.61%

LAB 59.82, 31.65, 24.36

 

CMYK 0 / 38 / 46 / 12

HEX #E08B7A

RGB 224 139 122

HSL 10, 0.62%, 0.68%

LAB 66.3, 30.52, 22.77

 

CMYK 0 / 35 / 41 / 5

HEX #F19D8D

RGB 241 157 141

HSL 9.6, 0.78%, 0.75%

LAB 72.72, 29.5, 21.34

 

CMYK 0 / 31 / 37 / 0

HEX #FFAFA0

RGB 255 175 160

HSL 9.47, 1%, 0.81%

LAB 78.73, 27.44, 19.55

 

CMYK 0 / 44 / 52 / 27

HEX #B96759

RGB 185 103 89

HSL 8.75, 0.41%, 0.54%

LAB 52.66, 31.36, 22.36

 

CMYK 0 / 49 / 58 / 34

HEX #A85546

RGB 168 85 70

HSL 9.18, 0.41%, 0.47%

LAB 45.99, 32.65, 24.32

 

CMYK 0 / 56 / 66 / 41

HEX #974333

RGB 151 67 51

HSL 9.6, 0.5%, 0.4%

LAB 39.3, 34.04, 26.64

 

CMYK 0 / 63 / 76 / 47

HEX #863120

RGB 134 49 32

HSL 10, 0.61%, 0.33%

LAB 32.63, 35.44, 29.38

 

CMYK 0 / 74 / 89 / 54

HEX #751F0D

RGB 117 31 13

HSL 10.38, 0.8%, 0.25%

LAB 26.13, 36.6, 32.33

 

CMYK 0 / 44 / 52 / 27

HEX #B96759

RGB 185 103 89

HSL 8.75, 0.41%, 0.54%

LAB 52.66, 31.36, 22.36

 

CMYK 0 / 52 / 52 / 27

HEX #B95959

RGB 185 89 89

HSL 0, 0.41%, 0.54%

LAB 49.71, 38.74, 18.43

 

CMYK 0 / 44 / 52 / 27

HEX #B96759

RGB 185 103 89

HSL 8.75, 0.41%, 0.54%

LAB 52.66, 31.36, 22.36

 

CMYK 0 / 30 / 52 / 27

HEX #B98159

RGB 185 129 89

HSL 25, 0.41%, 0.54%

LAB 58.73, 17.04, 30.24

 

CMYK 0 / 16 / 52 / 27

HEX #B99B59

RGB 185 155 89

HSL 41.25, 0.41%, 0.54%

LAB 65.34, 2.7, 38.49

 

CMYK 0 / 2 / 52 / 27

HEX #B9B559

RGB 185 181 89

HSL 57.5, 0.41%, 0.54%

LAB 72.28, -11.11, 46.81

 

CMYK 11 / 0 / 52 / 27

HEX #A4B959

RGB 164 185 89

HSL 73.13, 0.41%, 0.54%

LAB 71.77, -21.77, 45.79

 

CMYK 0 / 44 / 52 / 27

HEX #B96759

RGB 185 103 89

HSL 8.75, 0.41%, 0.54%

LAB 52.66, 31.36, 22.36

 

CMYK 0 / 56 / 66 / 20

HEX #CC5A46

RGB 204 90 70

HSL 8.96, 0.57%, 0.54%

LAB 52.5, 43.9, 33.62

 

CMYK 0 / 66 / 77 / 13

HEX #DF4C33

RGB 223 76 51

HSL 8.72, 0.73%, 0.54%

LAB 53.05, 55.94, 45.43

 

CMYK 0 / 74 / 87 / 5

HEX #F23F20

RGB 242 63 32

HSL 8.86, 0.89%, 0.54%

LAB 54.59, 66.18, 57.05

 

CMYK 0 / 44 / 52 / 27

HEX #B96759

RGB 185 103 89

HSL 8.75, 0.41%, 0.54%

LAB 52.66, 31.36, 22.36

 

CMYK 0 / 30 / 35 / 35

HEX #A6756C

RGB 166 117 108

HSL 9.31, 0.25%, 0.54%

LAB 53.93, 18.04, 12.65

 

CMYK 0 / 12 / 14 / 42

HEX #93827F

RGB 147 130 127

HSL 9, 0.08%, 0.54%

LAB 55.79, 5.93, 3.98

 

CMYK 12 / 2 / 0 / 43

HEX #808F92

RGB 128 143 146

HSL 190, 0.08%, 0.54%

LAB 58.33, -4.74, -3.43

 

CMYK 34 / 5 / 0 / 35

HEX #6D9DA5

RGB 109 157 165

HSL 188.57, 0.24%, 0.54%

LAB 61.72, -14, -9.32

 

CMYK 0 / 52 / 31 / 27

HEX #B95980

RGB 185 89 128

HSL 335.63, 0.41%, 0.54%

LAB 50.71, 43.07, -3.48

 

CMYK 0 / 52 / 45 / 27

HEX #B95966

RGB 185 89 102

HSL 351.88, 0.41%, 0.54%

LAB 50, 40, 11.06

 

CMYK 0 / 45 / 52 / 27

HEX #B96659

RGB 185 102 89

HSL 8.13, 0.41%, 0.54%

LAB 52.44, 31.9, 22.07

 

CMYK 0 / 31 / 52 / 27

HEX #B98059

RGB 185 128 89

HSL 24.38, 0.41%, 0.54%

LAB 58.48, 17.59, 29.93

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 0 / 50 / 59 / 47

HEX #874438

RGB 135 68 56

HSL 9.11, 0.41%, 0.37%

LAB 37.06, 27.39, 20.27

 

CMYK 0 / 50 / 58 / 35

HEX #A55345

RGB 165 83 69

HSL 8.75, 0.41%, 0.46%

LAB 45.1, 32.45, 23.68

 

CMYK 0 / 44 / 52 / 27

HEX #B96759

RGB 185 103 89

HSL 8.75, 0.41%, 0.54%

LAB 52.66, 31.36, 22.36

 

CMYK 0 / 34 / 40 / 23

HEX #C58276

RGB 197 130 118

HSL 9.11, 0.41%, 0.62%

LAB 60.91, 24.4, 17.12

 

CMYK 0 / 26 / 30 / 18

HEX #D29C93

RGB 210 156 147

HSL 8.57, 0.41%, 0.7%

LAB 69.17, 18.88, 12.59

 

CMYK 0 / 44 / 52 / 27

HEX #B96759

RGB 185 103 89

HSL 8.75, 0.41%, 0.54%

LAB 52.66, 31.36, 22.36

 

CMYK 17 / 0 / 52 / 27

HEX #99B959

RGB 153 185 89

HSL 80, 0.41%, 0.54%

LAB 71, -26.13, 44.7

 

CMYK 52 / 38 / 0 / 27

HEX #5973B9

RGB 89 115 185

HSL 223.75, 0.41%, 0.54%

LAB 49.36, 10.67, -39.89

 

CMYK 0 / 44 / 52 / 27

HEX #B96759

RGB 185 103 89

HSL 8.75, 0.41%, 0.54%

LAB 52.66, 31.36, 22.36

 

CMYK 52 / 0 / 45 / 27

HEX #59B966

RGB 89 185 102

HSL 128.13, 0.41%, 0.54%

LAB 67.86, -46.02, 33.6

 

CMYK 45 / 52 / 0 / 27

HEX #6659B9

RGB 102 89 185

HSL 248.13, 0.41%, 0.54%

LAB 43.47, 29.79, -49.22

 

CMYK 0 / 44 / 52 / 27

HEX #B96759

RGB 185 103 89

HSL 8.75, 0.41%, 0.54%

LAB 52.66, 31.36, 22.36

 

CMYK 17 / 0 / 52 / 27

HEX #99B959

RGB 153 185 89

HSL 80, 0.41%, 0.54%

LAB 71, -26.13, 44.7

 

CMYK 52 / 7 / 0 / 27

HEX #59ACB9

RGB 89 172 185

HSL 188.13, 0.41%, 0.54%

LAB 65.85, -21.59, -14.43

 

CMYK 35 / 52 / 0 / 27

HEX #7959B9

RGB 121 89 185

HSL 260, 0.41%, 0.54%

LAB 45.24, 34.5, -46.29

 

CMYK 0 / 44 / 52 / 27

HEX #B96759

RGB 185 103 89

HSL 8.75, 0.41%, 0.54%

LAB 52.66, 31.36, 22.36

 

CMYK 33 / 0 / 52 / 27

HEX #7CB959

RGB 124 185 89

HSL 98.13, 0.41%, 0.54%

LAB 69.26, -36.94, 42.19

 

CMYK 52 / 7 / 0 / 27

HEX #59ACB9

RGB 89 172 185

HSL 188.13, 0.41%, 0.54%

LAB 65.85, -21.59, -14.43

 

CMYK 19 / 52 / 0 / 27

HEX #9659B9

RGB 150 89 185

HSL 278.13, 0.41%, 0.54%

LAB 48.43, 42.27, -41.02

 

Description

Color code: HEX #B96759 | qconv.com Color code: HEX #B96759 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 103 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 103 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 52 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 52% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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