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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B94F26 it is the complementary color #46B0D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B94F26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B94F26 shade: #BE4F21, #CF6134, #E07347, #F1855A and #FF976D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B94F26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B94F26 shade: #B94F26, #A83D13, #972B00, #861900 and #750700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B94F26 shade: #BA4F26, #BA2726 and #BA2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B94F26 shade: #BA4F26, #BA7726, #BA9F26, #ADBA26 and #85BA26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B94F26 shade matches the following richer shades: #BA4F26, #CC4713 and #DE3F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B94F26 shade: #BA4F26, #A85738, #955F4A, #83675C and #716F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B94F26 shade: #BA264D, #BA2626, #BA4D26, #BA7526 and #BA9C26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B94F26 shade: #753218, #98401F, #BA4F26, #D56134 and #DC7B56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B94F26 shade: #B94F26, #75BA26 and #2639BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B94F26 shade: #B94F26, #26BA4D and #4D26BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B94F26 shade: #B94F26, #75BA26, #2692BA and #6B26BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B94F26 shade: #B94F26, #48BA26, #2692BA and #9726BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 79 / 27

HEX #B94F26

RGB 185 79 38

HSL 16.73, 0.66%, 0.44%

LAB 47.04, 40.57, 43.84

 

Complementary color

CMYK 68 / 19 / 0 / 15

HEX #46B0D9

RGB 70 176 217

HSL 196.73, 0.66%, 0.56%

LAB 67.55, -17.53, -29.58

 

CMYK 0 / 58 / 83 / 25

HEX #BE4F21

RGB 190 79 33

HSL 17.58, 0.7%, 0.44%

LAB 47.81, 42.3, 47.22

 

CMYK 0 / 53 / 75 / 19

HEX #CF6134

RGB 207 97 52

HSL 17.42, 0.62%, 0.51%

LAB 54.09, 40.66, 45.2

 

CMYK 0 / 49 / 68 / 12

HEX #E07347

RGB 224 115 71

HSL 17.25, 0.71%, 0.58%

LAB 60.39, 39.08, 43.1

 

CMYK 0 / 45 / 63 / 5

HEX #F1855A

RGB 241 133 90

HSL 17.09, 0.84%, 0.65%

LAB 66.68, 37.61, 41.11

 

CMYK 0 / 41 / 57 / 0

HEX #FF976D

RGB 255 151 109

HSL 17.26, 1%, 0.71%

LAB 72.56, 35.1, 38.71

 

CMYK 0 / 57 / 79 / 27

HEX #B94F26

RGB 185 79 38

HSL 16.73, 0.66%, 0.44%

LAB 47.04, 40.57, 43.84

 

CMYK 0 / 64 / 89 / 34

HEX #A83D13

RGB 168 61 19

HSL 16.91, 0.8%, 0.37%

LAB 40.75, 42.17, 45.69

 

CMYK 0 / 72 / 100 / 41

HEX #972B00

RGB 151 43 0

HSL 17.09, 1%, 0.3%

LAB 34.61, 43.52, 47.02

 

CMYK 0 / 81 / 100 / 47

HEX #861900

RGB 134 25 0

HSL 11.19, 1%, 0.26%

LAB 28.81, 44.31, 41.43

 

CMYK 0 / 94 / 100 / 54

HEX #750700

RGB 117 7 0

HSL 3.59, 1%, 0.23%

LAB 23.45, 43.57, 35.16

 

CMYK 0 / 58 / 80 / 27

HEX #BA4F26

RGB 186 79 38

HSL 16.62, 0.66%, 0.44%

LAB 47.2, 40.95, 44.05

 

CMYK 0 / 79 / 80 / 27

HEX #BA2726

RGB 186 39 38

HSL 0.41, 0.66%, 0.44%

LAB 41.26, 57, 38.11

 

CMYK 0 / 80 / 80 / 27

HEX #BA2626

RGB 186 38 38

HSL 0, 0.66%, 0.44%

LAB 41.16, 57.29, 38.01

 

CMYK 0 / 58 / 80 / 27

HEX #BA4F26

RGB 186 79 38

HSL 16.62, 0.66%, 0.44%

LAB 47.2, 40.95, 44.05

 

CMYK 0 / 36 / 80 / 27

HEX #BA7726

RGB 186 119 38

HSL 32.84, 0.66%, 0.44%

LAB 55.86, 19.74, 52.33

 

CMYK 0 / 15 / 80 / 27

HEX #BA9F26

RGB 186 159 38

HSL 49.05, 0.66%, 0.44%

LAB 66.04, -2.21, 61.62

 

CMYK 7 / 0 / 80 / 27

HEX #ADBA26

RGB 173 186 38

HSL 65.27, 0.66%, 0.44%

LAB 72.32, -21.84, 66.8

 

CMYK 28 / 0 / 80 / 27

HEX #85BA26

RGB 133 186 38

HSL 81.49, 0.66%, 0.44%

LAB 69.64, -38.12, 63.38

 

CMYK 0 / 58 / 80 / 27

HEX #BA4F26

RGB 186 79 38

HSL 16.62, 0.66%, 0.44%

LAB 47.2, 40.95, 44.05

 

CMYK 0 / 65 / 91 / 20

HEX #CC4713

RGB 204 71 19

HSL 16.86, 0.83%, 0.44%

LAB 48.75, 50.7, 54.52

 

CMYK 0 / 72 / 100 / 13

HEX #DE3F01

RGB 222 63 1

HSL 16.83, 0.99%, 0.44%

LAB 50.79, 59.62, 62.11

 

CMYK 0 / 58 / 80 / 27

HEX #BA4F26

RGB 186 79 38

HSL 16.62, 0.66%, 0.44%

LAB 47.2, 40.95, 44.05

 

CMYK 0 / 48 / 67 / 34

HEX #A85738

RGB 168 87 56

HSL 16.61, 0.5%, 0.44%

LAB 46.21, 30.57, 32.66

 

CMYK 0 / 36 / 50 / 42

HEX #955F4A

RGB 149 95 74

HSL 16.8, 0.34%, 0.44%

LAB 45.73, 19.58, 21.11

 

CMYK 0 / 21 / 30 / 49

HEX #83675C

RGB 131 103 92

HSL 16.92, 0.17%, 0.44%

LAB 46.04, 9.48, 10.48

 

CMYK 0 / 2 / 3 / 56

HEX #716F6E

RGB 113 111 110

HSL 20, 0.01%, 0.44%

LAB 46.98, 0.57, 0.82

 

CMYK 0 / 80 / 59 / 27

HEX #BA264D

RGB 186 38 77

HSL 344.19, 0.66%, 0.44%

LAB 41.78, 59.23, 15.06

 

CMYK 0 / 80 / 80 / 27

HEX #BA2626

RGB 186 38 38

HSL 0, 0.66%, 0.44%

LAB 41.16, 57.29, 38.01

 

CMYK 0 / 59 / 80 / 27

HEX #BA4D26

RGB 186 77 38

HSL 15.81, 0.66%, 0.44%

LAB 46.83, 41.92, 43.69

 

CMYK 0 / 37 / 80 / 27

HEX #BA7526

RGB 186 117 38

HSL 32.03, 0.66%, 0.44%

LAB 55.38, 20.85, 51.88

 

CMYK 0 / 16 / 80 / 27

HEX #BA9C26

RGB 186 156 38

HSL 47.84, 0.66%, 0.44%

LAB 65.24, -0.6, 60.91

 

CMYK 0 / 57 / 79 / 54

HEX #753218

RGB 117 50 24

HSL 16.77, 0.66%, 0.28%

LAB 29.74, 27.69, 29.95

 

CMYK 0 / 58 / 80 / 40

HEX #98401F

RGB 152 64 31

HSL 16.36, 0.66%, 0.36%

LAB 38.62, 34.94, 37.18

 

CMYK 0 / 58 / 80 / 27

HEX #BA4F26

RGB 186 79 38

HSL 16.62, 0.66%, 0.44%

LAB 47.2, 40.95, 44.05

 

CMYK 0 / 54 / 76 / 16

HEX #D56134

RGB 213 97 52

HSL 16.77, 0.66%, 0.52%

LAB 55.01, 42.95, 46.44

 

CMYK 0 / 44 / 61 / 14

HEX #DC7B56

RGB 220 123 86

HSL 16.57, 0.66%, 0.6%

LAB 61.7, 34.32, 36.54

 

CMYK 0 / 57 / 79 / 27

HEX #B94F26

RGB 185 79 38

HSL 16.73, 0.66%, 0.44%

LAB 47.04, 40.57, 43.84

 

CMYK 37 / 0 / 80 / 27

HEX #75BA26

RGB 117 186 38

HSL 87.97, 0.66%, 0.44%

LAB 68.78, -44.03, 62.27

 

CMYK 80 / 69 / 0 / 27

HEX #2639BA

RGB 38 57 186

HSL 232.3, 0.66%, 0.44%

LAB 31.54, 39.67, -69.4

 

CMYK 0 / 57 / 79 / 27

HEX #B94F26

RGB 185 79 38

HSL 16.73, 0.66%, 0.44%

LAB 47.04, 40.57, 43.84

 

CMYK 80 / 0 / 59 / 27

HEX #26BA4D

RGB 38 186 77

HSL 135.81, 0.66%, 0.44%

LAB 66.57, -60.02, 44.02

 

CMYK 59 / 80 / 0 / 27

HEX #4D26BA

RGB 77 38 186

HSL 255.81, 0.66%, 0.44%

LAB 30.66, 53.93, -70.75

 

CMYK 0 / 57 / 79 / 27

HEX #B94F26

RGB 185 79 38

HSL 16.73, 0.66%, 0.44%

LAB 47.04, 40.57, 43.84

 

CMYK 37 / 0 / 80 / 27

HEX #75BA26

RGB 117 186 38

HSL 87.97, 0.66%, 0.44%

LAB 68.78, -44.03, 62.27

 

CMYK 80 / 22 / 0 / 27

HEX #2692BA

RGB 38 146 186

HSL 196.22, 0.66%, 0.44%

LAB 56.6, -15.83, -29.27

 

CMYK 42 / 80 / 0 / 27

HEX #6B26BA

RGB 107 38 186

HSL 267.97, 0.66%, 0.44%

LAB 34.1, 57.92, -64.97

 

CMYK 0 / 57 / 79 / 27

HEX #B94F26

RGB 185 79 38

HSL 16.73, 0.66%, 0.44%

LAB 47.04, 40.57, 43.84

 

CMYK 61 / 0 / 80 / 27

HEX #48BA26

RGB 72 186 38

HSL 106.22, 0.66%, 0.44%

LAB 67, -57.52, 59.97

 

CMYK 80 / 22 / 0 / 27

HEX #2692BA

RGB 38 146 186

HSL 196.22, 0.66%, 0.44%

LAB 56.6, -15.83, -29.27

 

CMYK 19 / 80 / 0 / 27

HEX #9726BA

RGB 151 38 186

HSL 285.81, 0.66%, 0.44%

LAB 40.43, 65.25, -54.4

 

Description

Color code: HEX #B94F26 | qconv.com Color code: HEX #B94F26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 79 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 79 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 79 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 79% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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