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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9407B it is the complementary color #46BF84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9407B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9407B shade: #BE4076, #CF5289, #E0649C, #F176AF and #FF88C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9407B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9407B shade: #B9407B, #A82E68, #971C55, #860A42 and #75002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9407B shade: #BA3F7B, #BA3F5A and #BA3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9407B shade: #BA3F7B, #BA3F9C, #B63FBA, #953FBA and #743FBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9407B shade matches the following richer shades: #BA3F7B, #CE2B7A, #E2177A and #F60379

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9407B shade: #BA3F7B, #A5537B, #91687C, #7D7C7C and #69907D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9407B shade: #B63FBA, #BA3F9D, #BA3F7C, #BA3F5C and #BA433F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9407B shade: #7C2A52, #9B3567, #BA3F7B, #C75B90 and #D17AA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9407B shade: #B9407B, #BA953F and #3FADBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9407B shade: #B9407B, #7CBA3F and #3F7CBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9407B shade: #B9407B, #BA953F, #3FBA7C and #3F64BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9407B shade: #B9407B, #BABA3F, #3FBA7C and #3F3FBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 34 / 27

HEX #B9407B

RGB 185 64 123

HSL 330.74, 0.49%, 0.49%

LAB 46.19, 54.06, -7.17

 

Complementary color

CMYK 63 / 0 / 31 / 25

HEX #46BF84

RGB 70 191 132

HSL 150.74, 0.49%, 0.51%

LAB 69.63, -47.38, 20.07

 

CMYK 0 / 66 / 38 / 25

HEX #BE4076

RGB 190 64 118

HSL 334.29, 0.5%, 0.5%

LAB 46.87, 54.98, -3.02

 

CMYK 0 / 60 / 34 / 19

HEX #CF5289

RGB 207 82 137

HSL 333.6, 0.57%, 0.57%

LAB 53.07, 54.66, -4.98

 

CMYK 0 / 55 / 30 / 12

HEX #E0649C

RGB 224 100 156

HSL 332.9, 0.67%, 0.64%

LAB 59.31, 54.1, -6.58

 

CMYK 0 / 51 / 27 / 5

HEX #F176AF

RGB 241 118 175

HSL 332.2, 0.81%, 0.7%

LAB 65.56, 53.41, -7.92

 

CMYK 0 / 47 / 24 / 0

HEX #FF88C2

RGB 255 136 194

HSL 330.76, 1%, 0.77%

LAB 71.39, 51.7, -9.7

 

CMYK 0 / 65 / 34 / 27

HEX #B9407B

RGB 185 64 123

HSL 330.74, 0.49%, 0.49%

LAB 46.19, 54.06, -7.17

 

CMYK 0 / 73 / 38 / 34

HEX #A82E68

RGB 168 46 104

HSL 331.48, 0.57%, 0.42%

LAB 40.05, 53.95, -4.89

 

CMYK 0 / 81 / 44 / 41

HEX #971C55

RGB 151 28 85

HSL 332.2, 0.69%, 0.35%

LAB 34.12, 53.07, -1.89

 

CMYK 0 / 93 / 51 / 47

HEX #860A42

RGB 134 10 66

HSL 332.9, 0.86%, 0.28%

LAB 28.59, 50.91, 2.17

 

CMYK 0 / 100 / 60 / 54

HEX #75002F

RGB 117 0 47

HSL 335.9, 1%, 0.23%

LAB 23.63, 46.92, 7.62

 

CMYK 0 / 66 / 34 / 27

HEX #BA3F7B

RGB 186 63 123

HSL 330.73, 0.49%, 0.49%

LAB 46.21, 54.77, -7.12

 

CMYK 0 / 66 / 52 / 27

HEX #BA3F5A

RGB 186 63 90

HSL 346.83, 0.49%, 0.49%

LAB 45.27, 51.39, 11.76

 

CMYK 0 / 66 / 66 / 27

HEX #BA3F3F

RGB 186 63 63

HSL 0, 0.49%, 0.49%

LAB 44.73, 49.45, 27.5

 

CMYK 0 / 66 / 34 / 27

HEX #BA3F7B

RGB 186 63 123

HSL 330.73, 0.49%, 0.49%

LAB 46.21, 54.77, -7.12

 

CMYK 0 / 66 / 16 / 27

HEX #BA3F9C

RGB 186 63 156

HSL 314.63, 0.49%, 0.49%

LAB 47.49, 59.15, -25.07

 

CMYK 2 / 66 / 0 / 27

HEX #B63FBA

RGB 182 63 186

HSL 298.05, 0.49%, 0.49%

LAB 48.32, 62.95, -41.5

 

CMYK 20 / 66 / 0 / 27

HEX #953FBA

RGB 149 63 186

HSL 281.95, 0.49%, 0.49%

LAB 43.49, 55.3, -49.48

 

CMYK 38 / 66 / 0 / 27

HEX #743FBA

RGB 116 63 186

HSL 265.85, 0.49%, 0.49%

LAB 39.26, 48.09, -56.51

 

CMYK 0 / 66 / 34 / 27

HEX #BA3F7B

RGB 186 63 123

HSL 330.73, 0.49%, 0.49%

LAB 46.21, 54.77, -7.12

 

CMYK 0 / 79 / 41 / 19

HEX #CE2B7A

RGB 206 43 122

HSL 330.92, 0.65%, 0.49%

LAB 47.31, 66.91, -4.5

 

CMYK 0 / 90 / 46 / 11

HEX #E2177A

RGB 226 23 122

HSL 330.74, 0.82%, 0.49%

LAB 49.72, 75.72, -0.51

 

CMYK 0 / 99 / 51 / 4

HEX #F60379

RGB 246 3 121

HSL 330.86, 0.98%, 0.49%

LAB 52.99, 81.91, 5.33

 

CMYK 0 / 66 / 34 / 27

HEX #BA3F7B

RGB 186 63 123

HSL 330.73, 0.49%, 0.49%

LAB 46.21, 54.77, -7.12

 

CMYK 0 / 50 / 25 / 35

HEX #A5537B

RGB 165 83 123

HSL 330.73, 0.33%, 0.49%

LAB 46.47, 38.6, -7.08

 

CMYK 0 / 28 / 14 / 43

HEX #91687C

RGB 145 104 124

HSL 330.73, 0.16%, 0.49%

LAB 48.73, 19.7, -4.6

 

CMYK 0 / 1 / 1 / 51

HEX #7D7C7C

RGB 125 124 124

HSL 0, 0%, 0.49%

LAB 52.1, 0.38, 0.13

 

CMYK 27 / 0 / 13 / 44

HEX #69907D

RGB 105 144 125

HSL 150.77, 0.16%, 0.49%

LAB 56.52, -17.67, 5.76

 

CMYK 2 / 66 / 0 / 27

HEX #B63FBA

RGB 182 63 186

HSL 298.05, 0.49%, 0.49%

LAB 48.32, 62.95, -41.5

 

CMYK 0 / 66 / 16 / 27

HEX #BA3F9D

RGB 186 63 157

HSL 314.15, 0.49%, 0.49%

LAB 47.53, 59.3, -25.6

 

CMYK 0 / 66 / 33 / 27

HEX #BA3F7C

RGB 186 63 124

HSL 330.24, 0.49%, 0.49%

LAB 46.24, 54.88, -7.68

 

CMYK 0 / 66 / 51 / 27

HEX #BA3F5C

RGB 186 63 92

HSL 345.85, 0.49%, 0.49%

LAB 45.31, 51.57, 10.59

 

CMYK 0 / 64 / 66 / 27

HEX #BA433F

RGB 186 67 63

HSL 1.95, 0.49%, 0.49%

LAB 45.38, 47.72, 28.3

 

CMYK 0 / 66 / 34 / 51

HEX #7C2A52

RGB 124 42 82

HSL 330.73, 0.49%, 0.33%

LAB 30.76, 39.6, -5.47

 

CMYK 0 / 66 / 34 / 39

HEX #9B3567

RGB 155 53 103

HSL 330.59, 0.49%, 0.41%

LAB 38.71, 47.19, -6.49

 

CMYK 0 / 66 / 34 / 27

HEX #BA3F7B

RGB 186 63 123

HSL 330.73, 0.49%, 0.49%

LAB 46.21, 54.77, -7.12

 

CMYK 0 / 54 / 28 / 22

HEX #C75B90

RGB 199 91 144

HSL 330.56, 0.49%, 0.57%

LAB 53.64, 48.85, -8.4

 

CMYK 0 / 42 / 21 / 18

HEX #D17AA5

RGB 209 122 165

HSL 330.34, 0.49%, 0.65%

LAB 61.82, 39.41, -8.25

 

CMYK 0 / 65 / 34 / 27

HEX #B9407B

RGB 185 64 123

HSL 330.74, 0.49%, 0.49%

LAB 46.19, 54.06, -7.17

 

CMYK 0 / 20 / 66 / 27

HEX #BA953F

RGB 186 149 63

HSL 41.95, 0.49%, 0.49%

LAB 63.58, 4.42, 49.28

 

CMYK 66 / 7 / 0 / 27

HEX #3FADBA

RGB 63 173 186

HSL 186.34, 0.49%, 0.49%

LAB 65.35, -26.67, -15.82

 

CMYK 0 / 65 / 34 / 27

HEX #B9407B

RGB 185 64 123

HSL 330.74, 0.49%, 0.49%

LAB 46.19, 54.06, -7.17

 

CMYK 33 / 0 / 66 / 27

HEX #7CBA3F

RGB 124 186 63

HSL 90.24, 0.49%, 0.49%

LAB 69.3, -39.93, 54.01

 

CMYK 66 / 33 / 0 / 27

HEX #3F7CBA

RGB 63 124 186

HSL 210.24, 0.49%, 0.49%

LAB 50.71, 0.24, -38.43

 

CMYK 0 / 65 / 34 / 27

HEX #B9407B

RGB 185 64 123

HSL 330.74, 0.49%, 0.49%

LAB 46.19, 54.06, -7.17

 

CMYK 0 / 20 / 66 / 27

HEX #BA953F

RGB 186 149 63

HSL 41.95, 0.49%, 0.49%

LAB 63.58, 4.42, 49.28

 

CMYK 66 / 0 / 33 / 27

HEX #3FBA7C

RGB 63 186 124

HSL 149.76, 0.49%, 0.49%

LAB 67.75, -48.29, 21.75

 

CMYK 66 / 46 / 0 / 27

HEX #3F64BA

RGB 63 100 186

HSL 221.95, 0.49%, 0.49%

LAB 43.82, 15.14, -49.37

 

CMYK 0 / 65 / 34 / 27

HEX #B9407B

RGB 185 64 123

HSL 330.74, 0.49%, 0.49%

LAB 46.19, 54.06, -7.17

 

CMYK 0 / 0 / 66 / 27

HEX #BABA3F

RGB 186 186 63

HSL 60, 0.49%, 0.49%

LAB 73.49, -15.13, 59.69

 

CMYK 66 / 0 / 33 / 27

HEX #3FBA7C

RGB 63 186 124

HSL 149.76, 0.49%, 0.49%

LAB 67.75, -48.29, 21.75

 

CMYK 66 / 66 / 0 / 27

HEX #3F3FBA

RGB 63 63 186

HSL 240, 0.49%, 0.49%

LAB 34.31, 38.71, -64.8

 

Description

Color code: HEX #B9407B | qconv.com Color code: HEX #B9407B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 64 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 64 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 34 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 34% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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