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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B93112 it is the complementary color #46CEED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B93112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B93112 shade: #BE310D, #CF4320, #E05533, #F16746 and #FF7959

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B93112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B93112 shade: #B93112, #A81F00, #970D00, #860000 and #750000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B93112 shade: #B93112 and #B91212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B93112 shade: #B93112, #B95E12, #B98B12, #B9B812 and #8DB912

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B93112 shade matches the following richer shades: #B93112 and #CA2701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B93112 shade: #B93112, #A93B22, #984633, #885043 and #775A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B93112 shade: #B9124C, #B91220, #B93112, #B95D12 and #B98A12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B93112 shade: #6E1D0A, #94270E, #B93112, #DF3B16 and #EA5533

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B93112 shade: #B93112, #79B912 and #1236B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B93112 shade: #B93112, #12B931 and #3112B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B93112 shade: #B93112, #79B912, #129AB9 and #5212B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B93112 shade: #B93112, #47B912, #129AB9 and #8412B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

Complementary color

CMYK 70 / 13 / 0 / 7

HEX #46CEED

RGB 70 206 237

HSL 191.14, 0.82%, 0.6%

LAB 77.02, -26.6, -25.9

 

CMYK 0 / 74 / 93 / 25

HEX #BE310D

RGB 190 49 13

HSL 12.2, 0.87%, 0.4%

LAB 43.02, 54.47, 51.36

 

CMYK 0 / 68 / 85 / 19

HEX #CF4320

RGB 207 67 32

HSL 12, 0.73%, 0.47%

LAB 48.74, 53.64, 49.61

 

CMYK 0 / 62 / 77 / 12

HEX #E05533

RGB 224 85 51

HSL 11.79, 0.74%, 0.54%

LAB 54.64, 52.48, 47.12

 

CMYK 0 / 57 / 71 / 5

HEX #F16746

RGB 241 103 70

HSL 11.58, 0.86%, 0.61%

LAB 60.64, 51.18, 44.59

 

CMYK 0 / 53 / 65 / 0

HEX #FF7959

RGB 255 121 89

HSL 11.57, 1%, 0.67%

LAB 66.26, 48.75, 41.59

 

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

CMYK 0 / 82 / 100 / 34

HEX #A81F00

RGB 168 31 0

HSL 11.07, 1%, 0.33%

LAB 36.56, 53.13, 49.9

 

CMYK 0 / 91 / 100 / 41

HEX #970D00

RGB 151 13 0

HSL 5.17, 1%, 0.3%

LAB 31.5, 52.24, 45.09

 

CMYK 0 / 100 / 100 / 47

HEX #860000

RGB 134 0 0

HSL 0, 1%, 0.26%

LAB 26.93, 49.67, 39.85

 

CMYK 0 / 100 / 100 / 54

HEX #750000

RGB 117 0 0

HSL 0, 1%, 0.23%

LAB 22.94, 45.05, 34.64

 

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

CMYK 0 / 90 / 90 / 27

HEX #B91212

RGB 185 18 18

HSL 0, 0.82%, 0.4%

LAB 39.23, 61, 46.4

 

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

CMYK 0 / 49 / 90 / 27

HEX #B95E12

RGB 185 94 18

HSL 27.31, 0.82%, 0.4%

LAB 49.93, 32.36, 54.33

 

CMYK 0 / 25 / 90 / 27

HEX #B98B12

RGB 185 139 18

HSL 43.47, 0.82%, 0.4%

LAB 60.63, 7.67, 62.51

 

CMYK 0 / 1 / 90 / 27

HEX #B9B812

RGB 185 184 18

HSL 59.64, 0.82%, 0.4%

LAB 72.65, -16.2, 71.88

 

CMYK 24 / 0 / 90 / 27

HEX #8DB912

RGB 141 185 18

HSL 75.81, 0.82%, 0.4%

LAB 69.76, -35.2, 68.23

 

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

CMYK 0 / 81 / 100 / 21

HEX #CA2701

RGB 202 39 1

HSL 11.34, 0.99%, 0.4%

LAB 44.25, 61.05, 56.9

 

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

CMYK 0 / 65 / 80 / 34

HEX #A93B22

RGB 169 59 34

HSL 11.11, 0.67%, 0.4%

LAB 40.7, 43.87, 38.67

 

CMYK 0 / 54 / 66 / 40

HEX #984633

RGB 152 70 51

HSL 11.29, 0.5%, 0.4%

LAB 40.07, 32.86, 27.62

 

CMYK 0 / 41 / 51 / 47

HEX #885043

RGB 136 80 67

HSL 11.3, 0.34%, 0.4%

LAB 40.21, 22, 17.69

 

CMYK 0 / 24 / 29 / 53

HEX #775A54

RGB 119 90 84

HSL 10.29, 0.17%, 0.4%

LAB 41.02, 10.96, 8.06

 

CMYK 0 / 90 / 59 / 27

HEX #B9124C

RGB 185 18 76

HSL 339.16, 0.82%, 0.4%

LAB 40.03, 63.28, 13.26

 

CMYK 0 / 90 / 83 / 27

HEX #B91220

RGB 185 18 32

HSL 354.97, 0.82%, 0.4%

LAB 39.33, 61.29, 39.46

 

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

CMYK 0 / 50 / 90 / 27

HEX #B95D12

RGB 185 93 18

HSL 26.95, 0.82%, 0.4%

LAB 49.72, 32.88, 54.17

 

CMYK 0 / 25 / 90 / 27

HEX #B98A12

RGB 185 138 18

HSL 43.11, 0.82%, 0.4%

LAB 60.37, 8.22, 62.31

 

CMYK 0 / 74 / 91 / 57

HEX #6E1D0A

RGB 110 29 10

HSL 11.4, 0.83%, 0.24%

LAB 24.37, 34.81, 31.49

 

CMYK 0 / 74 / 91 / 42

HEX #94270E

RGB 148 39 14

HSL 11.19, 0.83%, 0.32%

LAB 33.52, 44.29, 40.49

 

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

CMYK 0 / 74 / 90 / 13

HEX #DF3B16

RGB 223 59 22

HSL 11.04, 0.82%, 0.48%

LAB 50.54, 61.54, 56.34

 

CMYK 0 / 64 / 78 / 8

HEX #EA5533

RGB 234 85 51

HSL 11.15, 0.81%, 0.56%

LAB 56.32, 55.92, 49.35

 

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

CMYK 35 / 0 / 90 / 27

HEX #79B912

RGB 121 185 18

HSL 82.99, 0.82%, 0.4%

LAB 68.61, -42.88, 66.82

 

CMYK 90 / 71 / 0 / 27

HEX #1236B9

RGB 18 54 185

HSL 227.07, 0.82%, 0.4%

LAB 30.08, 39.94, -71.23

 

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

CMYK 90 / 0 / 74 / 27

HEX #12B931

RGB 18 185 49

HSL 131.14, 0.82%, 0.4%

LAB 65.79, -64.58, 54.82

 

CMYK 74 / 90 / 0 / 27

HEX #3112B9

RGB 49 18 185

HSL 251.14, 0.82%, 0.4%

LAB 25.53, 58.91, -78.74

 

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

CMYK 35 / 0 / 90 / 27

HEX #79B912

RGB 121 185 18

HSL 82.99, 0.82%, 0.4%

LAB 68.61, -42.88, 66.82

 

CMYK 90 / 17 / 0 / 27

HEX #129AB9

RGB 18 154 185

HSL 191.14, 0.82%, 0.4%

LAB 58.74, -21.98, -25.42

 

CMYK 56 / 90 / 0 / 27

HEX #5212B9

RGB 82 18 185

HSL 262.99, 0.82%, 0.4%

LAB 28.72, 61.2, -73.35

 

CMYK 0 / 74 / 90 / 27

HEX #B93112

RGB 185 49 18

HSL 11.14, 0.82%, 0.4%

LAB 42.08, 52.94, 48.48

 

CMYK 62 / 0 / 90 / 27

HEX #47B912

RGB 71 185 18

HSL 100.96, 0.82%, 0.4%

LAB 66.58, -58.28, 64.3

 

CMYK 90 / 17 / 0 / 27

HEX #129AB9

RGB 18 154 185

HSL 191.14, 0.82%, 0.4%

LAB 58.74, -21.98, -25.42

 

CMYK 29 / 90 / 0 / 27

HEX #8412B9

RGB 132 18 185

HSL 280.96, 0.82%, 0.4%

LAB 35.68, 66.97, -61.66

 

Description

Color code: HEX #B93112 | qconv.com Color code: HEX #B93112 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 49 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 49 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 90 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 90% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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