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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B935C3 it is the complementary color #46CA3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B935C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B935C3 shade: #BE35BE, #CF47D1, #E059E4, #F16BF7 and #FF7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B935C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B935C3 shade: #B935C3, #A823B0, #97119D, #86008A and #750077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B935C3 shade: #BA35C4, #C435A7, #C43581, #C4355A and #C43535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B935C3 shade: #BA35C4, #9335C4, #6D35C4, #4635C4 and #3535C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B935C3 shade matches the following richer shades: #BA35C4, #CB21D8 and #DC0DEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B935C3 shade: #BA35C4, #A849AF, #975E9B, #867287 and #748673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B935C3 shade: #6C35C4, #9235C4, #B835C4, #C435AA and #C43584

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B935C3 shade: #7C2383, #9B2CA3, #BA35C4, #C753CF and #D173D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B935C3 shade: #B935C3, #C44635 and #35C47F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B935C3 shade: #B935C3, #C4B835 and #35C4B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B935C3 shade: #B935C3, #C44635, #41C435 and #35B3C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B935C3 shade: #B935C3, #C47135, #41C435 and #3588C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 73 / 0 / 24

HEX #B935C3

RGB 185 53 195

HSL 295.77, 0.57%, 0.49%

LAB 48.01, 68.76, -47.2

 

Complementary color

CMYK 65 / 0 / 70 / 21

HEX #46CA3C

RGB 70 202 60

HSL 115.77, 0.57%, 0.51%

LAB 72.14, -61.87, 57.56

 

CMYK 0 / 72 / 0 / 25

HEX #BE35BE

RGB 190 53 190

HSL 300, 0.56%, 0.48%

LAB 48.52, 68.99, -43.42

 

CMYK 1 / 66 / 0 / 18

HEX #CF47D1

RGB 207 71 209

HSL 299.13, 0.6%, 0.55%

LAB 54.42, 69.56, -44.85

 

CMYK 2 / 61 / 0 / 11

HEX #E059E4

RGB 224 89 228

HSL 298.27, 0.72%, 0.62%

LAB 60.42, 69.64, -45.94

 

CMYK 2 / 57 / 0 / 3

HEX #F16BF7

RGB 241 107 247

HSL 297.43, 0.9%, 0.69%

LAB 66.47, 69.42, -46.79

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 5 / 73 / 0 / 24

HEX #B935C3

RGB 185 53 195

HSL 295.77, 0.57%, 0.49%

LAB 48.01, 68.76, -47.2

 

CMYK 5 / 80 / 0 / 31

HEX #A823B0

RGB 168 35 176

HSL 296.6, 0.67%, 0.41%

LAB 42.25, 67.51, -45.42

 

CMYK 4 / 89 / 0 / 38

HEX #97119D

RGB 151 17 157

HSL 297.43, 0.8%, 0.34%

LAB 36.77, 65.14, -42.97

 

CMYK 3 / 100 / 0 / 46

HEX #86008A

RGB 134 0 138

HSL 298.26, 1%, 0.27%

LAB 31.59, 61.56, -39.8

 

CMYK 2 / 100 / 0 / 53

HEX #750077

RGB 117 0 119

HSL 298.99, 1%, 0.23%

LAB 27.06, 55.58, -35.28

 

CMYK 5 / 73 / 0 / 23

HEX #BA35C4

RGB 186 53 196

HSL 295.8, 0.57%, 0.49%

LAB 48.22, 69.14, -47.42

 

CMYK 0 / 73 / 15 / 23

HEX #C435A7

RGB 196 53 167

HSL 312.17, 0.57%, 0.49%

LAB 48.35, 66.85, -30.13

 

CMYK 0 / 73 / 34 / 23

HEX #C43581

RGB 196 53 129

HSL 328.11, 0.57%, 0.49%

LAB 46.8, 62.01, -9.71

 

CMYK 0 / 73 / 54 / 23

HEX #C4355A

RGB 196 53 90

HSL 344.48, 0.57%, 0.49%

LAB 45.66, 58.31, 12.58

 

CMYK 0 / 73 / 73 / 23

HEX #C43535

RGB 196 53 53

HSL 0, 0.57%, 0.49%

LAB 45, 56.07, 34.15

 

CMYK 5 / 73 / 0 / 23

HEX #BA35C4

RGB 186 53 196

HSL 295.8, 0.57%, 0.49%

LAB 48.22, 69.14, -47.42

 

CMYK 25 / 73 / 0 / 23

HEX #9335C4

RGB 147 53 196

HSL 279.44, 0.57%, 0.49%

LAB 42.36, 61.23, -57.15

 

CMYK 44 / 73 / 0 / 23

HEX #6D35C4

RGB 109 53 196

HSL 263.5, 0.57%, 0.49%

LAB 37.45, 54.3, -65.36

 

CMYK 64 / 73 / 0 / 23

HEX #4635C4

RGB 70 53 196

HSL 247.13, 0.57%, 0.49%

LAB 33.63, 48.62, -71.76

 

CMYK 73 / 73 / 0 / 23

HEX #3535C4

RGB 53 53 196

HSL 240, 0.57%, 0.49%

LAB 32.46, 46.79, -73.75

 

CMYK 5 / 73 / 0 / 23

HEX #BA35C4

RGB 186 53 196

HSL 295.8, 0.57%, 0.49%

LAB 48.22, 69.14, -47.42

 

CMYK 6 / 85 / 0 / 15

HEX #CB21D8

RGB 203 33 216

HSL 295.74, 0.73%, 0.49%

LAB 50.38, 80.8, -55.32

 

CMYK 7 / 94 / 0 / 7

HEX #DC0DEC

RGB 220 13 236

HSL 295.7, 0.9%, 0.49%

LAB 53.56, 89.31, -61.41

 

CMYK 5 / 73 / 0 / 23

HEX #BA35C4

RGB 186 53 196

HSL 295.8, 0.57%, 0.49%

LAB 48.22, 69.14, -47.42

 

CMYK 4 / 58 / 0 / 31

HEX #A849AF

RGB 168 73 175

HSL 295.88, 0.41%, 0.49%

LAB 47.22, 53.21, -36.94

 

CMYK 3 / 39 / 0 / 39

HEX #975E9B

RGB 151 94 155

HSL 296.07, 0.24%, 0.49%

LAB 48.2, 33.42, -23.77

 

CMYK 1 / 16 / 0 / 47

HEX #867287

RGB 134 114 135

HSL 297.14, 0.08%, 0.49%

LAB 50.51, 11.79, -8.59

 

CMYK 13 / 0 / 14 / 47

HEX #748673

RGB 116 134 115

HSL 116.84, 0.08%, 0.49%

LAB 54.03, -10.41, 8.05

 

CMYK 45 / 73 / 0 / 23

HEX #6C35C4

RGB 108 53 196

HSL 263.08, 0.57%, 0.49%

LAB 37.33, 54.13, -65.55

 

CMYK 26 / 73 / 0 / 23

HEX #9235C4

RGB 146 53 196

HSL 279.02, 0.57%, 0.49%

LAB 42.22, 61.04, -57.39

 

CMYK 6 / 73 / 0 / 23

HEX #B835C4

RGB 184 53 196

HSL 294.97, 0.57%, 0.49%

LAB 47.91, 68.72, -47.95

 

CMYK 0 / 73 / 13 / 23

HEX #C435AA

RGB 196 53 170

HSL 310.91, 0.57%, 0.49%

LAB 48.49, 67.28, -31.69

 

CMYK 0 / 73 / 33 / 23

HEX #C43584

RGB 196 53 132

HSL 326.85, 0.57%, 0.49%

LAB 46.91, 62.35, -11.38

 

CMYK 5 / 73 / 0 / 49

HEX #7C2383

RGB 124 35 131

HSL 295.63, 0.58%, 0.33%

LAB 32.09, 50.39, -34.73

 

CMYK 5 / 73 / 0 / 36

HEX #9B2CA3

RGB 155 44 163

HSL 295.97, 0.57%, 0.41%

LAB 40.27, 59.87, -40.95

 

CMYK 5 / 73 / 0 / 23

HEX #BA35C4

RGB 186 53 196

HSL 295.8, 0.57%, 0.49%

LAB 48.22, 69.14, -47.42

 

CMYK 4 / 60 / 0 / 19

HEX #C753CF

RGB 199 83 207

HSL 296.13, 0.56%, 0.57%

LAB 54.9, 62.44, -43.03

 

CMYK 3 / 47 / 0 / 15

HEX #D173D8

RGB 209 115 216

HSL 295.84, 0.56%, 0.65%

LAB 62.32, 51.6, -36.38

 

CMYK 5 / 73 / 0 / 24

HEX #B935C3

RGB 185 53 195

HSL 295.77, 0.57%, 0.49%

LAB 48.01, 68.76, -47.2

 

CMYK 0 / 64 / 73 / 23

HEX #C44635

RGB 196 70 53

HSL 7.13, 0.57%, 0.49%

LAB 47.46, 49.36, 36.95

 

CMYK 73 / 0 / 35 / 23

HEX #35C47F

RGB 53 196 127

HSL 151.05, 0.57%, 0.49%

LAB 70.71, -53.23, 24.13

 

CMYK 5 / 73 / 0 / 24

HEX #B935C3

RGB 185 53 195

HSL 295.77, 0.57%, 0.49%

LAB 48.01, 68.76, -47.2

 

CMYK 0 / 6 / 73 / 23

HEX #C4B835

RGB 196 184 53

HSL 54.97, 0.57%, 0.49%

LAB 73.72, -10.34, 63.97

 

CMYK 73 / 0 / 6 / 23

HEX #35C4B8

RGB 53 196 184

HSL 174.97, 0.57%, 0.49%

LAB 72.03, -39.52, -4.77

 

CMYK 5 / 73 / 0 / 24

HEX #B935C3

RGB 185 53 195

HSL 295.77, 0.57%, 0.49%

LAB 48.01, 68.76, -47.2

 

CMYK 0 / 64 / 73 / 23

HEX #C44635

RGB 196 70 53

HSL 7.13, 0.57%, 0.49%

LAB 47.46, 49.36, 36.95

 

CMYK 67 / 0 / 73 / 23

HEX #41C435

RGB 65 196 53

HSL 114.97, 0.57%, 0.49%

LAB 70.08, -61.44, 57.98

 

CMYK 73 / 9 / 0 / 23

HEX #35B3C4

RGB 53 179 196

HSL 187.13, 0.57%, 0.49%

LAB 67.26, -27.99, -18.48

 

CMYK 5 / 73 / 0 / 24

HEX #B935C3

RGB 185 53 195

HSL 295.77, 0.57%, 0.49%

LAB 48.01, 68.76, -47.2

 

CMYK 0 / 42 / 73 / 23

HEX #C47135

RGB 196 113 53

HSL 25.17, 0.57%, 0.49%

LAB 55.89, 27.94, 46.11

 

CMYK 67 / 0 / 73 / 23

HEX #41C435

RGB 65 196 53

HSL 114.97, 0.57%, 0.49%

LAB 70.08, -61.44, 57.98

 

CMYK 73 / 31 / 0 / 23

HEX #3588C4

RGB 53 136 196

HSL 205.17, 0.57%, 0.49%

LAB 54.4, -4.87, -38.36

 

Description

Color code: HEX #B935C3 | qconv.com Color code: HEX #B935C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 53 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 53 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 73 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 73% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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