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Color name
HEX #B912B1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B912B1 it is the complementary color #46ED4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B912B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B912B1 shade: #BE12AC, #CF24BF, #E036D2, #F148E5 and #FF5AF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B912B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B912B1 shade: #B912B1, #A8009E, #97008B, #860078 and #750065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B912B1 shade: #B912B1, #B91284, #B91257, #B9122A and #B91212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B912B1 shade: #B912B1, #9412B9, #6712B9, #3A12B9 and #1212B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B912B1 shade matches the following richer shades: #B912B1 and #CA01C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B912B1 shade: #B912B1, #A922A2, #983393, #884384 and #775475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B912B1 shade: #6612B9, #9212B9, #B912B4, #B91287 and #B9125A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B912B1 shade: #6E0A69, #940E8D, #B912B1, #DF16D5 and #EA33E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B912B1 shade: #B912B1, #B93912 and #12B97C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B912B1 shade: #B912B1, #B4B912 and #12B4B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B912B1 shade: #B912B1, #B93912, #12B917 and #1292B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B912B1 shade: #B912B1, #B96B12, #12B917 and #1260B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 4 / 27

HEX #B912B1

RGB 185 18 177

HSL 302.87, 0.82%, 0.4%

LAB 44.12, 74.19, -42.85

 

Complementary color

CMYK 70 / 0 / 67 / 7

HEX #46ED4E

RGB 70 237 78

HSL 122.87, 0.82%, 0.6%

LAB 83.14, -71.73, 62.28

 

CMYK 0 / 91 / 9 / 25

HEX #BE12AC

RGB 190 18 172

HSL 306.28, 0.83%, 0.41%

LAB 44.74, 74.39, -38.84

 

CMYK 0 / 83 / 8 / 19

HEX #CF24BF

RGB 207 36 191

HSL 305.61, 0.7%, 0.48%

LAB 49.84, 77.17, -41.73

 

CMYK 0 / 76 / 6 / 12

HEX #E036D2

RGB 224 54 210

HSL 304.94, 0.73%, 0.55%

LAB 55.21, 78.93, -43.99

 

CMYK 0 / 70 / 5 / 5

HEX #F148E5

RGB 241 72 229

HSL 304.26, 0.86%, 0.61%

LAB 60.78, 79.93, -45.77

 

CMYK 0 / 65 / 3 / 0

HEX #FF5AF8

RGB 255 90 248

HSL 302.55, 1%, 0.68%

LAB 66.02, 79.72, -47.92

 

CMYK 0 / 90 / 4 / 27

HEX #B912B1

RGB 185 18 177

HSL 302.87, 0.82%, 0.4%

LAB 44.12, 74.19, -42.85

 

CMYK 0 / 100 / 6 / 34

HEX #A8009E

RGB 168 0 158

HSL 303.57, 1%, 0.33%

LAB 39.23, 70.41, -39.46

 

CMYK 0 / 100 / 8 / 41

HEX #97008B

RGB 151 0 139

HSL 304.77, 1%, 0.3%

LAB 34.89, 64.68, -34.95

 

CMYK 0 / 100 / 10 / 47

HEX #860078

RGB 134 0 120

HSL 306.27, 1%, 0.26%

LAB 30.46, 58.82, -30.3

 

CMYK 0 / 100 / 14 / 54

HEX #750065

RGB 117 0 101

HSL 308.21, 1%, 0.23%

LAB 25.93, 52.82, -25.47

 

CMYK 0 / 90 / 4 / 27

HEX #B912B1

RGB 185 18 177

HSL 302.87, 0.82%, 0.4%

LAB 44.12, 74.19, -42.85

 

CMYK 0 / 90 / 29 / 27

HEX #B91284

RGB 185 18 132

HSL 319.04, 0.82%, 0.4%

LAB 41.86, 68.31, -19.24

 

CMYK 0 / 90 / 53 / 27

HEX #B91257

RGB 185 18 87

HSL 335.21, 0.82%, 0.4%

LAB 40.3, 64.05, 6.64

 

CMYK 0 / 90 / 77 / 27

HEX #B9122A

RGB 185 18 42

HSL 351.38, 0.82%, 0.4%

LAB 39.44, 61.6, 33.8

 

CMYK 0 / 90 / 90 / 27

HEX #B91212

RGB 185 18 18

HSL 0, 0.82%, 0.4%

LAB 39.23, 61, 46.4

 

CMYK 0 / 90 / 4 / 27

HEX #B912B1

RGB 185 18 177

HSL 302.87, 0.82%, 0.4%

LAB 44.12, 74.19, -42.85

 

CMYK 20 / 90 / 0 / 27

HEX #9412B9

RGB 148 18 185

HSL 286.71, 0.82%, 0.4%

LAB 38.25, 69.31, -57.35

 

CMYK 44 / 90 / 0 / 27

HEX #6712B9

RGB 103 18 185

HSL 270.54, 0.82%, 0.4%

LAB 31.39, 63.3, -68.85

 

CMYK 69 / 90 / 0 / 27

HEX #3A12B9

RGB 58 18 185

HSL 254.37, 0.82%, 0.4%

LAB 26.26, 59.41, -77.5

 

CMYK 90 / 90 / 0 / 27

HEX #1212B9

RGB 18 18 185

HSL 240, 0.82%, 0.4%

LAB 23.88, 57.86, -81.52

 

CMYK 0 / 90 / 4 / 27

HEX #B912B1

RGB 185 18 177

HSL 302.87, 0.82%, 0.4%

LAB 44.12, 74.19, -42.85

 

CMYK 0 / 100 / 5 / 21

HEX #CA01C0

RGB 202 1 192

HSL 302.99, 0.99%, 0.4%

LAB 47.47, 80.93, -46.13

 

CMYK 0 / 90 / 4 / 27

HEX #B912B1

RGB 185 18 177

HSL 302.87, 0.82%, 0.4%

LAB 44.12, 74.19, -42.85

 

CMYK 0 / 80 / 4 / 34

HEX #A922A2

RGB 169 34 162

HSL 303.11, 0.67%, 0.4%

LAB 41.51, 65.72, -38.23

 

CMYK 0 / 66 / 3 / 40

HEX #983393

RGB 152 51 147

HSL 302.97, 0.5%, 0.4%

LAB 39.83, 53.73, -32.02

 

CMYK 0 / 51 / 3 / 47

HEX #884384

RGB 136 67 132

HSL 303.48, 0.34%, 0.4%

LAB 39.44, 38.99, -23.66

 

CMYK 0 / 29 / 2 / 53

HEX #775475

RGB 119 84 117

HSL 303.43, 0.17%, 0.4%

LAB 40.49, 20.51, -13.02

 

CMYK 45 / 90 / 0 / 27

HEX #6612B9

RGB 102 18 185

HSL 270.18, 0.82%, 0.4%

LAB 31.25, 63.19, -69.08

 

CMYK 21 / 90 / 0 / 27

HEX #9212B9

RGB 146 18 185

HSL 285.99, 0.82%, 0.4%

LAB 37.93, 69, -57.9

 

CMYK 0 / 90 / 3 / 27

HEX #B912B4

RGB 185 18 180

HSL 301.8, 0.82%, 0.4%

LAB 44.29, 74.63, -44.35

 

CMYK 0 / 90 / 27 / 27

HEX #B91287

RGB 185 18 135

HSL 317.96, 0.82%, 0.4%

LAB 41.99, 68.65, -20.89

 

CMYK 0 / 90 / 51 / 27

HEX #B9125A

RGB 185 18 90

HSL 334.13, 0.82%, 0.4%

LAB 40.39, 64.28, 4.85

 

CMYK 0 / 91 / 5 / 57

HEX #6E0A69

RGB 110 10 105

HSL 303, 0.83%, 0.24%

LAB 25.42, 50.12, -28.96

 

CMYK 0 / 91 / 5 / 42

HEX #940E8D

RGB 148 14 141

HSL 303.13, 0.83%, 0.32%

LAB 35.07, 62.56, -35.94

 

CMYK 0 / 90 / 4 / 27

HEX #B912B1

RGB 185 18 177

HSL 302.87, 0.82%, 0.4%

LAB 44.12, 74.19, -42.85

 

CMYK 0 / 90 / 4 / 13

HEX #DF16D5

RGB 223 22 213

HSL 302.99, 0.82%, 0.48%

LAB 53.02, 85.52, -49.2

 

CMYK 0 / 78 / 3 / 8

HEX #EA33E2

RGB 234 51 226

HSL 302.62, 0.81%, 0.56%

LAB 57.42, 84.04, -49.48

 

CMYK 0 / 90 / 4 / 27

HEX #B912B1

RGB 185 18 177

HSL 302.87, 0.82%, 0.4%

LAB 44.12, 74.19, -42.85

 

CMYK 0 / 69 / 90 / 27

HEX #B93912

RGB 185 57 18

HSL 14.01, 0.82%, 0.4%

LAB 43.19, 49.91, 49.29

 

CMYK 90 / 0 / 33 / 27

HEX #12B97C

RGB 18 185 124

HSL 158.08, 0.82%, 0.4%

LAB 66.73, -53.21, 20.26

 

CMYK 0 / 90 / 4 / 27

HEX #B912B1

RGB 185 18 177

HSL 302.87, 0.82%, 0.4%

LAB 44.12, 74.19, -42.85

 

CMYK 3 / 0 / 90 / 27

HEX #B4B912

RGB 180 185 18

HSL 61.8, 0.82%, 0.4%

LAB 72.52, -18.87, 71.61

 

CMYK 90 / 3 / 0 / 27

HEX #12B4B9

RGB 18 180 185

HSL 181.8, 0.82%, 0.4%

LAB 66.73, -34.84, -13.26

 

CMYK 0 / 90 / 4 / 27

HEX #B912B1

RGB 185 18 177

HSL 302.87, 0.82%, 0.4%

LAB 44.12, 74.19, -42.85

 

CMYK 0 / 69 / 90 / 27

HEX #B93912

RGB 185 57 18

HSL 14.01, 0.82%, 0.4%

LAB 43.19, 49.91, 49.29

 

CMYK 90 / 0 / 88 / 27

HEX #12B917

RGB 18 185 23

HSL 121.8, 0.82%, 0.4%

LAB 65.66, -66.18, 62.2

 

CMYK 90 / 21 / 0 / 27

HEX #1292B9

RGB 18 146 185

HSL 194.01, 0.82%, 0.4%

LAB 56.28, -17.73, -29.22

 

CMYK 0 / 90 / 4 / 27

HEX #B912B1

RGB 185 18 177

HSL 302.87, 0.82%, 0.4%

LAB 44.12, 74.19, -42.85

 

CMYK 0 / 42 / 90 / 27

HEX #B96B12

RGB 185 107 18

HSL 31.98, 0.82%, 0.4%

LAB 52.81, 25.35, 56.51

 

CMYK 90 / 0 / 88 / 27

HEX #12B917

RGB 18 185 23

HSL 121.8, 0.82%, 0.4%

LAB 65.66, -66.18, 62.2

 

CMYK 90 / 48 / 0 / 27

HEX #1260B9

RGB 18 96 185

HSL 211.98, 0.82%, 0.4%

LAB 41.21, 12.26, -53.06

 

Description

Color code: HEX #B912B1 | qconv.com Color code: HEX #B912B1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 18 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 18 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 4 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 4% 27% C M Y K

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Provide designers and agencies with accurate color values.

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