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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B918E0 it is the complementary color #46E71F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B918E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B918E0 shade: #BE18DB, #CF2AEE, #E03CFF, #F14EFF and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B918E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B918E0 shade: #B918E0, #A806CD, #9700BA, #8600A7 and #750094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B918E0 shade: #BA17E2, #E217D3, #E2179C, #E21765 and #E2172F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B918E0 shade: #BA17E2, #8417E2, #4D17E2 and #1717E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B918E0 shade matches the following richer shades: #BA17E2 and #C703F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B918E0 shade: #BA17E2, #AE2BCD, #A240B9, #9554A5 and #896891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B918E0 shade: #4D17E2, #8317E2, #B917E2, #E217D4 and #E2179E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B918E0 shade: #7D0F97, #9B13BC, #BA17E2, #C738EA and #D25EEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B918E0 shade: #B918E0, #E21717 and #17E268

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B918E0 shade: #B918E0, #E2B917 and #17E2B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B918E0 shade: #B918E0, #E21717, #40E217 and #17E2E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B918E0 shade: #B918E0, #E25417, #40E217 and #17A5E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 89 / 0 / 12

HEX #B918E0

RGB 185 24 224

HSL 288.3, 0.81%, 0.49%

LAB 47.43, 80.8, -64.8

 

Complementary color

CMYK 70 / 0 / 87 / 9

HEX #46E71F

RGB 70 231 31

HSL 108.3, 0.81%, 0.51%

LAB 81.05, -72.84, 74.32

 

CMYK 13 / 89 / 0 / 14

HEX #BE18DB

RGB 190 24 219

HSL 291.08, 0.8%, 0.48%

LAB 47.9, 80.72, -61.15

 

CMYK 13 / 82 / 0 / 7

HEX #CF2AEE

RGB 207 42 238

HSL 290.51, 0.85%, 0.55%

LAB 53.05, 83.18, -63.46

 

CMYK 12 / 76 / 0 / 0

HEX #E03CFF

RGB 224 60 255

HSL 290.46, 1%, 0.62%

LAB 58.32, 84.37, -64.32

 

CMYK 5 / 69 / 0 / 0

HEX #F14EFF

RGB 241 78 255

HSL 295.25, 1%, 0.65%

LAB 62.82, 82.04, -56.98

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 17 / 89 / 0 / 12

HEX #B918E0

RGB 185 24 224

HSL 288.3, 0.81%, 0.49%

LAB 47.43, 80.8, -64.8

 

CMYK 18 / 97 / 0 / 20

HEX #A806CD

RGB 168 6 205

HSL 288.84, 0.94%, 0.41%

LAB 42.56, 77.23, -61.91

 

CMYK 19 / 100 / 0 / 27

HEX #9700BA

RGB 151 0 186

HSL 288.71, 1%, 0.36%

LAB 38.06, 72.2, -58.22

 

CMYK 20 / 100 / 0 / 35

HEX #8600A7

RGB 134 0 167

HSL 288.14, 1%, 0.33%

LAB 33.69, 66.48, -54.14

 

CMYK 21 / 100 / 0 / 42

HEX #750094

RGB 117 0 148

HSL 287.43, 1%, 0.29%

LAB 29.21, 60.62, -49.97

 

CMYK 18 / 90 / 0 / 11

HEX #BA17E2

RGB 186 23 226

HSL 288.18, 0.82%, 0.49%

LAB 47.68, 81.44, -65.52

 

CMYK 0 / 90 / 7 / 11

HEX #E217D3

RGB 226 23 211

HSL 304.43, 0.82%, 0.49%

LAB 53.48, 85.64, -47.3

 

CMYK 0 / 90 / 31 / 11

HEX #E2179C

RGB 226 23 156

HSL 320.69, 0.82%, 0.49%

LAB 50.9, 78.92, -19.23

 

CMYK 0 / 90 / 55 / 11

HEX #E21765

RGB 226 23 101

HSL 336.95, 0.82%, 0.49%

LAB 49.16, 74.16, 11.54

 

CMYK 0 / 90 / 79 / 11

HEX #E2172F

RGB 226 23 47

HSL 352.91, 0.82%, 0.49%

LAB 48.24, 71.59, 42.81

 

CMYK 18 / 90 / 0 / 11

HEX #BA17E2

RGB 186 23 226

HSL 288.18, 0.82%, 0.49%

LAB 47.68, 81.44, -65.52

 

CMYK 42 / 90 / 0 / 11

HEX #8417E2

RGB 132 23 226

HSL 272.22, 0.82%, 0.49%

LAB 39.6, 74.4, -79.06

 

CMYK 66 / 90 / 0 / 11

HEX #4D17E2

RGB 77 23 226

HSL 255.96, 0.82%, 0.49%

LAB 33.31, 69.69, -89.65

 

CMYK 90 / 90 / 0 / 11

HEX #1717E2

RGB 23 23 226

HSL 240, 0.82%, 0.49%

LAB 30.12, 67.67, -95.05

 

CMYK 18 / 90 / 0 / 11

HEX #BA17E2

RGB 186 23 226

HSL 288.18, 0.82%, 0.49%

LAB 47.68, 81.44, -65.52

 

CMYK 19 / 99 / 0 / 4

HEX #C703F6

RGB 199 3 246

HSL 288.4, 0.98%, 0.49%

LAB 50.52, 88.64, -72.1

 

CMYK 18 / 90 / 0 / 11

HEX #BA17E2

RGB 186 23 226

HSL 288.18, 0.82%, 0.49%

LAB 47.68, 81.44, -65.52

 

CMYK 15 / 79 / 0 / 20

HEX #AE2BCD

RGB 174 43 205

HSL 288.52, 0.65%, 0.49%

LAB 45.82, 71.46, -56.59

 

CMYK 12 / 65 / 0 / 27

HEX #A240B9

RGB 162 64 185

HSL 288.6, 0.49%, 0.49%

LAB 45.43, 57.66, -45.69

 

CMYK 10 / 49 / 0 / 35

HEX #9554A5

RGB 149 84 165

HSL 288.15, 0.33%, 0.49%

LAB 46.24, 40.37, -32.76

 

CMYK 6 / 28 / 0 / 43

HEX #896891

RGB 137 104 145

HSL 288.29, 0.16%, 0.49%

LAB 48.59, 20.85, -17.39

 

CMYK 66 / 90 / 0 / 11

HEX #4D17E2

RGB 77 23 226

HSL 255.96, 0.82%, 0.49%

LAB 33.31, 69.69, -89.65

 

CMYK 42 / 90 / 0 / 11

HEX #8317E2

RGB 131 23 226

HSL 271.92, 0.82%, 0.49%

LAB 39.46, 74.29, -79.29

 

CMYK 18 / 90 / 0 / 11

HEX #B917E2

RGB 185 23 226

HSL 287.88, 0.82%, 0.49%

LAB 47.52, 81.29, -65.79

 

CMYK 0 / 90 / 6 / 11

HEX #E217D4

RGB 226 23 212

HSL 304.14, 0.82%, 0.49%

LAB 53.53, 85.78, -47.78

 

CMYK 0 / 90 / 30 / 11

HEX #E2179E

RGB 226 23 158

HSL 320.1, 0.82%, 0.49%

LAB 50.98, 79.13, -20.3

 

CMYK 17 / 90 / 0 / 41

HEX #7D0F97

RGB 125 15 151

HSL 288.53, 0.82%, 0.33%

LAB 31.66, 59.96, -47.78

 

CMYK 18 / 90 / 0 / 26

HEX #9B13BC

RGB 155 19 188

HSL 288.28, 0.82%, 0.41%

LAB 39.69, 70.75, -56.73

 

CMYK 18 / 90 / 0 / 11

HEX #BA17E2

RGB 186 23 226

HSL 288.18, 0.82%, 0.49%

LAB 47.68, 81.44, -65.52

 

CMYK 15 / 76 / 0 / 8

HEX #C738EA

RGB 199 56 234

HSL 288.2, 0.81%, 0.57%

LAB 52.85, 77.35, -61.59

 

CMYK 12 / 61 / 0 / 7

HEX #D25EEE

RGB 210 94 238

HSL 288.33, 0.81%, 0.65%

LAB 59.78, 65.96, -52.66

 

CMYK 17 / 89 / 0 / 12

HEX #B918E0

RGB 185 24 224

HSL 288.3, 0.81%, 0.49%

LAB 47.43, 80.8, -64.8

 

CMYK 0 / 90 / 90 / 11

HEX #E21717

RGB 226 23 23

HSL 0, 0.82%, 0.49%

LAB 48.06, 71.07, 54.5

 

CMYK 90 / 0 / 54 / 11

HEX #17E268

RGB 23 226 104

HSL 143.94, 0.82%, 0.49%

LAB 79.37, -70.47, 46.65

 

CMYK 17 / 89 / 0 / 12

HEX #B918E0

RGB 185 24 224

HSL 288.3, 0.81%, 0.49%

LAB 47.43, 80.8, -64.8

 

CMYK 0 / 18 / 90 / 11

HEX #E2B917

RGB 226 185 23

HSL 47.88, 0.82%, 0.49%

LAB 76.64, 1.27, 75.72

 

CMYK 90 / 0 / 18 / 11

HEX #17E2B9

RGB 23 226 185

HSL 167.88, 0.82%, 0.49%

LAB 80.78, -54.38, 7.4

 

CMYK 17 / 89 / 0 / 12

HEX #B918E0

RGB 185 24 224

HSL 288.3, 0.81%, 0.49%

LAB 47.43, 80.8, -64.8

 

CMYK 0 / 90 / 90 / 11

HEX #E21717

RGB 226 23 23

HSL 0, 0.82%, 0.49%

LAB 48.06, 71.07, 54.5

 

CMYK 72 / 0 / 90 / 11

HEX #40E217

RGB 64 226 23

HSL 107.88, 0.82%, 0.49%

LAB 79.35, -72.61, 74.23

 

CMYK 90 / 0 / 0 / 11

HEX #17E2E2

RGB 23 226 226

HSL 180, 0.82%, 0.49%

LAB 81.87, -43.23, -12.75

 

CMYK 17 / 89 / 0 / 12

HEX #B918E0

RGB 185 24 224

HSL 288.3, 0.81%, 0.49%

LAB 47.43, 80.8, -64.8

 

CMYK 0 / 63 / 90 / 11

HEX #E25417

RGB 226 84 23

HSL 18.03, 0.82%, 0.49%

LAB 54.63, 52.89, 59.17

 

CMYK 72 / 0 / 90 / 11

HEX #40E217

RGB 64 226 23

HSL 107.88, 0.82%, 0.49%

LAB 79.35, -72.61, 74.23

 

CMYK 90 / 27 / 0 / 11

HEX #17A5E2

RGB 23 165 226

HSL 198.03, 0.82%, 0.49%

LAB 63.82, -13.22, -40.4

 

Description

Color code: HEX #B918E0 | qconv.com Color code: HEX #B918E0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 24 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 24 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 89 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 89% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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