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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8FF6C it is the complementary color #470093. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8FF6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8FF6C shade: #BDFF67, #CEFF7A, #DFFF8D, #F0FFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8FF6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8FF6C shade: #B8FF6C, #A7ED59, #96DB46, #85C933 and #74B720

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8FF6C shade: #B7FF6B, #DFFF6B, #FFF66B, #FFCE6B and #FFA66B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8FF6C shade: #B7FF6B, #8FFF6B, #6BFF6E, #6BFF96 and #6BFFBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8FF6C shade matches the following richer shades: #B7FF6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8FF6C shade: #B7FF6B, #B7F377, #B6E783, #B6DB8E and #B5CF9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8FF6C shade: #FFF56B, #E1FF6B, #B9FF6B, #92FF6B and #6BFF6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8FF6C shade: #8FFF18, #A3FF41, #B7FF6B, #CBFF94 and #DFFFBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8FF6C shade: #B8FF6C, #6BFFCD and #FF6BF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8FF6C shade: #B8FF6C, #6BB9FF and #FF6BB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8FF6C shade: #B8FF6C, #6BFFCD, #B06BFF and #FF6B9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8FF6C shade: #B8FF6C, #6BFFFA, #B06BFF and #FF6B70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 58 / 0

HEX #B8FF6C

RGB 184 255 108

HSL 88.98, 1%, 0.71%

LAB 92.92, -44.83, 62

 

Complementary color

CMYK 52 / 100 / 0 / 42

HEX #470093

RGB 71 0 147

HSL 268.98, 1%, 0.29%

LAB 21.75, 55.17, -61.88

 

CMYK 26 / 0 / 60 / 0

HEX #BDFF67

RGB 189 255 103

HSL 86.05, 1%, 0.7%

LAB 93.15, -43.5, 64.44

 

CMYK 19 / 0 / 52 / 0

HEX #CEFF7A

RGB 206 255 122

HSL 82.11, 1%, 0.74%

LAB 94.33, -35.67, 57.8

 

CMYK 13 / 0 / 45 / 0

HEX #DFFF8D

RGB 223 255 141

HSL 76.84, 1%, 0.78%

LAB 95.64, -27.51, 50.85

 

CMYK 6 / 0 / 37 / 0

HEX #F0FFA0

RGB 240 255 160

HSL 69.47, 1%, 0.81%

LAB 97.06, -19.12, 43.76

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 28 / 0 / 58 / 0

HEX #B8FF6C

RGB 184 255 108

HSL 88.98, 1%, 0.71%

LAB 92.92, -44.83, 62

 

CMYK 30 / 0 / 62 / 7

HEX #A7ED59

RGB 167 237 89

HSL 88.38, 0.8%, 0.64%

LAB 86.75, -44.67, 62.84

 

CMYK 32 / 0 / 68 / 14

HEX #96DB46

RGB 150 219 70

HSL 87.79, 0.67%, 0.57%

LAB 80.51, -44.4, 63.44

 

CMYK 34 / 0 / 75 / 21

HEX #85C933

RGB 133 201 51

HSL 87.2, 0.6%, 0.49%

LAB 74.19, -43.99, 63.6

 

CMYK 37 / 0 / 83 / 28

HEX #74B720

RGB 116 183 32

HSL 86.62, 0.7%, 0.42%

LAB 67.79, -43.39, 63.01

 

CMYK 28 / 0 / 58 / 0

HEX #B7FF6B

RGB 183 255 107

HSL 89.19, 1%, 0.71%

LAB 92.86, -45.27, 62.34

 

CMYK 13 / 0 / 58 / 0

HEX #DFFF6B

RGB 223 255 107

HSL 72.97, 1%, 0.71%

LAB 95.27, -30.59, 65.71

 

CMYK 0 / 4 / 58 / 0

HEX #FFF66B

RGB 255 246 107

HSL 56.35, 1%, 0.71%

LAB 95.26, -13.76, 66.35

 

CMYK 0 / 19 / 58 / 0

HEX #FFCE6B

RGB 255 206 107

HSL 40.14, 1%, 0.71%

LAB 85.23, 6.34, 54.98

 

CMYK 0 / 35 / 58 / 0

HEX #FFA66B

RGB 255 166 107

HSL 23.92, 1%, 0.71%

LAB 75.82, 27.18, 43.77

 

CMYK 28 / 0 / 58 / 0

HEX #B7FF6B

RGB 183 255 107

HSL 89.19, 1%, 0.71%

LAB 92.86, -45.27, 62.34

 

CMYK 44 / 0 / 58 / 0

HEX #8FFF6B

RGB 143 255 107

HSL 105.41, 1%, 0.71%

LAB 90.97, -58.15, 59.68

 

CMYK 58 / 0 / 57 / 0

HEX #6BFF6E

RGB 107 255 110

HSL 121.22, 1%, 0.71%

LAB 89.75, -67.18, 56.64

 

CMYK 58 / 0 / 41 / 0

HEX #6BFF96

RGB 107 255 150

HSL 137.43, 1%, 0.71%

LAB 90.25, -61.67, 38.54

 

CMYK 58 / 0 / 25 / 0

HEX #6BFFBE

RGB 107 255 190

HSL 153.65, 1%, 0.71%

LAB 90.95, -54.36, 19.38

 

CMYK 28 / 0 / 58 / 0

HEX #B7FF6B

RGB 183 255 107

HSL 89.19, 1%, 0.71%

LAB 92.86, -45.27, 62.34

 

CMYK 28 / 0 / 58 / 0

HEX #B7FF6B

RGB 183 255 107

HSL 89.19, 1%, 0.71%

LAB 92.86, -45.27, 62.34

 

CMYK 25 / 0 / 51 / 5

HEX #B7F377

RGB 183 243 119

HSL 89.03, 0.84%, 0.71%

LAB 89.63, -38.86, 53.24

 

CMYK 21 / 0 / 43 / 9

HEX #B6E783

RGB 182 231 131

HSL 89.4, 0.68%, 0.71%

LAB 86.37, -32.42, 43.53

 

CMYK 17 / 0 / 35 / 14

HEX #B6DB8E

RGB 182 219 142

HSL 88.83, 0.52%, 0.71%

LAB 83.21, -25.34, 33.97

 

CMYK 13 / 0 / 26 / 19

HEX #B5CF9A

RGB 181 207 154

HSL 89.43, 0.36%, 0.71%

LAB 80.06, -18.09, 23.53

 

CMYK 0 / 4 / 58 / 0

HEX #FFF56B

RGB 255 245 107

HSL 55.95, 1%, 0.71%

LAB 95, -13.27, 66.06

 

CMYK 12 / 0 / 58 / 0

HEX #E1FF6B

RGB 225 255 107

HSL 72.16, 1%, 0.71%

LAB 95.41, -29.83, 65.9

 

CMYK 27 / 0 / 58 / 0

HEX #B9FF6B

RGB 185 255 107

HSL 88.38, 1%, 0.71%

LAB 92.97, -44.57, 62.49

 

CMYK 43 / 0 / 58 / 0

HEX #92FF6B

RGB 146 255 107

HSL 104.19, 1%, 0.71%

LAB 91.09, -57.27, 59.86

 

CMYK 58 / 0 / 58 / 0

HEX #6BFF6B

RGB 107 255 107

HSL 120, 1%, 0.71%

LAB 89.72, -67.52, 57.92

 

CMYK 44 / 0 / 91 / 0

HEX #8FFF18

RGB 143 255 24

HSL 89.09, 1%, 0.55%

LAB 90.52, -63.03, 84.37

 

CMYK 36 / 0 / 75 / 0

HEX #A3FF41

RGB 163 255 65

HSL 89.05, 1%, 0.63%

LAB 91.54, -55.09, 76.37

 

CMYK 28 / 0 / 58 / 0

HEX #B7FF6B

RGB 183 255 107

HSL 89.19, 1%, 0.71%

LAB 92.86, -45.27, 62.34

 

CMYK 20 / 0 / 42 / 0

HEX #CBFF94

RGB 203 255 148

HSL 89.16, 1%, 0.79%

LAB 94.46, -33.97, 45.77

 

CMYK 13 / 0 / 26 / 0

HEX #DFFFBD

RGB 223 255 189

HSL 89.09, 1%, 0.87%

LAB 96.36, -21.51, 28.21

 

CMYK 28 / 0 / 58 / 0

HEX #B8FF6C

RGB 184 255 108

HSL 88.98, 1%, 0.71%

LAB 92.92, -44.83, 62

 

CMYK 58 / 0 / 20 / 0

HEX #6BFFCD

RGB 107 255 205

HSL 159.73, 1%, 0.71%

LAB 91.26, -51.18, 12.12

 

CMYK 0 / 58 / 4 / 0

HEX #FF6BF5

RGB 255 107 245

HSL 304.05, 1%, 0.71%

LAB 68.29, 72.58, -42.7

 

CMYK 28 / 0 / 58 / 0

HEX #B8FF6C

RGB 184 255 108

HSL 88.98, 1%, 0.71%

LAB 92.92, -44.83, 62

 

CMYK 58 / 27 / 0 / 0

HEX #6BB9FF

RGB 107 185 255

HSL 208.38, 1%, 0.71%

LAB 72.92, -4.07, -41.82

 

CMYK 0 / 58 / 27 / 0

HEX #FF6BB9

RGB 255 107 185

HSL 328.38, 1%, 0.71%

LAB 65.96, 64, -12.77

 

CMYK 28 / 0 / 58 / 0

HEX #B8FF6C

RGB 184 255 108

HSL 88.98, 1%, 0.71%

LAB 92.92, -44.83, 62

 

CMYK 58 / 0 / 20 / 0

HEX #6BFFCD

RGB 107 255 205

HSL 159.73, 1%, 0.71%

LAB 91.26, -51.18, 12.12

 

CMYK 31 / 58 / 0 / 0

HEX #B06BFF

RGB 176 107 255

HSL 267.97, 1%, 0.71%

LAB 58.94, 55.41, -63.65

 

CMYK 0 / 58 / 39 / 0

HEX #FF6B9C

RGB 255 107 156

HSL 340.14, 1%, 0.71%

LAB 65.1, 60.66, 2.46

 

CMYK 28 / 0 / 58 / 0

HEX #B8FF6C

RGB 184 255 108

HSL 88.98, 1%, 0.71%

LAB 92.92, -44.83, 62

 

CMYK 58 / 0 / 2 / 0

HEX #6BFFFA

RGB 107 255 250

HSL 177.97, 1%, 0.71%

LAB 92.37, -40.42, -9.52

 

CMYK 31 / 58 / 0 / 0

HEX #B06BFF

RGB 176 107 255

HSL 267.97, 1%, 0.71%

LAB 58.94, 55.41, -63.65

 

CMYK 0 / 58 / 56 / 0

HEX #FF6B70

RGB 255 107 112

HSL 357.97, 1%, 0.71%

LAB 64.12, 56.74, 26.21

 

Description

Color code: HEX #B8FF6C | qconv.com Color code: HEX #B8FF6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 255 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 255 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 58 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 58% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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