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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8EEED it is the complementary color #471112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8EEED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8EEED shade: #BDEEE8, #CEFFFB, #DFFFFF and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8EEED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8EEED shade: #B8EEED, #A7DCDA, #96CAC7, #85B8B4 and #74A6A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8EEED shade: #B9EEED, #B9EEDE, #B9EED0, #B9EEC2 and #BEEEB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8EEED shade: #B9EEED, #B9E0EE, #B9D2EE, #B9C4EE and #B9B9EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8EEED shade matches the following richer shades: #B9EEED, #B2F5F3 and #ABFCFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8EEED shade: #B9EEED, #C0E7E6, #C7E0DF, #CED9D8 and #D5D2D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8EEED shade: #B9EED0, #B9EEDE, #B9EEEC, #B9E1EE and #B9D3EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8EEED shade: #76DEDC, #97E6E4, #B9EEED, #DAF6F5 and #FBFEFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8EEED shade: #B8EEED, #C2B9EE and #EED7B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8EEED shade: #B8EEED, #ECB9EE and #EEECB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8EEED shade: #B8EEED, #C2B9EE, #EEB9BA and #E5EEB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8EEED shade: #B8EEED, #D1B9EE, #EEB9BA and #D5EEB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 0 / 7

HEX #B8EEED

RGB 184 238 237

HSL 178.89, 0.61%, 0.83%

LAB 90.53, -17.25, -5.14

 

Complementary color

CMYK 0 / 76 / 75 / 72

HEX #471112

RGB 71 17 18

HSL 358.89, 0.61%, 0.17%

LAB 14.31, 25.73, 13.76

 

CMYK 21 / 0 / 3 / 7

HEX #BDEEE8

RGB 189 238 232

HSL 172.65, 0.59%, 0.84%

LAB 90.69, -16.81, -2.27

 

CMYK 19 / 0 / 2 / 0

HEX #CEFFFB

RGB 206 255 251

HSL 175.1, 1%, 0.9%

LAB 96.66, -16.23, -3.23

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 23 / 0 / 0 / 7

HEX #B8EEED

RGB 184 238 237

HSL 178.89, 0.61%, 0.83%

LAB 90.53, -17.25, -5.14

 

CMYK 24 / 0 / 1 / 14

HEX #A7DCDA

RGB 167 220 218

HSL 177.74, 0.43%, 0.76%

LAB 84.21, -17.34, -4.58

 

CMYK 26 / 0 / 1 / 21

HEX #96CAC7

RGB 150 202 199

HSL 176.54, 0.33%, 0.69%

LAB 77.79, -17.44, -3.99

 

CMYK 28 / 0 / 2 / 28

HEX #85B8B4

RGB 133 184 180

HSL 175.29, 0.26%, 0.62%

LAB 71.26, -17.55, -3.39

 

CMYK 30 / 0 / 3 / 35

HEX #74A6A1

RGB 116 166 161

HSL 174, 0.22%, 0.55%

LAB 64.61, -17.68, -2.76

 

CMYK 22 / 0 / 0 / 7

HEX #B9EEED

RGB 185 238 237

HSL 178.87, 0.61%, 0.83%

LAB 90.59, -16.96, -5.05

 

CMYK 22 / 0 / 7 / 7

HEX #B9EEDE

RGB 185 238 222

HSL 161.89, 0.61%, 0.83%

LAB 90.2, -20.05, 2.22

 

CMYK 22 / 0 / 13 / 7

HEX #B9EED0

RGB 185 238 208

HSL 146.04, 0.61%, 0.83%

LAB 89.87, -22.77, 9.03

 

CMYK 22 / 0 / 18 / 7

HEX #B9EEC2

RGB 185 238 194

HSL 130.19, 0.61%, 0.83%

LAB 89.56, -25.32, 15.87

 

CMYK 20 / 0 / 22 / 7

HEX #BEEEB9

RGB 190 238 185

HSL 114.34, 0.61%, 0.83%

LAB 89.67, -25.22, 20.72

 

CMYK 22 / 0 / 0 / 7

HEX #B9EEED

RGB 185 238 237

HSL 178.87, 0.61%, 0.83%

LAB 90.59, -16.96, -5.05

 

CMYK 22 / 6 / 0 / 7

HEX #B9E0EE

RGB 185 224 238

HSL 195.85, 0.61%, 0.83%

LAB 86.9, -9.67, -11.04

 

CMYK 22 / 12 / 0 / 7

HEX #B9D2EE

RGB 185 210 238

HSL 211.7, 0.61%, 0.83%

LAB 83.22, -2.4, -16.55

 

CMYK 22 / 18 / 0 / 7

HEX #B9C4EE

RGB 185 196 238

HSL 227.55, 0.61%, 0.83%

LAB 79.6, 5.06, -22.03

 

CMYK 22 / 22 / 0 / 7

HEX #B9B9EE

RGB 185 185 238

HSL 240, 0.61%, 0.83%

LAB 76.79, 11.04, -26.3

 

CMYK 22 / 0 / 0 / 7

HEX #B9EEED

RGB 185 238 237

HSL 178.87, 0.61%, 0.83%

LAB 90.59, -16.96, -5.05

 

CMYK 27 / 0 / 1 / 4

HEX #B2F5F3

RGB 178 245 243

HSL 178.21, 0.77%, 0.83%

LAB 92.24, -21.14, -5.78

 

CMYK 32 / 0 / 1 / 1

HEX #ABFCFA

RGB 171 252 250

HSL 178.52, 0.93%, 0.83%

LAB 93.96, -24.9, -6.9

 

CMYK 22 / 0 / 0 / 7

HEX #B9EEED

RGB 185 238 237

HSL 178.87, 0.61%, 0.83%

LAB 90.59, -16.96, -5.05

 

CMYK 17 / 0 / 0 / 9

HEX #C0E7E6

RGB 192 231 230

HSL 178.46, 0.45%, 0.83%

LAB 88.96, -12.79, -3.74

 

CMYK 11 / 0 / 0 / 12

HEX #C7E0DF

RGB 199 224 223

HSL 177.6, 0.29%, 0.83%

LAB 87.38, -8.43, -2.33

 

CMYK 5 / 0 / 0 / 15

HEX #CED9D8

RGB 206 217 216

HSL 174.55, 0.13%, 0.83%

LAB 85.86, -3.88, -0.8

 

CMYK 0 / 1 / 1 / 16

HEX #D5D2D2

RGB 213 210 210

HSL 0, 0.03%, 0.83%

LAB 84.43, 1.03, 0.35

 

CMYK 22 / 0 / 13 / 7

HEX #B9EED0

RGB 185 238 208

HSL 146.04, 0.61%, 0.83%

LAB 89.87, -22.77, 9.03

 

CMYK 22 / 0 / 7 / 7

HEX #B9EEDE

RGB 185 238 222

HSL 161.89, 0.61%, 0.83%

LAB 90.2, -20.05, 2.22

 

CMYK 22 / 0 / 1 / 7

HEX #B9EEEC

RGB 185 238 236

HSL 177.74, 0.61%, 0.83%

LAB 90.56, -17.17, -4.57

 

CMYK 22 / 5 / 0 / 7

HEX #B9E1EE

RGB 185 225 238

HSL 194.72, 0.61%, 0.83%

LAB 87.16, -10.18, -10.65

 

CMYK 22 / 11 / 0 / 7

HEX #B9D3EE

RGB 185 211 238

HSL 210.57, 0.61%, 0.83%

LAB 83.48, -2.92, -16.15

 

CMYK 47 / 0 / 1 / 13

HEX #76DEDC

RGB 118 222 220

HSL 178.85, 0.61%, 0.67%

LAB 82.52, -30.64, -8.39

 

CMYK 34 / 0 / 1 / 10

HEX #97E6E4

RGB 151 230 228

HSL 178.48, 0.61%, 0.75%

LAB 86.39, -24.53, -6.72

 

CMYK 22 / 0 / 0 / 7

HEX #B9EEED

RGB 185 238 237

HSL 178.87, 0.61%, 0.83%

LAB 90.59, -16.96, -5.05

 

CMYK 11 / 0 / 0 / 4

HEX #DAF6F5

RGB 218 246 245

HSL 177.86, 0.61%, 0.91%

LAB 94.91, -9.25, -2.61

 

CMYK 1 / 0 / 0 / 0

HEX #FBFEFE

RGB 251 254 254

HSL 180, 0.6%, 0.99%

LAB 99.44, -0.98, -0.36

 

CMYK 23 / 0 / 0 / 7

HEX #B8EEED

RGB 184 238 237

HSL 178.89, 0.61%, 0.83%

LAB 90.53, -17.25, -5.14

 

CMYK 18 / 22 / 0 / 7

HEX #C2B9EE

RGB 194 185 238

HSL 250.19, 0.61%, 0.83%

LAB 77.48, 13.78, -25.18

 

CMYK 0 / 10 / 22 / 7

HEX #EED7B9

RGB 238 215 185

HSL 33.96, 0.61%, 0.83%

LAB 87.13, 3.34, 17.71

 

CMYK 23 / 0 / 0 / 7

HEX #B8EEED

RGB 184 238 237

HSL 178.89, 0.61%, 0.83%

LAB 90.53, -17.25, -5.14

 

CMYK 1 / 22 / 0 / 7

HEX #ECB9EE

RGB 236 185 238

HSL 297.74, 0.61%, 0.83%

LAB 81.13, 27.16, -19.3

 

CMYK 0 / 1 / 22 / 7

HEX #EEECB9

RGB 238 236 185

HSL 57.74, 0.61%, 0.83%

LAB 92.43, -7.37, 25.04

 

CMYK 23 / 0 / 0 / 7

HEX #B8EEED

RGB 184 238 237

HSL 178.89, 0.61%, 0.83%

LAB 90.53, -17.25, -5.14

 

CMYK 18 / 22 / 0 / 7

HEX #C2B9EE

RGB 194 185 238

HSL 250.19, 0.61%, 0.83%

LAB 77.48, 13.78, -25.18

 

CMYK 0 / 22 / 22 / 7

HEX #EEB9BA

RGB 238 185 186

HSL 358.87, 0.61%, 0.83%

LAB 79.85, 19.24, 6.85

 

CMYK 4 / 0 / 22 / 7

HEX #E5EEB9

RGB 229 238 185

HSL 70.19, 0.61%, 0.83%

LAB 92.27, -11.64, 24.72

 

CMYK 23 / 0 / 0 / 7

HEX #B8EEED

RGB 184 238 237

HSL 178.89, 0.61%, 0.83%

LAB 90.53, -17.25, -5.14

 

CMYK 12 / 22 / 0 / 7

HEX #D1B9EE

RGB 209 185 238

HSL 267.17, 0.61%, 0.83%

LAB 78.71, 18.47, -23.2

 

CMYK 0 / 22 / 22 / 7

HEX #EEB9BA

RGB 238 185 186

HSL 358.87, 0.61%, 0.83%

LAB 79.85, 19.24, 6.85

 

CMYK 11 / 0 / 22 / 7

HEX #D5EEB9

RGB 213 238 185

HSL 88.3, 0.61%, 0.83%

LAB 91.14, -17.34, 22.99

 

Description

Color code: HEX #B8EEED | qconv.com Color code: HEX #B8EEED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 238 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 238 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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