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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8DEDA it is the complementary color #472125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8DEDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8DEDA shade: #BDDED5, #CEF0E8, #DFFFFB and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8DEDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8DEDA shade: #B8DEDA, #A7CCC7, #96BAB4, #85A8A1 and #74968E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8DEDA shade: #B9DEDA, #B9DED0, #B9DEC6, #B9DEBC and #C0DEB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8DEDA shade: #B9DEDA, #B9D8DE, #B9CEDE, #B9C4DE and #B9BADE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8DEDA shade matches the following richer shades: #B9DEDA, #B0E7E1, #A8EFE7 and #A0F7EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8DEDA shade: #B9DEDA, #C1D6D4, #C9CECD, #D1C6C7 and #DABDC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8DEDA shade: #B9DEC6, #B9DED0, #B9DEDA, #B9D9DE and #B9CFDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8DEDA shade: #80C4BD, #9CD1CC, #B9DEDA, #D5EBE9 and #F1F8F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8DEDA shade: #B8DEDA, #BCB9DE and #DECBB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8DEDA shade: #B8DEDA, #DAB9DE and #DEDAB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8DEDA shade: #B8DEDA, #BCB9DE, #DEB9BD and #DBDEB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8DEDA shade: #B8DEDA, #C7B9DE, #DEB9BD and #D0DEB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 2 / 13

HEX #B8DEDA

RGB 184 222 218

HSL 173.68, 0.37%, 0.8%

LAB 85.75, -13.17, -2.19

 

Complementary color

CMYK 0 / 54 / 48 / 72

HEX #472125

RGB 71 33 37

HSL 353.68, 0.37%, 0.2%

LAB 18.19, 18.59, 5.65

 

CMYK 15 / 0 / 4 / 13

HEX #BDDED5

RGB 189 222 213

HSL 163.64, 0.33%, 0.81%

LAB 85.94, -12.59, 0.76

 

CMYK 14 / 0 / 3 / 6

HEX #CEF0E8

RGB 206 240 232

HSL 165.88, 0.53%, 0.87%

LAB 92.25, -12.54, 0.15

 

CMYK 13 / 0 / 2 / 0

HEX #DFFFFB

RGB 223 255 251

HSL 172.5, 1%, 0.94%

LAB 97.7, -11.02, -1.58

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 17 / 0 / 2 / 13

HEX #B8DEDA

RGB 184 222 218

HSL 173.68, 0.37%, 0.8%

LAB 85.75, -13.17, -2.19

 

CMYK 18 / 0 / 2 / 20

HEX #A7CCC7

RGB 167 204 199

HSL 171.89, 0.27%, 0.73%

LAB 79.34, -13.24, -1.59

 

CMYK 19 / 0 / 3 / 27

HEX #96BAB4

RGB 150 186 180

HSL 170, 0.21%, 0.66%

LAB 72.82, -13.31, -0.97

 

CMYK 21 / 0 / 4 / 34

HEX #85A8A1

RGB 133 168 161

HSL 168, 0.17%, 0.59%

LAB 66.19, -13.41, -0.33

 

CMYK 23 / 0 / 5 / 41

HEX #74968E

RGB 116 150 142

HSL 165.88, 0.14%, 0.52%

LAB 59.41, -13.53, 0.34

 

CMYK 17 / 0 / 2 / 13

HEX #B9DEDA

RGB 185 222 218

HSL 173.51, 0.36%, 0.8%

LAB 85.82, -12.86, -2.09

 

CMYK 17 / 0 / 6 / 13

HEX #B9DED0

RGB 185 222 208

HSL 157.3, 0.36%, 0.8%

LAB 85.56, -14.85, 2.82

 

CMYK 17 / 0 / 11 / 13

HEX #B9DEC6

RGB 185 222 198

HSL 141.08, 0.36%, 0.8%

LAB 85.32, -16.75, 7.75

 

CMYK 17 / 0 / 15 / 13

HEX #B9DEBC

RGB 185 222 188

HSL 124.86, 0.36%, 0.8%

LAB 85.09, -18.57, 12.69

 

CMYK 14 / 0 / 17 / 13

HEX #C0DEB9

RGB 192 222 185

HSL 108.65, 0.36%, 0.8%

LAB 85.48, -16.71, 14.88

 

CMYK 17 / 0 / 2 / 13

HEX #B9DEDA

RGB 185 222 218

HSL 173.51, 0.36%, 0.8%

LAB 85.82, -12.86, -2.09

 

CMYK 17 / 3 / 0 / 13

HEX #B9D8DE

RGB 185 216 222

HSL 189.73, 0.36%, 0.8%

LAB 84.33, -8.97, -6.39

 

CMYK 17 / 7 / 0 / 13

HEX #B9CEDE

RGB 185 206 222

HSL 205.95, 0.36%, 0.8%

LAB 81.69, -3.76, -10.31

 

CMYK 17 / 12 / 0 / 13

HEX #B9C4DE

RGB 185 196 222

HSL 222.16, 0.36%, 0.8%

LAB 79.08, 1.54, -14.21

 

CMYK 17 / 16 / 0 / 13

HEX #B9BADE

RGB 185 186 222

HSL 238.38, 0.36%, 0.8%

LAB 76.5, 6.93, -18.1

 

CMYK 17 / 0 / 2 / 13

HEX #B9DEDA

RGB 185 222 218

HSL 173.51, 0.36%, 0.8%

LAB 85.82, -12.86, -2.09

 

CMYK 24 / 0 / 3 / 9

HEX #B0E7E1

RGB 176 231 225

HSL 173.45, 0.53%, 0.8%

LAB 87.88, -18.68, -2.81

 

CMYK 30 / 0 / 3 / 6

HEX #A8EFE7

RGB 168 239 231

HSL 173.24, 0.69%, 0.8%

LAB 89.78, -23.63, -3.21

 

CMYK 35 / 0 / 4 / 3

HEX #A0F7EE

RGB 160 247 238

HSL 173.79, 0.84%, 0.8%

LAB 91.76, -28.09, -3.99

 

CMYK 17 / 0 / 2 / 13

HEX #B9DEDA

RGB 185 222 218

HSL 173.51, 0.36%, 0.8%

LAB 85.82, -12.86, -2.09

 

CMYK 10 / 0 / 1 / 16

HEX #C1D6D4

RGB 193 214 212

HSL 174.29, 0.2%, 0.8%

LAB 84.06, -7.39, -1.42

 

CMYK 2 / 0 / 0 / 19

HEX #C9CECD

RGB 201 206 205

HSL 168, 0.05%, 0.8%

LAB 82.36, -1.89, -0.11

 

CMYK 0 / 5 / 5 / 18

HEX #D1C6C7

RGB 209 198 199

HSL 354.55, 0.11%, 0.8%

LAB 80.78, 4.01, 0.86

 

CMYK 0 / 13 / 12 / 15

HEX #DABDC0

RGB 218 189 192

HSL 353.79, 0.28%, 0.8%

LAB 79.1, 10.8, 2.29

 

CMYK 17 / 0 / 11 / 13

HEX #B9DEC6

RGB 185 222 198

HSL 141.08, 0.36%, 0.8%

LAB 85.32, -16.75, 7.75

 

CMYK 17 / 0 / 6 / 13

HEX #B9DED0

RGB 185 222 208

HSL 157.3, 0.36%, 0.8%

LAB 85.56, -14.85, 2.82

 

CMYK 17 / 0 / 2 / 13

HEX #B9DEDA

RGB 185 222 218

HSL 173.51, 0.36%, 0.8%

LAB 85.82, -12.86, -2.09

 

CMYK 17 / 2 / 0 / 13

HEX #B9D9DE

RGB 185 217 222

HSL 188.11, 0.36%, 0.8%

LAB 84.59, -9.48, -6

 

CMYK 17 / 7 / 0 / 13

HEX #B9CFDE

RGB 185 207 222

HSL 204.32, 0.36%, 0.8%

LAB 81.95, -4.29, -9.92

 

CMYK 35 / 0 / 4 / 23

HEX #80C4BD

RGB 128 196 189

HSL 173.82, 0.37%, 0.64%

LAB 74.66, -23, -3.32

 

CMYK 25 / 0 / 2 / 18

HEX #9CD1CC

RGB 156 209 204

HSL 174.34, 0.37%, 0.72%

LAB 80.2, -18.1, -3.09

 

CMYK 17 / 0 / 2 / 13

HEX #B9DEDA

RGB 185 222 218

HSL 173.51, 0.36%, 0.8%

LAB 85.82, -12.86, -2.09

 

CMYK 9 / 0 / 1 / 8

HEX #D5EBE9

RGB 213 235 233

HSL 174.55, 0.35%, 0.88%

LAB 91.44, -7.59, -1.51

 

CMYK 3 / 0 / 0 / 3

HEX #F1F8F8

RGB 241 248 248

HSL 180, 0.33%, 0.96%

LAB 97.07, -2.3, -0.81

 

CMYK 17 / 0 / 2 / 13

HEX #B8DEDA

RGB 184 222 218

HSL 173.68, 0.37%, 0.8%

LAB 85.75, -13.17, -2.19

 

CMYK 15 / 17 / 0 / 13

HEX #BCB9DE

RGB 188 185 222

HSL 244.86, 0.36%, 0.8%

LAB 76.47, 8.43, -18.12

 

CMYK 0 / 9 / 17 / 13

HEX #DECBB9

RGB 222 203 185

HSL 29.19, 0.36%, 0.8%

LAB 82.78, 3.72, 11.37

 

CMYK 17 / 0 / 2 / 13

HEX #B8DEDA

RGB 184 222 218

HSL 173.68, 0.37%, 0.8%

LAB 85.75, -13.17, -2.19

 

CMYK 2 / 17 / 0 / 13

HEX #DAB9DE

RGB 218 185 222

HSL 293.51, 0.36%, 0.8%

LAB 78.97, 18.24, -14.11

 

CMYK 0 / 2 / 17 / 13

HEX #DEDAB9

RGB 222 218 185

HSL 53.51, 0.36%, 0.8%

LAB 86.59, -4.06, 16.75

 

CMYK 17 / 0 / 2 / 13

HEX #B8DEDA

RGB 184 222 218

HSL 173.68, 0.37%, 0.8%

LAB 85.75, -13.17, -2.19

 

CMYK 15 / 17 / 0 / 13

HEX #BCB9DE

RGB 188 185 222

HSL 244.86, 0.36%, 0.8%

LAB 76.47, 8.43, -18.12

 

CMYK 0 / 17 / 15 / 13

HEX #DEB9BD

RGB 222 185 189

HSL 353.51, 0.36%, 0.8%

LAB 78.4, 13.89, 2.94

 

CMYK 1 / 0 / 17 / 13

HEX #DBDEB9

RGB 219 222 185

HSL 64.86, 0.36%, 0.8%

LAB 87.39, -7.19, 17.84

 

CMYK 17 / 0 / 2 / 13

HEX #B8DEDA

RGB 184 222 218

HSL 173.68, 0.37%, 0.8%

LAB 85.75, -13.17, -2.19

 

CMYK 10 / 17 / 0 / 13

HEX #C7B9DE

RGB 199 185 222

HSL 262.7, 0.36%, 0.8%

LAB 77.35, 11.97, -16.71

 

CMYK 0 / 17 / 15 / 13

HEX #DEB9BD

RGB 222 185 189

HSL 353.51, 0.36%, 0.8%

LAB 78.4, 13.89, 2.94

 

CMYK 6 / 0 / 17 / 13

HEX #D0DEB9

RGB 208 222 185

HSL 82.7, 0.36%, 0.8%

LAB 86.58, -11.13, 16.59

 

Description

Color code: HEX #B8DEDA | qconv.com Color code: HEX #B8DEDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 222 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 222 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 2% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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