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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8CF1D it is the complementary color #4730E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8CF1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8CF1D shade: #BDCF18, #CEE12B, #DFF33E, #F0FF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8CF1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8CF1D shade: #B8CF1D, #A7BD0A, #96AB00, #859900 and #748700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8CF1D shade: #B6CD1D, #CDB41D, #CD851D, #CD551D and #CD261D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8CF1D shade: #B6CD1D, #87CD1D, #57CD1D, #28CD1D and #1DCD41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8CF1D shade matches the following richer shades: #B6CD1D and #C4E00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8CF1D shade: #B6CD1D, #A8BA30, #9AA743, #8C9456 and #7E8169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8CF1D shade: #CD831D, #CDB21D, #B8CD1D, #89CD1D and #5ACD1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8CF1D shade: #768513, #96A918, #B6CD1D, #CBE132 and #D4E656

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8CF1D shade: #B8CF1D, #1DCD55 and #9B1DCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8CF1D shade: #B8CF1D, #1DB8CD and #CD1DB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8CF1D shade: #B8CF1D, #1DCD55, #311DCD and #CD1D95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8CF1D shade: #B8CF1D, #1DCD89, #311DCD and #CD1D60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 86 / 19

HEX #B8CF1D

RGB 184 207 29

HSL 67.75, 0.75%, 0.46%

LAB 78.99, -27.68, 74.97

 

Complementary color

CMYK 69 / 79 / 0 / 11

HEX #4730E2

RGB 71 48 226

HSL 247.75, 0.75%, 0.54%

LAB 35.88, 60.2, -85.41

 

CMYK 9 / 0 / 88 / 19

HEX #BDCF18

RGB 189 207 24

HSL 65.9, 0.79%, 0.45%

LAB 79.33, -25.71, 76.33

 

CMYK 8 / 0 / 81 / 12

HEX #CEE12B

RGB 206 225 43

HSL 66.26, 0.75%, 0.53%

LAB 85.58, -26.77, 78.03

 

CMYK 8 / 0 / 74 / 5

HEX #DFF33E

RGB 223 243 62

HSL 66.63, 0.88%, 0.6%

LAB 91.75, -27.66, 78.74

 

CMYK 6 / 0 / 68 / 0

HEX #F0FF51

RGB 240 255 81

HSL 65.17, 1%, 0.66%

LAB 96.26, -25.61, 77.23

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 11 / 0 / 86 / 19

HEX #B8CF1D

RGB 184 207 29

HSL 67.75, 0.75%, 0.46%

LAB 78.99, -27.68, 74.97

 

CMYK 12 / 0 / 95 / 26

HEX #A7BD0A

RGB 167 189 10

HSL 67.37, 0.9%, 0.39%

LAB 72.65, -26.52, 72.34

 

CMYK 12 / 0 / 100 / 33

HEX #96AB00

RGB 150 171 0

HSL 67.37, 1%, 0.34%

LAB 66.22, -25.15, 68.08

 

CMYK 13 / 0 / 100 / 40

HEX #859900

RGB 133 153 0

HSL 67.84, 1%, 0.3%

LAB 59.68, -23.63, 62.64

 

CMYK 14 / 0 / 100 / 47

HEX #748700

RGB 116 135 0

HSL 68.44, 1%, 0.26%

LAB 52.99, -22.08, 57.07

 

CMYK 11 / 0 / 86 / 20

HEX #B6CD1D

RGB 182 205 29

HSL 67.84, 0.75%, 0.46%

LAB 78.28, -27.55, 74.33

 

CMYK 0 / 12 / 86 / 20

HEX #CDB41D

RGB 205 180 29

HSL 51.48, 0.75%, 0.46%

LAB 73.36, -5.17, 71.05

 

CMYK 0 / 35 / 86 / 20

HEX #CD851D

RGB 205 133 29

HSL 35.45, 0.75%, 0.46%

LAB 61.52, 20.06, 61.36

 

CMYK 0 / 59 / 86 / 20

HEX #CD551D

RGB 205 85 29

HSL 19.09, 0.75%, 0.46%

LAB 51.34, 44.97, 52.95

 

CMYK 0 / 81 / 86 / 20

HEX #CD261D

RGB 205 38 29

HSL 3.07, 0.75%, 0.46%

LAB 44.88, 62.55, 47.54

 

CMYK 11 / 0 / 86 / 20

HEX #B6CD1D

RGB 182 205 29

HSL 67.84, 0.75%, 0.46%

LAB 78.28, -27.55, 74.33

 

CMYK 34 / 0 / 86 / 20

HEX #87CD1D

RGB 135 205 29

HSL 83.86, 0.75%, 0.46%

LAB 75.39, -45.93, 70.73

 

CMYK 58 / 0 / 86 / 20

HEX #57CD1D

RGB 87 205 29

HSL 100.23, 0.75%, 0.46%

LAB 73.4, -60.84, 68.23

 

CMYK 80 / 0 / 86 / 20

HEX #28CD1D

RGB 40 205 29

HSL 116.25, 0.75%, 0.46%

LAB 72.36, -69.62, 66.92

 

CMYK 86 / 0 / 68 / 20

HEX #1DCD41

RGB 29 205 65

HSL 132.27, 0.75%, 0.46%

LAB 72.43, -68.28, 55.72

 

CMYK 11 / 0 / 86 / 20

HEX #B6CD1D

RGB 182 205 29

HSL 67.84, 0.75%, 0.46%

LAB 78.28, -27.55, 74.33

 

CMYK 13 / 0 / 96 / 12

HEX #C4E00A

RGB 196 224 10

HSL 67.85, 0.91%, 0.46%

LAB 84.52, -31.06, 82.36

 

CMYK 11 / 0 / 86 / 20

HEX #B6CD1D

RGB 182 205 29

HSL 67.84, 0.75%, 0.46%

LAB 78.28, -27.55, 74.33

 

CMYK 10 / 0 / 74 / 27

HEX #A8BA30

RGB 168 186 48

HSL 67.83, 0.59%, 0.46%

LAB 72, -23.53, 63.27

 

CMYK 8 / 0 / 60 / 35

HEX #9AA743

RGB 154 167 67

HSL 67.8, 0.43%, 0.46%

LAB 65.68, -18.75, 48.93

 

CMYK 5 / 0 / 42 / 42

HEX #8C9456

RGB 140 148 86

HSL 67.74, 0.26%, 0.46%

LAB 59.37, -12.9, 31.76

 

CMYK 2 / 0 / 19 / 49

HEX #7E8169

RGB 126 129 105

HSL 67.5, 0.1%, 0.46%

LAB 53.12, -5.56, 12.66

 

CMYK 0 / 36 / 86 / 20

HEX #CD831D

RGB 205 131 29

HSL 34.77, 0.75%, 0.46%

LAB 61.05, 21.15, 60.97

 

CMYK 0 / 13 / 86 / 20

HEX #CDB21D

RGB 205 178 29

HSL 50.8, 0.75%, 0.46%

LAB 72.83, -4.13, 70.62

 

CMYK 10 / 0 / 86 / 20

HEX #B8CD1D

RGB 184 205 29

HSL 67.16, 0.75%, 0.46%

LAB 78.43, -26.72, 74.51

 

CMYK 33 / 0 / 86 / 20

HEX #89CD1D

RGB 137 205 29

HSL 83.18, 0.75%, 0.46%

LAB 75.49, -45.2, 70.86

 

CMYK 56 / 0 / 86 / 20

HEX #5ACD1D

RGB 90 205 29

HSL 99.2, 0.75%, 0.46%

LAB 73.5, -60.07, 68.35

 

CMYK 11 / 0 / 86 / 48

HEX #768513

RGB 118 133 19

HSL 67.89, 0.75%, 0.3%

LAB 52.59, -19.71, 53.1

 

CMYK 11 / 0 / 86 / 34

HEX #96A918

RGB 150 169 24

HSL 67.86, 0.75%, 0.38%

LAB 65.69, -23.71, 63.96

 

CMYK 11 / 0 / 86 / 20

HEX #B6CD1D

RGB 182 205 29

HSL 67.84, 0.75%, 0.46%

LAB 78.28, -27.55, 74.33

 

CMYK 10 / 0 / 78 / 12

HEX #CBE132

RGB 203 225 50

HSL 67.54, 0.74%, 0.54%

LAB 85.39, -27.75, 75.93

 

CMYK 8 / 0 / 63 / 10

HEX #D4E656

RGB 212 230 86

HSL 67.5, 0.74%, 0.62%

LAB 87.61, -24.64, 65.82

 

CMYK 11 / 0 / 86 / 19

HEX #B8CF1D

RGB 184 207 29

HSL 67.75, 0.75%, 0.46%

LAB 78.99, -27.68, 74.97

 

CMYK 86 / 0 / 59 / 20

HEX #1DCD55

RGB 29 205 85

HSL 139.09, 0.75%, 0.46%

LAB 72.61, -66.03, 47.39

 

CMYK 24 / 86 / 0 / 20

HEX #9B1DCD

RGB 155 29 205

HSL 282.95, 0.75%, 0.46%

LAB 41.62, 71.9, -63.53

 

CMYK 11 / 0 / 86 / 19

HEX #B8CF1D

RGB 184 207 29

HSL 67.75, 0.75%, 0.46%

LAB 78.99, -27.68, 74.97

 

CMYK 86 / 10 / 0 / 20

HEX #1DB8CD

RGB 29 184 205

HSL 187.16, 0.75%, 0.46%

LAB 68.72, -29.84, -21.27

 

CMYK 0 / 86 / 10 / 20

HEX #CD1DB8

RGB 205 29 184

HSL 307.16, 0.75%, 0.46%

LAB 48.66, 77.16, -39.55

 

CMYK 11 / 0 / 86 / 19

HEX #B8CF1D

RGB 184 207 29

HSL 67.75, 0.75%, 0.46%

LAB 78.99, -27.68, 74.97

 

CMYK 86 / 0 / 59 / 20

HEX #1DCD55

RGB 29 205 85

HSL 139.09, 0.75%, 0.46%

LAB 72.61, -66.03, 47.39

 

CMYK 76 / 86 / 0 / 20

HEX #311DCD

RGB 49 29 205

HSL 246.82, 0.75%, 0.46%

LAB 29.26, 60.71, -84.31

 

CMYK 0 / 86 / 27 / 20

HEX #CD1D95

RGB 205 29 149

HSL 319.09, 0.75%, 0.46%

LAB 47.01, 72.73, -21.35

 

CMYK 11 / 0 / 86 / 19

HEX #B8CF1D

RGB 184 207 29

HSL 67.75, 0.75%, 0.46%

LAB 78.99, -27.68, 74.97

 

CMYK 86 / 0 / 33 / 20

HEX #1DCD89

RGB 29 205 137

HSL 156.82, 0.75%, 0.46%

LAB 73.37, -57.13, 22.4

 

CMYK 76 / 86 / 0 / 20

HEX #311DCD

RGB 49 29 205

HSL 246.82, 0.75%, 0.46%

LAB 29.26, 60.71, -84.31

 

CMYK 0 / 86 / 53 / 20

HEX #CD1D60

RGB 205 29 96

HSL 337.16, 0.75%, 0.46%

LAB 45.22, 67.71, 8.5

 

Description

Color code: HEX #B8CF1D | qconv.com Color code: HEX #B8CF1D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 207 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 207 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 86 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 86% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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