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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8A739 it is the complementary color #4758C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8A739. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8A739 shade: #BDA734, #CEB947, #DFCB5A, #F0DD6D and #FFEF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8A739. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8A739 shade: #B8A739, #A79526, #968313, #857100 and #745F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8A739 shade: #B7A638, #B78438, #B76138, #B73F38 and #B73838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8A739 shade: #B7A638, #A6B738, #83B738, #61B738 and #3FB738

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8A739 shade matches the following richer shades: #B7A638, #CAB424 and #DEC211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8A739 shade: #B7A638, #A3984B, #90895F, #7D7B72 and #696D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8A739 shade: #B76038, #B78238, #B7A438, #A8B738 and #86B738

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8A739 shade: #786D24, #97892E, #B7A638, #C9B84F and #D2C56F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8A739 shade: #B8A739, #38B73E and #7138B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8A739 shade: #B8A739, #38B7A4 and #A438B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8A739 shade: #B8A739, #38B73E, #384BB7 and #B738B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8A739 shade: #B8A739, #38B764, #384BB7 and #B7388A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 69 / 28

HEX #B8A739

RGB 184 167 57

HSL 51.97, 0.53%, 0.47%

LAB 68.11, -6.49, 56.56

 

Complementary color

CMYK 64 / 56 / 0 / 22

HEX #4758C6

RGB 71 88 198

HSL 231.97, 0.53%, 0.53%

LAB 41.84, 28.38, -59.52

 

CMYK 0 / 12 / 72 / 26

HEX #BDA734

RGB 189 167 52

HSL 50.36, 0.57%, 0.47%

LAB 68.54, -4.55, 59.11

 

CMYK 0 / 10 / 66 / 19

HEX #CEB947

RGB 206 185 71

HSL 50.67, 0.58%, 0.54%

LAB 75, -5.62, 58.5

 

CMYK 0 / 9 / 60 / 13

HEX #DFCB5A

RGB 223 203 90

HSL 50.98, 0.68%, 0.61%

LAB 81.37, -6.51, 57.58

 

CMYK 0 / 8 / 55 / 6

HEX #F0DD6D

RGB 240 221 109

HSL 51.3, 0.81%, 0.68%

LAB 87.65, -7.27, 56.51

 

CMYK 0 / 6 / 50 / 0

HEX #FFEF80

RGB 255 239 128

HSL 52.44, 1%, 0.75%

LAB 93.69, -8.71, 55.14

 

CMYK 0 / 9 / 69 / 28

HEX #B8A739

RGB 184 167 57

HSL 51.97, 0.53%, 0.47%

LAB 68.11, -6.49, 56.56

 

CMYK 0 / 11 / 77 / 35

HEX #A79526

RGB 167 149 38

HSL 51.63, 0.63%, 0.4%

LAB 61.52, -5.34, 56.84

 

CMYK 0 / 13 / 87 / 41

HEX #968313

RGB 150 131 19

HSL 51.3, 0.78%, 0.33%

LAB 54.83, -3.93, 56.12

 

CMYK 0 / 15 / 100 / 48

HEX #857100

RGB 133 113 0

HSL 50.98, 1%, 0.26%

LAB 48, -2.25, 54.11

 

CMYK 0 / 18 / 100 / 55

HEX #745F00

RGB 116 95 0

HSL 49.14, 1%, 0.23%

LAB 41.05, -0.1, 48.37

 

CMYK 0 / 9 / 69 / 28

HEX #B7A638

RGB 183 166 56

HSL 51.97, 0.53%, 0.47%

LAB 67.74, -6.45, 56.57

 

CMYK 0 / 28 / 69 / 28

HEX #B78438

RGB 183 132 56

HSL 35.91, 0.53%, 0.47%

LAB 58.84, 12.05, 47.33

 

CMYK 0 / 47 / 69 / 28

HEX #B76138

RGB 183 97 56

HSL 19.37, 0.53%, 0.47%

LAB 50.57, 31.33, 38.26

 

CMYK 0 / 66 / 69 / 28

HEX #B73F38

RGB 183 63 56

HSL 3.31, 0.53%, 0.47%

LAB 44.1, 48.03, 30.76

 

CMYK 0 / 69 / 69 / 28

HEX #B73838

RGB 183 56 56

HSL 0, 0.53%, 0.47%

LAB 43.03, 50.93, 29.48

 

CMYK 0 / 9 / 69 / 28

HEX #B7A638

RGB 183 166 56

HSL 51.97, 0.53%, 0.47%

LAB 67.74, -6.45, 56.57

 

CMYK 9 / 0 / 69 / 28

HEX #A6B738

RGB 166 183 56

HSL 68.03, 0.53%, 0.47%

LAB 71.05, -22.47, 59.43

 

CMYK 28 / 0 / 69 / 28

HEX #83B738

RGB 131 183 56

HSL 84.57, 0.53%, 0.47%

LAB 68.74, -36.52, 56.34

 

CMYK 47 / 0 / 69 / 28

HEX #61B738

RGB 97 183 56

HSL 100.63, 0.53%, 0.47%

LAB 67.05, -48.3, 54.06

 

CMYK 66 / 0 / 69 / 28

HEX #3FB738

RGB 63 183 56

HSL 116.69, 0.53%, 0.47%

LAB 65.91, -57.18, 52.52

 

CMYK 0 / 9 / 69 / 28

HEX #B7A638

RGB 183 166 56

HSL 51.97, 0.53%, 0.47%

LAB 67.74, -6.45, 56.57

 

CMYK 0 / 11 / 82 / 21

HEX #CAB424

RGB 202 180 36

HSL 52.05, 0.7%, 0.47%

LAB 73.11, -6.3, 68.98

 

CMYK 0 / 13 / 92 / 13

HEX #DEC211

RGB 222 194 17

HSL 51.8, 0.86%, 0.47%

LAB 78.55, -5.22, 77.97

 

CMYK 0 / 9 / 69 / 28

HEX #B7A638

RGB 183 166 56

HSL 51.97, 0.53%, 0.47%

LAB 67.74, -6.45, 56.57

 

CMYK 0 / 7 / 54 / 36

HEX #A3984B

RGB 163 152 75

HSL 52.5, 0.37%, 0.47%

LAB 62.3, -6.38, 41.46

 

CMYK 0 / 5 / 34 / 44

HEX #90895F

RGB 144 137 95

HSL 51.43, 0.21%, 0.47%

LAB 56.73, -4.13, 23.5

 

CMYK 0 / 2 / 9 / 51

HEX #7D7B72

RGB 125 123 114

HSL 49.09, 0.05%, 0.47%

LAB 51.54, -0.96, 5.18

 

CMYK 21 / 18 / 0 / 48

HEX #696D85

RGB 105 109 133

HSL 231.43, 0.12%, 0.47%

LAB 46.49, 3.98, -13.72

 

CMYK 0 / 48 / 69 / 28

HEX #B76038

RGB 183 96 56

HSL 18.9, 0.53%, 0.47%

LAB 50.36, 31.87, 38.02

 

CMYK 0 / 29 / 69 / 28

HEX #B78238

RGB 183 130 56

HSL 34.96, 0.53%, 0.47%

LAB 58.34, 13.16, 46.79

 

CMYK 0 / 10 / 69 / 28

HEX #B7A438

RGB 183 164 56

HSL 51.02, 0.53%, 0.47%

LAB 67.2, -5.39, 56.02

 

CMYK 8 / 0 / 69 / 28

HEX #A8B738

RGB 168 183 56

HSL 67.09, 0.53%, 0.47%

LAB 71.2, -21.63, 59.63

 

CMYK 27 / 0 / 69 / 28

HEX #86B738

RGB 134 183 56

HSL 83.15, 0.53%, 0.47%

LAB 68.91, -35.38, 56.58

 

CMYK 0 / 9 / 70 / 53

HEX #786D24

RGB 120 109 36

HSL 52.14, 0.54%, 0.31%

LAB 45.71, -4.92, 40.69

 

CMYK 0 / 9 / 70 / 41

HEX #97892E

RGB 151 137 46

HSL 52, 0.53%, 0.39%

LAB 56.75, -5.65, 48.59

 

CMYK 0 / 9 / 69 / 28

HEX #B7A638

RGB 183 166 56

HSL 51.97, 0.53%, 0.47%

LAB 67.74, -6.45, 56.57

 

CMYK 0 / 8 / 61 / 21

HEX #C9B84F

RGB 201 184 79

HSL 51.64, 0.53%, 0.55%

LAB 74.36, -6.71, 54.19

 

CMYK 0 / 6 / 47 / 18

HEX #D2C56F

RGB 210 197 111

HSL 52.12, 0.52%, 0.63%

LAB 78.92, -7.07, 44.52

 

CMYK 0 / 9 / 69 / 28

HEX #B8A739

RGB 184 167 57

HSL 51.97, 0.53%, 0.47%

LAB 68.11, -6.49, 56.56

 

CMYK 69 / 0 / 66 / 28

HEX #38B73E

RGB 56 183 62

HSL 122.83, 0.53%, 0.47%

LAB 65.79, -57.99, 49.89

 

CMYK 38 / 69 / 0 / 28

HEX #7138B7

RGB 113 56 183

HSL 266.93, 0.53%, 0.47%

LAB 37.4, 50.25, -57.78

 

CMYK 0 / 9 / 69 / 28

HEX #B8A739

RGB 184 167 57

HSL 51.97, 0.53%, 0.47%

LAB 68.11, -6.49, 56.56

 

CMYK 69 / 0 / 10 / 28

HEX #38B7A4

RGB 56 183 164

HSL 171.02, 0.53%, 0.47%

LAB 67.57, -38.72, -0.35

 

CMYK 10 / 69 / 0 / 28

HEX #A438B7

RGB 164 56 183

HSL 291.02, 0.53%, 0.47%

LAB 44.43, 61.03, -46.09

 

CMYK 0 / 9 / 69 / 28

HEX #B8A739

RGB 184 167 57

HSL 51.97, 0.53%, 0.47%

LAB 68.11, -6.49, 56.56

 

CMYK 69 / 0 / 66 / 28

HEX #38B73E

RGB 56 183 62

HSL 122.83, 0.53%, 0.47%

LAB 65.79, -57.99, 49.89

 

CMYK 69 / 59 / 0 / 28

HEX #384BB7

RGB 56 75 183

HSL 231.02, 0.53%, 0.47%

LAB 36.54, 29.11, -59.4

 

CMYK 0 / 69 / 3 / 28

HEX #B738B1

RGB 183 56 177

HSL 302.83, 0.53%, 0.47%

LAB 47.07, 64.3, -38.2

 

CMYK 0 / 9 / 69 / 28

HEX #B8A739

RGB 184 167 57

HSL 51.97, 0.53%, 0.47%

LAB 68.11, -6.49, 56.56

 

CMYK 69 / 0 / 45 / 28

HEX #38B764

RGB 56 183 100

HSL 140.79, 0.53%, 0.47%

LAB 66.23, -52.84, 32.36

 

CMYK 69 / 59 / 0 / 28

HEX #384BB7

RGB 56 75 183

HSL 231.02, 0.53%, 0.47%

LAB 36.54, 29.11, -59.4

 

CMYK 0 / 69 / 25 / 28

HEX #B7388A

RGB 183 56 138

HSL 321.26, 0.53%, 0.47%

LAB 45.26, 58.54, -17.72

 

Description

Color code: HEX #B8A739 | qconv.com Color code: HEX #B8A739 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 167 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 167 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 69 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 69% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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