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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B89251 it is the complementary color #476DAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B89251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B89251 shade: #BD924C, #CEA45F, #DFB672, #F0C885 and #FFDA98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B89251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B89251 shade: #B89251, #A7803E, #966E2B, #855C18 and #744A05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B89251 shade: #B89251, #B87651, #B85A51 and #B85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B89251 shade: #B89251, #B8AD51, #A6B851, #8AB851 and #6FB851

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B89251 shade matches the following richer shades: #B89251, #CB973D, #DF9C29 and #F3A115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B89251 shade: #B89251, #A48C64, #908778, #7C828C and #687DA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B89251 shade: #B85951, #B87551, #B89051, #B8AC51 and #A8B851

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B89251 shade: #816534, #9E7C40, #B89251, #C3A46E and #CFB68B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B89251 shade: #B89251, #64B851 and #6751B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B89251 shade: #B89251, #51B890 and #9051B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B89251 shade: #B89251, #64B851, #5178B8 and #A551B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B89251 shade: #B89251, #51B85D, #5178B8 and #B851AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 56 / 28

HEX #B89251

RGB 184 146 81

HSL 37.86, 0.42%, 0.52%

LAB 62.8, 6.49, 39.51

 

Complementary color

CMYK 59 / 37 / 0 / 32

HEX #476DAE

RGB 71 109 174

HSL 217.86, 0.42%, 0.48%

LAB 46.09, 6.77, -38.75

 

CMYK 0 / 23 / 60 / 26

HEX #BD924C

RGB 189 146 76

HSL 37.17, 0.46%, 0.52%

LAB 63.26, 8.25, 42.73

 

CMYK 0 / 20 / 54 / 19

HEX #CEA45F

RGB 206 164 95

HSL 37.3, 0.53%, 0.59%

LAB 69.82, 7.23, 41.36

 

CMYK 0 / 18 / 49 / 13

HEX #DFB672

RGB 223 182 114

HSL 37.43, 0.63%, 0.66%

LAB 76.29, 6.36, 40.02

 

CMYK 0 / 17 / 45 / 6

HEX #F0C885

RGB 240 200 133

HSL 37.57, 0.78%, 0.73%

LAB 82.66, 5.61, 38.73

 

CMYK 0 / 15 / 40 / 0

HEX #FFDA98

RGB 255 218 152

HSL 38.45, 1%, 0.8%

LAB 88.77, 4.17, 37.23

 

CMYK 0 / 21 / 56 / 28

HEX #B89251

RGB 184 146 81

HSL 37.86, 0.42%, 0.52%

LAB 62.8, 6.49, 39.51

 

CMYK 0 / 23 / 63 / 35

HEX #A7803E

RGB 167 128 62

HSL 37.71, 0.46%, 0.45%

LAB 56.09, 7.59, 40.88

 

CMYK 0 / 27 / 71 / 41

HEX #966E2B

RGB 150 110 43

HSL 37.57, 0.55%, 0.38%

LAB 49.27, 8.92, 42.15

 

CMYK 0 / 31 / 82 / 48

HEX #855C18

RGB 133 92 24

HSL 37.43, 0.69%, 0.31%

LAB 42.32, 10.56, 42.98

 

CMYK 0 / 36 / 96 / 55

HEX #744A05

RGB 116 74 5

HSL 37.3, 0.92%, 0.24%

LAB 35.25, 12.6, 42.67

 

CMYK 0 / 21 / 56 / 28

HEX #B89251

RGB 184 146 81

HSL 37.86, 0.42%, 0.52%

LAB 62.8, 6.49, 39.51

 

CMYK 0 / 36 / 56 / 28

HEX #B87651

RGB 184 118 81

HSL 21.55, 0.42%, 0.52%

LAB 55.83, 22.02, 30.96

 

CMYK 0 / 51 / 56 / 28

HEX #B85A51

RGB 184 90 81

HSL 5.24, 0.42%, 0.52%

LAB 49.61, 37.15, 23

 

CMYK 0 / 56 / 56 / 28

HEX #B85151

RGB 184 81 81

HSL 0, 0.42%, 0.52%

LAB 47.84, 41.71, 20.66

 

CMYK 0 / 21 / 56 / 28

HEX #B89251

RGB 184 146 81

HSL 37.86, 0.42%, 0.52%

LAB 62.8, 6.49, 39.51

 

CMYK 0 / 6 / 56 / 28

HEX #B8AD51

RGB 184 173 81

HSL 53.59, 0.42%, 0.52%

LAB 69.95, -8.03, 47.9

 

CMYK 10 / 0 / 56 / 28

HEX #A6B851

RGB 166 184 81

HSL 70.49, 0.42%, 0.52%

LAB 71.54, -21.18, 49.34

 

CMYK 25 / 0 / 56 / 28

HEX #8AB851

RGB 138 184 81

HSL 86.8, 0.42%, 0.52%

LAB 69.67, -32.24, 46.7

 

CMYK 40 / 0 / 56 / 28

HEX #6FB851

RGB 111 184 81

HSL 102.52, 0.42%, 0.52%

LAB 68.21, -41.83, 44.62

 

CMYK 0 / 21 / 56 / 28

HEX #B89251

RGB 184 146 81

HSL 37.86, 0.42%, 0.52%

LAB 62.8, 6.49, 39.51

 

CMYK 0 / 26 / 70 / 20

HEX #CB973D

RGB 203 151 61

HSL 38.03, 0.58%, 0.52%

LAB 65.88, 10.63, 53.16

 

CMYK 0 / 30 / 82 / 13

HEX #DF9C29

RGB 223 156 41

HSL 37.91, 0.74%, 0.52%

LAB 69.2, 15.75, 64.93

 

CMYK 0 / 34 / 91 / 5

HEX #F3A115

RGB 243 161 21

HSL 37.84, 0.9%, 0.52%

LAB 72.63, 21.19, 73.88

 

CMYK 0 / 21 / 56 / 28

HEX #B89251

RGB 184 146 81

HSL 37.86, 0.42%, 0.52%

LAB 62.8, 6.49, 39.51

 

CMYK 0 / 15 / 39 / 36

HEX #A48C64

RGB 164 140 100

HSL 37.5, 0.26%, 0.52%

LAB 59.5, 3.22, 24.73

 

CMYK 0 / 6 / 17 / 44

HEX #908778

RGB 144 135 120

HSL 37.5, 0.1%, 0.52%

LAB 56.7, 0.72, 9.28

 

CMYK 11 / 7 / 0 / 45

HEX #7C828C

RGB 124 130 140

HSL 217.5, 0.07%, 0.52%

LAB 54.18, -0.09, -6.15

 

CMYK 35 / 22 / 0 / 37

HEX #687DA0

RGB 104 125 160

HSL 217.5, 0.23%, 0.52%

LAB 52, 1.21, -21.21

 

CMYK 0 / 52 / 56 / 28

HEX #B85951

RGB 184 89 81

HSL 4.66, 0.42%, 0.52%

LAB 49.41, 37.67, 22.73

 

CMYK 0 / 36 / 56 / 28

HEX #B87551

RGB 184 117 81

HSL 20.97, 0.42%, 0.52%

LAB 55.59, 22.57, 30.66

 

CMYK 0 / 22 / 56 / 28

HEX #B89051

RGB 184 144 81

HSL 36.7, 0.42%, 0.52%

LAB 62.28, 7.59, 38.89

 

CMYK 0 / 7 / 56 / 28

HEX #B8AC51

RGB 184 172 81

HSL 53.01, 0.42%, 0.52%

LAB 69.68, -7.51, 47.59

 

CMYK 9 / 0 / 56 / 28

HEX #A8B851

RGB 168 184 81

HSL 69.32, 0.42%, 0.52%

LAB 71.69, -20.37, 49.55

 

CMYK 0 / 22 / 60 / 49

HEX #816534

RGB 129 101 52

HSL 38.18, 0.43%, 0.35%

LAB 44.55, 5.1, 31.65

 

CMYK 0 / 22 / 59 / 38

HEX #9E7C40

RGB 158 124 64

HSL 38.3, 0.42%, 0.44%

LAB 54.08, 5.99, 37.29

 

CMYK 0 / 21 / 56 / 28

HEX #B89251

RGB 184 146 81

HSL 37.86, 0.42%, 0.52%

LAB 62.8, 6.49, 39.51

 

CMYK 0 / 16 / 44 / 24

HEX #C3A46E

RGB 195 164 110

HSL 38.12, 0.41%, 0.6%

LAB 68.95, 4.08, 32.22

 

CMYK 0 / 12 / 33 / 19

HEX #CFB68B

RGB 207 182 139

HSL 37.94, 0.41%, 0.68%

LAB 75.19, 2.65, 25.2

 

CMYK 0 / 21 / 56 / 28

HEX #B89251

RGB 184 146 81

HSL 37.86, 0.42%, 0.52%

LAB 62.8, 6.49, 39.51

 

CMYK 46 / 0 / 56 / 28

HEX #64B851

RGB 100 184 81

HSL 108.93, 0.42%, 0.52%

LAB 67.71, -45.33, 43.92

 

CMYK 44 / 56 / 0 / 28

HEX #6751B8

RGB 103 81 184

HSL 252.82, 0.42%, 0.52%

LAB 41.58, 34.56, -51.67

 

CMYK 0 / 21 / 56 / 28

HEX #B89251

RGB 184 146 81

HSL 37.86, 0.42%, 0.52%

LAB 62.8, 6.49, 39.51

 

CMYK 56 / 0 / 22 / 28

HEX #51B890

RGB 81 184 144

HSL 156.7, 0.42%, 0.52%

LAB 68.05, -39.53, 11.42

 

CMYK 22 / 56 / 0 / 28

HEX #9051B8

RGB 144 81 184

HSL 276.7, 0.42%, 0.52%

LAB 46.01, 44.73, -44.32

 

CMYK 0 / 21 / 56 / 28

HEX #B89251

RGB 184 146 81

HSL 37.86, 0.42%, 0.52%

LAB 62.8, 6.49, 39.51

 

CMYK 46 / 0 / 56 / 28

HEX #64B851

RGB 100 184 81

HSL 108.93, 0.42%, 0.52%

LAB 67.71, -45.33, 43.92

 

CMYK 56 / 35 / 0 / 28

HEX #5178B8

RGB 81 120 184

HSL 217.28, 0.42%, 0.52%

LAB 50.27, 5.49, -37.92

 

CMYK 10 / 56 / 0 / 28

HEX #A551B8

RGB 165 81 184

HSL 288.93, 0.42%, 0.52%

LAB 48.69, 50.29, -39.9

 

CMYK 0 / 21 / 56 / 28

HEX #B89251

RGB 184 146 81

HSL 37.86, 0.42%, 0.52%

LAB 62.8, 6.49, 39.51

 

CMYK 56 / 0 / 49 / 28

HEX #51B85D

RGB 81 184 93

HSL 126.99, 0.42%, 0.52%

LAB 67.14, -49.02, 37.2

 

CMYK 56 / 35 / 0 / 28

HEX #5178B8

RGB 81 120 184

HSL 217.28, 0.42%, 0.52%

LAB 50.27, 5.49, -37.92

 

CMYK 0 / 56 / 7 / 28

HEX #B851AC

RGB 184 81 172

HSL 306.99, 0.42%, 0.52%

LAB 50.75, 53.31, -29.48

 

Description

Color code: HEX #B89251 | qconv.com Color code: HEX #B89251 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 146 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 146 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 56 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 56% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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