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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B88F31 it is the complementary color #4770CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B88F31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B88F31 shade: #BD8F2C, #CEA13F, #DFB352, #F0C565 and #FFD778

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B88F31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B88F31 shade: #B88F31, #A77D1E, #966B0B, #855900 and #744700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B88F31 shade: #B99031, #B96B31, #B94631 and #B93131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B88F31 shade: #B99031, #B9B431, #99B931, #74B931 and #4FB931

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B88F31 shade matches the following richer shades: #B99031, #CC971E and #DF9E0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B88F31 shade: #B99031, #A68844, #938157, #80796A and #6D727D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B88F31 shade: #B94531, #B96931, #B98E31, #B9B231 and #9BB931

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B88F31 shade: #785D1F, #987628, #B99031, #CDA446 and #D6B466

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B88F31 shade: #B88F31, #41B931 and #5731B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B88F31 shade: #B88F31, #31B98E and #8E31B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B88F31 shade: #B88F31, #41B931, #315CB9 and #A931B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B88F31 shade: #B88F31, #31B94A, #315CB9 and #B931A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 73 / 28

HEX #B88F31

RGB 184 143 49

HSL 41.78, 0.58%, 0.46%

LAB 61.7, 6.05, 53.4

 

Complementary color

CMYK 66 / 46 / 0 / 19

HEX #4770CE

RGB 71 112 206

HSL 221.78, 0.58%, 0.54%

LAB 48.74, 16.01, -53

 

CMYK 0 / 24 / 77 / 26

HEX #BD8F2C

RGB 189 143 44

HSL 40.97, 0.62%, 0.46%

LAB 62.21, 8.05, 56.08

 

CMYK 0 / 22 / 69 / 19

HEX #CEA13F

RGB 206 161 63

HSL 41.12, 0.59%, 0.53%

LAB 68.73, 6.63, 55.36

 

CMYK 0 / 20 / 63 / 13

HEX #DFB352

RGB 223 179 82

HSL 41.28, 0.69%, 0.6%

LAB 75.16, 5.44, 54.3

 

CMYK 0 / 18 / 58 / 6

HEX #F0C565

RGB 240 197 101

HSL 41.44, 0.82%, 0.67%

LAB 81.51, 4.41, 53.11

 

CMYK 0 / 16 / 53 / 0

HEX #FFD778

RGB 255 215 120

HSL 42.22, 1%, 0.74%

LAB 87.59, 2.71, 51.6

 

CMYK 0 / 22 / 73 / 28

HEX #B88F31

RGB 184 143 49

HSL 41.78, 0.58%, 0.46%

LAB 61.7, 6.05, 53.4

 

CMYK 0 / 25 / 82 / 35

HEX #A77D1E

RGB 167 125 30

HSL 41.61, 0.7%, 0.39%

LAB 55.05, 7.6, 53.74

 

CMYK 0 / 29 / 93 / 41

HEX #966B0B

RGB 150 107 11

HSL 41.44, 0.86%, 0.32%

LAB 48.29, 9.47, 52.82

 

CMYK 0 / 33 / 100 / 48

HEX #855900

RGB 133 89 0

HSL 40.15, 1%, 0.26%

LAB 41.42, 11.71, 49.58

 

CMYK 0 / 39 / 100 / 55

HEX #744700

RGB 116 71 0

HSL 36.72, 1%, 0.23%

LAB 34.44, 14.28, 43.88

 

CMYK 0 / 22 / 74 / 27

HEX #B99031

RGB 185 144 49

HSL 41.91, 0.58%, 0.46%

LAB 62.07, 5.94, 53.8

 

CMYK 0 / 42 / 74 / 27

HEX #B96B31

RGB 185 107 49

HSL 25.59, 0.58%, 0.46%

LAB 53.01, 26.38, 44.56

 

CMYK 0 / 62 / 74 / 27

HEX #B94631

RGB 185 70 49

HSL 9.26, 0.58%, 0.46%

LAB 45.52, 45.28, 36.48

 

CMYK 0 / 74 / 74 / 27

HEX #B93131

RGB 185 49 49

HSL 0, 0.58%, 0.46%

LAB 42.36, 53.87, 32.92

 

CMYK 0 / 22 / 74 / 27

HEX #B99031

RGB 185 144 49

HSL 41.91, 0.58%, 0.46%

LAB 62.07, 5.94, 53.8

 

CMYK 0 / 3 / 74 / 27

HEX #B9B431

RGB 185 180 49

HSL 57.79, 0.58%, 0.46%

LAB 71.68, -13.22, 63.1

 

CMYK 17 / 0 / 74 / 27

HEX #99B931

RGB 153 185 49

HSL 74.12, 0.58%, 0.46%

LAB 70.66, -29.2, 61.28

 

CMYK 37 / 0 / 74 / 27

HEX #74B931

RGB 116 185 49

HSL 90.44, 0.58%, 0.46%

LAB 68.48, -43.35, 58.41

 

CMYK 57 / 0 / 74 / 27

HEX #4FB931

RGB 79 185 49

HSL 106.76, 0.58%, 0.46%

LAB 66.96, -54.71, 56.39

 

CMYK 0 / 22 / 74 / 27

HEX #B99031

RGB 185 144 49

HSL 41.91, 0.58%, 0.46%

LAB 62.07, 5.94, 53.8

 

CMYK 0 / 26 / 85 / 20

HEX #CC971E

RGB 204 151 30

HSL 41.72, 0.74%, 0.46%

LAB 65.8, 9.86, 64.55

 

CMYK 0 / 29 / 95 / 13

HEX #DF9E0B

RGB 223 158 11

HSL 41.6, 0.91%, 0.46%

LAB 69.59, 14.09, 72.24

 

CMYK 0 / 22 / 74 / 27

HEX #B99031

RGB 185 144 49

HSL 41.91, 0.58%, 0.46%

LAB 62.07, 5.94, 53.8

 

CMYK 0 / 18 / 59 / 35

HEX #A68844

RGB 166 136 68

HSL 41.63, 0.42%, 0.46%

LAB 58.16, 3.12, 40.22

 

CMYK 0 / 12 / 41 / 42

HEX #938157

RGB 147 129 87

HSL 42, 0.26%, 0.46%

LAB 54.65, 0.62, 25.29

 

CMYK 0 / 5 / 17 / 50

HEX #80796A

RGB 128 121 106

HSL 40.91, 0.09%, 0.46%

LAB 51.04, -0.04, 9.19

 

CMYK 13 / 9 / 0 / 51

HEX #6D727D

RGB 109 114 125

HSL 221.25, 0.07%, 0.46%

LAB 47.96, 0.52, -6.71

 

CMYK 0 / 63 / 74 / 27

HEX #B94531

RGB 185 69 49

HSL 8.82, 0.58%, 0.46%

LAB 45.35, 45.74, 36.29

 

CMYK 0 / 43 / 74 / 27

HEX #B96931

RGB 185 105 49

HSL 24.71, 0.58%, 0.46%

LAB 52.55, 27.47, 44.09

 

CMYK 0 / 23 / 74 / 27

HEX #B98E31

RGB 185 142 49

HSL 41.03, 0.58%, 0.46%

LAB 61.55, 7.04, 53.29

 

CMYK 0 / 4 / 74 / 27

HEX #B9B231

RGB 185 178 49

HSL 56.91, 0.58%, 0.46%

LAB 71.13, -12.19, 62.58

 

CMYK 16 / 0 / 74 / 27

HEX #9BB931

RGB 155 185 49

HSL 73.24, 0.58%, 0.46%

LAB 70.79, -28.39, 61.46

 

CMYK 0 / 23 / 74 / 53

HEX #785D1F

RGB 120 93 31

HSL 41.8, 0.59%, 0.3%

LAB 41.09, 4.11, 38.23

 

CMYK 0 / 22 / 74 / 40

HEX #987628

RGB 152 118 40

HSL 41.79, 0.58%, 0.38%

LAB 51.59, 5.1, 45.98

 

CMYK 0 / 22 / 74 / 27

HEX #B99031

RGB 185 144 49

HSL 41.91, 0.58%, 0.46%

LAB 62.07, 5.94, 53.8

 

CMYK 0 / 20 / 66 / 20

HEX #CDA446

RGB 205 164 70

HSL 41.78, 0.57%, 0.54%

LAB 69.45, 4.99, 52.99

 

CMYK 0 / 16 / 52 / 16

HEX #D6B466

RGB 214 180 102

HSL 41.79, 0.58%, 0.62%

LAB 74.76, 2.63, 44.01

 

CMYK 0 / 22 / 73 / 28

HEX #B88F31

RGB 184 143 49

HSL 41.78, 0.58%, 0.46%

LAB 61.7, 6.05, 53.4

 

CMYK 65 / 0 / 74 / 27

HEX #41B931

RGB 65 185 49

HSL 112.94, 0.58%, 0.46%

LAB 66.55, -58.02, 55.85

 

CMYK 53 / 74 / 0 / 27

HEX #5731B9

RGB 87 49 185

HSL 256.76, 0.58%, 0.46%

LAB 33.4, 49.75, -65.61

 

CMYK 0 / 22 / 73 / 28

HEX #B88F31

RGB 184 143 49

HSL 41.78, 0.58%, 0.46%

LAB 61.7, 6.05, 53.4

 

CMYK 74 / 0 / 23 / 27

HEX #31B98E

RGB 49 185 142

HSL 161.03, 0.58%, 0.46%

LAB 67.5, -46.12, 11.62

 

CMYK 23 / 74 / 0 / 27

HEX #8E31B9

RGB 142 49 185

HSL 281.03, 0.58%, 0.46%

LAB 40.33, 59.53, -54.03

 

CMYK 0 / 22 / 73 / 28

HEX #B88F31

RGB 184 143 49

HSL 41.78, 0.58%, 0.46%

LAB 61.7, 6.05, 53.4

 

CMYK 65 / 0 / 74 / 27

HEX #41B931

RGB 65 185 49

HSL 112.94, 0.58%, 0.46%

LAB 66.55, -58.02, 55.85

 

CMYK 74 / 50 / 0 / 27

HEX #315CB9

RGB 49 92 185

HSL 221.03, 0.58%, 0.46%

LAB 40.91, 17.8, -53.5

 

CMYK 9 / 74 / 0 / 27

HEX #A931B9

RGB 169 49 185

HSL 292.94, 0.58%, 0.46%

LAB 44.43, 65.02, -47.23

 

CMYK 0 / 22 / 73 / 28

HEX #B88F31

RGB 184 143 49

HSL 41.78, 0.58%, 0.46%

LAB 61.7, 6.05, 53.4

 

CMYK 74 / 0 / 60 / 27

HEX #31B94A

RGB 49 185 74

HSL 131.03, 0.58%, 0.46%

LAB 66.4, -58.52, 45.26

 

CMYK 74 / 50 / 0 / 27

HEX #315CB9

RGB 49 92 185

HSL 221.03, 0.58%, 0.46%

LAB 40.91, 17.8, -53.5

 

CMYK 0 / 74 / 14 / 27

HEX #B931A0

RGB 185 49 160

HSL 311.03, 0.58%, 0.46%

LAB 45.7, 64.55, -30.25

 

Description

Color code: HEX #B88F31 | qconv.com Color code: HEX #B88F31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 143 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 143 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 73 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 73% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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