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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B88D3A it is the complementary color #4772C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B88D3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B88D3A shade: #BD8D35, #CE9F48, #DFB15B, #F0C36E and #FFD581

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B88D3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B88D3A shade: #B88D3A, #A77B27, #966914, #855701 and #744500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B88D3A shade: #B68B39, #B66A39, #B64839 and #B63939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B88D3A shade: #B68B39, #B6AD39, #9DB639, #7BB639 and #5AB639

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B88D3A shade matches the following richer shades: #B68B39, #C99126 and #DC9712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B88D3A shade: #B68B39, #A2854C, #8F7F60, #7B7973 and #687387

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B88D3A shade: #B64839, #B66939, #B68A39, #B6AB39 and #9FB639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B88D3A shade: #775B25, #96732F, #B68B39, #C89F50 and #D1B070

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B88D3A shade: #B88D3A, #4CB639 and #5839B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B88D3A shade: #B88D3A, #39B68A and #8A39B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B88D3A shade: #B88D3A, #4CB639, #3965B6 and #A339B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B88D3A shade: #B88D3A, #39B64C, #3965B6 and #B639A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 68 / 28

HEX #B88D3A

RGB 184 141 58

HSL 39.52, 0.52%, 0.47%

LAB 61.26, 7.63, 49.02

 

Complementary color

CMYK 64 / 42 / 0 / 23

HEX #4772C5

RGB 71 114 197

HSL 219.52, 0.52%, 0.53%

LAB 48.77, 11.61, -47.8

 

CMYK 0 / 25 / 72 / 26

HEX #BD8D35

RGB 189 141 53

HSL 38.82, 0.56%, 0.47%

LAB 61.76, 9.56, 51.94

 

CMYK 0 / 23 / 65 / 19

HEX #CE9F48

RGB 206 159 72

HSL 38.96, 0.58%, 0.55%

LAB 68.3, 8.23, 50.86

 

CMYK 0 / 21 / 59 / 13

HEX #DFB15B

RGB 223 177 91

HSL 39.09, 0.67%, 0.62%

LAB 74.75, 7.11, 49.61

 

CMYK 0 / 19 / 54 / 6

HEX #F0C36E

RGB 240 195 110

HSL 39.23, 0.81%, 0.69%

LAB 81.12, 6.14, 48.32

 

CMYK 0 / 16 / 49 / 0

HEX #FFD581

RGB 255 213 129

HSL 40, 1%, 0.75%

LAB 87.21, 4.5, 46.76

 

CMYK 0 / 23 / 68 / 28

HEX #B88D3A

RGB 184 141 58

HSL 39.52, 0.52%, 0.47%

LAB 61.26, 7.63, 49.02

 

CMYK 0 / 26 / 77 / 35

HEX #A77B27

RGB 167 123 39

HSL 39.38, 0.62%, 0.4%

LAB 54.58, 9.07, 49.91

 

CMYK 0 / 30 / 87 / 41

HEX #966914

RGB 150 105 20

HSL 39.23, 0.76%, 0.33%

LAB 47.8, 10.82, 50.02

 

CMYK 0 / 35 / 99 / 48

HEX #855701

RGB 133 87 1

HSL 39.09, 0.99%, 0.26%

LAB 40.9, 12.91, 48.95

 

CMYK 0 / 41 / 100 / 55

HEX #744500

RGB 116 69 0

HSL 35.69, 1%, 0.23%

LAB 33.92, 15.49, 43.54

 

CMYK 0 / 24 / 69 / 29

HEX #B68B39

RGB 182 139 57

HSL 39.36, 0.52%, 0.47%

LAB 60.52, 7.79, 48.62

 

CMYK 0 / 42 / 69 / 29

HEX #B66A39

RGB 182 106 57

HSL 23.52, 0.52%, 0.47%

LAB 52.45, 26.09, 39.82

 

CMYK 0 / 60 / 69 / 29

HEX #B64839

RGB 182 72 57

HSL 7.2, 0.52%, 0.47%

LAB 45.46, 43.68, 31.75

 

CMYK 0 / 69 / 69 / 29

HEX #B63939

RGB 182 57 57

HSL 0, 0.52%, 0.47%

LAB 43.01, 50.25, 28.82

 

CMYK 0 / 24 / 69 / 29

HEX #B68B39

RGB 182 139 57

HSL 39.36, 0.52%, 0.47%

LAB 60.52, 7.79, 48.62

 

CMYK 0 / 5 / 69 / 29

HEX #B6AD39

RGB 182 173 57

HSL 55.68, 0.52%, 0.47%

LAB 69.56, -10.5, 57.97

 

CMYK 14 / 0 / 69 / 29

HEX #9DB639

RGB 157 182 57

HSL 72, 0.52%, 0.47%

LAB 70.12, -25.66, 57.9

 

CMYK 32 / 0 / 69 / 29

HEX #7BB639

RGB 123 182 57

HSL 88.32, 0.52%, 0.47%

LAB 67.99, -38.99, 55.04

 

CMYK 51 / 0 / 69 / 29

HEX #5AB639

RGB 90 182 57

HSL 104.16, 0.52%, 0.47%

LAB 66.46, -49.93, 52.97

 

CMYK 0 / 24 / 69 / 29

HEX #B68B39

RGB 182 139 57

HSL 39.36, 0.52%, 0.47%

LAB 60.52, 7.79, 48.62

 

CMYK 0 / 28 / 81 / 21

HEX #C99126

RGB 201 145 38

HSL 39.39, 0.68%, 0.47%

LAB 64.01, 12.03, 60.4

 

CMYK 0 / 31 / 92 / 14

HEX #DC9712

RGB 220 151 18

HSL 39.5, 0.85%, 0.47%

LAB 67.57, 16.62, 69.51

 

CMYK 0 / 24 / 69 / 29

HEX #B68B39

RGB 182 139 57

HSL 39.36, 0.52%, 0.47%

LAB 60.52, 7.79, 48.62

 

CMYK 0 / 18 / 53 / 36

HEX #A2854C

RGB 162 133 76

HSL 39.77, 0.36%, 0.47%

LAB 57.05, 3.72, 34.64

 

CMYK 0 / 11 / 33 / 44

HEX #8F7F60

RGB 143 127 96

HSL 39.57, 0.2%, 0.47%

LAB 53.88, 1.2, 19.11

 

CMYK 0 / 2 / 7 / 52

HEX #7B7973

RGB 123 121 115

HSL 45, 0.03%, 0.47%

LAB 50.83, -0.4, 3.55

 

CMYK 23 / 15 / 0 / 47

HEX #687387

RGB 104 115 135

HSL 218.71, 0.13%, 0.47%

LAB 48.2, 0.56, -12.33

 

CMYK 0 / 60 / 69 / 29

HEX #B64839

RGB 182 72 57

HSL 7.2, 0.52%, 0.47%

LAB 45.46, 43.68, 31.75

 

CMYK 0 / 42 / 69 / 29

HEX #B66939

RGB 182 105 57

HSL 23.04, 0.52%, 0.47%

LAB 52.22, 26.64, 39.56

 

CMYK 0 / 24 / 69 / 29

HEX #B68A39

RGB 182 138 57

HSL 38.88, 0.52%, 0.47%

LAB 60.26, 8.34, 48.35

 

CMYK 0 / 6 / 69 / 29

HEX #B6AB39

RGB 182 171 57

HSL 54.72, 0.52%, 0.47%

LAB 69.02, -9.46, 57.42

 

CMYK 13 / 0 / 69 / 29

HEX #9FB639

RGB 159 182 57

HSL 71.04, 0.52%, 0.47%

LAB 70.26, -24.84, 58.09

 

CMYK 0 / 24 / 69 / 53

HEX #775B25

RGB 119 91 37

HSL 39.51, 0.53%, 0.31%

LAB 40.47, 5.19, 34.62

 

CMYK 0 / 23 / 69 / 41

HEX #96732F

RGB 150 115 47

HSL 39.61, 0.52%, 0.39%

LAB 50.63, 6.29, 41.7

 

CMYK 0 / 24 / 69 / 29

HEX #B68B39

RGB 182 139 57

HSL 39.36, 0.52%, 0.47%

LAB 60.52, 7.79, 48.62

 

CMYK 0 / 21 / 60 / 22

HEX #C89F50

RGB 200 159 80

HSL 39.5, 0.52%, 0.55%

LAB 67.77, 6.2, 46.26

 

CMYK 0 / 16 / 46 / 18

HEX #D1B070

RGB 209 176 112

HSL 39.59, 0.51%, 0.63%

LAB 73.4, 3.61, 37.12

 

CMYK 0 / 23 / 68 / 28

HEX #B88D3A

RGB 184 141 58

HSL 39.52, 0.52%, 0.47%

LAB 61.26, 7.63, 49.02

 

CMYK 58 / 0 / 69 / 29

HEX #4CB639

RGB 76 182 57

HSL 110.88, 0.52%, 0.47%

LAB 65.97, -53.73, 52.3

 

CMYK 52 / 69 / 0 / 29

HEX #5839B6

RGB 88 57 182

HSL 254.88, 0.52%, 0.47%

LAB 34.76, 44.84, -61.61

 

CMYK 0 / 23 / 68 / 28

HEX #B88D3A

RGB 184 141 58

HSL 39.52, 0.52%, 0.47%

LAB 61.26, 7.63, 49.02

 

CMYK 69 / 0 / 24 / 29

HEX #39B68A

RGB 57 182 138

HSL 158.88, 0.52%, 0.47%

LAB 66.64, -44.63, 12.62

 

CMYK 24 / 69 / 0 / 29

HEX #8A39B6

RGB 138 57 182

HSL 278.88, 0.52%, 0.47%

LAB 40.75, 54.71, -51.62

 

CMYK 0 / 23 / 68 / 28

HEX #B88D3A

RGB 184 141 58

HSL 39.52, 0.52%, 0.47%

LAB 61.26, 7.63, 49.02

 

CMYK 58 / 0 / 69 / 29

HEX #4CB639

RGB 76 182 57

HSL 110.88, 0.52%, 0.47%

LAB 65.97, -53.73, 52.3

 

CMYK 69 / 45 / 0 / 29

HEX #3965B6

RGB 57 101 182

HSL 218.88, 0.52%, 0.47%

LAB 43.59, 12.06, -47.44

 

CMYK 10 / 69 / 0 / 29

HEX #A339B6

RGB 163 57 182

HSL 290.88, 0.52%, 0.47%

LAB 44.36, 60.22, -45.62

 

CMYK 0 / 23 / 68 / 28

HEX #B88D3A

RGB 184 141 58

HSL 39.52, 0.52%, 0.47%

LAB 61.26, 7.63, 49.02

 

CMYK 69 / 0 / 58 / 29

HEX #39B64C

RGB 57 182 76

HSL 129.12, 0.52%, 0.47%

LAB 65.63, -55.85, 43.47

 

CMYK 69 / 45 / 0 / 29

HEX #3965B6

RGB 57 101 182

HSL 218.88, 0.52%, 0.47%

LAB 43.59, 12.06, -47.44

 

CMYK 0 / 69 / 10 / 29

HEX #B639A3

RGB 182 57 163

HSL 309.12, 0.52%, 0.47%

LAB 46.33, 61.49, -31.09

 

Description

Color code: HEX #B88D3A | qconv.com Color code: HEX #B88D3A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 141 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 141 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 68 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 68% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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