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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B87E2B it is the complementary color #4781D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B87E2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B87E2B shade: #BD7E26, #CE9039, #DFA24C, #F0B45F and #FFC672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B87E2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B87E2B shade: #B87E2B, #A76C18, #965A05, #854800 and #743600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B87E2B shade: #B97F2B, #B9582B, #B9322B and #B92B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B87E2B shade: #B97F2B, #B9A52B, #A7B92B, #81B92B and #5AB92B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B87E2B shade matches the following richer shades: #B97F2B, #CC8219 and #DF8506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B87E2B shade: #B97F2B, #A77C3E, #947850, #827563 and #6F7275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B87E2B shade: #B9322B, #B9582B, #B97E2B, #B9A42B and #A9B92B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B87E2B shade: #77511B, #986823, #B97F2B, #D1943D and #D9A65E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B87E2B shade: #B87E2B, #4AB92B and #452BB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B87E2B shade: #B87E2B, #2BB97E and #7E2BB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B87E2B shade: #B87E2B, #4AB92B, #2B66B9 and #9B2BB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B87E2B shade: #B87E2B, #2BB937, #2B66B9 and #B92BAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 77 / 28

HEX #B87E2B

RGB 184 126 43

HSL 35.32, 0.62%, 0.45%

LAB 57.35, 15.18, 51.62

 

Complementary color

CMYK 67 / 39 / 0 / 17

HEX #4781D4

RGB 71 129 212

HSL 215.32, 0.62%, 0.55%

LAB 53.81, 7.64, -48.32

 

CMYK 0 / 33 / 80 / 26

HEX #BD7E26

RGB 189 126 38

HSL 34.97, 0.67%, 0.45%

LAB 57.92, 17.18, 54.38

 

CMYK 0 / 30 / 72 / 19

HEX #CE9039

RGB 206 144 57

HSL 35.03, 0.6%, 0.52%

LAB 64.45, 15.53, 53.56

 

CMYK 0 / 27 / 66 / 13

HEX #DFA24C

RGB 223 162 76

HSL 35.1, 0.7%, 0.59%

LAB 70.91, 14.11, 52.37

 

CMYK 0 / 25 / 60 / 6

HEX #F0B45F

RGB 240 180 95

HSL 35.17, 0.83%, 0.66%

LAB 77.28, 12.88, 51.06

 

CMYK 0 / 22 / 55 / 0

HEX #FFC672

RGB 255 198 114

HSL 35.74, 1%, 0.72%

LAB 83.37, 11, 49.43

 

CMYK 0 / 32 / 77 / 28

HEX #B87E2B

RGB 184 126 43

HSL 35.32, 0.62%, 0.45%

LAB 57.35, 15.18, 51.62

 

CMYK 0 / 35 / 86 / 35

HEX #A76C18

RGB 167 108 24

HSL 35.24, 0.75%, 0.37%

LAB 50.69, 17, 52

 

CMYK 0 / 40 / 97 / 41

HEX #965A05

RGB 150 90 5

HSL 35.17, 0.94%, 0.3%

LAB 43.96, 19.14, 51.03

 

CMYK 0 / 46 / 100 / 48

HEX #854800

RGB 133 72 0

HSL 32.48, 1%, 0.26%

LAB 37.15, 21.65, 46.83

 

CMYK 0 / 53 / 100 / 55

HEX #743600

RGB 116 54 0

HSL 27.93, 1%, 0.23%

LAB 30.28, 24.29, 41.1

 

CMYK 0 / 31 / 77 / 27

HEX #B97F2B

RGB 185 127 43

HSL 35.49, 0.62%, 0.45%

LAB 57.72, 15.06, 52.01

 

CMYK 0 / 52 / 77 / 27

HEX #B9582B

RGB 185 88 43

HSL 19.01, 0.62%, 0.45%

LAB 48.84, 36.23, 43.19

 

CMYK 0 / 73 / 77 / 27

HEX #B9322B

RGB 185 50 43

HSL 2.96, 0.62%, 0.45%

LAB 42.41, 53.26, 36.45

 

CMYK 0 / 77 / 77 / 27

HEX #B92B2B

RGB 185 43 43

HSL 0, 0.62%, 0.45%

LAB 41.56, 55.64, 35.52

 

CMYK 0 / 31 / 77 / 27

HEX #B97F2B

RGB 185 127 43

HSL 35.49, 0.62%, 0.45%

LAB 57.72, 15.06, 52.01

 

CMYK 0 / 11 / 77 / 27

HEX #B9A52B

RGB 185 165 43

HSL 51.55, 0.62%, 0.45%

LAB 67.58, -5.65, 61.33

 

CMYK 10 / 0 / 77 / 27

HEX #A7B92B

RGB 167 185 43

HSL 67.61, 0.62%, 0.45%

LAB 71.61, -23.69, 64.51

 

CMYK 30 / 0 / 77 / 27

HEX #81B92B

RGB 129 185 43

HSL 83.66, 0.62%, 0.45%

LAB 69.14, -38.96, 61.31

 

CMYK 51 / 0 / 77 / 27

HEX #5AB92B

RGB 90 185 43

HSL 100.14, 0.62%, 0.45%

LAB 67.31, -52.1, 58.92

 

CMYK 0 / 31 / 77 / 27

HEX #B97F2B

RGB 185 127 43

HSL 35.49, 0.62%, 0.45%

LAB 57.72, 15.06, 52.01

 

CMYK 0 / 36 / 88 / 20

HEX #CC8219

RGB 204 130 25

HSL 35.2, 0.78%, 0.45%

LAB 60.67, 21.16, 61.78

 

CMYK 0 / 40 / 97 / 13

HEX #DF8506

RGB 223 133 6

HSL 35.12, 0.95%, 0.45%

LAB 63.73, 27.39, 68.88

 

CMYK 0 / 31 / 77 / 27

HEX #B97F2B

RGB 185 127 43

HSL 35.49, 0.62%, 0.45%

LAB 57.72, 15.06, 52.01

 

CMYK 0 / 26 / 63 / 35

HEX #A77C3E

RGB 167 124 62

HSL 35.43, 0.46%, 0.45%

LAB 55.05, 9.84, 39.7

 

CMYK 0 / 19 / 46 / 42

HEX #947850

RGB 148 120 80

HSL 35.29, 0.3%, 0.45%

LAB 52.18, 5.36, 26.03

 

CMYK 0 / 10 / 24 / 49

HEX #827563

RGB 130 117 99

HSL 34.84, 0.14%, 0.45%

LAB 49.94, 1.94, 11.77

 

CMYK 5 / 3 / 0 / 54

HEX #6F7275

RGB 111 114 117

HSL 210, 0.03%, 0.45%

LAB 47.88, -0.51, -2.06

 

CMYK 0 / 73 / 77 / 27

HEX #B9322B

RGB 185 50 43

HSL 2.96, 0.62%, 0.45%

LAB 42.41, 53.26, 36.45

 

CMYK 0 / 52 / 77 / 27

HEX #B9582B

RGB 185 88 43

HSL 19.01, 0.62%, 0.45%

LAB 48.84, 36.23, 43.19

 

CMYK 0 / 32 / 77 / 27

HEX #B97E2B

RGB 185 126 43

HSL 35.07, 0.62%, 0.45%

LAB 57.47, 15.62, 51.78

 

CMYK 0 / 11 / 77 / 27

HEX #B9A42B

RGB 185 164 43

HSL 51.13, 0.62%, 0.45%

LAB 67.31, -5.12, 61.08

 

CMYK 9 / 0 / 77 / 27

HEX #A9B92B

RGB 169 185 43

HSL 66.76, 0.62%, 0.45%

LAB 71.76, -22.84, 64.7

 

CMYK 0 / 32 / 77 / 53

HEX #77511B

RGB 119 81 27

HSL 35.22, 0.63%, 0.29%

LAB 37.64, 10.59, 36.57

 

CMYK 0 / 32 / 77 / 40

HEX #986823

RGB 152 104 35

HSL 35.38, 0.63%, 0.37%

LAB 47.88, 12.88, 44.47

 

CMYK 0 / 31 / 77 / 27

HEX #B97F2B

RGB 185 127 43

HSL 35.49, 0.62%, 0.45%

LAB 57.72, 15.06, 52.01

 

CMYK 0 / 29 / 71 / 18

HEX #D1943D

RGB 209 148 61

HSL 35.27, 0.62%, 0.53%

LAB 65.8, 14.85, 53.29

 

CMYK 0 / 24 / 57 / 15

HEX #D9A65E

RGB 217 166 94

HSL 35.12, 0.62%, 0.61%

LAB 71.44, 10.68, 44.08

 

CMYK 0 / 32 / 77 / 28

HEX #B87E2B

RGB 184 126 43

HSL 35.32, 0.62%, 0.45%

LAB 57.35, 15.18, 51.62

 

CMYK 60 / 0 / 77 / 27

HEX #4AB92B

RGB 74 185 43

HSL 106.9, 0.62%, 0.45%

LAB 66.77, -56.38, 58.21

 

CMYK 63 / 77 / 0 / 27

HEX #452BB9

RGB 69 43 185

HSL 250.99, 0.62%, 0.45%

LAB 30.63, 50.36, -70.23

 

CMYK 0 / 32 / 77 / 28

HEX #B87E2B

RGB 184 126 43

HSL 35.32, 0.62%, 0.45%

LAB 57.35, 15.18, 51.62

 

CMYK 77 / 0 / 32 / 27

HEX #2BB97E

RGB 43 185 126

HSL 155.07, 0.62%, 0.45%

LAB 67.06, -50.53, 19.68

 

CMYK 32 / 77 / 0 / 27

HEX #7E2BB9

RGB 126 43 185

HSL 275.07, 0.62%, 0.45%

LAB 37.24, 58.86, -59.15

 

CMYK 0 / 32 / 77 / 28

HEX #B87E2B

RGB 184 126 43

HSL 35.32, 0.62%, 0.45%

LAB 57.35, 15.18, 51.62

 

CMYK 60 / 0 / 77 / 27

HEX #4AB92B

RGB 74 185 43

HSL 106.9, 0.62%, 0.45%

LAB 66.77, -56.38, 58.21

 

CMYK 77 / 45 / 0 / 27

HEX #2B66B9

RGB 43 102 185

HSL 215.07, 0.62%, 0.45%

LAB 43.54, 10.58, -49.3

 

CMYK 16 / 77 / 0 / 27

HEX #9B2BB9

RGB 155 43 185

HSL 287.32, 0.62%, 0.45%

LAB 41.53, 64.22, -52

 

CMYK 0 / 32 / 77 / 28

HEX #B87E2B

RGB 184 126 43

HSL 35.32, 0.62%, 0.45%

LAB 57.35, 15.18, 51.62

 

CMYK 77 / 0 / 70 / 27

HEX #2BB937

RGB 43 185 55

HSL 125.07, 0.62%, 0.45%

LAB 66.13, -61.46, 53.01

 

CMYK 77 / 45 / 0 / 27

HEX #2B66B9

RGB 43 102 185

HSL 215.07, 0.62%, 0.45%

LAB 43.54, 10.58, -49.3

 

CMYK 0 / 77 / 6 / 27

HEX #B92BAE

RGB 185 43 174

HSL 304.65, 0.62%, 0.45%

LAB 45.77, 68.46, -38.46

 

Description

Color code: HEX #B87E2B | qconv.com Color code: HEX #B87E2B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 126 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 126 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 77 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 77% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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